The Girl in the Wall

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The Girl in the Wall Page 17

by Jacquelyn Mitchard


  I also work really hard in my classes. Ariel has a clear career path now and I want that too. I’m not sure exactly what I want to do but I want it to be meaningful, for my life to be about more than just me. So while I know I’m a shoo-in for Brown, I want to earn it as well, to arrive knowing it was my work that got me there, not the silver spoon in my mouth.

  There are also other changes, the dark ones, the ones that wake me up in the middle of the night in a cold sweat, reliving the stabbing of The Assassin or Mike’s death. Those are the changes that have me scanning a room before I walk into it and always needing to sit facing the door in a restaurant, that get my heart pounding when I see someone in army green. I’m not sure if these will fade over time but I suspect I will always carry a shadow of them.

  A couple of freshman are walking by and I tune into their conversation when I realize they are talking about last night’s Letterman.

  “I don’t know, I think he’s kind of a jerk for lying about his family,” the first girl says, fluffing her blond curls.

  “But at least he admitted it,” her friend says. “And he looked awfully good doing it.”

  “Did you see his oldest brother when Letterman had his whole family come out on stage?” the third girl asks. She is rifling through her bag and pulls out a tube of lip gloss. “He is way hotter than Hudson.”

  Not true, I think silently as their voices fade down the hall.

  As soon as he got plugged back into the world Hudson wasted no time coming clean about his family and how he lied. It’s been the talk of every gossip site out there, with some people skewering him and others calling him a hero for stepping forward. He’s been on an intense media tour and while he was in LA he did a big fund-raising concert for tornado victims in the Midwest. He’s looking for something more meaningful too, though I wouldn’t know what he’s thinking about it. He warned me he’d probably be too busy to call but at the time I didn’t realize how crummy that was going to feel. A week later it’s like I never even knew him, like that kiss is a figment of my imagination.

  I can’t say I’m happy about it but I figure it is what it is. Maybe our connection was just meant to be for those fifteen hours. Maybe we both have too much else we need to be focusing on right now. Plus, when do romances between rock stars and flat-chested high school girls actually work out? I don’t need the drama of a long-distance romance with a guy who has models throwing themselves at him every night.

  I just wish I didn’t miss him so much.

  I slam my locker, sling my pink book bag over my shoulder, and head for the front door. Abby will be over in a little while and if Ariel feels up to it we will go to the playground and maybe even get ice cream afterwards. Otherwise we will just stay in and help Abby create an elaborate tea party for the stuffed animal collection that is starting to pile up in Ariel’s room.

  A sophomore guy holds the door open for me and I walk out into the bright afternoon sunlight, blinking as my eyes adjust. And then I stop.

  A sleek black car waits at the curb, quite possibly a Porsche 911 though my heart is pounding so much it’s hard to focus on details like that. Because slouching against the car in beat-up jeans and a black T-shirt, his eyes hidden by sunglasses and his hands holding the biggest bouquet of lilacs I’ve ever seen, is Hudson.

  When he sees me he smiles a slow smile that sends shivers down my whole body. And then my bag is flying off my shoulder and I am running, squealing, jumping into his arms.

  Let the drama begin.

  CHAPTER 36

  Ariel

  It is the last time I will be here, in the house where I grew up, and I take my time, going from room to room to make sure I have all that I want. The floors have been scoured clean, the walls washed, and soon it will go on the market looking pristine and luxurious, all signs of the horror that took place here scrubbed away. The mist will always be here though, clinging to the walls and drifting through the hallways.

  I don’t take a lot. Clothes, shoes, books, the stuffed frog my mom got me when we went to Disneyland when I was seven. The photo album, of course, and the pictures of my parents.

  My last stop is the small room on top of the garage, the room where Nico lived. It smells like him, a mix of fresh soil and Ivory soap, and this brings tears to my eyes. I’m not sure what might have been. Relationships between penniless gardeners and rich girls work best in the movies. In reality money makes things really complicated, one of the many things I learned when my dad’s right-hand man killed him over it. But I know that Nico and I had a connection, that it meant something. Maybe we weren’t going to be a great love affair, though that kiss was pretty amazing, but I do know we would have been lifelong friends. And I really would have liked that.

  The room is sparse, a vase of fall flowers cut from the garden that have now wilted, a few pictures of his family, a pile of books in Spanish. I take the pictures and the most well-worn book, as well as the red T-shirt lying on the bed. There’s more there but I don’t need it and I want his family back in El Salvador to have it. Back when the bag holding his body was finally loaded for the trip to the morgue, I thought he was leaving me. And of course in the obvious way he was, or already had. But I didn’t realize that next to the emptiness, the absence I will always feel, there would come to rest a little piece of him, the piece that belongs to me. So in some way he will never leave me.

  I walk down the stairs and out into the yard. Landscapers have been hard at work and the front lawn is satin smooth and emerald green, like the tire tracks and blood stains were never there.

  I head for my car and start loading my stuff into the trunk. The pictures, the frog, and Nico’s things go on the front seat next to me. Then I get in, turn the key in the ignition, and drive down the driveway one final time. I don’t look back because what matters now are the things that come next. Staying at Sera’s, seeing Abby, and then in the fall, Harvard. I will choose Harvard because of the business program and I will get my MBA from them too, so that I will be near Abby as she grows up. That is also why I will establish my branch of Barett Pharmaceuticals in Boston.

  The lawyers say the copy of my dad’s will will hold up and I will be named the heir. Next month, as long as I feel strong enough, I will go into the city and meet with the board, to select the person who will run the main company, for now, while I am learning, but probably beyond that as well. I’m not so interested in the money-making part, I’m more interested in what we do with that money.

  I am driving along the wooded road, the tall trees majestic with red, orange, and yellow leaves, sunlight slipping through to make lacy patterns on the road.

  I will start up carefully, gathering a team of researchers to see what agencies that help refugees truly help them, and then giving them money so that they can do more. Maybe one of them will find a kid who loves flowers so that one day he grows up to run his own gardening shop and be in charge of his own destiny instead of a pawn to people with power. Later it will grow into the agency I will found that provides funds for homes, food, and schooling.

  I am now at the edge of the trees and the space above me opens so that sun streams down, the sky wide and open and stretching before me as I drive.

  What I learn from my agency here will inform the next project, the one I start in El Salvador.

  The one I will name Victory of the People.

  Copyright © 2012 by Daphne Benedis-Grab All rights reserved.

  This book, or parts thereof, may not be reproduced in any form without permission from the publisher; exceptions are made for brief excerpts used in published reviews.

  Published by Merit Press

  an imprint of F+W Media, Inc.

  10151 Carver Road, Suite 200

  Blue Ash, Ohio 45242

  www.meritpressbooks.com

  ISBN 10: 1-4405-5270-3

  ISBN 13: 978-1-4405-5270-0

  eISBN 10: 1-4405-5271-1

  eISBN 13: 978-1-4405-5271-7

  Printed in the United States of Amer
ica.

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  This is a work of fiction. Names, characters, corporations, institutions, organizations, events, or locales in this novel are either the product of the authors’ imagination or, if real, used fictitiously. The resemblance of any character to actual persons (living or dead) is entirely coincidental.

  Many of the designations used by manufacturers and sellers to distinguish their product are claimed as trademarks. Where those designations appear in this book and F+W Media was aware of a trademark claim, the designations have been printed with initial capital letters.

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