"I feel fine," she said. "It's the sun within me. I'm a beaker full of the warm south. Nice tension of opposites there: cooled a long age in the deep-delved earth." She had drunk most of the first bottle and was now doing very well with the second. "I won't pretend that you wrote that, because you didn't. Poor boy. But his name was not writ in water." Enderby felt chilled when he heard that. "Posterity," she then said. The poet addresses posterity. And what is posterity? Schooknarms with snotty kids trailing round the monuments. The poet's tea-mug with an ingrained ring of tannin-stain. The poet's love-letters. The poet's falling hair, trapped in brush-bristles rarely washed. The poet's little failings-well-hidden, but not for ever. And the kids are bored, and the texts are covered with thumb-marks and dirty little marginalia. They've read the poems, oh yes. They're posterity. Do you never think of posterity?"
Enderby looked warily at her. "Well, like everybody else -"
"Minor poets hope that posterity will turn them into major ones. A great man, my dear, who suffered the critics' sneers and the public's neglect. Halitotic breathing over your corpse. Reverent treading through the poet's cottage, fingering the pots and pans."
Enderby started. "That's brought back a dream. I think it was a dream. The pots and pans fell, and I woke."
"Oh, come on, let's finish this champagne and go. I can't eat any more of this muck. Creamed leveret's bones, ugh. Let's go and swim."
"At this hour? And it's very cold, the sea I mean. And besides -"
"You don't swim. I know. You're preparing your body for honoured corpsedom. You don't do anything with it. All right, you can watch me swim." She filled both their flutes and downed hers, re-filled and downed again.
"What I meant to say was-It's a bit difficult, I know, but -" He called for the bill. "Cuenta, par favor." Quite the little Tangerine, he was thinking. Settling here for corpsedom. No, not that. He had his work, hadn't he? And there was this other matter, and he'd better blurt it out now before the bill came. "I know," he said stiffly but urgently, "there's a great disparity of age. But if you could see your way-I mean, we get on all right together. I would leave it to you to decide on the precise nature of the relationship. I ask nothing." The bill came: another flame-haired Goth of a Spanish waiter, flashing a gold tunthus. It was a lot of dirhams. Enderby counted out note after note after note, all from Rawcliffe's mattress.
"You only ask me," she said. The champagne was done, and she upturned the bottle to hold it like a thyrsus. "Come on, I'm burning."
The mortician growled something about that being okay then. She smiled and nodded. "What do you do over there?" asked Enderby jealously. "You go over there. The dog place, I mean. I know you do."
"I go to a lot of places. I'm a beezy leetle girl. The world's bigger than you could ever imagine."
The doorman whistled a petit taxi or taxi chico. It was a windy night in a hilly street, no more. But a dirty old Moor shuffled to them to offer a small parcel of marijuana for five dirhams. "Shit," she said. "Dilutions for the tourists. All teased out of fag-ends collected from the gutters." She gave the old man a brief mouthful of what sounded like fluent Arabic. He seemed shocked. Enderby was past being surprised. In the taxi he said:
"What do you say then? The precise nature of the relationship -"
"You leave to me. Right. I heard you the first time." They rolled seawards. The driver, a moustached thin Moor with a skullcap, kept turning round to have a look at her. She banged him on the shoulder, saying: "Keep your fucking eyes on the road." And to Enderby: "All I want at the moment is my swim. I don't want avowals and the precise nature of the relationship." She was silent then, and Enderby thought it prudent also to be silent. They came to near the gate, only the single track to cross, which opened on to the beach steps and the-But El Acantilado Verde had been painted out and the new name as yet only lightly stencilled. Manuel had a brother who did that sort of thing.
The bar looked grim and functional under the plain lights. "Come in here," Enderby invited, leading her to his own room. There were table-lamps, shaded in warm colours, that all came on together when he clicked the switch by the door. Many of Rawcliffe's Moorish curiosa were still around, but there was now a lot of naked shelf-space to be clothed. But with what? He didn't read much. Perhaps he ought to read more, keep in touch with the posterity of which she, all said and done, was very nearly a member. Read about media and the opening up of the psyche with drugs. All sorts of things. Enderby had bought a bedspread of camel-hair, its design undistinguished, as well as new sheets and a new mattress. There was still something raffish, riffish, Rawcliffesque about the bed on the floor, in the middle of the floor. Enderby had not yet sufficiently breathed on things.
"Hm," she said. "How about calling that cook-boy of yours to see about some coffee? I'd like some coffee afterwards."
"Oh, he's not here. They all sleep out. Yo," Enderby said, with painful roguery, "duermo solo." And then: "Of course, you can't swim, can you? You forgot, I forgot. You've nothing to swim in." He smiled.
"That's right," she said. "Nothing. I shall swim in nothing." And, before Enderby could say anything, she darted over to his book-shelves and picked on a gilt-backed folio.
"That," said Enderby, "isn't mine. It was left by him. Don't look at it, please." Fool, he should have thought. "And don't swim with nothing on. It's too cold, there are laws against it, the police will come along, this is a Muslim country, very strict about indecency."
"Indecency," she said, looking through the volume. "Yes. Dear dear dear. That seems more painful than pleasurable."
"Please don't." He meant two things. He felt he wanted to wring his hands. But she dropped the book on the floor and then started to take her dress off. "I'll make coffee myself," he said, "and there's some rather good cognac. Please don't."
"Good, we'll have that afterwards." And she kicked off her spiky shoes and began to peel down her stockings, sitting on Enderby's bedside chair to do it more easily. And then. He gulped, wondering whether to turn his back, but that somehow, after that book, might seem hypocritical. Bold Enderby, unmoved, watching. But:
"Go in as you are, by all means, but -" But going in as she was now meant going in very nearly as she wanted to go in. And now entirely. Oh God. Enderby saw her totally naked, all gold, with no shocking leprous bands where they might, beach decency being observed, be expected to be. He just stood there, a butler called in by her eccentric ladyship. She looked him hard, though soft, in the eyes. He gnashed his teeth at her ghastly young beauty, all revealed. She said:
"Time enough." Huskily. Then she lay on the camel-hair, eyes not leaving his, and said: "Love. You meant to say love. Come on, take me. Darling. I'm yours, all yours. When I give I give. You know that." He did know it. And she held out gold blades of arms, gold foil gleaming in her oxters. And gold below on the mount. "You said," she said, "I must decide on the precise nature of the relationship. Well, I'm deciding. Darling, darling. Come on."
"No," gasped Enderby. "You know I can't. That isn't what I meant."
"Just like Mr Prufrock. Darling, darling, you can do anything you like. Come, don't keep me waiting."
"It won't do," said Enderby, dying. He saw himself there with her, puffing in his slack whiteness. "I'm sorry I said what I said."
She suddenly drew her knees up to her chin, embracing her shins, and laughed, not unkindly. "Minor poet," she said. "We know now where we stand, don't we? Never mind. Be thankful for what you've got. Don't ask too much, that's all." And she leapt from the bed, brushing his hand with the smoothness of her gold flank, just for a fraction of time, as she ran past him to the door, out of the door, out of the building, out of the arena, towards the sea.
Enderby sat on the bed, blood forming patterns in his eyes. His heart growled as it thumped. Off to the bloody sea, where Rawcliffe was. But no. Rawcliffe was in the Mediterranean, east of here. She was out in the fringes of the Atlantic, a bigger sea. One sometimes forgot that it was the Atlantic here, the Atlantic and Africa
and all the big stuff. Minor poet in Africa, facing the Atlantic. There would undoubtedly be phosphorescence all round her as she plunged further into the Atlantic.
Five
She didn't come in the following morning, and he didn't expect her. Yet there had been no good-bye, not yet. She had high-heeled into the kitchen, glowing, clothed, even perfumed (yet smelling somehow, to his fancy, of drowned poets) to see him watching the bubbling coffee as if it were an alchemical experiment. And she hadn't liked the coffee: too weak, too minor-poetic. Well, he had never been good at coffee. Tea, now, was altogether a different matter. Anyway, she had to fly: so much to see to before really flying. And then, lightly and without satire, a kiss on each cheek for him, as at the award of some prix for minor poetry. And off.
Tossing in his bed, he had wondered about minor poets. There was T. E. Brown, three legs of Man, who had said: "O blackbird, what a boy you are, how you do go it," and given to British gardens pot or plastic godwottery. And Leigh Hunt, whom Jenny had kissed. And the woman who'd seen Faunus in Flush, later married to a poet deemed major. Minor Poets of the Twentieth Century (OUP, 84s), with a couple or three of his well separated, because of the alphabetical order, from that one of Rawcliffe. But once they had thought Aurora Leigh the greatest thing since Shakespeare, and Hopkins to be just Jesuitical hysteria. It all depended on posterity. One kiss, two kisses. And he saw that her name didn't matter.
He sighed, but not hopelessly. He had gone back to the Horatian Ode this morning, in a rather crowded bar.
So will the flux of time and fire,
The process and the pain, expire,
And history can bow
To one eternal now.
He had to get behind the counter, expert, Hogg of the Sty (When you say gin, Piggy knows you mean Yeoman Warder. False smile flashing over the shaker in some glossy advertisement), to mix a Manhattan for a dour Kansan who believed the drink was named for the university town in his own state. And a young but archaic what-what haw-haw Englishman, doggy scarf in his open shirt, had brought in two girls, one of them called Bunty, and said that nobody in this town knew how to mix a hangman's blood. But he, Enderby, Hogg, knew, and the man was discomfited. Three old men had been in, the fourth, the one with skin like microscope slides, not being too well, confined to his room. Doubt if he'll see another spring. Won the Bisley shoot in, let me see, when was it? MC and bar, but never talked about it much.
What was emerging, Enderby saw, was a long poem based on the characters in Hamlet. The Horatian Ode was for the King, type of the absolute ruler who would seal a timeless Denmark off from the flux of history. An epithalamium for him and Gertrude, the passion of the mature. He'd written a good deal of that in Gloucester Road, when Vesta went off to work for the day, bitch.
The greenstick snaps, the slender goldenrod
Here cannot probe or enter. Thin spring winds
Freeze blue lovers in unprotected hollows, but
Summer chimes heavy bells and flesh is fed
Where fruit bursts, the ground is crawling with berries.
Something like that. It would come back to him in time. A long soliloquy for Hamlet. Marsyas, was he, he Enderby, risking a minor poet's flaying? Never mind. On with bloody job is best way, hombre.
She came in when he was ready for his stew, followed by tea and siesta. She was dressed rather demurely, not unlike Miss Boland, beige suit, skirt to her knees, stockings of a gunmetal colour, shoes sensible and well-polished. There were blue rings, half-rings really, under her eyes. She wore a hat like a Victorian sailor's. She said:
"I've got a cab waiting outside." Meaning over the sand, up the steps, across the railway line and pavement, by the kerb with a palm strongly clashing above. The wind was high. "You're not to worry too much about anything," she said. "Do what you can do. Don't try and tame dogs or enter a world of visions and no syntax." This was very sybilline talk.
"I'm doing a long poem based on the characters in Hamlet. I don't quite know yet what the overall theme is, but I daresay it'll come out in time. Could I make you a cup of tea? Antonio's got the day off. He's gone to see a man in Rabat."
"Good. No, thanks. I'll be back to visit you. Next year perhaps. I suppose I should have come before, but I have so much to do." Enderby was aware now that there was no point in asking further questions: taking your degree in English, are you; doing a thesis on contemporary poetry, is that it? These things didn't apply, no more than curiosity, which he no longer felt, about her identity or origin or age. All things to all poets, but to this poet perhaps less than to some others. No envy. Posterity would sort things out. But, of course, posterity was only those snotnosed schoolkids.
"I'm grateful," he said, though, out of habit, grudgingly. "You know I am."
"You can't be blamed," she said, "if you've opted to live without love. Something went wrong early. Your juvenilia days." Enderby frowned slightly. "Look," she said, "I really must rush now. I only came to say good-bye. But not good-bye really," grimacing at her watch. Enderby stood up, wincing a bit. A spasm in the right calf, altogether appropriate to middle age. "So," she said, and she walked the three paces up to him and gave him one brief kiss on the lips. His share, his quota, what he was worth. Her mouth was very warm. The final kiss and final-As if she knew, she gave him the referent, leaving the words to him, very briefly grasping his writing fingers, pressing them. Her gloves were beige, of some kind of soft and expensive skin. Tight pressure of hands. That was it then, the poem finished. But the whole thing was a lie (opted to live without love), though it would not be a lie to anybody who could use it, somebody young and in love, saying an enforced good-bye to the beloved. Poets, even minor ones, donated the right words, and the small pride might swallow the large envy.
"Right, then," she said. They went together to the door, almost with the formality of distinguished customer and bowing patron. He watched her climb up to her taxi, feeling a spasm of hopeless rage, briefer than a borborygm, at the last sight of her neatly moving buttocks. But he had no right to that feeling, so the feeling quickly modulated, as a nettle-sting modulates to warmth (the bare-legged legionaries had kept themselves warm in British winters by lashing themselves with nettles: might there not be a poem there?), to something which had, as one of its upper partials, that very pride. She waved before getting in, and then called something that sounded a bit like all the anthologies, anyway, but a passing coach, full of sightseers collected from the Rif, roared at it. The gear ground, for time himself will bring, but this was only a decrepit Moroccan taxi. The wind blew hard. She was gone; like a hypodermic injection it was all over. He wondered if it might not be a pious duty to find out more about Rawcliffe's slender and thwarted oeuvre, edit, reprint at expense of mattress. There might be odd things, juvenilia even, concealed about the place, perhaps even in those tomes of pornography. But no, best keep away. He had enough work of his own to do, the duty of at least being better than T. E. Brown or Henley or Leigh Hunt or Sir George Goodby or Shem Macnamara. Whatever the future was going to be about, things ought to be all right, namely not too good, with enough scope for guilt, creation's true dynamo. It would be polite to reply to Miss Boland's letter, perhaps. If she proposed visiting him he could, if he wished, always put her off. He would go in now to his gross stew and stewed tea, then sleep for a while. The C major of this life. Was Browning minor? He turned to face the Atlantic but, going brrrrrr, was glad to be able to hurry in to escape from it.
Six
This, children, is Morocco. Does it not give you a thrill, seeing what you have all heard or read about so often? Pashas and the Beni-Quarain and camels. Mulai Hafid and Abd-el-Kadir. The light-coloured Sherifians, who claim descent from the Prophet. Palmetto and sandarach and argan and tizra. You say it does not give you a thrill, Sandra? Well, child, you were never strong on imagination, were you? And I do not wish to hear any of these silly giggly whispers about what does give you a thrill. Some of you girls have very few thoughts in your heads. Yes, I mean yo
u too, Andrea. And, Geoffrey, because that elderly Berher is picking his nose you need not feel impelled to do the same. Lions, Bertrand? Lions are much much further south. Leopards here, bears, hyenas and wild pigs. Bustard, partridge and water-fowl. Dromedaries and dashing Barbary horses.
This is Tangier, which, you may not know this, once actually belonged to the British. Part of the dowry of Catherine of Braganza, Portuguese queen of a merry monarch. A pleasant enough town, no longer very distinguished, with some deplorable specimens of architecture. The beach is deserted. This is not the tourist season and, besides, it is the hour of the siesta. The beach cafés are garish, the paint peeling on many, but some of their names are rather charming. The Winston Churchill, the Sun Trap, the Cuppa, the Well Come. Those Hebrew letters there mean kosher (it is three consonants, the Semitic languages not greatly favouring the alphabetisation of vowels. Yes, Donald, Arabic too is a Semitic language and is similarly vowel-shy. Why then do not the Jews and Arabs, aware of a common origin in speech and alphabetic method as well as genes, taboos and mythology, get on better together? There, child, you have the eternal mystery of brotherhood. As Blake might have said, Let me hate him, or let me be his brother. But a good question, Donald, and thank you for asking it) which means, of food, not forbidden by religion. A holiday, you see, condones no relaxations of fundamental covenants. Stop grinning, Andrea. I shall lose my temper in a minute.
That one there is having its name repainted. You can see what it will be, in tasteful ultramarine. La Belle Mer. Very pretty. Some Frenchman probably, offering a most delicate cuisine, but now neatly sleeping. Listen, you can hear them sleep. Zrrrzzz. Ghraaaaaakh. Ong. Sleep possesses so many of the better sort, and it is sleep that sustains our visitation, to be fractured and fantasticated on waking, perhaps even totally forgotten.
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