In Love and Trouble: Stories of Black Women: Stories of Black Women

by Alice Walker

  page 14

  Of course Mordecai wanted to see the story. What did I have to lose?

  "Flip over a few pages," I said. "It is the very skeleton of a story, but one that maybe someday I will write."

  "The One-Legged Woman," Mordecai began to read aloud, then continued silently.

  The characters are poor dairy farmers. One morning the husband is too hung over to do the milking. His wife does it and when she has finished the cows are frightened by thunder and stampede, trampling her. She is also hooked severely in one leg. Her husband is asleep and does not hear her cry out. Finally she drags herself home and wakes him up. He washes her wounds and begs her to forgive him. He does not go for a doctor because he is afraid the doctor will accuse him of being lazy and a drunk, undeserving of his good wife. He wants the doctor to respect him. The wife, understanding, goes along with this.

  However, gangrene sets in and the doctor comes. He lectures the husband and amputates the leg of the wife. The wife lives and tries to forgive her husband for his weakness.

  While she is ill the husband tries to show he loves her, but cannot look at the missing leg. When she is well he finds he can no longer make love to her. The wife, sensing his revulsion, understands her sacrifice was for nothing. She drags herself to the barn and hangs herself.

  The husband, ashamed that anyone should know he was married to a one-legged woman, buries her himself and later tells everyone that she is visiting her mother.

  While Mordecai was reading the story I looked out over the fields. If he says one good thing about what I've written, I promised myself, I will go to bed with him. (How else could I repay him? All I owned in any supply were my jars of cold cream!) As if he read my mind he sank down on the seat beside me and looked at me strangely.

  "You think about things like this?" he asked.

  He took me in his arms, right there in the grape arbor. "You sure do have a lot of heavy, sexy hair," he said, placing me gently on the ground. After that, a miracle happened. Under Mordecai's fingers my body opened like a flower and carefully bloomed. And it was strange as well as wonderful. For I don't think love had anything to do with this at all.

  page 17

  After that, Mordecai praised me for my intelligence, my sensitivity, the depth of the work he had seen--and naturally I showed him everything I had: old journals from high school, notebooks I kept hidden under tarpaulin in the barn, stories written on paper bags, on table napkins, even on shelf paper from over the sink. I am amazed--even more amazed than Mordecai--by the amount of stuff I have written. It is over twenty years' worth, and would fill, easily, a small shed.

  "You must give these to me," Mordecai said finally, holding three notebooks he selected from the rather messy pile. "I will see if something can't be done with them. You could be another Zora Hurston--" he smiled --"another Simone de Beauvoir!"

  Of course I am flattered. "Take it! Take it!" I cry. Already I see myself as he sees me. A famous authoress, miles away from Ruel, miles away from anybody. I am dressed in dungarees, my hands are a mess. I smell of sweat. I glow with happiness.

  "How could such pretty brown fingers write such ugly, deep stuff?" Mordecai asks, kissing them.

  page 20

  For a week we deny each other nothing. If Ruel knows (how could he not know? His sheets are never fresh), he says nothing. I realize now that he never considered Mordecai a threat. Because Mordecai seems to have nothing to offer but his skinny self and his funny talk. I gloat over this knowledge. Now Ruel will find that I am not a womb without a brain that can be bought with Japanese bathtubs and shopping sprees. The moment of my deliverance is at hand!

  page 24

  Mordecai did not come today. I sit in the arbor writing down those words and my throat begins to close up. I am nearly strangled by my fear.

  page 56

  I have not noticed anything for weeks. Not Ruel, not the house. Everything whispers to me that Mordecai has forgotten me. Yesterday Ruel told me not to go into town and I said I wouldn't, for I have been hunting Mordecai up and down the streets. People look at me strangely, their glances slide off me in a peculiar way. It is as if they see something on my face that embarrasses them. Does everyone know about Mordecai and me? Does good loving show so soon? ... But it is not soon. He has been gone already longer than I have known him.

  page 61

  Ruel tells me I act like my mind's asleep. It is asleep, of course. Nothing will wake it but a letter from Mordecai telling me to pack my bags and fly to New York.

  page 65

  If I could have read Mordecai's scribble pad I would know exactly what he thought of me. But now I realize he never once offered to show it to me, though he had a chance to read every serious thought I ever had. I'm afraid to know what he thought. I feel crippled, deformed. But if he ever wrote it down, that would make it true.

  page 66

  Today Ruel brought me in from the grape arbor, out of the rain. I didn't know it was raining. "Old folks like us might catch rheumatism if we don't be careful," he joked. I don't know what he means. I am thirty-two. He is forty. I never felt old before this month.

  page 79

  Ruel came up to bed last night and actually cried in my arms! He would give anything for a child, he says.

  "Do you think we could have one?" he said.

  "Sure," I said. "Why not?"

  He began to kiss me and carry on about my goodness. I began to laugh. He became very angry, but finished what he started. He really does intend to have a child.

  page 80

  I must really think of something better to do than kill myself.

  page 81

  Ruel wants me to see a doctor about speeding up conception of the child.

  "Will you go, honey?" he asks, like a beggar.

  "Sure," I say. "Why not?"

  page 82

  Today at the doctor's office the magazine I was reading fell open at a story about a one-legged woman. They had a picture of her, drawn by someone who painted the cows orange and green, and painted the woman white, like a white cracker, with little slit-blue eyes. Not black and heavy like she was in the story I had in mind. But it is still my story, filled out and switched about as things are. The author is said to be Mordecai Rich. They show a little picture of him on a back page. He looks severe and has grown a beard. And underneath his picture there is that same statement he made to me about going around looking for Truth.

  They say his next book will be called "The Black Woman's Resistance to Creativity in the Arts."

  page 86

  Last night while Ruel snored on his side of the bed I washed the prints of his hands off my body. Then I plugged in one of his chain saws and tried to slice off his head. This failed because of the noise. Ruel woke up right in the nick of time.

  page 95

  The days pass in a haze that is not unpleasant. The doctors and nurses do not take me seriously. They fill me full of drugs and never even bother to lock the door. When I think of Ruel I think of the song the British sing: "Ruel Britannia"! I can even whistle it, or drum it with my fingers.

  SEPTEMBER, 1961

  page 218

  People tell my husband all the time that I do not look crazy. I have been out for almost a year and he is beginning to believe them. Nights, he climbs on me with his slobber and his hope, cursing Mordecai Rich for messing up his life. I wonder if he feels our wills clashing in the dark. Sometimes I see the sparks fly inside my head. It is amazing how normal everything is.

  page 223

  The house still does not awaken to the pitter-patter of sweet little feet, because I religiously use the Pill. It is the only spot of humor in my entire day, when I am gulping that little yellow tablet and washing it down with soda pop or tea. Ruel spends long hours at the store and in the peanut field. He comes in sweaty, dirty, tired, and I wait for him smelling of Arpege, My Sin, Wind Song, and Jungle Gardenia. The women of the community feel sorry for him, to be married to such a fluff of nothing.


  I wait, beautiful and perfect in every limb, cooking supper as if my life depended on it. Lying unresisting on his bed like a drowned body washed to shore. But he is not happy. For he knows now that I intend to do nothing but say yes until he is completely exhausted.

  I go to the new shopping mall twice a day now; once in the morning and once in the afternoon, or at night. I buy hats I would not dream of wearing, or even owning. Dresses that are already on their way to Goodwill. Shoes that will go to mold and mildew in the cellar. And I keep the bottles of perfume, the skin softeners, the pots of gloss and eye shadow. I amuse myself painting my own face.

  When he is quite, quite tired of me I will tell him how long I've relied on the security of the Pill. When I am quite, quite tired of the sweet, sweet smell of my body and the softness of these Helena Rubenstein hands I will leave him and this house. Leave them forever without once looking back.

  Her Sweet Jerome

  TIES SHE HAD BOUGHT HIM hung on the closet door, which now swung open as she hurled herself again and again into the closet. Glorious ties, some with birds and dancing women in grass skirts painted on by hand, some with little polka dots with bigger dots dispersed among them. Some red, lots red and green, and one purple, with a golden star, through the center of which went his gold mustang stickpin, which she had also given him. She looked in the pockets of the black leather jacket he had reluctantly worn the night before. Three of his suits, a pair of blue twill work pants, an old gray sweater with a hood and pockets lay thrown across the bed. The jacket leather was sleazy and damply clinging to her hands. She had bought it for him, as well as the three suits: one light blue with side vents, one gold with green specks, and one reddish that had a silver imitation-silk vest. The pockets of the jacket came softly outward from the lining like skinny milktoast rats. Empty. Slowly she sank down on the bed and began to knead, with blunt anxious fingers, all the pockets in all the clothes piled around her. First the blue suit, then the gold with green, then the reddish one that he said he didn't like most of all, but which he would sometimes wear if she agreed to stay home, or if she promised not to touch him anywhere at all while he was getting dressed.

  She was a big awkward woman, with big bones and hard rubbery flesh. Her short arms ended in ham hands, and her neck was a squat roll of fat that protruded behind her head as a big bump. Her skin was rough and puffy, with plump molelike freckles down her cheeks. Her eyes glowered from under the mountain of her brow and were circled with expensive mauve shadow. They were nervous and quick when she was flustered and darted about at nothing in particular while she was dressing hair or talking to people.

  Her troubles started noticeably when she fell in love with a studiously quiet schoolteacher, Mr. Jerome Franklin Washington III, who was ten years younger than her. She told herself that she shouldn't want him, he was so little and cute and young, but when she took into account that he was a schoolteacher, well, she just couldn't seem to get any rest until, as she put it, "I were Mr. and Mrs. Jerome Franklin Washington the third, and that's the truth!"

  She owned a small beauty shop at the back of her father's funeral home, and they were known as "colored folks with money." She made pretty good herself, though she didn't like standing on her feet so much, and her father let anybody know she wasn't getting any of his money while he was alive. She was proud to say she had never asked him for any. He started relenting kind of fast when he heard she planned to add a schoolteacher to the family, which consisted of funeral directors and bootleggers, but she cut him off quick and said she didn't want anybody to take care of her man but her. She had learned how to do hair from an old woman who ran a shop on the other side of town and was proud to say that she could make her own way. And much better than some. She was fond of telling schoolteachers (women schoolteachers) that she didn't miss her "eddicashion" as much as some did who had no learning and no money both together. She had a low opinion of women schoolteachers, because before and after her marriage to Jerome Franklin Washington III, they were the only females to whom he cared to talk.

  The first time she saw him he was walking past the window of her shop with an armful of books and his coat thrown casually over his arm. Looking so neat and cute. What popped into her mind was that if he was hers the first thing she would get him was a sweet little red car to drive. And she worked and went into debt and got it for him, too--after she got him--but then she could tell he didn't like it much because it was only a Chevy. She had started right away to save up so she could make a down payment on a brand-new white Buick deluxe, with automatic drive and whitewall tires.

  Jerome was dapper, every inch a gentleman, as anybody with half an eye could see. That's what she told everybody before they were married. He was beating her black and blue even then, so that every time you saw her she was sporting her "shades." She could not open her mouth without him wincing and pretending he couldn't stand it, so he would knock her out of the room to keep her from talking to him. She tried to be sexy and stylish, and was, in her fashion, with a predominant taste for pastel taffetas and orange shoes. In the summertime she paid twenty dollars for big umbrella hats with bows and flowers on them and when she wore black and white together she would liven it up with elbow-length gloves of red satin. She was genuinely undecided when she woke up in the morning whether she really outstripped the other girls in town for beauty, but could convince herself that she was equally good-looking by the time she had breakfast on the table. She was always talking with a lot of extra movement to her thick coarse mouth, with its hair tufts at the corners, and when she drank coffee she held the cup over the saucer with her little finger sticking out, while she crossed her short hairy legs at the knees.

  If her husband laughed at her high heels as she teetered and minced off to church on Sunday mornings, with her hair greased and curled and her new dress bunching up at the top of her girdle, she pretended his eyes were approving. Other times, when he didn't bother to look up from his books and only muttered curses if she tried to kiss him good-bye, she did not know whether to laugh or cry. However, her public manner was serene.

  "I just don't know how some womens can stand it, honey," she would say slowly, twisting her head to the side and upward in an elegant manner. "One thing my husband does not do," she would enunciate grandly, "he don't beat me!" And she would sit back and smile in her pleased oily fat way. Usually her listeners, captive women with wet hair, would simply smile and nod in sympathy and say, looking at one another or at her black eye, "You say he don't? Hummmm, well, hush your mouf." And she would continue curling or massaging or straightening their hair, fixing her face in a steamy dignified mask that encouraged snickers.

  2

  It was in her shop that she first heard the giggling and saw the smirks. It was at her job that gossip gave her to understand, as one woman told her, "Your cute little man is sticking his finger into somebody else's pie." And she was not and could not be surprised, as she looked into the amused and self-contented face, for she had long been aware that her own pie was going--and for the longest time had been going--strictly untouched.

  From that first day of slyly whispered hints, "Your old man's puttin' something over on you, sweets," she started trying to find out who he was fooling around with. Her sources of gossip were malicious and mean, but she could think of nothing else to do but believe them. She searched high and she searched low. She looked in taverns and she looked in churches. She looked in the school where he worked.

  She went to whorehouses and to prayer meetings, through parks and outside the city limits, all the while buying axes and pistols and knives of all descriptions. Of course she said nothing to her sweet Jerome, who watched her maneuverings from behind the covers of his vast supply of paperback books. This hobby of his she heartily encouraged, relegating reading to the importance of scanning the funnies; and besides, it was something he could do at home, if she could convince him she would be completely silent for an evening, and, of course, if he would stay.

  She tu
rned the whole town upside down, looking at white girls, black women, brown beauties, ugly hags of all shades. She found nothing. And Jerome went on reading, smiling smugly as he shushed her with a carefully cleaned and lustred finger. "Don't interrupt me," he was always saying, and he would read some more while she stood glowering darkly behind him, muttering swears in her throaty voice, and then tramping flatfooted out of the house with her collection of weapons.

  Some days she would get out of bed at four in the morning after not sleeping a wink all night, throw an old sweater around her shoulders, and begin the search. Her firm bulk became flabby. Her eyes were bloodshot and wild, her hair full of lint, nappy at the roots and greasy on the ends. She smelled bad from mouth and underarms and elsewhere. She could not sit still for a minute without jumping up in bitter vexation to run and search a house or street she thought she might have missed before.

  "You been messin' with my Jerome?" she would ask whomever she caught in her quivering feverish grip. And before they had time to answer she would have them by the chin in a headlock with a long knife pressed against their necks below the ear. Such blood-chilling questioning of its residents terrified the town, especially since her madness was soon readily perceivable from her appearance. She had taken to grinding her teeth and tearing at her hair as she walked along. The townspeople, none of whom knew where she lived--or anything about her save the name of her man, "Jerome"--were waiting for her to attempt another attack on a woman openly, or, better for them because it implied less danger to a resident, they hoped she would complete her crack-up within the confines of her own home, preferably while alone; in that event anyone seeing or hearing her would be obliged to call the authorities.

  She knew this in her deranged but cunning way. But she did not let it interfere with her search. The police would never catch her, she thought; she was too clever. She had a few disguises and a thousand places to hide. A final crack-up in her own home was impossible, she reasoned contemptuously, for she did not think her husband's lover bold enough to show herself on his wife's own turf.

  Meanwhile, she stopped operating the beauty shop, and her patrons were glad, for before she left for good she had had the unnerving habit of questioning a woman sitting underneath her hot comb--"You the one ain't you?!"--and would end up burning her no matter what she said. When her father died he proudly left his money to "the schoolteacher" to share or not with his wife, as he had "learnin' enough to see fit." Jerome had "learnin' enough" not to give his wife one cent. The legacy pleased Jerome, though he never bought anything with the money that his wife could see. As long as the money lasted Jerome spoke of it as "insurance." If she asked insurance against what, he would say fire and theft. Or burglary and cyclones. When the money was gone, and it seemed to her it vanished overnight, she asked Jerome what he had bought. He said, Something very big. She said, Like what? He said, Like a tank. She did not ask any more questions after that. By that time she didn't care about the money anyhow, as long as he hadn't spent it on some woman.