The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle

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The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle Page 155

by Marcel Proust


  The Prince’s name preserved, in the boldness with which its opening syllables were—to borrow an expression from music—attacked, and in the stammering repetition that scanned them, the energy, the mannered simplicity, the heavy refinements of the Teutonic race, projected like green boughs over the “Heim” of dark blue enamel which glowed with the mystic light of a Rhenish window behind the pale and finely wrought gildings of the German eighteenth century. This name included, among the several names of which it was composed, that of a little German watering-place to which as a small child I had gone with my grandmother, under a mountain honoured by the feet of Goethe, from the vineyards of which we used to drink at the Kurhof the illustrious vintages with their compound and sonorous names like the epithets which Homer applies to his heroes. And so, scarcely had I heard it spoken than, before I had recalled the watering-place, the Prince’s name seemed to shrink, to become imbued with humanity, to find large enough for itself a little place in my memory to which it clung, familiar, earthbound, picturesque, appetising, light, with something about it that was authorised, prescribed. Furthermore, M. de Guermantes, in explaining who the Prince was, quoted a number of his titles, and I recognised the name of a village traversed by a river on which, every evening, the cure finished for the day, I used to go boating amid the mosquitoes, and that of a forest far enough away for the doctor not to allow me to make the excursion to it. And indeed it was comprehensible that the suzerainty of the noble gentleman should extend to the surrounding places and associate afresh in the enumeration of his titles the names which one could read side by side on a map. Thus beneath the visor of the Prince of the Holy Roman Empire and Knight of Franconia it was the face of a beloved, smiling land, on which the rays of the evening sun had often lingered for me, that I saw, at any rate before the Prince, Rhinegrave and Elector Palatine, had entered the room. For I speedily learned that the revenues which he drew from the forest and the river peopled with gnomes and undines, and from the magic mountain on which rose the ancient Burg that still cherished memories of Luther and Louis the German, he employed in keeping five Charron motor-cars, a house in Paris and another in London, a box on Mondays at the Opéra and another for the “Tuesdays” at the “Français.” He did not seem to me to be—nor did he himself seem to believe that he was—different from other men of similar wealth and age who had a less poetic origin. He had their culture, their ideals, he was proud of his rank but purely on account of the advantages it conferred on him, and had now only one ambition in life, to be elected a corresponding member of the Academy of Moral and Political Sciences, which was the reason of his coming to see Mme de Villeparisis.

  If he, whose wife was a leader of the most exclusive set in Berlin, had solicited an introduction to the Marquise, it was not the result of any desire on his part for her acquaintance. Devoured for years past by this ambition to be elected to the Institut, he had unfortunately never been in a position to reckon above five the number of Academicians who seemed prepared to vote for him. He knew that M. de Norpois could by himself command at least a dozen votes, a number which he was capable, by skilful negotiations, of increasing still further. And so the Prince, who had known him in Russia when they were both there as ambassadors, had gone to see him and had done everything in his power to win him over. But in vain might he intensify his friendly overtures, procure for the Marquis Russian decorations, quote him in articles on foreign policy, he had been faced with a heartless ingrate, a man in whose eyes all these attentions appeared to count as nothing, who had not advanced the prospects of his candidature one inch, had not even promised him his own vote. True, M. de Norpois received him with extreme politeness, indeed begged him not to put himself out and “take the trouble to come so far out of his way,” went himself to the Prince’s residence, and when the Teutonic knight had launched his: “I should very much like to be your colleague,” replied in a tone of deep emotion: “Ah! I should be most happy!” And no doubt a simpleton, a Dr Cottard, would have said to himself: “Well, here he is in my house; it was he who insisted on coming because he regards me as a more important person than himself; he tells me he’d be happy to see me in the Academy; words do have some meaning after all, damn it, so if he doesn’t offer to vote for me it’s probably because it hasn’t occurred to him. He lays so much stress on influence that he must imagine the plums fall into my lap, that I have all the support I need and that’s why he doesn’t offer me his; but I’ve only to corner him here, just the two of us, and say to him: ‘Very well, vote for me,’ and he’ll be obliged to do it.”

  But Prince von Faffenheim was no simpleton. He was what Dr Cottard would have called “a shrewd diplomat” and he knew that M. de Norpois was a no less shrewd one and a man who would have realised without needing to be told that he could confer a favour on a candidate by voting for him. The Prince, in his ambassadorial missions and as Foreign Minister, had conducted, on his country’s behalf instead of, as in the present instance, his own, many of those conversations in which one knows beforehand just how far one is prepared to go and at what point one will decline to commit oneself. He was not unaware that in diplomatic parlance to talk means to offer. And it was for this reason that he had arranged for M. de Norpois to receive the Order of Saint Andrew. But if he had had to report to his Government the conversation which he had subsequently had with M. de Norpois, he would have stated in his dispatch: “I realised that I had taken the wrong tack.” For as soon as he had returned to the subject of the Institut, M. de Norpois had repeated:

  “I should like nothing better; nothing could be better for my colleagues. They ought, I consider, to feel genuinely honoured that you should have thought of them. It’s a really interesting candidature, a little outside our normal practice. As you know, the Academy is very hide-bound; it takes fright at anything that smacks of novelty. Personally, I deplore this. How often have I not had occasion to say as much to my colleagues! I cannot be sure, God forgive me, that I did not even once let the term ‘stick-in-the-mud’ escape my lips,” he added with a scandalised smile in an undertone, almost an aside, as though on the stage, giving the Prince a rapid, sidelong glance from his blue eyes, like a veteran actor studying an effect on his audience. “You understand, Prince, that I should not care to allow a personality so eminent as yourself to embark on a venture which was hopeless from the start. So long as my colleagues’ ideas linger so far behind the times, I consider that the wiser course will be to abstain. But you may rest assured that if I were ever to discern a slightly more modern, a slightly more lively spirit emerge in that college, which is tending to become a mausoleum, if I felt you had a genuine chance of success, I should be the first to inform you of it.”

  “The Order was a mistake,” thought the Prince; “the negotiations have not advanced one step. That’s not what he wanted. I have not yet laid my hand on the right key.”

  This was a kind of reasoning of which M. de Norpois, formed in the same school as the Prince, would also have been capable. One may mock at the pedantic silliness which makes diplomats of the Norpois type go into ecstasies over some piece of official wording which is to all intents and purposes meaningless. But their childishness has this compensation: diplomats know that, in the scales which ensure that balance of power, European or otherwise, which we call peace, good feeling, fine speeches, earnest entreaties weigh very little; and that the heavy weight, the true determinant consists in something else, in the possibility which the adversary enjoys, if he is strong enough, or does not enjoy, of satisfying a desire in exchange for something in return. With this order of truths, which an entirely disinterested person, such as my grandmother for instance, would not have understood, M. de Norpois and Prince von Faffenheim had frequently to deal. As an envoy in countries with which we had been within an ace of going to war, M. de Norpois, in his anxiety as to the turn which events were about to take, knew very well that it was not by the word “Peace,” nor by the word “War,” that it would be revealed to him, but by some other, ap
parently commonplace word, a word of terror or blessing, which the diplomat, by the aid of his cipher, would immediately know how to interpret and to which, to safeguard the dignity of France, he would respond in another word, quite as commonplace, but one beneath which the minister of the enemy nation would at once decipher: “War.” Moreover, in accordance with a time-honoured custom, analogous to that which used to give to the first meeting between two young people promised to one another in marriage the form of a chance encounter at a performance in the Théâtre du Gymnase, the dialogue in the course of which destiny was to dictate the word “War” or the word “Peace” took place, as a rule, not in the ministerial sanctum but on a bench in a Kurgarten where the minister and M. de Norpois went independently to a thermal spring to drink at its source their little tumblers of some curative water. By a sort of tacit convention they met at the hour appointed for their cure, and began by taking together a short stroll which, beneath its benign appearance, the two interlocutors knew to be as tragic as an order for mobilisation. And so, in a private matter like this nomination for election to the Institute, the Prince had employed the same system of induction which had served him in the diplomatic service, the same method of reading beneath superimposed symbols.

  And certainly it would be wrong to pretend that my grandmother and the few who resembled her would have been alone in their failure to understand this kind of calculation. For one thing, the average run of humanity, practising professions the lines of which have been laid down in advance, approximate in their lack of intuition to the ignorance which my grandmother owed to her lofty disinterestedness. Often one has to come down to “kept” persons, male or female, before one finds the hidden spring of actions or words, apparently of the most innocent nature, in self-interest, in the necessity to keep alive. What man does not know that when a woman whom he is going to pay says to him: “Don’t let’s talk about money,” the speech must be regarded as what is called in music “a silent bar” and that if, later on, she declares: “You make me too unhappy, you’re always keeping things from me; I can’t stand it any longer,” he must interpret this as: “Someone else has been offering her more”? And yet this is only the language of the woman of easy virtue, not so far removed from society women. The ponce furnishes more striking examples. But M. de Norpois and the German prince, if ponces and their ways were unknown to them, had been accustomed to living on the same plane as nations, which are also, for all their grandeur, creatures of selfishness and cunning, which can be tamed only by force, by consideration of their material interests which may drive them to murder, a murder that is also often symbolic, since its mere hesitation or refusal to fight may spell for a nation the word “Perish.” But since all this is not set forth in the various Yellow Books or elsewhere, the people as a whole are naturally pacific; if they are warlike, it is instinctively, from hatred, from a sense of injury, not for the reasons which have made up the mind of their ruler on the advice of his Norpois.

  The following winter the Prince was seriously ill. He recovered, but his heart was permanently affected.

  “The devil!” he said to himself, “I can’t afford to lose any time over the Institut. If I wait too long, I may be dead before they elect me. That really would be disagreeable.”

  He wrote an essay for the Revue des Deux Mondes on European politics over the past twenty years, in which he referred more than once to M. de Norpois in the most flattering terms. The latter called upon him to thank him. He added that he did not know how to express his gratitude. The Prince said to himself, like a man who has just tried to fit another key into a stubborn lock: “Still not the right one!” and, feeling somewhat out of breath as he showed M. de Norpois to the door, thought: “Damn it, these fellows will see me in my grave before letting me in. We must hurry up.”

  That evening, he met M. de Norpois again at the Opéra.

  “My dear Ambassador,” he said to him, “you told me this morning that you did not know how to prove your gratitude to me. It’s entirely superfluous, since you owe me none, but I am going to be so indelicate as to take you at your word.”

  M. de Norpois had a no less high esteem for the Prince’s tact than the Prince had for his. He understood at once that it was not a request that Prince von Faffenheim was about to put to him, but an offer, and with a radiant affability he made ready to hear it.

  “Well now, you will think me highly indiscreet. There are two people to whom I am greatly attached—in quite different ways, as you will understand in a moment—two people both of whom have recently settled in Paris, where they intend to live henceforth: my wife, and the Grand Duchess John. They are thinking of giving a few dinners, notably in honour of the King and Queen of England, and their dream would have been to be able to offer their guests the company of a person for whom, without knowing her, they both of them feel a great admiration. I confess that I did not know how I was going to gratify their wish when I learned just now, by the merest chance, that you were a friend of this person. I know that she lives a most retired life, and sees only a very few people—happy few—but if you were to give me your support, with the kindness you have always shown me, I am sure that she would allow you to present me to her so that I might convey to her the wish of the Grand Duchess and the Princess. Perhaps she would consent to come to dinner with the Queen of England, and then (who knows) if we don’t bore her too much, to spend the Easter holidays with us at Beaulieu, at the Grand Duchess John’s. This person is called the Marquise de Villeparisis. I confess that the hope of becoming an habitué of such a school of wit would console me, would make me contemplate without regret the abandoning of my candidature for the Institut. For in her house, too, I understand, there is intellectual intercourse and brilliant talk.”

  With an inexpressible sense of pleasure the Prince felt that the lock no longer resisted and that at last the key was turning.

  “Such an alternative is wholly unnecessary, my dear Prince,” replied M. de Norpois. “Nothing could be more in harmony with the Institut than the house you speak of, which is a regular breeding-ground of academicians. I shall convey your request to Mme la Marquise de Villeparisis: she will undoubtedly be flattered. As for her dining with you, she goes out very little, and that will perhaps be more difficult to arrange. But I shall introduce you to her and you will plead your cause in person. You must on no account give up the Academy; tomorrow fortnight, as it happens, I shall be having luncheon, before going on with him to an important meeting, with Leroy-Beaulieu, without whom nobody can be elected; I had already allowed myself in conversation with him to let fall your name, with which, naturally, he was perfectly familiar. He raised certain objections. But it so happens that he requires the support of my group at the next election, and I fully intend to return to the charge; I shall tell him frankly of the extremely cordial ties that unite us, I shall not conceal from him that, if you were to stand, I should ask all my friends to vote for you” (here the Prince breathed a deep sigh of relief), “and he knows that I have friends. I consider that if I were to succeed in obtaining his co-operation, your chances would become very real. Come that evening, at six, to Mme de Villeparisis’s. I will introduce you, and at the same time will be able to give you an account of my morning meeting.”

  Thus it was that Prince von Faffenheim had been led to call upon Mme de Villeparisis. My profound disillusionment occurred when he spoke. It had never struck me that, whereas a period has features both particular and general which are stronger than those of a nationality, so that in an illustrated dictionary which goes so far as to include an authentic portrait of Minerva, Leibniz with his periwig and his neckerchief differs little from Marivaux or Samuel Bernard, a nationality has particular features stronger than those of a caste. In the present instance these found expression not in a discourse in which I had expected to hear the rustling of the elves and the dance of the kobolds, but by a transposition which certified no less plainly that poetic origin: the fact that as he bowed, short, red-faced and portly, ov
er the hand of Mme de Villeparisis, the Rhinegrave said to her: “Goot-tay, Matame la Marquise,” in the accent of an Alsatian concierge.

  “Won’t you let me give you a cup of tea or a little of this tart, it’s so good?” Mme de Guermantes asked me, anxious to have shown herself as friendly as possible. “I do the honours in this house just as if it was mine,” she explained in an ironical tone which gave a slightly guttural sound to her voice, as though she were trying to stifle a hoarse laugh.

  “Monsieur,” said Mme de Villeparisis to M. de Norpois, “you won’t forget that you have something to say to the Prince about the Academy?”

  Mme de Guermantes lowered her eyes and gave a semicircular turn to her wrist to look at the time.

  “Gracious! It’s time I said good-bye to my aunt if I’m to get to Mme de Saint-Ferréol’s, and I’m dining with Mme Leroi.”

  And she rose without bidding me good-bye. She had just caught sight of Mme Swann, who appeared somewhat embarrassed at finding me in the room. Doubtless she remembered that she had been the first to assure me that she was convinced of Dreyfus’s innocence.

  “I don’t want my mother to introduce me to Mme Swann,” Saint-Loup said to me. “She’s an ex-whore. Her husband’s a Jew, and she comes here to pose as a Nationalist. Hallo, here’s my uncle Palamède.”

  The arrival of Mme Swann had a special interest for me, owing to an incident which had occurred a few days earlier and which it is necessary to relate because of the consequences which it was to have at a much later date and which the reader will follow in detail in due course. A few days before this visit to Mme de Villeparisis, I had myself received a visitor whom I little expected, namely Charles Morel, the son, whom I did not know, of my great-uncle’s old valet. This great-uncle (he in whose house I had met the lady in pink) had died the year before. His servant had more than once expressed his intention of coming to see me; I had no idea of the object of his visit, but should have been glad to see him, for I had learned from Françoise that he had a genuine veneration for my uncle’s memory and made a pilgrimage regularly to the cemetery in which he was buried. But, being obliged for reasons of health to retire to his home in the country, where he expected to remain for some time, he had delegated the duty to his son. I was surprised to see a handsome young man of eighteen come into my room, dressed expensively rather than with taste, but looking, all the same, like anything but the son of a valet. He made a point, moreover, from the start, of emphasising his aloofness from the domestic class from which he sprang, by informing me with a complacent smile that he had won a first prize at the Conservatoire. The object of his visit to me was as follows: his father on going through the effects of my uncle Adolphe, had set aside some which he felt it unseemly to send to my parents but which he considered to be of a nature to interest a young man of my age. These were photographs of the famous actresses, the notorious courtesans whom my uncle had known, the last fading pictures of that gay life of a man about town which he kept separated by a watertight compartment from his family life. While the young Morel was showing them to me, I noticed that he affected to speak to me as to an equal. He derived from saying “you” to me as often and “sir” as seldom as possible the pleasure of one whose father had never ventured, when addressing my parents, upon anything but the third person. Almost all the photographs bore an inscription such as: “To my best friend.” One actress, less grateful and more circumspect than the rest, had written: “To the best of friends,” which enabled her (so I have been assured) to say afterwards that my uncle was in no sense and had never been her best friend but was merely the friend who had done the most small services for her, the friend she made use of, a good, kind man, in other words an old fool. In vain might young Morel seek to divest himself of his lowly origin, one felt that the shade of my uncle Adolphe, venerable and gigantic in the eyes of the old servant, had never ceased to hover, almost a sacred vision, over the childhood and youth of the son. While I was turning over the photographs Charles Morel examined my room. And as I was looking for somewhere to put them, “How is it,” he asked me (in a tone in which the reproach had no need to be emphasised, so implicit was it in the words themselves), “that I don’t see a single photograph of your uncle in your room?” I felt the blood rise to my cheeks and stammered: “Why, I don’t believe I have one.” “What, you haven’t a single photograph of your uncle Adolphe, who was so fond of you! I’ll send you one of the governor’s—he’s got stacks of them—and I hope you’ll put it in the place of honour above that chest of drawers, which incidentally came to you from your uncle.” It is true that, as I had not even a photograph of my father or mother in my room, there was nothing so very shocking in there not being one of my uncle Adolphe. But it was easy enough to see that for old Morel, who had trained his son in the same way of thinking, my uncle was the important person in the family, from whom my parents derived only a dim reflected glory. I was in higher favour, because my uncle used constantly to say to his valet that I was going to turn out a sort of Racine, or Vaulabelle, and Morel regarded me almost as an adopted son, as a favourite child of my uncle. I soon discovered that Morel’s son was extremely “go-getting.” Thus at this first meeting he asked me, being something of a composer as well and capable of setting short poems to music, whether I knew any poet who had a good position in “aristo” society. I mentioned one. He did not know the work of this poet and had never heard his name, of which he made a note. And I was to discover that shortly afterwards he wrote to the poet telling him that, being a fanatical admirer of his work, he, Morel, had composed a musical setting for one of his sonnets and would be grateful if the author would arrange for its performance at the Comtesse So-and-so’s. This was going a little too fast and exposing his hand. The poet, taking offence, made no reply.

 

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