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Wild Animals at Home Page 10

by Ernest Thompson Seton


  I could not take it then as my camera had gone on with my horse. I had nothing to put the Rabbit in. I could not put it in my pocket as that would mean crushing it in some early tumble; I needed both my hands to climb with and catch my horse, so for lack of a better place I took off my hat and said, "Bunny, how would you like to ride in that?" He wobbled his nose, which I understood to mean that he didn't care. So I put the Rabbit on my head, and put the hat on again.

  Then I went forward and found that the cook had recovered his pots and pans; all was well now and my horse was awaiting me.

  I rode all the rest of that day with the Rabbit quietly nestling in my hair. It was a long, hard day, for we continued till nightfall and then made a dark camp in a thick pine woods. It was impossible to make pictures then, so I put the little Rabbit under a leatheroid telescope lid, on a hard level place, gave him food and water, and left him for use in the morning.

  THE RABBIT DANCE

  About nine o'clock that night we were sitting about the fire, when from the near woods was heard a tremendous "tap-tap-taptrrr," so loud and so near that we all jumped and stared into the darkness. Again it came, "tap-tap-tap trrrrr," a regular drum tattoo.

  "What is that?" we all exclaimed, and at that moment a large Rabbit darted across the open space lighted by the fire.

  Again the tattoo and another Rabbit dashed across. Then it dawned on me that that was the young Rabbit signalling to his friends. He was using the side of his box for a drum.

  Again the little prisoner rolled his signal call, and then a third Snowshoe Rabbit appeared.

  "Look at all the Rabbits!" exclaimed my friend. "Where is my gun?"

  "No," I said, "you don't need your gun. Wait and see. There is something up. That little chap is ringing up central."

  "I never saw so many together in all my life," said he. Then added: "I've got an acetylene lantern; perhaps we can get a picture."

  As soon as he had his camera and lantern, we went cautiously to the rabbity side of the woods; several ran past us. Then we sat down on a smooth place. My friend held the camera, I held the light, but we rested both on the ground. Very soon a Rabbit darted from the darkness into the great cone of light from the lantern, gazed at that wonder for a moment, gave a "thump" and disappeared. Then another came; then two or three. They gazed into this unspeakably dazzling thing, then one gave the alarm by thumping, and all were lost to sight.

  But they came again and in ever-increasing numbers, 4, 5, 7, 8, 10 at last, now in plain view, gazing wildly at the bright light, pushing forward as though fascinated. Some two or three so close together that they were touching each other. Then one gave the thumping alarm, and all scattered like leaves, to vanish like ghosts. But they came back again, to push and crawl up nearer to that blazing wonder. Some of the back ones were skipping about but the front ones edged up in a sort of wild-eyed fascination. Closer and closer they got, then the first one was so near that reaching out to smell the lantern he burnt his nose, and at his alarm thump, all disappeared in the woods. But they soon returned to disport again in that amazing brightness; and, stimulated by the light, they danced about, chasing each other, dodging around in large circles till one of the outermost leaped over the camera box and another following him, leaped up and sat on it. My friend was just behind, hidden by the light in front, and he had no trouble in clutching the impudent Rabbit with both hands. Instantly it set up a loud squealing. The other Rabbits gave a stamping signal, and in a moment all were lost in the woods, but the one we held. Quickly we transported it to another leatheroid box, intending to take its picture in the morning, but the prisoner had a means of attack that I had not counted on. Just as we were going to sleep he began with his front feet on the resounding box and beat a veritable drum tattoo of alarm. Every one in camp was awakened, and again, as we were dropping off, the camp was roused by another loud "tattoo." For nearly two hours this went on; then, about midnight, utterly unable to sleep, I arose and let the drummer go about his business, do anything or go anywhere, so only he would be quiet and let us attend to ours.

  XXIX. The Baby Cottontail that rode twenty miles in my hat

  Photo by E. T. Seton

  XXX. Snowshoe Rabbits dancing in the light of the lantern

  Sketch by E. T. Seton

  Next morning I photographed the little Bunny, and set him free to join his kin. It is a surprising fact that though we spent two weeks in this valley, and a month in those mountains, we did not see another wild Rabbit.

  This incident is unique in my experience. It is the only time when I found the Snowshoe Hares gathered for a social purpose, and is the only approach to a game that I ever heard of among them.

  THE GHOST RABBIT

  An entirely different side of Rabbit life is seen in another mysterious incident that I have never been able to explain.

  At one time when I lived in Ontario, I had a very good hound that was trained to follow all kinds of trails. I used to take him out in the woods at night, give him general instructions "to go ahead, and report everything afoot"; then sit down on a log to listen to his reports. And he made them with remarkable promptness. Slight differences in his bark, and the course taken, enabled me to tell at once whether it was Fox, Coon, Rabbit, Skunk, or other local game. And his peculiar falsetto yelp when the creature treed, was a joyful invitation to "come and see for yourself."

  The hound's bark for a Fox was deep, strong, and at regular intervals as befitted the strong trail, and the straightaway run. But for a Rabbit it was broken, uncertain, irregular and rarely a good deep bay.

  One night the dog bawled in his usual way, "Rabbit, Rabbit, Rabbit," and soon leaving the woods he crossed an open field where the moon shone brightly, and I could easily see to follow. Still yelping "Rabbit, Rabbit, Rabbit," he dashed into a bramble thicket in the middle of the field. But at once he dashed out again shrieking, "Police! Help! Murder!" and took refuge behind me, cowering up against my legs. At the same moment from the side of that bramble thicket there went out—a Rabbit. Yes, a common Rabbit all right, but it was a snow-white one. The first albino Cottontail I had ever seen, and apparently the first albino Cottontail that[C] Ranger had ever seen. Dogs are not supposed to be superstitious, but on that occasion Ranger behaved exactly as though he thought that he had seen a ghost.

  A NARROW-GAUGE MULE—THE PRAIRIE HARE

  One has to see this creature with its great flopping ears, and its stiff-legged jumping like a bucking mule, to realize the aptness of its Western nickname.

  As it bounds away from your pathway its bushy snow-white tail and the white behind the black-tipped ears will point out plainly that it is neither the Texas Jackrabbit nor the Rocky Mountain Cottontail, but the White-tailed Jackrabbit, the finest of all our Hares.

  I have met it in woods, mountains, and prairies, from California to Manitoba and found it the wildest of its race and almost impossible of approach; except in the great exceptional spot, the Yellowstone Park. Here in the August of 1912 I met with two, close to the Mammoth Hot Springs Hotel. At a distance of thirty feet they gave me good chances to take pictures, and though the light was very bad I made a couple of snaps. Fifteen years ago, when first I roamed in the Park, the Prairie Hare was exceedingly rare, but now, like so many of the wild folk, it has become quite common. Another evidence of the efficacy of protection.

  This silvery-gray creature turns pure white in the winter, when the snow mantle of his range might otherwise make it too conspicuous.

  THE BUMP OF MOSS THAT SQUEAKS

  No matter how horrible a certain climate or surroundings may seem to us, they are sure to be the ideal of some wild creature, its very dream of bliss. I suppose that slide rock, away up in cold, bleak, windy country above the timber-line, is absolutely the unloveliest landscape and most repulsive home ground that a man could find in the mountains and yet it is the paradise, the perfect place of a wonderful little creature that is found on the high peaks of the Rockies from California to Alaska.

 
; It is not especially abundant in the Yellowstone Park, but it was there that first I made its acquaintance, and Easterners will meet with it in the great Reserve more often than in all other parts of its range put together.

  As one reaches the Golden Gate, near Mammoth Hot Springs, many little animals of the Ground-squirrel group are seen running about, and from the distance comes a peculiar cry, a short squeak uttered every ten or fifteen seconds. You stop, perhaps search with your eye the remote hillside, but you are looking too far afield. Glance toward the tumbled rock piles, look at every high point. There on top of one you note a little gray lump, like a bump of moss, the size of your fist, clinging to the point of the rock. Fix your glasses on it, and you will see plainly that the squeak is made by this tiny creature, like a quarter-grown Rabbit with short, round, white-rimmed ears and no visible tail. This is the curious little animal that cannot be happy anywhere but in the slide rock; this is the Calling Hare. "Little Chief Hare" is its Indian name, but it has many others of much currency, such as "Pika," and "Starved Rat," the latter because it is never fat. The driver calls it a "Coney," or "Rock Rabbit." In its colour, size, shape, and habits it differs from all other creatures in the region; it is impossible to mistake it. Though a distant kinsman of the Rabbits, it is unlike them in looks and ways. Thus it has, as noted, the very un-rabbit-like habit of squeaking from some high lookout. This is doubtless a call of alarm to let the rest of the company know that there is danger about, for the Coney is a gregarious creature; there may be a hundred of them in the rock-slide.

  Some years ago, in Colorado, I sketched one of the Coneys by help of a field glass. He was putting all the force of his energetic little soul into the utterance of an alarm cry for the benefit of his people.

  But the most interesting habit of this un-rabbity Rabbit is its way of preparing for winter.

  When the grass, the mountain dandelions, and the peavines are at their best growth for making hay, the Coney, with his kind, goes warily from his stronghold in the rocks to the nearest stretch of herbage, and there cuts as much as he can carry of the richest growths; then laden with a bundle as big as himself, and very much longer, he makes for the rocks, and on some flat open place spreads the herbage out to be cured for his winter hay. Out in full blaze of the sun he leave it, and if some inconsiderate rock comes in between, to cast a shadow on his hay a-curing, he moves the one that is easiest to move; he never neglects his hay. When dry enough to be safe, he packs it away into his barn, the barn being a sheltered crevice in the rocks where the weather cannot harm it, and where it will continue good until the winter time, when otherwise there would be a sad pinch of famine in the Coney world. The trappers say that they can tell whether the winter will be hard or open by the amount of food stored up in the Coney barns.

  Many a one of these I have examined in the mountains of British Columbia and Colorado, as well as in the Park. The quantity of hay in them varies from what might fill a peck measure to what would make a huge armful. Among the food plants used, I found many species of grass, thistle, meadow-rue, peavine, heath, and the leaves of several composite plants. I suspect that fuller observations will show that they use every herb not actually poisonous, that grows in the vicinity of their citadel. More than one of these wads of hay had in the middle of it a nest or hollow; not, I suspect, the home nest where the young are raised, but a sort of winter restaurant where they could go while the ground was covered with snow, and sitting in the midst of their provisions, eat to their heart's content.

  It is not unlikely that in this we see the growth of the storage habit, beginning first with a warm nest of hay, which it was found could be utilized for food when none other was available. The fact that these barns are used year after year is shown by the abundance of pellets in several layers which were found in and about them.

  THE WEATHERWISE CONEY

  A very wise little people is this little people of the Rocks. Not only do they realize that in summer they must prepare for winter, but they know how to face a present crisis, however unexpected. To appreciate the following instance, we must remember that the central thought in the Coney's life is his "grub pile" for winter use, and next that he is a strictly daytime animal. I have often slept near a Coney settlement and never heard a sound or seen a sign of their being about after dark. Nevertheless, Merriam tells us that he and Vernon Bailey once carried their blankets up to a Coney colony above timber-line in the Salmon River Mountains of Idaho, intending to spend the night there and to study the Coneys whose piles of hay were visible in all directions on their rocks. As this was about the first of September, it was natural to expect fair weather and a complete curing of the hay in a week or so. But a fierce storm set in with the descending night. The rain changed to hail and then to snow, and much to the surprise of the naturalists, they heard the squeak of the Coneys all night long.

  These animals love the sunshine, the warmth and the daylight, and dread cold and darkness as much as we do. It must have been a bitter experience when at the call of the older ones every little Coney had to tumble out of his warm bed in the chill black hours and face the driving sleet to save the winter's supplies. But tumble out they did, and overtime they worked, hard and well, for when the morning dawned the slide-rock and the whole world was covered deep in snow, but every haycock had been removed to a safer place under the rocks, and the wisdom of the Coney once more exemplified, with adequate energy to make it effective.

  XXXI. Snowshoe Rabbits fascinated by the lantern

  Sketched in the Bitterroot Mts. by E. T. Seton

  XXXII. The Ghost Rabbit

  Sketch by E. T. Seton

  HIS SAFETY IS IN THE ROCKS

  No one has ever yet found the home nest of the Calling Hare. It is so securely hidden under rocks, and in galleries below rocks, that all attempts to dig it out have thus far failed. I know of several men, not to mention Bears, Badgers, Wolverines, and Grizzlies, who have essayed to unearth the secret of the Coney's inner life. Following on the trail of a Coney that bleated derisively at me near Pagoda Peak, Col., I began at once to roll rocks aside in an effort to follow him home to his den. The farther I went the less satisfaction I found. The uncertain trail ramified more and more as I laboured. Once or twice from far below me I heard a mocking squeak that spurred me on, but that too, ceased. When about ten tons of rock had been removed I was baffled. There were half a dozen possible lines of continuation, and while I paused to wipe the "honest sweat" from my well-meaning brow, I heard behind me the "weak," "weak," of my friend as though giving his estimate of my resolution, and I descried him—I suppose the same—on a rock point like a moss-bump against the sky-line away to the left. Only, one end of the moss-bump moved a little each time a squeak was cast upon the air. I had not time to tear down the whole mountain, so I did as my betters, the Bears and Badgers have done before me, I gave it up. I had at least found out why the Coney avoids the pleasant prairie and the fertile banks, and I finished with a new and profounder understanding of the Scripture text which says in effect, "As for the Coney, his safe refuge is in the rocks."

  FOOTNOTES:

  [C] It proved later to be an albino domestic Rabbit run wild.

  X

  Ghosts of the Campfire

  It is always worth while to cultivate the old guides. Young guides are often fresh and shallow, but the quiet old fellows, that have spent their lives in the mountains, must be good or they could not stay in the business; and they have seen so much and been so far that they are like rare old manuscript volumes, difficult to read, but unique and full of value. It is not easy to get them to talk, but there is a combination that often does it. First, show yourself worthy of their respect by holding up your end, be it in an all-day climb or breakneck ride; then at night, after the others have gone to bed, you sit while the old guide smokes, and by a few brief questions and full attention, show that you value any observations he may choose to make. Many happy hours and much important information have been my reward for just such cauti
ous play, and often as we sat, there flitted past, in the dim light, the silent shadowy forms of the campfire ghosts. Swift, not twinkling, but looming light and fading, absolutely silent. Sometimes approaching so near that the still watcher can get the glint of beady eyes or even of a snowy breast, for these ghosts are merely the common Mice of the mountains, abounding in every part of the West.

  There are half a dozen different kinds, yet most travellers will be inclined to bunch them all, and pass them by as mere Mice. But they are worthy of better treatment. Three, at least, are so different in form and ways that you should remember them by their names.

  First is the Whitefooted or Deer-mouse. This is the one that you find in the coffee pot or the water bucket in the morning; this is the one that skips out of the "grub box" when the cook begins breakfast; and this is the one that runs over your face with its cold feet as you sleep nights. It is one of the most widely diffused mammals in North America to-day, and probably the most numerous.

  It is an elegant little creature, with large, lustrous black eyes like those of a Deer, a fact which, combined with its large ears, the fawn-coloured back, and the pure white breast, has given it the name of "Deer-mouse." It is noted for drumming with one foot as a call to its mate, and for uttering a succession of squeaks and trills that serve it as a song.

 

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