by J. D. Robb
"Some other cop," she said.
"There is no other like you." He pressed his lips to the top of her head. "There's no other who understands them, the victims and those who victimize them, quite like you. Seeing that, knowing that, well, it's made an honest man out of me, hasn't it?"
She turned now to look him straight in the eye. "You made yourself."
She knew he thought of his mother, of what he'd learned only a short time before, and she knew he suffered. She couldn't stand for Roarke's dead as she did for those of strangers. She couldn't help him find justice for the woman he never knew existed, for the woman who'd loved him and died at the brutal hand of his own father.
"If I could go back," she said slowly, "if there was a way to twist time and go back, I'd do everything I could to bring him down and put him away for what he did. I wish I could stand for her, for you."
"We can't change history, can we? Not for my mother, not for ourselves. If we could, you're the only one in this world I would trust with it. The only one who might make me stand back and let the law do what the law does." He traced his finger down the dent in her chin. "So, Lieutenant, whenever you do take one of those shortcuts, you should remember there are those of us who depend on you who don't give a rat's ass about the book."
"Maybe not. But I do. Go help Feeney. Get me something I can use so we can make him pay for what he did to them."
She sat alone when he'd gone, her coffee forgotten and her gaze on the murder board. She saw herself in each of the victims. In Andrea Jacobs, struck down and abandoned. In Tina Cobb, robbed of her own identity and discarded.
But she'd come back from those things. She'd been created from those things. No, you couldn't change history, she thought. But you could sure as hell use it.
27.
She lost track of time when she worked alone. Eve supposed, if pressed on the subject, she lost track of time when she worked with others, too.
But there was something soothing about sitting in or pacing around her office by herself, letting the data and the speculations bump around in her head with only the computer's bland voice for company.
When her 'link beeped, she jerked out of a half trance and realized the only light in the room was from her various screens.
"Dallas. What?"
"Hey, Lieutenant." McNab's young, pretty face popped on screen. She could see the slice of pizza in his hand. Hell, since she could all but smell the pepperoni, it occurred to her she'd missed dinner. "Were you asleep or something?"
She could feel her embarrassment scale rising just because another cop had tagged her when she'd been drifting off. "No, I wasn't asleep. I'm working."
"In the dark?"
"What do you want, McNab?" She knew what she wanted. She wanted his pizza.
"Okay. I put in some OT on the 'links and d and c's." He took a bite of pizza. Eve was forced to swallow her own saliva. "Lemme tell you, these dink units are tougher than the pricey ones. Memory's for shit, and the broadband—"
"Don't walk me down that path, McNab. Bottom-line it."
"Sure. Sorry."
He licked—the bastard actually licked sauce from his thumb.
"I got locations on two of the transmissions we believe the killer sent Cobb. One of them matches the location of an aborted trans sent to the Gannon residence and picked up by the answering program on the night of Jacobs's murder."
"Where?"
"The location that hit both is a public 'link in Grand Central. The other, generated from a cyber club downtown. Oh, and there's a second aborted to the Gannon residence, ten minutes after the first, from another public three blocks from her residence."
Public places, public access. Phony accounts. Careful, careful, careful. "You with Peabody?"
"Yeah. She's in the other room."
"Why don't you check out the club? See if you can pinpoint the unit he used. Maybe you can get us a better description."
"No problem."
"We're going to brief at my home office, eight hundred hours."
His mouth might've been full of pizza, but she recognized a groan when she heard one. Served him right for eating on her empty stomach.
"You get anything hot, I want to hear right away. No matter what time it is. That's good work on the 'links."
"I am the wizard. You guys got any of that real bacon?"
She cut him off. Sitting back in the blue-shadowed dark, she thought about diamonds and pizza and murder.
"Lieutenant."
"Hmm?"
"Lights on, twenty-five percent." Even in the dimness, Roarke watched her blink like an owl. "You need to eat."
"McNab had pizza. It broke my focus." She rubbed her tired eyes. "Where's Feeney?"
"I sent him home, not without a struggle. His wife called. I think she's going into a low-level state of panic that he's going to do what he suggested to you earlier and postpone this family trip."
"I won't let him. You got anything for me?"
"The first stage of matching's done on Judith Crew, nearly so on the boy. Once that's done we'll . . ." He remembered who he was talking to and edited out the techno jargon. "Essentially, we'll cross-match and reference the two sets. If she kept her son with her until he came of age—and it certainly seems she'd do so—we should be able to locate that match, or matches."
He cocked his head at her. "Is it going to be pizza for you, then?"
"I would give you five hundred credits for a slice of pepperoni pizza."
He sneered. "Please, Lieutenant. I can't be bought."
"I will give you the sexual favor of your choice at the next possible opportunity."
"Done."
"Cheap date."
"You don't know the sexual favor I have in mind. Did you get your warrants?" he called out as he went into the kitchen.
"Yeah. Jesus, I had to tap-dance until my toes fell off, but I'm getting them. And McNab's pinned locations on transmissions. He and Peabody are going to check out a cyber club tonight where one was zipped to Cobb."
"Tonight?"
"They're young, able and afraid of me."
"So am I." He brought her in a plateful of bubbling pizza and a large glass of red wine.
"Where's yours?"
"I had something with Feeney in the lab, and foolishly assumed you'd feed yourself."
"You've already eaten and you still fixed me dinner?" She scooped up pizza, singed her fingertips. "Wow, you're like my body slave."
"Those roles will be reversed when I collect my payment. I think it may involve costumes."
"Get out." She snorted, bit into the pizza and burned her tongue. It was great. "He made a call to both Cobb and Gannon from a port in Grand Central. Called Gannon's place the night he killed Jacobs—twice, two locations. Just covering his bases, sounds like. Gets her answering program on both aborts, confirms the all clear. Goes over."
She washed down pizza with wine and knew God was in His heaven.
"Could've walked from there, that's how I'd've done it. Better than a cab. Safer."
"And allows him to case the neighborhood," Roarke added.
"Then he gets there, gets inside. Maybe he's smart enough to do a room-by-room check of the house first. Can't be too careful. Then he goes upstairs to get started, and before you know it, house-sitter comes in. All that care, all that trouble, and for what?"
"Pissed him off."
Eve nodded, drank some more wine, considered the second slice of pizza. Why the hell not? "I'm thinking, yeah. Had to piss him off. You know he could've gotten out. Or he could've debilitated her, restrained her. But she'd ruined his plans. She'd become the fly in his soup. So he killed her. But he wasn't in a rage when he did it. Controlled, careful. But not as smart as he thinks. What if she knows something? He didn't take that leap in logic."
"He struck out, coldly, but didn't take the time to completely calm himself." Roarke nodded. "He had to improvise. We could assume he's not at his best when he hasn't been able to script the play and fol
low the cues."
"Yeah, I can see inside his head, but it's not helping." She tossed the slice of pizza down and stared at the artist's image she kept on screen. "If I've structured this investigation right, I know what he wants. I know what he'll do to get it. I even know, if we're following the same logic, that his next step would be to go after Samantha Gannon or one of her family. To buddy up with them if he calculates it's worth the time and effort, to threaten, torture, kill, if it's not. Whatever it takes to get the diamonds or information leading to them out of her."
"But he can't get to her, or them."
"No, I got them covered. And maybe that's part of the problem. Why it's stalled."
"If you use her as bait, you could lure him out."
With the wine glass cupped in her hand, Eve tipped back, closed her eyes. "She'd do it, too. I can see that in her. She'd do it because it's a way to end it, and because it makes a good story, and because she's gutsy. Not stupidly, but gutsy enough to go for this. Just like her grandma."
"Gutsy enough, because she'd trust you to look out for her."
Eve shrugged a shoulder. "I don't like to use civilians as bait. I could put a cop in her place. We can fix one up to look enough like her to pass."
"He'd have studied her. He might see through it."
"Might. Hell, he might even know her. Anyway, I'm too tall. Peabody's the wrong body type."
"A droid could be fashioned."
"Droids only do what they're programmed to do." And she never fully trusted machines. "Bait needs to be able to think. There's someone else he might go for."
"Judith Crew."
"Yeah. If she's still alive, he might try for her. Or the son. If neither one of them is a part of this, he might push those buttons. There's nobody else left from back then, nobody with direct knowledge of what went down, and how. He can't even be sure they exist."
"Eat."
Distracted, she looked down at the pizza. Because it was there, she picked it up, bit in, chewed. "It's a kind of fantasy. Now that I see he's younger than I assumed, it makes more sense to me. It's a treasure hunt. He wants them because he feels he's entitled to them, and because they're valuable, but also because they're shiny," she added, thinking of Peabody outside the display windows at Fifth and Forty-seventh.
"You talked me into swimming around that reef off the island. Remember? You said not to wear my pendant deal. Not only because, hey, big fat diamonds can get lost in the ocean, but because I shouldn't wear anything shiny in there. Barracudas get hyped up when something shines and gleams in the water and can take great big, nasty bites out of you."
"So you have a barracuda on a treasure hunt."
Yeah, she liked bouncing a case off Roarke, Eve thought. You didn't have to tell him anything twice, and half the time didn't have to tell him the first time.
"I don't know where this is taking me, but let's play it out. He wants them because he feels entitled, because they're valuable and because they're shiny. This tells me he's spoiled, greedy and childish. And mean. The way a bully's mean. He killed not only because it was expedient but because he could. Because they were weaker and he had the advantage. He hurt Cobb because there was time to, and he was probably bored by her. This is how I see him. I don't know what it gets me."
"Recognition. Keep going."
"I think he's used to getting what he wants. Taking it if it isn't given. Maybe he's stolen before. There was probably a safer way to get information, but he chose this way. It's more exciting to take something that isn't yours in the dark than to bargain for it in the light."
"I certainly used to think so."
"Then you grew up."
"Well, in my way. There's a thrill about the dark, Eve. Once you've experienced it, it's difficult to resist."
"Why did you? Resist."
"I wanted something else. More." He took her wine for a sip. "I'd built my way toward it, with the occasional and often recreational side step. Then I wanted you. There's nothing in the dark I could want as I want you."
"He doesn't have anyone. He doesn't love. He doesn't want anyone. It's things he craves. Shiny things that gleam in the dark. They're shinier, Roarke, because they already have blood on them. And I think, I'm damn sure, some of that blood runs in him. They're more valuable to him, more important to him, because of the blood."
She rolled her shoulders. "Yeah, I'll recognize him. I'll know him when I see him. But none of this gets me any closer to where he is."
"Why don't you get some rest?"
She shook her head. "I want to look at the matches."
***
Steven Whittier sipped Earl Grey out of his favorite red mug. He claimed it added to the flavor, a statement that caused his wife, who preferred using the antique Meissen, to act annoyed. Still, she loved him as much for his everyman ways as she did for his sturdiness, dependability and humor.
The match between them—the builder and the society princess—had initially baffled and flustered her family. Patricia was vintage wine and caviar, and Steve was beer and soy dogs. But she'd dug in her fashionable heels and ignored her family's dire predictions. Thirty-two years later, everyone had forgotten those predictions except Steve and Pat.
Every year on their anniversary, they tapped glasses to the toast of "It'll never last." After which, they would laugh like children pulling one over on a bunch of grown-ups.
They'd built a good life, and even his early detractors had been forced to admit Steve Whittier had brains and ambition, and had managed to use both to provide Pat with a lifestyle they could accept.
From childhood he'd known what he wanted to do. To create or recreate buildings. He'd wanted to dig in his roots, as he'd never been able to do as a child, and provide places for others to do the same.
He'd structured Whittier Construction from the ground up, through his own sweat and desire, his mother's unbending belief in him—then Pat's. In the thirty-three years since he'd begun with a three-man crew and a mobile office out of his own truck, he'd cemented his foundation and added story after story onto the building of his dream.
Now, though he had managers and foremen and designers on his payroll, he still made it a habit to roll up his sleeves on every job site, to spend his day traveling from one to another or burrowing in to pick up his tools like any laborer.
There was little that made him happier than the ring and the buzz of a building being created, or improved.
His only disappointment was that Whittier had not yet become Whittier and Son. He still had hopes that it would, though Trevor had no interest in or talent for the hands-on of building.
He wanted to believe—needed to believe—that Trevor would settle down soon, would come to see the value of honest work. He worried about the boy.
They hadn't raised him to be shallow and lazy, or to expect the world handed to him on a platter. Even now, Trevor was required to report to the main offices four days a week, and to put in a day's work at his desk.
Well, half a day, Steve amended. Somehow, it was never more than half a day.
Not that he got anything done in that amount of time, Steve thought as he blew on his steaming tea. They would have to have another talk about it. The boy was paid a good salary, and a good day's work was expected. The problem, of course, or part of it, was the trust funds and glittery gifts from his mother's side of the family. The boy took the easy route no matter how often his parents had struggled to redirect him.
Given too much, too easily, Steve thought as he looked around his cozy den. But some of the fault was his own, Steve admitted. He'd expected too much, pinned too many hopes on his son. Who knew better than he how terrifying and debilitating it could be for a boy to have his father's shadow looming everywhere?
Pat was right, he thought. They should back off a bit, give Trevor more room. It might mean taking a clip out of the family strings and setting him loose. It was hard to think of doing so, of pushing Trevor out of the nest and watching him struggle to cross the wire o
f adulthood without the net they'd always provided. But if the business wasn't what he wanted for himself, then he should be nudged out of it. He couldn't continue to simply clock time and draw pay.
Still, he hesitated to do so. Not only out of love, for God knew, he loved his son, but out of fear the boy would simply turn to his maternal grandparents and live, all too happily, off their largesse.
Sipping his tea, he studied the room his wife laughingly called Steve's Cave. He had a desk there as he more often than not preferred to hunker down in that room rather than the big, airy office downtown or his own well-appointed, well-equipped office in the house. He liked the deep colors of this room, and the shelves filled with his boyhood toys—the trucks and machines and tools he'd routinely asked for at birthdays and Christmastime.
He liked his photographs, not only of Pat and Trevor, of his mother, but of himself with his crews, with his buildings, with his trucks and machines and tools he'd worked with as an adult.
And he liked the quiet. When the privacy screens were on the windows and the doors were shut, it might very well be a cave instead of one of the many rooms in a three-level house.
He glanced up at the ceiling, knowing if he didn't go up to the bedroom shortly, his wife would roll over in bed, find him gone, then drag herself up to search him out.
He should go up, spare her that. But he poured a second mug of tea and lingered in the soft light and quiet. And nearly dozed off.
The buzzer on his security panel made him jolt. His first reaction was annoyance. But when he blinked his eyes clear and looked at the view screen, the image of his son brought him a quick rush of pleasure.
He rose out of his wide leather chair, a man of slightly less than average height, with the bare beginnings of a potbelly. His arms and legs were well muscled, and hard as brick. His eyes were a faded blue with webs of lines fanning out from them. Though it had gone stone gray, he still had most of his hair.
He looked his age, and eschewed any thought of face or body sculpting. He liked to say he'd earned the lines and gray hair honestly. A statement, he knew, that caused his fashionable and youth-conscious son to wince.