The Salmon of Doubt: Hitchhiking the Galaxy One Last Time dg-3

by Douglas Adams

  The computer forms a third age of perspective, because suddenly it enables us to see how life works. Now, that is an extraordinarily important point because it becomes self-evident that life, that all forms of complexity, do not flow downward, they flow upward, and there’s a whole grammar that anybody who is used to using computers is now familiar with, which means that evolution is no longer a particular thing, because anybody who’s ever looked at the way a computer program works, knows that very, very simple iterative pieces of code, each line of which is tremendously straightforward, give rise to enormously complex phenomena in a computer—and by enormously complex phenomena, I mean a word-processing program just as much as I mean Tierra or Creatures.

  I can remember the first time I ever read a programming manual, many, many years ago. I’d first started to encounter computers in about 1983, and I wanted to know a little bit more about them, so I decided to learn something about programming. I bought a C manual and I read through the first two or three chapters, which took me about a week. At the end it said, “Congratulations, you have now written the letter a on the screen!” I thought, “Well, I must have misunderstood something here, because it was a huge, huge amount of work to do that, so what if I now want to write a b?” The process of programming, the speed and the means by which enormous simplicity gives rise to enormously complex results, was not part of my mental grammar at that point. It is now—and it is increasingly part of all our mental grammars, because we are used to the way computers work.

  So, suddenly, evolution ceases to be such a real problem to get hold of. It’s rather like the following scenario: One Tuesday a person is spotted in a street in London, doing something criminal. Two detectives are investigating, trying to work out what happened. One of them is a twentieth-century detective and the other, by the marvels of science fiction, is a nineteenth-century detective. The problem is this: The person who was clearly seen and identified on the street in London on Tuesday was seen by someone else, an equally reliable witness, on the street in Santa Fe on the same Tuesday. How could that possibly be? The nineteenth-century detective could only think it was by some sort of magical intervention. Now, the twentieth-century detective may not be able to say, “He took BA flight this and then United flight that”—he may not be able to figure out exactly which way he did it, or by which route he traveled, but it’s not a problem. It doesn’t bother him; he just says, “He got there by plane. I don’t know which plane and it may be a little tricky to find out, but there’s no essential mystery.” We’re used to idea of jet travel. We don’t know whether the criminal flew BA 178, or UA 270, or whatever, but we know roughly how it was done. I suspect that as we become more and more conversant with the role a computer plays and the way in which the computer models the process of enormously simple elements giving rise to enormously complex results, then the idea of life being an emergent phenomenon will become easier and easier to swallow. We may never know precisely what steps life took in the very early stages of this planet, but it’s not a mystery.

  So what we have arrived at here—and although the first shock wave of this arrival was in 1859, it’s really the arrival of the computer that demonstrates it unarguably to us—is “Is there really a universe that is not designed from the top downward, but from the bottom upward? Can complexity emerge from lower levels of simplicity?” It has always struck me as being bizarre that the idea of God as a creator was considered sufficient explanation for the complexity we see around us, because it simply doesn’t explain where he came from. If we imagine a designer, that implies a design, and that therefore each thing he designs or causes to be designed is a level simpler than him- or herself, then you have to ask, “What is the level above the designer?” There is one peculiar model of the universe that has turtles all the way down, but here we have gods all the way up. It really isn’t a very good answer—but a bottom-up solution, on the other hand, that rests on the incredibly powerful tautology that “anything that happens, happens,” clearly gives you a very simple and powerful answer that needs no other explanation whatsoever.

  But here’s the interesting thing. I said I wanted to ask, “Is there an artificial God?” and this is where I want to address the question of why the idea of a God is so persuasive. I’ve already explained where I feel this kind of illusion comes from in the first place; it comes from a falseness in our perspective, because we are not taking into account that we are evolved beings, beings who have evolved into a particular landscape, into a particular environment with a particular set of skills and views of the world that have enabled us to survive and thrive rather successfully. But there seems to be an even more powerful idea than that, and this is the idea I want to propose, which is that the spot at the top of the pyramid that we previously said was whence everything flowed, may not actually be vacant just because we say the flow doesn’t go that way.

  Let me explain what I mean by this. We have created in the world in which we live all kinds of things; we have changed our world in all kinds of ways. That’s very, very clear. We have built the room we’re in, and we’ve built all sorts of complex stuff like computers and so on, but we’ve also constructed all kinds of fictitious entities that are enormously powerful. So do say, “That’s a bad idea, it’s stupid—we should simply get rid of it?” Well, here’s another fictitious entity—money. Money is a completely fictitious entity, but it’s very powerful in our world we all have wallets, which have got notes in them, but what can those notes do? You can’t breed them, you can’t stir-fry them, you can’t live in them, there’s absolutely nothing you can with them that’s any use, other than exchange them with each other—and as soon as we exchange them with each other, all sorts of powerful things happen, because it’s a fiction that we’ve all subscribed to. We don’t think this is wrong or right, good or bad; but the thing is that if money vanished, the entire cooperative structure that we have would implode, but if we were all to vanish, money would simply vanish too. Money has no meaning outside ourselves; it is something we have created that has a powerful shaping effect on the world, because it’s something we all subscribe to.

  I would like somebody to write an evolutionary history of religion, because the way in which it has developed seems to me to show all kinds of evolutionary strategies. Think of the arms races that go on between one or two animals living in the same environment—for example, the race between the Amazonian manatee and a particular type of reed that it eats. The more of the reed the manatee eats, the more the reed develops silica in its cells to attack the teeth of the manatee, and the more silica in the reed, the stronger and bigger the manatee’s teeth get. One side does one thing and the other counters it. As we know, throughout evolution and history, arms races are something that drive evolution in the most powerful ways, and in the world of ideas you can see similar kinds of things happening.

  Now, the invention of the scientific method and science is, I’m sure we’ll all agree, the most powerful intellectual idea, the most powerful framework for thinking and investigating and understanding and challenging the world around us that there is, and it rests on the premise that any idea is there to be attacked and if it withstands the attack, then it lives to fight another day and if it doesn’t withstand the attack then down it goes. Religion doesn’t seem to work like that; it has certain ideas at the heart of it which we call sacred or holy or whatever. That’s an idea we’re so familiar with, whether we subscribe to it or not, that it’s kind of odd to think what it actually means, because really what it means is “Here is an idea or a notion that you’re not allowed to say anything bad about; you’re just not. Why not? Because you’re not!” If somebody votes for a party that you don’t agree with, you’re free to argue about it as much as you like; everybody will have an argument, but nobody feels aggrieved by it. If somebody thinks taxes should go up or down, you are free to have an argument about it, but if on the other hand somebody says, “I mustn’t move a light switch on a Saturday,” you say, “Fine, I respect tha
t.” The odd thing is, even as I am saying that, I am thinking, “Is there an Orthodox Jew here who is going to be offended by the fact that I just said that?” but I wouldn’t have thought, “Maybe there’s somebody from the left wing or somebody from the right wing or somebody who subscribes to this view or the other in economics,” when I was making the other points. I just think, “Fine, we have different opinions.” But the moment I say something that something to do with somebody’s (I’m going to stick my neck out here and say irrational) beliefs, then we all become terribly protective and terribly defensive and say, “No, we don’t attack that; that’s an irrational belief, but no, we respect it.”

  It’s rather like, if you think back in terms of animal evolution, an animal that’s grown an incredible carapace around it such as a tortoise—that’s a great survival strategy because nothing can get through it; or maybe like a poisonous fish that nothing will come close to, which therefore thrives by keeping away any challenges to what it is. In the case of an idea, if we think, “Here is an idea that is protected by holiness or sanctity,” what does it mean? Why should it be that it’s perfectly legitimate to support the Labour Party or the Conservative Party, Republicans or Democrats, this model of economics versus that, Macintosh instead of Windows, but to have an opinion about how the universe began, about who created the universe, no, that’s holy? What does that mean? Why do we ring-fence that for any other reason other than that we’ve just got used to doing so? There’s no other reason at all, it’s just one of those things that crept into being, and once that loop gets going, it’s very, very powerful. So we are used to not challenging religious ideas, but it’s very interesting how much of a furor Richard creates when he does it! Everybody gets absolutely frantic about it because you’re not allowed to say these things. Yet when you look at it rationally, there is no reason why those ideas shouldn’t be as open to debate as any other, except we have agreed somehow between us that they shouldn’t be.

  There’s a very interesting book—I don’t know if anybody here’s read it—called Man on Earth, by an anthropologist who used to be at Cambridge, called John Reader, in which he describes the way that ... I’m going to back up a little bit and tell you about the whole book. It’s a series of studies of different cultures in the world that have developed within somewhat isolated circumstances, on islands or in a mountain valley or wherever, so it’s possible to treat them to a certain extent as a test-tube case. You see therefore exactly the degree to which their environment and their immediate circumstances have affected the way in which their culture has arisen. It’s a fascinating series of studies. The one I have in mind at the moment is the culture and economy of Bali, which is a small, very crowded island that subsists on rice. Now, rice is an incredibly efficient food and you can grow an awful lot in a relatively small space, but it’s hugely labour-intensive and requires a lot of very, very precise cooperation amongst the people there, particularly when you have a large population on a small island needing to bring its harvest in. People now looking at the way in which rice agriculture works in Bali are rather puzzled by it, because it is intensely religious. The society of Bali is such that religion permeates every single aspect of it and everybody in that culture is very, very carefully defined in terms of who they are, what their status is, and what their role in life is. It’s all defined by the church; they have very peculiar calendars and a very peculiar set of customs and rituals, which are precisely defined, and, oddly enough, they are fantastically good at being very, very productive with their rice harvest. In the seventies, people came in and noticed that the rice harvest was determined by the temple calendar. It seemed to be totally nonsensical, so they said, “Get rid of all this, we can help you make your rice harvest much, much more productive than even you’re, very successfully, doing at the moment. Use these pesticides, use this calendar, do this, that and the other.” So they started, and for two or three years the rice production went up enormously, but the whole predator/prey/pest balance went completely out of kilter. Very shortly the rice harvest plummeted again, and the Balinese said, “Screw it, we’re going back to the temple calendar!” and they reinstated what was there before and it all worked again absolutely perfectly. It’s all very well to say that basing the rice harvest on something as irrational and meaningless as a religion is stupid—they should be able to work it out more logically than that. They might just as well say to us “Your culture and society work on the basis of money and that’s a fiction, so why don’t you get rid of it and just cooperate with each other.” We know that’s not going to work!

  So there is a sense in which we build meta-systems above ourselves to fill in the space that we previously populated with an entity that was supposed to be the intentional designer, the creator (even though there isn’t one) and because we—I don’t necessarily mean we in this room, but we as a species—design and create one and then allow ourselves to behave as if there was one, all sorts of things begin to happen that otherwise wouldn’t happen.

  Let me try to illustrate what I mean. This is very speculative. I’m really going out on a limb here, because it’s something I know nothing about whatsoever, so think of this more as a thought experiment than a real explanation of something. I want to talk about feng shui, which is something I know little about, but there’s been a lot of talk about it recently in terms of figuring out how a building should be designed, built, situated, decorated, and so on. Apparently we need to think about the building being inhabited by dragons and look at it in terms of how a dragon would move around it. So, if a dragon wouldn’t be happy in the house, you have to put a red fishbowl here or a window there. This sounds like complete and utter nonsense, because anything involving dragons must be nonsense—there aren’t any dragons, so any theory based on how dragons behave is nonsense. What are these silly people doing, imagining that dragons can tell you how to build your house? Nevertheless, it occurs to me that if you disregard for a moment the explanation that’s actually offered for it, it may be there is something interesting going on that goes like this: we all know from buildings that we’ve lived in, worked in, been in, or stayed in, that some are more comfortable, more pleasant, and more agreeable to live in than others. We haven’t had a real way of quantifying this, but in this century we’ve had an awful lot of architects who thought they knew how to do it, so we’ve had the horrible idea of the house as a machine for living in, we’ve had Mies van der Rohe and others putting up glass stumps and strangely shaped things that are supposed to form some theory or other. It’s all carefully engineered, but nonetheless, their buildings are not actually very nice to live in. An awful lot of theory has been poured into this, but if you sit and work with an architect (and I’ve been through that stressful time, as I’m sure a lot of people have), then when you are trying to figure out how a room should work, you’re trying to integrate all kinds of things about lighting, about angles, about how people move and how people live—and an awful lot of other things you don’t know about that get left out. You don’t know what importance to attach to one thing or another; you’re trying, very consciously, to figure out something when you haven’t really got much of a clue, but there’s this theory and that theory, this bit of engineering practice and that bit of architectural practice; you don’t really know what to make of them. Compare that to somebody who tosses a cricket ball at you. You can sit and watch it and say, “It’s going at seventeen degrees,” start to work it out on paper, do some calculus, etc., and about a week after the ball’s whizzed past you, you may have figured out where it’s going to be and how to catch it. On the other hand, you can simply put your hand out and let the ball drop into it, because we have all kinds of faculties built into us, just below the conscious level, able to do all kinds of complex integrations of all kinds of complex phenomena, which therefore enable us to say, “Oh look, there’s a ball coming; catch it!”

  What I’m suggesting is that feng shui and an awful lot of other things are precisely of that kind of proble
m. There are all sorts of things we know how to do, but don’t necessarily know what we do, we just do them. Go back to the issue of how you figure out how a room or a house should be designed, and instead of going through all the business of trying to work out the angles and trying to digest which genuine architectural principles you may want to take out of what may be a passing architectural fad, just ask yourself, “How would a dragon live here?” We are used to thinking in terms of organic creatures; an organic creature may consist of an enormous complexity of all sorts of different variables that are beyond our ability to resolve, but we know how organic creatures live. We’ve never seen a dragon, but we’ve all got an idea of what a dragon is like, so we can say, “Well, if a dragon went through here, he’d get stuck just here and a little bit cross over there because he couldn’t see that and he’d wave his tail and knock that vase over.” You figure out how the dragon’s going to be happy here, and lo and behold you’ve suddenly got a place that makes sense for other organic creatures, such as ourselves, to live in.

  So, my argument is that as we become more and more scientifically literate, it’s worth remembering that the fictions with which we previously populated our world may have some function that it’s worth trying to understand and preserve the essential components of, rather than throwing out the baby with the bath water; because even though we may not accept the reasons given for them being here in the first place, it may well be that there are good practical reasons for them, or something like them, to be there. I suspect that as we move farther and farther into the field of digital or artificial life, we will find more and more unexpected properties begin to emerge out of what we see happening and that this is a precise parallel to the entities we create around ourselves to inform and shape our lives and enable us to work and live together. Therefore, I would argue that though there isn’t an actual God, there is an artificial God, and we should probably bear that in mind. That is my debating point, and you are now free to start hurling the chairs around!