Women and children.
With the flashlight in his mouth, he took a dozen of them, lined them up on the bed to rephotograph them.
The radio beeped, Coakley's voice, harsh: "Somebody's coming. They're still a mile out."
Virgil said, "Shit," scooped up the photos, put the lid on the box, and, moving more slowly than he might have hoped, carefully put the box back in place. He had to struggle with the hatch, getting the pins matched up with snaps, and then he was down the stairs, through the kitchen, through the mudroom, and out, pulling the door shut behind him. He ran across the barnyard to the side of the barn, put the radio up, and said, "Where are they?"
"Still coming. Are you out?"
"I'm jogging down the driveway," he said. "I see them now."
The car was five or six hundred yards out, coming on at forty or fifty miles an hour, slow because of the snow. When he couldn't risk running any farther down the drive, he went sideways into the ditch, behind one of a line of arborvitae.
Tried not to think of the car: he believed that if you thought of somebody, they could pick up the vibration, and they would see you. The idea was nuts, of course, but he'd seen its effects on any number of surveillances.
Held his breath, tried not to think of the car… and the car went on by, down the road. Not the Rouses, but there was no way he'd go back in the house.
"Ah, Jesus," he said to the radio.
Coakley said, "I'm coming."
When he was back in the truck, she said, "This was awful. We were crazy to even try this."
Virgil nodded. "You're right."
"Nothing, right?"
"Wrong. Just about everything, maybe." He dug in his pocket, pulled out the photos. "Let's get someplace where we can look at these."
On the way back to Virgil's truck, her cheekbones seeming to stand out with the stress, she said, "That fuckin' Flowers. That's what they said. I paid no attention. This… I mean, I dunno. I dunno. I mean, I really don't know."
"I know what you mean," Virgil said.
"Maybe I should turn us in," she said. "That'd be the right thing to do. I'd inform the court, then resign-"
"Ah, for Christ's sakes, don't be a child," Virgil said.
She was quiet for a while, then asked about how he'd found the photos. He explained about the printer, and about finding them in the closet. About the vibrator and the negligees. "Nothing illegal about a vibrator," she said. "Or a negligee."
"Shut up," Virgil said.
They came up to his truck, and she followed him back to the Holiday Inn. In Virgil's room, they spread the photos out on the desk and pulled a desk lamp over them.
Twosomes, threesomes, foursomes, two-on-one, three-on-one. "I went on an Internet porn site, once," she said. "My oldest boy was looking at it; I found it in his history. This is like those pictures."
"What'd you do about your kid?" Virgil asked.
"Nothing. I was too embarrassed. And I suppose the curiosity is normal enough… as long as it doesn't get out of control. He's a good kid."
"This is Rouse, I think," Virgil said, tapping one of the photos. "He's in almost half of the pictures." He tapped a woman in another of the photos. "I wouldn't be surprised if this is Mrs. Rouse, because she's all over the place, and that's the style of the negligees in the chest of drawers. That kind of black lacy Playboy look from the sixties. And I would not be surprised if this is Kristy Rouse, because she looks like a combination of the other two. Look at her face. And the negligee."
"But she's…"
"Having sex with her father and another man," Virgil said. "This is the kind of sex that Kelly Baker was involved in."
"This girl, if this is Kristy, she can't be fourteen in this picture," Coakley said. "She looks more like eleven or twelve. If the FBI came through the door right now, they could arrest us for child porn."
"So now we know," Virgil said, sitting back. He pulled the photos together in a pile, tired of looking at them. "That's all I wanted. We burn these pictures, we never tell another soul about them, as long as we live. If anyone found out what we've done, it'd break the case. The evidence would be thrown out."
She nodded. "And you say there are more where these come from?"
"A few hundred in the one box. I didn't have much time, but I tried to take a representative sample. I doubt they'll be missed. Even if they are, who are they going to complain to?"
They burned the photos in the shower, washed the ash down the drain, turned on the ceiling fan to get rid of the odor.
"So we know," Coakley said. "Now what?"
"Now we wait until tomorrow. If we can get Spooner, I think we can break the whole thing out. I'd trade the whole murder charge for a full story of the World of Spirit-call it self-defense or whatever she wants, if she talks to us. She talks, we get a pile of search warrants, call in a whole bunch of BCA guys from the Cities, and hit them all at once. The Rouses alone will hang them…"
"All right," she said. "All right. Tomorrow."
They were standing next to the bed, still with a little stink of photo smoke in the room, and Coakley said, "This afternoon, I had this… vision, kind of. We'd be lying out there in the sleeping bags, you know, not much going on, and we'd start to neck a little. Then nothing would happen, and we'd go back to the truck, and fool around a little more, than we'd come back here. You know?"
Virgil shrugged.
"But those pictures," she said. "How could you have any kind of decent sexual experience with those pictures still in your head?"
He shrugged again. "They were… out there."
"So maybe… maybe I could stop by again? Like tomorrow night?"
"Sure. Don't do anything you don't want to, Lee," Virgil said. "I mean, you know. Do what you want."
She stepped away and said, "Tomorrow."
"Okay."
Then she stepped back, grabbed his shirt, shoved him back on the bed, following him down, and said, "Oh, screw it. Right now."
14
Well, Virgil thought, when he woke up the next morning, that was different.
Whatever sexual frustrations Coakley had developed over the ten declining years of her marriage had been fully resolved, he thought. He groaned when he tried to sit up, reaching for his back. He'd pulled one of the hinge muscles between his back and butt. He'd felt it go at the time-it was a recurring injury from his baseball days-and then had forgotten about it. Overnight, it had tightened up, and now felt like a steel clamp.
He dropped back on the pillow. On most nights, before he went to sleep, he spent some time thinking about God, a leftover from the first eighteen years of his life when he'd gotten down on his knees each night to say his evening prayers. Virgil was neither a complete believer nor an unbeliever, though he was skeptical about God's interest in such things as divorce, debt, or dancing cheek to cheek, or much of anything that human beings got up to, short of murder, rape, or driving a Chrysler product.
Last night, he hadn't been thinking about God.
Last night, he'd been trying to stay alive in the face-and also the chest, hips, and legs-of unchained femininity. Coakley was in extremely good shape, and nearly as large as Virgil; when he was astride her, spurring her down to the quarter pole, he realized that he was looking at her nose and mouth, rather than her forehead, or even the top of her head, as had been the case with the other women he'd known.
And she just… manhandled him. Woman-handled him.
Then there was the whole question of her whatchamacallit. Actually, there were two questions.
The first was, "My God, what'd you do down here?"
As a blonde, when she blushed, she got pink from head to toe. "Some girlfriends talked me into it. We got lasered."
"Really?" Virgil couldn't think of what to say, but he liked it, so he said, "Cool. Interesting. It's kind of like a little landing strip."
The second question was one of nomenclature. If you're going to talk about the whole lasering concept, the ins and outs, so to speak, i
t seemed like there should be some word for it. Vagina was too specific and simply wrong, as were all the other Latinate words for specific parts. While examining the situation, Virgil suggested that only pussy was expressive of the area.
"I really hate that word," she said.
"Well, it's warm and fuzzy-"
"Virgil, do you want to get your hair ripped out?"
"There's a radio guy up in the Cities who refers to it as the 'swimsuit area,' but he uses that for both male and female, I think."
"That's so romantic," Coakley said. "'I love your swimsuit area, darling.'"
Virgil looked up at her and said, "I'm trying to fill a linguistic void here, and you're not helping. There is no noun for what we're talking about. Except-"
"Don't say it."
"And if we can't say that one, we should feel obligated to come up with another. One that's harmless, non-offensive, et cetera."
"Like… apple?"
"An Apple's a computer," Virgil said. "And I'm not sure that adapting either fruits or vegetables would really be appropriate."
"Or minerals. I'd rule out minerals."
They hadn't resolved the question, but Virgil determined to work on it in his spare time, if he ever had any. HE LOOKED at the clock. Ah, man: 9:22. Had to get up. The DNA report would be coming in.
Anyhoo…
He yawned, scratched, trotted into the bathroom for a shower. All the towels had been used, and all but a sliver of the free soap-"Oh, yeah"-but he stood in the hot water for ten minutes, until he heard his cell phone ringing. He used the least-damp towel to pat himself dry, then went to see who'd called.
Coakley.
And at that moment, a text message arrived, also from Coakley.
"My office, IMMEDIATELY."
"Fifteen minutes," he tapped out, and went to shave.
Something had happened, and when you hadn't made it happen, that was usually bad.
He was twenty-five minutes, tired, dragging his aching ass into Coakley's office. There were two cops standing in the doorway, with an attitude on them: something had happened. They stepped back when Virgil came up, and he found Coakley, trim, business-like, looking across her desk at Kathleen Spooner.
And Virgil thought, Oh, shit, while he smiled and said, "Miz Spooner. Nice to see you."
Coakley said, in a voice as crisp as a green apple, "Miss Spooner says she has something to tell us. She wanted you to be here."
"It's a statement," Spooner said to Virgil, and Virgil took a chair. The two deputies were still leaning in the door. "I did something really bad. Then I ran away, but I felt so guilty. I can't afford a lawyer."
"We can get you a lawyer," Virgil said. "If you're going to tell us something you think might be criminal, I should remind you of your rights…"
She listened quietly as he recited the Miranda warning, then said, "I don't want a lawyer now. I just want to get it off my chest. But maybe I'll want one later."
"That's just fine," Coakley said. "The minute you feel you need a lawyer, you tell us."
Virgil said, "So…"
Spooner looked down at her hands. "I was… there… with Jim, when he killed himself."
Virgil thought again, Oh, shit. He said, aloud, "He killed himself."
"Yes… I lied to you. Jim and I had started talking about getting back together. He called me up, and said something terrible had happened at the jail, and could I come over. I went over, and he was freaked. He said a guy in the jail had hanged himself, while he was on duty."
Coakley: "He said Tripp hanged himself?"
"That's what he said… at first. Then, he got kind of shaky, and I got a really bad feeling about it, like he wasn't telling me what really happened. He was crying. I've known him for a long time, and I'd never seen him cry, and here he was, bawling like a baby. Anyway, I didn't know what to do, I wanted to make him feel better…"
"You had sex?"
"On the couch. He always liked it… that way."
Virgil said, "Miz Spooner, we're police officers, and we… know just about everything people get up to. When you say, 'that way,' what do you mean?"
Her eyes clicked away from him, but he suddenly had the sense that she was enjoying herself. "I, um, performed oral sex on him."
Virgil nodded. "Then what?"
"Well, I went into the bathroom after he was finished… you know, to gargle…" Again, the sense that she was enjoying herself, a kind of exhibitionism.
Coakley said, "There's nothing criminal about oral sex."
Virgil thought, Thank God, but he said, to Spooner, "You were in the bathroom…"
"When I heard the shot. It was so loud. So loud. The shot in that little house. I knew what it was… I ran back in there, and he was dead. There wasn't any doubt about it, he was gone, and I was… freaked. I was so scared."
"He was wearing his gun while you were having sex?" Virgil asked.
"No, no… it was on his hip, and when we, uh, opened his fly and pulled down his underpants, he took it out and I took it from him and put it on the floor."
Coakley: "You took it."
"Yes," she said. "There was no end table, and he was kind of sideways on the couch, and I said, 'Give me that damn thing,' and I put it on the floor. I should have thrown it out the window. I think, you know, he'd always get a little sad after sex, and he'd already been a wreck… and I think he just grabbed it and did it. Just did it."
"And there'd been no sign that he was suicidal before that… shot?" Coakley asked.
"Well, he was really upset."
"Did you touch the pistol when you came out of the bathroom?" Virgil asked.
She nodded, looking straight at him. "I knew he was dead, and I knew he was into something really bad, and I was afraid that I would get tangled up in it. So I picked it up and tried to wipe my fingerprints off with my shirt. Then I put it back by his hand… and left. Way out in the country like that, nobody saw me. My car had been behind the house…"
"How did you know he was into something bad?" Coakley asked. "We must've skipped over something here."
Spooner didn't answer for a moment, but her lips moved, silently, as though she were looking for the right words. Then, "When we were talking, when I first got over there, he told me that Bob Tripp had found out something really bad about Jake Flood. Something about Jake Flood and that girl, Kelly Baker. I mean, Jim didn't exactly say what it was, but I formed my own conclusions."
Coakley: "Which were?"
"Jake Flood must've had something to do with Kelly Baker's death. And, everybody knew, that involved a lot of sex. I got the feeling… he didn't say anything… that Jim might've been involved. He kept talking about DNA."
Coakley and Virgil sat and looked at her, and she squirmed, and eventually asked, "What?"
"You suspected this, but you didn't come to us…"
"What was I supposed to do?" she said, her voice rising into a whine. "Here they might have been involved in something awful with this girl, and if I came in, I'd be involved. I needed time to think. I mean, they were dead, anyway. I didn't have any proof. So… but here I am."
There was more talking to do, but when they'd wrung her out, Coakley said to Greg Dunn, one of the deputies in the door, "Take Miss Spooner down to the interview room and do this over, for a formal statement. When that's done, walk her over to Harris's office. I'll call him right now and tell him what's up."
To Spooner, she said, "Greg will take your statement from you-this is purely routine-and then we'll have you talk to Harris about whether or not you'll need a public defender. I couldn't really say one way or the other."
"Okay… Do you think I could get out early enough to make it to work?"
"I kind of doubt it," Coakley said. "But talk to Harris. Maybe."
When Spooner was gone, Coakley got on her phone, dialed a number, and said to Virgil, "Harris Toms is the county attorney."
"I knew that," he said.
She got Toms, explained the situation, hung up, and
said, "Push that door shut."
He reached over and pushed the office door shut, and said, "We're fucked. She was lying through her teeth-she was enjoying the whole performance-but she covered all the bases. Every piece of evidence we have against her, she explained. And she came to us. Voluntarily. She just did a number on us."
"But we know what's going on, with the church," Coakley said.
"Yeah, but the case itself is pretty much gone," Virgil said. "It's solved. Flood and Crocker were taking little Kelly Baker out and banging her brains loose. Then something happened. They accidentally killed her or she died… whatever. Everything is cool until Flood takes his shirt off, and Tripp figures out that he was the one with Kelly."
Coakley picked it up: "Flood finds out that Bob was 'friends' with Kelly, and he assumes that Bob was having a sexual relationship with her, not knowing that the boy was gay. Could just be one of those man-to-man things, 'Pretty great piece of ass, huh? I could tell you stories…'"
Virgil: "You get Bob to the jail, everything is fine. But during the night, he tells Crocker the whole story, the one he was saving for Sullivan. Crocker thinks, Holy shit, they know I'm Flood's best friend. If they got any DNA out of Baker, it'll be in the database, and they'll ask me for a sample…"
"So he kills Bob to keep him from talking. Then he freaks out because of what he did-"
Virgil: "Or because he thinks that we'll figure it out, and do DNA on him in the jail death. In fact… I wonder if he might have called up to the ME, as a sheriff's deputy, and somehow got the murder verdict?"
"Whatever reason, he's cooked, if he's in the database."
Virgil picked it up again. "Now, one of two things happened. He really did commit suicide, which I don't believe, because people say he was too much of a chicken, and because I could see in her eyes that Spooner was lying like a motherfucker; or, he told Spooner about it, and she realized that he'd bring down the whole World of Spirit, trade them in, to keep himself out of jail. Or if not that, to get special handling and a shorter sentence. And she killed him."
Coakley: "You think it's the second one. That she killed him."
"I do. But I don't see how we can get her," Virgil said. "She's got the perfect alternate story. We've got ours, she's got hers, and there's no way a jury will find her guilty beyond a reasonable doubt. A nice middle-class drugstore worker killing a man she hoped to get back with? No. Not without something else that would show animus on her part."
Bad blood vf-4 Page 16