The Fear In Yesterday's rings m-10

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The Fear In Yesterday's rings m-10 Page 17

by George C. Chesbro


  In the section of the field just beyond the gunman in the gray suit, a dozen semitrailers were parked in rows of four, virtually nose-to-nose, with one row flush to the rear of the Big Top. That was where I wanted to go. I had been kept inside an old circus wagon, but there were no more of those in evidence. Garth was too big and obstreperous to try to keep in any mobile home, so I figured they might have him locked up in an animal cage inside one of the semis. In any case, the rows of parked trucks seemed the logical place to start looking. He would, at least, be in a position to return a signal.

  If he was conscious.

  Trying not to think of what might be slinking toward me in the darkness of the parking lot, I angled to my right, away from the gunman in the suit. I stopped fifty yards away and waited for him to look in the opposite direction, then darted out from behind a car, ran across a narrow dirt track, and ducked under a rope into a dark area near where the semis were parked. I crouched down in the night, forcing myself to take deep breaths and try to relax as I looked around me in the darkness and wiped sweat away from my eyes.

  I had to hope Garth hadn't been drugged into unconsciousness; I had to hope he could respond to a signal. I could only start worrying about how to get him out after I found out where he was.

  It was time to get off the ground, where I was vulnerable to a lobox attack from all sides. I hustled on over to the trucks, climbed up on the running board of the first one in the first line, clambered up onto the roof of the cab. Then I put the.45 in my other suit jacket pocket, jumped up, and caught the edge of the roof of the box with my fingers. I hauled myself up and over the edge onto the corrugated steel roof, then lay down in the darkness and again forced myself to take a series of deep breaths, seeking release from the terror that had gripped me from the moment I had left the relative safety of the station wagon. I kept reminding myself that I was safe from the loboxes, at least for the time being. The suited gunman was still pacing back and forth on the dirt track, speaking into his walkie-talkie, which meant that I hadn't been seen. I was still in business.

  I began to feel better.

  I was even beginning to feel just a tad of optimism.

  I worked my way across the length of the box on the first semi, softly tapping out a Morse SOS code on the metal with the barrel of the automatic as I went along. When I reached the rear of the box, I eased myself over the edge and dropped to the hood of the tractor parked behind it. I hauled myself up to the roof of the box of that truck, again started tapping out the SOS code as I worked my way down its length.

  On the roof of the box of the third semi, I hit pay dirt. I was halfway down, tapping out my signal, when I heard Garth's voice.

  "Mongo?! That damn well better be you, brother! I need rescuing!"

  I rested my head against the cold metal and breathed a sigh of relief. My brother didn't sound drugged, only angry. I tapped again.

  "Mongo?! Is that you, you little fucker? I want you to know that I'm seriously pissed at you! And Mary's pissed at you, too!"

  His words filled me with a new fear. It had never occurred to me that Mary might have come along with Garth and been captured too. If she had, it would present a host of new problems.

  My knowledge of Morse was limited at best, and I didn't know if Garth knew any of it at all. I screwed my eyes shut, trying to recall the pages of dots and dashes from my Cub Scout manual.

  Tappety-tap. M-A-R-Y H-E-R-E.

  "No! Just me!"

  W-A-I-T.

  "Mongo, when I find out what you've gotten yourself into this time, I'm likely to tear your fucking head off!"

  S-H-U-T U-P W-A-I-T.

  I crawled on my belly back toward the front edge of the box, where there was an air vent, gently tapping all the way so that Garth could follow my progress. I could only hope that Garth had all of the interior of the box to move around in. When I was near the edge I paused to look around, but I didn't see any guards or roustabouts. I leaned over the edge, put my mouth close to the air vent.

  "Garth? Can you hear me?"

  "Yeah." His voice sounded as if it was directly below me, which meant that he had not been locked in a cage inside a cage. Good. "Sorry about all that yelling I did. It was just my way of letting you know I was happy to hear from you. It's getting a little stuffy in here."

  "Yeah, I know. You're forgiven."

  "When I didn't hear from you again for two days after our last phone conversation, I knew you'd gone and stuck that big nose of yours into Arlen Zelezian's business-just like I'd warned you not to. Christ, I was afraid you were dead."

  "Not yet."

  "But you're working on it, right?"

  "That isn't exactly the way I'd put it."

  "What the hell's going on, Mongo?"

  "You know about the loboxes?"

  "What are loboxes? I don't know anything, except that you and your girlfriend are in deep shit. The police are looking for the two of you."

  "Yeah, that figures."

  "I take it they're missing something, but I could never make out just what it is. I only heard bits and pieces of conversation."

  "They're missing something, all right: two things. Look, have you got any lights in there?"

  "No. This truck's filled with spare equipment, from what I can make out. I almost broke my neck following you over here."

  "Okay, you've got double doors that swing out at the rear of the box and in the middle, on your left as you're facing toward the cab-the way you're facing now. They're padlocked. I'm going to try to shoot the lock off the doors at the rear, because I have more cover there. The trucks are parked nose-to-ass, but there should be enough room there for you to squeeze out. The shot is going to attract some attention, so be prepared to move fast. I've got a friend waiting for us in a car, but we may have to shoot our way out through the parking lots. You ready?"

  "And then some."

  "Here I come."

  I crawled back to the rear of the box, taking care not to let myself be silhouetted against the sky, lowered myself to the hood of the tractor parked just behind. The padlock on the double doors of the trailer box ahead was just about at waist level. I straddled the hood ornament, took the automatic out of my pocket.

  "Hey, Mongo? You out there?"

  I gently tapped the door in response, then aimed the gun with both hands at the padlock and waited. The gray-suited gunman and his colleagues were going to come running at the sound of the shot, and I needed something to at least partially mask the report. Inside the Big Top, the band was striking up the Triumphal March from Aida, signaling Luther's entrance on Mabel. The music was building up in a crescendo that would end in a blare of trumpets, a drumroll, and a cymbal crash. It might just be enough. I aimed the gun, waited for the right moment.

  There was no sound of warning, no characteristic roar; as I began to squeeze the trigger, I caught a flash of tawny color and blurred movement out of the corner of my right eye. I yelled in sheer terror and went flat on my back, throwing my arms across my face and throat, in the process losing my grip on the gun, which clattered across the hood, fell to the ground on the other side. I felt the breeze generated by the lobox's flight through the air just over my body, felt a sharp tug as its claws caught the lapels of my suit jacket, shredding them.

  "Mongo! What's the matter?! What's happening out there?!"

  What was happening was that the lobox that had been primed to kill me was back on my case, and I really didn't have time to explain to Garth what that all meant. In fact, I might not have much time left for anything. When I reached for the Colt, I found my suit jacket pocket empty; when I had thrown myself back on the hood, the heavy gun had slipped out, fallen to the ground along with the automatic.

  The lobox-which had hurtled across the tractor hood and landed on the ground to my left-leaped to its feet at the same time I did. The beast wheeled on the grass in the narrow alley between parked trucks, bunched its legs under it, and sprang up at me the same time as I sprang for the edge of the r
oof of the trailer box. My fingers caught the steel edge and I pulled, hauling my legs up just as I heard the snap of jaws below my feet. It was a motivating sound. Terror and adrenaline propelled me up the side of the box, and I rolled over onto the roof as I heard claws scratching at the steel in the spot where my body had been only a moment before.

  There was a sharp crack of a gun, and a bullet bit into the steel at the side of the box. I glanced in the direction from which the shot had come, saw a gray-suited gunman running across the field in my direction.

  It was just what I needed. Mongo the Fumble-fingered was being given the choice of having his throat torn away or his brains blown out.

  Gunman or no, I wasn't about to hang around to see how many leaps it was going to take the lobox before it managed to get up on the roof; its body was repeatedly banging against the steel, claws desperately scraping at the metal, and each leap seemed to bring it closer to the roofs edge. Whatever killed me, human or animal, was going to leave me just as dead, and at the moment I was more worried about the animal than the human. I scrambled to my feet as another bullet whizzed over my head. Keeping as low as possible, I bounded three steps, leaped across the bridge of space separating the truck I was on from the one parked next to it. If I could make it across the roofs of two more rows of trucks, I thought, I just might be able to leap onto the Big Top's canvas and crawl up to where there was a hole at the top, around the great center pole that was the tent's main support. I didn't have the slightest idea what I was going to do when I got there, or what good it was going to do me in the long run, but it seemed an infinitely better spot than the one I was in.

  My only other alternative was to jump down to the ground, where I estimated I would last about five seconds.

  I might last only slightly longer than that where I was, I thought as I leaped through the air again and landed on the next truck. I could hear the lobox's claws clicking and scraping on the steel behind me. It had gotten up to the roofs, and it was gaining on me. Fast.

  One more leap, and I was on the roof of a semi parked right next to the Big Top. I sprang out into the air, arms extended full length, and my fingers caught the hard edge where a support cable ran horizontally along the length of the tent, beneath the canvas. I pulled, feet scraping on the canvas, and managed to haul myself up and over the cable, onto the incline leading up to the top. Immediately, instinctively, I rolled to my left.

  The lobox landed right next to me-and would have landed on me if I hadn't rolled away. The claws of both its front paws punctured the canvas, and I knew I was finished. I was like a novice rock climber in sneakers on an ice sheet trying to escape from an experienced, fully rigged mountaineer; there was no way I could scramble up the steeply inclined canvas fast enough to escape the lobox, which had built-in pitons on all its feet. I flinched, every muscle in my body knotting as I waited for it to pull itself up the rest of the way, get its hind feet under it, and then proceed to use me for a quickly disposable scratching pole. I was close enough to it to see that it had a new dark stripe on its coat, this one running vertically down off its left shoulder, perpendicular to the black stripes running down its back on either side of its spine. But the stripe on its shoulder wasn't natural; it was dried blood from the gunshot wound I had inflicted on it. Not that wounding it had done me any good; as far as I could tell, getting nicked by the bullet hadn't slowed the beast down one iota and had probably only served to make it more determined to get me. I stared back into the all-too-human golden eyes; they were only inches from mine, and they seemed alive with an all-too-human glow of triumph.

  I'd been beginning to feel like the Road Runner, the big difference being that it looked like Wile E. Coyote now had me, and I would really bleed, hurt, and die.

  Then there was the sound of ripping canvas. Incredibly, the head of the lobox began moving in the opposite direction, away from me. Its ruff, which had been folly expanded, slowly fell, and I let loose a burst of hysterical giggles as I realized what was happening; the creature's saber claws were so sharp that they couldn't hold their owner's weight in the fabric, as thick as it was, and they were slicing like razors through the canvas.

  The triumphal glow in the golden eyes had changed to what I swore was a look of astonishment, chagrin, and frustration as the broad-ribbed torso inexorably slid backward toward the edge of the tent defined by the support cable.

  "Take that, you fucking overachieving furball," I said, still giggling hysterically as I shifted my weight and kicked the animal in the side of the head.

  The creature uttered a very unloboxlike yelp and, to the sound of ripping canvas and the click of claws on steel cable, disappeared over the edge of the canopy.

  Of course, it wasn't that I didn't have other things to worry about: there was the crack of a gun, and a bullet tore into the canvas three feet to the right of my head. I glanced to my left, saw two gray-suited gunmen standing in an open area of the roped-off field, well out beyond the four rows of semis. One man, presumably the one who had already taken the potshot at me, was aiming again, using both hands.

  The second man grabbed the first man's wrist, forcing the first man to lower the gun. Words were exchanged, and then they both broke into a run toward the main entrance to the tent and disappeared from sight. I presumed that it had occurred to at least one of the men that it might prove tacky, if not downright difficult to explain, if a patron of World Circus were killed by a stray bullet in the air, and so they were going to come at me in another way. They certainly had plenty of options; I wasn't about to jump to the ground and try to run away while there was a stray lobox down there licking its oversize chops at the thought of my doing precisely that.

  The only direction I had to go was up. I rolled over on my hands and knees; gripping the hard edge of a guy cable running upward just beneath a fold in the canvas, I scrambled up to the very top of the tent, where the center mast, a wooden pole nearly a foot in diameter, thrust up through a steel-reinforced circle in the canvas, almost four feet in diameter, where dozens of guy wires and ropes were anchored to concentric steel rings attached to the center mast. I lay down on my belly and, gripping the uppermost steel ring, peered over the edge of the circle onto the layout and doings below me.

  Directly beneath me was a maze of ropes crisscrossing one another, pulleys, trapeze rigging, and a number of platforms holding lighting and sound equipment. The position of the lights made it impossible for anyone on the ground inside the tent to see me, but I could see down well enough.

  The ground was about a hundred and twenty feet below me, and I was almost directly above the great curtain separating the performing area from "backstage." The section where the lobox's claws and the bullet had torn through the canvas was well away from the audience seating area, and it seemed nobody inside the tent had noticed all the commotion outside. Far below, everything looked to be business as usual. The enormous, double-walled steel cage had been thrown up around the ring, awaiting the entrance of the tigers. Mabel, with Luther astride her head, was halfway through her star turn, going into one of her pachyderm pirouettes at the far end of the tent.

  While I was pondering just what it was I planned to do next, I had the good fortune to glance behind me just in time to see one of the ubiquitous men in gray suits reach the top of a ladder that had been set up against the vertical drop of the tent. Our eyes met, and as he started to reach inside his suit jacket for his gun, I waved and blew him a kiss just before reversing my hand grip on the steel ring and rolling forward, down through the opening. If the man wanted to follow me, assuming he didn't mind shooting me in front of a few hundred spectators, I would see how he enjoyed doing his act a hundred feet above the ground. I ended up on the rear edge of a wide wooden platform, just behind a bank of spotlights.

  I moved along the platform a bit further, away from the opening above me, then squatted down and again looked down at the audience below, the rigging that surrounded me. Deja vu. I was back in the Big Top, high up in the rigging, wh
ere I had so often performed as a young man so many years before. I was amazed at how comfortable I felt, still, so high above the ground.

  There was a pleasant tension in my muscles, almost as if they anticipated hurling me through space once again.

  Easy does it, I thought; those tingling muscles of mine no longer had the tone they once had when, nearly two decades before, I'd swung around the perimeter of the tent on trapezes and guy ropes. Still, to get out of this one, I was going to need a goodly amount of Mongo the Magnificent’s old circus skills. I could only hope that a few of those skills were left, still alive and kicking in my muscle memory.

  There was trapeze rigging about twenty feet to my right, but to get to it I was going to have to negotiate a tangle of guy wires, ropes, and electrical cables.

  I leaped for a taut rope above my head, caught it, then began swinging hand over hand toward the relatively secure platforms, bars, and ropes of the trapeze rigging.

  Mabel was the first to notice my presence. I was about halfway through my hand-over-hand journey at the very top of the tent when she suddenly stopped in the middle of a pirouette, abruptly turned in my direction, lifted her trunk, and trumpeted. Even from as high up and far away as I was, I could see the look of consternation on Luther's face. Then he looked up, saw me, and his jaw fell open.

  Next, the audience noticed me; hundreds of heads turned to look at me. There were a few startled gasps, then applause for the dwarf in a ruined suit dangling from a rope at the top of the tent with no net below. They liked it. Along with the applause came laughter. They thought I looked funny.

  There was nothing funny about the appearance of the lobox, and the laughter and applause slowly died as the creature emerged from the shadows between two bleacher sections, padded to the center of the section of sawdust track directly below me, stopped. Its ruff suddenly expanded as it squatted on its haunches, raised its gaze to look at me, opened its jaws, and uttered its keening killing scream.

 

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