by Bruce Feiler
Exhausted, I left my bags in a puddle on the matted floor and went, as instructed, to sit on the bed, which sucked me into its liquid arms. Unable to sit in my new bed-lie, I closed my eyes in a wave of sleep and dreamed that I was swimming upstream, to a mythical place in some glorious past, where words flow like rivers, and rivers run like roads, where young boys sacrifice the blood of youth for a chance to drink the water, and where young girls come to escape their past and climb to a higher class.
MICHAELMAS TERM
I
MATRICULATING
Town and Gown
Down in the town off the bridges and the grass,
They are sweeping up the old leaves to let the people pass,
Sweeping up the old leaves, golden-reds and browns.
Whilst the men go to lecture with the wind in their gowns.
—Frances Darwin
“Autumn Morning at Cambridge,” 1898
Knock, knock, knock. The pounding door rattled me from my dream like a rock being skipped across my forehead and sinking to the sludge of my sleep. Knock, knock, knock. Kick.
“Who is it?” I called from the seat of my bed.
“It’s me,” came a muffle that began in the hall outside the door and without as much as waiting for an invitation stormed through the lock and into my rooms like a tempest bearing tea. I looked down at my watch—seven-fifteen—and when I looked up, I saw staring down at me an elderly woman dressed in pale pink whose disapproving glare and proprietary stare reminded me of the Little Old Lady Who Lived in a Shoe.
“I’m your bedder,” she said.
“But I’m in bed,” I said.
“Not to worry,” she said. “I don’t make your bed. I just take out the bin.” She marched to the far wall between the two windows, reached beneath the desk, and retrieved my metal litter bin, which was devoid of any litter but strewn with stacks of still-soggy New York Timeses. “My name is Edna,” she said. “How about you?”
“I’m Bruce.”
“Are you American?”
“Can you tell?”
She looked at me sprawled on the unmade bed.
“I’ve met a few over the years…. Now let me just tell you a few of the rules in V Entryway.”
Edna was a short, sturdy woman with thinning white hair and a bulging pink apron. On this morning, like a hundred hence, she smelled more of smoke than disinfectant.
“I arrive every morning at seven,” she said. “Have me a cup of tea downstairs with the ladies and then go round to the rooms. I should be arriving here around quarter past. I empty the rubbish every day, wipe out your sink in the corner when I have time, and Hoover the floor mat once a week….”
If I did not wish her to come into my rooms every day, she continued, I could leave the bin outside the door as a sign for her not to enter. Which reminded her, fresh milk would automatically be delivered to the door every morning in pint-sized bottles. If I would like to stop this service, I should notify the housekeeper immediately. Did I have any questions?
“Well, yes, actually. Is there a shower?”
“Oh yes, the shower. I’m afraid there’s only a bath. There was meant to be a shower in this entryway last year. I had already made the fitting on the tub. But it was during exam time, you know, and the students”—she glanced down the arch of her nose, mustering as much reverse snobbery as she could—“well, the students did not approve.” Anyway, she would see what she could do. In the meantime, there was a shower in U Entryway.
“But be careful,” she warned. “My daughter is the bedder over there and she will get on you if you don’t clean up after yourself.” She glanced at my clothes in a pile on the floor, and tiptoed over them toward the door.
“Well then, see you tomorrow, Bruce.”
She slammed the door with a migrainous shock and dragged my bin along the plaster walls until she arrived at the rooms next door and banged her fist dictatorially on my neighbor’s nameplate: H. L. YANG.
“You look like you need a cup of tea.”
When I knocked on her door an hour later, Halcyon Yang was sitting quietly with a book in one of two grey corduroy armchairs, sipping tea with milk and nibbling a biscuit, which she said was a scone and which she pronounced, royally, as “skahn.”
“Very British,” she said with an exaggerated, self-mocking roll of her tongue. “Would you like a taste? Edna lent me the tea….What a card.”
As I stepped into the room, Halcyon marked her place with a bookmark from her lap and pursed her lips in a piercing grin. She was striking, poised, Chinese—much less pale, and much more attractive than I had dared anticipate.
“I’m warning you,” she said. “Edna doesn’t stop talking. Has she told you about her husband?”
“Not yet.”
“Well, it seems he’s been having insomnia problems. So Edna makes him sleep on the sofa so she can get some rest. By the way,” she said, “won’t you have a seat.”
I bowed reflexively, then stopped myself, almost tripping on my way to the bed to sit down. She watched bemused, her body lithe like a sparrow, then tossed her head back and laughed like a princess flattered by my boyish fluster. As I steadied myself, Halcyon slid the book from her lap onto the floor. As she did, I noticed the title: Holy Bible.
For the rest of the morning Halcyon and I sat around introducing ourselves to each other. A magazine editor from Hong Kong whose father had gone to Oxford, Halcyon was returning to university after a ten-year absence to fulfill a lifelong dream and study archaeology. She was, she confessed, an unrepentant Anglophile.
“Do you have your gown?” she asked me as we carried the dishes to our shared kitchen, which was called, after the personal servants who were assigned to up-coming students, a gyp.
“What for?” I said.
“We have to take the matriculation photograph this afternoon and everyone must wear the proper gown.”
“I have one that my brother used at Oxford. Will that do?”
Halcyon turned around and stared at me with a disbelief verging on pity.
“Oxford?!” she cried. “Did you say Oxford? My dear boy,” she intoned with a schoolmarmish tweak, “in sport Oxford wears the dark blue and Cambridge wears the light blue. In school their gowns are sleeveless; ours are full-cut. It has been that way for seven hundred years. It will be that way for a thousand more.” She stepped forward and took me by the arm. “Now you must forget about that other place. And before you make another mistake, I must take you into town this instant and turn you into a proper Cambridge man.”
Fifteen minutes later, dressed in sneakers and faded blue jeans, led by the arm, I set out with Halcyon to redress my improper hemlines. Cambridge on the first day of Michaelmas Term—the first of three terms in the academic year—was full of all sorts of proper men and women, scurrying about town, seeking light bulbs and jasmine tea, gathering books and gowns. In addition to the students, the town was also full of equally proper men and women preparing the various Cambridge heirlooms for the beginning of the year. In the Memorial Court of Clare, a four-story, caramel brick château built around a grassy quadrangle the size of a tennis court, several bedders were huddled around the glass-paneled doors polishing the brass hand plates. A gardener was striping the grass with a mower—moving back and forth as on a putting green—and Terry the Porter, decked out in three-piece suit, pocket watch, and bowler, was bowing at mothers accompanying their darlings and scowling at dads who were walking on the grass.
Clare College, located in the city center of Cambridge, is arranged like a giant barbell, with large mansions on either side of the river, linked by a narrow hundred-yard-long footpath and a stone bridge across the Cam. Memorial Court, on the side of the river farther away from town, was built after the First World War, then expanded after the Second. Part palace, part barracks, it is neo-Georgian in design, with an eighty-foot archway leading onto the lawn, multipaned windows looking over the town, and a terra-cotta roof that artfully conceals a slew of un
desirable attic rooms. In the center of the courtyard, like a day-old garnish, sits what must be one of the most awkward nudes ever sculpted by Henry Moore.
Leaving Memorial Court, the building relegated to first-year students, Halcyon and I strolled along the tree-lined path toward the famous footbridge. The path runs alongside the Fellows’ Garden, with its banks of exotic flowers, plots of manicured grass, and a sunken stone pool in the center, where one member of the college—after shouting to me—would jump from the top of the Grand Marquee eight months later on the night of the May Ball. The garden is part of the famed stretch of Cambridge known as the Backs, since the backs of many colleges look over the river to this Elysian strip of land.
“Did you hear the story about the Bridge?” Halcyon asked as we stopped on the summit of the 350-year-old footbridge, the oldest one still spanning the Cam.
“Which one?” I said.
The Bridge—the pride of Clare—was constructed out of squared stone slabs, arched underneath like three setting suns, and lined above with a waist-high balustrade. Along the top were fourteen stone spheres about the size of bowling balls.
“Terry told me that several years ago some undergraduates wanted to play a practical joke,” Halcyon said. “They made a Styrofoam ball, painted it to look like stone, waited for a group of tourists to come by in a punt [a flat-bottomed recreational vessel the size and shape of a canoe], then tossed the ball over the edge with a horrifying shriek. The tourists—a bunch of Japanese with long lenses and video cameras—started screaming for their lives and leapt out of the punt into the Cam.”
“That’s funny,” I said. “Terry told me the same story, but he said the tourists were Americans.”
Stepping into Old Court, the central building in college, the aura of natural elegance quickly gives way to an air of Shakespearean antiquity. Clare, which is believed to be the Solar Hall in Chaucer’s Canterbury Tales, was founded in 1338 by Lady Elizabeth de Clare, granddaughter of King Edward I. The present building, about the size and shape of a Gothic theater-in-the-round, was built over the course of two hundred years beginning in the seventeenth century. A pert, four-story structure looking down on four squares of carefully checkered grass, the court is open, with a common façade of warm ocher stone. Behind the veneer, Old Court contains some of the most important buildings in college, the Chapel (for weekly praying), the Hall (for formal dining), the Buttery (for daily eating), and the Bar (for nightly drinking).
Leaving Old Court, we emerged into a labyrinth of cobblestone paths and Gothic buildings in the heart of Cambridge. Clare is situated in the sacred core of Cambridge colleges, along with St. John’s, Trinity, King’s, and Queens’ (King’s is named for one king, so its apostrophe precedes the s; Queens’ is named for several queens, so its apostrophe follows). These five colleges are lined up along the showcase part of the river like a row of boastful boys showing off their morning coats to bashful girls at a plush Victorian ball. While the backs of these colleges face the river, their fronts face onto the town. Outside of Clare, we walked in the shadow of Trinity to our left—home of Byron, Tennyson, and lately Prince Charles—and King’s to our right—home of E. M. Forster, Bertrand Russell, and the ever-famous Boys’ Choir. Across from King’s, near the outdoor market in the central square, we found a small corner shop called Ryder & Amies, “Suppliers to the University of Blazers, Scarves, Ties, Sweaters, Tee Shirts, Cuff-Links, Sweatshirts, and Gowns.”
“May I help you?” asked a gentleman in a double-breasted suit as I stepped up to the worn wooden counter.
“I would like to buy a gown,” I announced.
“Are you a student?” he asked.
Halcyon grinned.
“Yes,” I said.
“Are you an undergraduate?”
She laughed out loud.
“No.”
“Are you over twenty-four years old?”
The process of applying for a gown, I discovered, was almost as labyrinthine as applying for admission. Not only was I asked my name and rank, but I was carded as well. Cambridge, it turns out, has as many gowns as it has degrees. There are gowns for undergraduates, others for those who have their B.A., still more for those who have their M.A., and the ultimate gowns lined with fur for those who have their Ph.D. As if this were not complicated enough, Cambridge does not give mere degrees to its graduates, it gives everyone honours degrees, even those who merit no discernible honour. As proof of their rarefied status, graduates of Cambridge colleges are entitled to swap their honourable B.A. for a humble M.A. three years after they leave. Thus, while all other students all over the world must study and sweat and go into debt for their master’s degrees, Cambridge graduates (and those from Oxford as well) can simply receive theirs by post when they turn twenty-four at a cost of only five quid.
After I produced some identification and a letter from my department, which he called a faculty, the proprietor announced that I was entitled to purchase an M.A. gown. I should be pleased by this status, he informed me, since as late as the 1960s the university refused to recognize B.A. degrees handed out by other institutions, including those elsewhere in Britain and especially those upstart universities in America. He pointed out that on the letter from my faculty the name of the assistant director was followed by the title Ph.D. and in parentheses, like the snub of a nose, Oxford.
“And what’s the difference between these gowns?” I asked.
“A couple of inches in the hem and sleeve and more than a couple of degrees in respect.”
“And the cost?”
As soon as I said that, I knew it was crass and oddly American, somewhat like an M.B.A. degree.
“Well, son,” he said with visible restraint. “I’m not sure how to answer that question. In this country status can’t be purchased, you know. You should be grateful to receive it.”
With the help of Halcyon, I flipped through a long rack of limp black gowns. Once in the proper section, each gown was roughly the same size, with a hem as low as a monk’s habit and sleeves as swingy as a maiden’s kimono; but each was cut from a different cloth. I sampled natural fabrics from various former British colonies, including India and Egypt, before settling on the least expensive one, a synthetic fabrication of 100 percent polyester, “Made in America.” My gratitude cost me one hundred pounds.
“By the way,” I said as I walked out the door, now in line with the Cambridge class code, “what do I wear beneath the gown?”
He pursed his lips and closed his eyes. After close to an hour of relating the rules that govern everything from the proper cock of one’s nose (perpendicular to the ground) to the way to brush one’s hair (straight in front with a rabbitlike tuft in the back), the salesman looked at me with the impatient smile of an overworked babysitter. “You’re at Cambridge now,” he said. “You’re an adult. You should be able to make up your mind. Just do us a favor and don’t wear white shoes.”
White shoes were nowhere to be found that afternoon when I appeared in a blue suit and penny loafers in the grand Old Court of Clare, but white socks were aplenty. Dozens of begowned students swarmed around the squared columns and triangular pediments like bats in a Gothic belfry. Most of the women wore high-necked white shirts and knee-length black skirts; most of the men wore grey trousers, white shirts, and their outgrown blue blazers from school. The ties ranged in color from dawn to dusk, with more originality being reserved for the socks, which brightened the otherwise funereal air with outbursts of argyle, lime green, and pale blue, as well as an ample serving of Wimbledon whites.
After several moments a nervous young photographer began hurrying around the huddled groups and taping signs on the windowsills: A-F, G-L, M-R, and S-Z. The bats began flocking to their caves. There were 120 in all, and each one would be formally admitted to the college by signing a red leather book, being photographed in a flowing black gown, and eating a gravy brown meal.
“Students, students, may I have your attention, please?”
The sh
aky photographer climbed atop the scaffolding that had been erected across the courtyard from temporary bleachers set up for the occasion.
“I am going to begin calling your names in reverse alphabetical order.”
On the far side of the alphabet about three dozen students were just gathering under the A-F sign.
“Where are the F’s?” I asked at the door.
“I am the F’s,” said a baby-faced freshman with the silken, ironic tone of a British upperclassman.
“…Winstanley, Walpole, Turnball, Teasdale…” the megaphone echoed off the cavernous stone.
“What’s your name?” I asked.
“Farrady,” he said.
“I’m Feiler,” I said. “And I guess that means we’re stuck next to each other.”
“At least for the afternoon.”
“…Starling, Siddons, Rimmington, Prime…”
It turns out we were stuck next to each other for much longer than that. Simon Farrady had the room, née rooms, directly above mine, and for most of the next three terms the only thing between him and me were the creaks, cries, and plaintive sighs of his under-lubricated, overstrained bedsprings. Simon was dashing—a young British thoroughbred—who, like his father, had gone to an elite public school (the British, holding fast to their euphemistic past, still call private schools “public”) and who, unlike his father, had chosen Cambridge over Oxford.
“Where did you go to school?” I asked.
“Marlborough,” he said. “Just like the cigarette, with u-g-h.”
“Did they teach you to smoke?”
“They taught me to charm. The rest I learned on my own.”
“…Martin, MacAndrew, Killick, Holmes…”
The “rest,” as I learned in countless cocktail hours and nightcap sparring sessions in the course of the coming year, he learned on the road. After graduating from the Marlborough School, Simon indulged in the great British tradition, born of the upper classes now trickled down to the mean, of a “year out” to see the world. Cambridge students speak of this “year out” as if it were an inalienable right of passage, rather than the luxury it actually is. “What did you do in your year out?” one hears over supper. “I sailed Scotland,” one student responds. “I trekked India.” Simon first “trained” to Germany, where he worked as a minion for Mercedes-Benz and commuted on the weekends to the home of his German girlfriend in the Black Forest. Next he sailed to Australia, where he posed for numerous snapshots, which would grace his rooms in Cambridge, of various tourist spots over his shoulder and various girls in his arms. Finally, he planed to Tokyo, where his parents were working and where he handed out towels to British expats at the American Club and went out all night to practice his charm on moonstruck Japanese girls.