"On the other hand," I said, "if the state's case is weak, then delaying things only gives them time to strengthen their hand. You see, time is our only leverage at this point. If we refuse to waive our right to a speedy trial, it puts a lot of pressure on the prosecutor."
"I didn't do what they are saying I did," Roulet said. "I don't want to waste any time. I want this shit behind me."
"If we refuse to waive, then theoretically they must put you on trial within sixty days of arraignment. The reality is that it gets pushed back when they move to a preliminary hearing. In a prelim a judge hears the evidence and decides if there is enough there to warrant a trial. It's a rubber-stamp process. The judge will hold you over for trial, you will be arraigned again and the clock is reset to sixty days."
"I can't believe this," Roulet said. "This is going to last forever."
"We could always waive the prelim, too. It would really force their hand. The case has been reassigned to a young prosecutor. He's pretty new to felonies. It may be the way to go."
"Wait a minute," Dobbs said. "Isn't a preliminary hearing useful in terms of seeing what the state's evidence is?"
"Not really," I said. "Not anymore. The legislature tried to streamline things a while back and they turned the prelim into a rubber stamp because they relaxed hearsay rules. Now you usually just get the case cop on the stand and he tells the judge what everybody said. The defense usually doesn't get a look at any witnesses other than the cop. If you ask me, the best strategy is to force the prosecution to put up or shut up. Make them go sixty days from first arraignment."
"I like that idea," Roulet said. "I want this over with as soon as possible."
I nodded. He had said it as though a not-guilty verdict was a foregone conclusion.
"Well, maybe it doesn't even get to a trial," Dobbs said. "If these charges don't hold muster -"
"The DA is not going to drop this," I said, cutting him off. "Usually, the cops overcharge and then the DA cuts the charges back. That didn't happen here. Instead, the DA upped the charges. That tells me two things. One is that they believe the case is solid and, two, they upped the charges so that when we start to negotiate they will deal from a higher ground."
"You're talking about a plea bargain?" Roulet asked.
"Yeah, a disposition."
"Forget it, no plea bargain. I'm not going to jail for something I didn't do."
"It might not mean going to jail. You have a clean rec-"
"I don't care if it means I could walk. I'm not going to plead guilty to something I didn't do. If that is going to be a problem for you, then we need to part company right here."
I looked closely at him. Almost all of my clients make protestations of innocence at one point along the way. Especially if it is our first case together. But Roulet's words came with a fervor and directness I hadn't seen in a long time. Liars falter. They look away. Roulet's eyes were holding mine like magnets.
"There is also the civil liability to consider," Dobbs added. "A guilty plea will allow this woman to -"
"I understand all of that," I said, cutting him off again. "I think we're all getting ahead of ourselves here. I only wanted to give Louis a general idea of the way this was going to go. We don't have to make any moves or any hard-and-fast decisions for at least a couple of weeks. We just need to know at the arraignment how we are going to play it."
"Louis took a year of law at UCLA," Dobbs said. "I think he has baseline knowledge of the situation."
Roulet nodded.
"Okay, good," I said. "Then let's just get to it. Louis, let's start with you. Your mother said she expects to see you at dinner. Do you live at home? I mean at her home?"
"I live in the guesthouse. She lives in the main house."
"Anyone else live on the premises?"
"The maid. In the main house."
"No siblings, boyfriends, girlfriends?"
"That's it."
"And you work at your mother's firm?"
"More like I run it. She's not there too much anymore."
"Where were you Saturday night?"
"Satur- you mean last night, don't you?"
"No, I mean Saturday night. Start there."
"Saturday night I didn't do anything. I stayed home and watched television."
"By yourself?"
"That's right."
"What did you watch?"
"A DVD. An old movie calledThe Conversation . Coppola."
"So nobody was with you or saw you. You just watched the movie and then went to bed."
"Basically."
"Basically. Okay. That brings us to Sunday morning. What did you do yesterday during the day?"
"I played golf at Riviera, my usual foursome. Started at ten and finished at four. I came home, showered and changed, had dinner at my mother's house-you want to know what we had?"
"That won't be necessary. But later on I probably will need the names of the guys you played golf with. What happened after dinner?"
"I told my mother I was going to my place but instead I went out."
I noticed that Levin had started taking notes on a small notebook he had taken out of a pocket.
"What kind of car do you drive?"
"I have two, an oh-four Range Rover I use for taking clients around in and an oh-one Carrera I use for myself."
"You used the Porsche last night, then?"
"That's right."
"Where'd you go?"
"I went over the hill and down into the Valley."
He said it as though it was a risky move for a Beverly Hills boy to descend into the working-class neighborhoods of the San Fernando Valley.
"Where did you go?" I asked.
"Ventura Boulevard
. I had a drink at Nat's North and then I went down the street a ways to Morgan's and I had a drink there, too."
"Those places are pickup bars, wouldn't you say?"
"Yes. That's why I went to them."
He was matter-of-fact about it and I appreciated his honesty.
"So you were looking for someone. A woman. Anyone in particular, someone you knew?"
"No one in particular. I was looking to get laid, pure and simple."
"What happened at Nat's North?"
"What happened was that it was a slow night, so I left. I didn't even finish my drink."
"You go there often? Do the bartenders know you?"
"Yeah, they know me. A girl named Paula was working last night."
"Okay, so it wasn't working for you there and you left. You drove down to Morgan's. Why Morgan's?"
"It's just another place I go."
"They know you there?"
"They should. I'm a good tipper. Last night Denise and Janice were behind the bar. They know me."
I turned to Levin.
"Raul, what is the victim's name?"
Levin opened his file to pull out a police report but answered before having to look it up.
"Regina Campo. Friends call her Reggie. Twenty-six years old. She told police she's an actress working as a telephone solicitor."
"And hoping to retire soon," Dobbs said.
I ignored him.
"Louis, did you know Reggie Campo before last night?" I asked.
Roulet shrugged.
"Sort of. I'd seen her around the bar scene. But I had never been with her before. I'd never even spoken to her."
"Had you ever tried?"
"No, I never could really get to her. She always seemed to be with someone or more than one person. I don't like to have to penetrate the crowd, you know? My style is to look for the singles."
"What was different last night?"
"Last night she came to me, that was what was different."
"Tell us about it."
"Nothing to tell. I was at the bar at Morgan's, minding my own business, having a look at the possibilities, and she was at the other end and she was with some guy. So she wasn't even on my radar because she looked like she was already taken, you know?"
"Well, after a while the guy she was with gets up to go take a leak or go outside for a smoke, and as soon as he's gone she gets up and slides on down the bar to me and asks if I'm interested. I said I was but what about the guy she's already with? She says don't worry about him, he'll be out the door by ten and then she's free the rest of the night. She wrote her address down for me and said to come by after ten. I told her I'd be there."
"What did she write the address down on?"
"A napkin, but the answer to your next question is no, I don't still have it. I memorized the address and threw out the napkin. I work in real estate. I can remember addresses."
"About what time was this?"
"I don't know."
"Well, she said come by at ten. Did you look at your watch at any point to see how long you would have to wait until then?"
"I think it was between eight and nine. As soon as the guy came back in they left."
"When did you leave the bar?"
"I stayed for a few minutes and then I left. I made one more stop before I went to her place."
"Where was that?"
"Well, she lived in an apartment in Tarzana so I went up to the Lamplighter. It was on the way."
"Why?"
"Well, you know, I wanted to see what the possibilities were. You know, see if there was something better out there, something I didn't have to wait around for or . . ."
"Or what?"
He still didn't finish the thought.
"Take seconds on?"
He nodded.
"Okay, so who'd you talk to at the Lamplighter? Where is that, by the way?"
It was the only place so far I was unfamiliar with.
"It's on Ventura near White Oak. I didn't really talk to anybody. It was crowded but there really wasn't anybody I was interested in there."
"The bartenders know you there?"
"No, not really. I don't go there all that much."
"You usually get lucky before you hit the third option?"
"Nah, I usually just give up after two."
I nodded just to buy a little time to think about what else to ask before we got to what happened at the victim's house.
"How long were you at the Lamplighter?"
"About an hour, I'd say. Maybe a little less."
"At the bar? How many drinks?"
"Yeah, two drinks at the bar."
"How many drinks in all did you have last night before getting to Reggie Campo's apartment?"
"Um, four at the most. Over two, two and a half, hours. I left one drink untouched at Morgan's."
"What were you drinking?"
"Martinis. Gray Goose."
"Did you pay for any of these drinks in any of these places with a credit card?" Levin asked, offering his first question of the interview.
"No," Roulet said. "When I go out, I pay cash."
I looked at Levin and waited to see if he had anything else to ask. He knew more about the case than I did at this moment. I wanted to give him free rein to ask what he wanted. He looked at me and nodded. He was good to go.
"Okay," I said. "What time was it when you got to Reggie's place?"
"It was twelve minutes to ten. I looked at my watch. I wanted to make sure I didn't knock on her door early."
"So what did you do?"
"I waited in the parking lot. She said ten so I waited till ten."
"Did you see the guy she left Morgan's with come out?"
"Yeah, I saw him. He came out and left, then I went up."
"What kind of car was he driving?" Levin asked.
"A yellow Corvette," Roulet said. "It was a nineties version. I don't know the exact year."
Levin nodded. He was finished. I knew he was just trying to get a line on the man who had been in Campo's apartment before Roulet. I took the questioning back.
"So he leaves and you go in. What happens?"
"I go in the building and her place is on the second floor. I go up and knock and she answers and I walk in."
"Hold on a second. I don't want the shorthand. You went up? How? Stairs, elevator, what? Give us the details."
"Elevator."
"Anybody else on it? Anybody see you?"
Roulet shook his head. I signaled him to continue.
"She opened the door a crack, saw it was me and told me to come in. There was a hallway by the front door so it was kind of a tight space. I walked by her so she could close the door. That's how come she was behind me. And so I didn't see it coming. She had something. She hit me with something and I went down. It got black real fast."
I was silent while I thought about this, tried to picture it in my mind.
"So before a single thing happened, she just knocked you out? She didn't say anything, yell anything, just sort of came up behind andbang ."
"That's right."
"Okay, then what? What do you remember next?"
"It's still pretty foggy. I remember waking up and these two guys are sitting on me. Holding me down. And then the police came. And the paramedics. I was sitting up against the wall and my hands were cuffed and the paramedic put that ammonia or something under my nose and that's when I really came out of it."
"You were still in the apartment?"
"Yeah."
"Where was Reggie Campo?"
"She was sitting on the couch and another paramedic was working on her face and she was crying and telling the other cop that I had attacked her. All these lies. That I had surprised her at the door and punched her, that I said I was going to rape her and then kill her, all these things I didn't do. And I moved my arms so I could look down at my hands behind my back. I saw they had my hand in like a plastic bag and I could see blood on my hand, and that's when I knew the whole thing was a setup."
"What do you mean by that?"
"She put blood on my hand to make it look like I did it. But it was my left hand. I'm not left-handed. If I was going to punch somebody, I'd use my right hand."
He made a punching gesture with his right hand to illustrate this for me in case I didn't get it. I got up from my spot and paced over to the window. It now seemed like I was higher than the sun. I was looking down at the sunset. I felt uneasy about Roulet's story. It seemed so far-fetched that it might actually be true. And that bothered me. I was always worried that I might not recognize innocence. The possibility of it in my job was so rare that I operated with the fear that I wouldn't be ready for it when it came. That I would miss it.
"Okay, let's talk about this for a second," I said, still facing the sun. "You're saying that she puts blood on your hand to set you up. And she puts it on your left. But if she was going to set you up, wouldn't she put the blood on your right, since the vast majority of people out there are right-handed? Wouldn't she go with the numbers?"
I turned back to the table and got blank stares from everyone.
"You said she opened the door a crack and then let you in," I said. "Could you see her face?"
"Not all of it."
"What could you see?"
"Her eye. Her left eye."
"So did you ever see the right side of her face? Like when you walked in."
"No, she was behind the door."
"That's it!" Levin said excitedly. "She already had the injuries when he got there. She hid it from him, then he steps in and she clocks him. All the injuries were to the right side of her face and that dictated that she put the blood on his left hand."
I nodded as I thought about the logic of this. It seemed to make sense.
"Okay," I said, turning back to the window and continuing to pace. "I think that'll work. Now, Louis, you've told us you had seen this woman around the bar scene before but had never been with her. So, she was a stranger. Why would she do this, Louis? Why would she set you up like you say she did?"
"Money."
But it wasn't Roulet who answered. It had been Dobbs. I turned from the window and looked at him. He knew he had spoken out of turn but di
dn't seem to care.
"It's obvious," Dobbs said. "She wants money from him, from the family. The civil suit is probably being filed as we speak. The criminal charges are just the prelude to the suit, the demand for money. That's what she's really after."
THE LINCOLN LAWYER (2005) Page 8