Poor Folk Anthology

by Fyodor Dostoyevsky

  "I've had a good dream, gentlemen," he said in a strange voice, with a new light, as of joy, in his face.

  Chapter 9 They Carry Mitya Away

  WHEN the protocol had been signed, Nikolay Parfenovitch turned solemnly to the prisoner and read him the "Committal," setting forth, that in such a year, on such a day, in such a place, the investigating lawyer of such-and-such a district court, having examined so-and-so (to wit, Mitya) accused of this and of that (all the charges were carefully written out) and having considered that the accused, not pleading guilty to the charges made against him, had brought forward nothing in his defence, while the witnesses, so-and-so, and so-and-so, and the circumstances such-and-such testify against him, acting in accordance with such-and-such articles of the Statute Book, and so on, has ruled, that, in order to preclude so-and-so (Mitya) from all means of evading pursuit and judgment, he be detained in such-and-such a prison, which he hereby notifies to the accused and communicates a copy of this same "Committal" to the deputy prosecutor, and so on, and so on.

  In brief, Mitya was informed that he was, from that moment, a prisoner, and that he would be driven at once to the town, and there shut up in a very unpleasant place. Mitya listened attentively, and only shrugged his shoulders.

  "Well, gentlemen, I don't blame you. I'm ready… . I understand that there's nothing else for you to do."

  Nikolay Parfenovitch informed him gently that he would be escorted at once by the rural police officer, Mavriky Mavrikyevitch, who happened to be on the spot… .

  "Stay," Mitya interrupted, suddenly, and impelled by uncontrollable feeling he pronounced, addressing all in the room:

  "Gentlemen, we're all cruel, we're all monsters, we all make men weep, and mothers, and babes at the breast, but of all, let it be settled here, now, of all I am the lowest reptile! I've sworn to amend, and every day I've done the same filthy things. I understand now that such men as I need a blow, a blow of destiny to catch them as with a noose, and bind them by a force from without. Never, never should I have risen of myself! But the thunderbolt has fallen. I accept the torture of accusation, and my public shame; I want to suffer and by suffering I shall be purified. Perhaps I shall be purified, gentlemen? But listen, for the last time, I am not guilty of my father's blood. I accept my punishment, not because I killed him, but because I meant to kill him, and perhaps I really might have killed him. Still I mean to fight it out with you. I warn you of that. I'll fight it out with you to the end, and then God will decide. Good-bye, gentlemen, don't be vexed with me for having shouted at you during the examination. Oh, I was still such a fool then… . In another minute I shall be a prisoner, but now, for the last time, as a free man, Dmitri Karamazov offers you his hand. Saying good-bye to you, I say it to all men."

  His voice quivered and he stretched out his hand, but Nikolay Parfenovitch, who happened to stand nearest to him, with a sudden, almost nervous movement, hid his hands behind his back. Mitya instantly noticed this, and started. He let his outstretched hand fall at once.

  "The preliminary inquiry is not yet over," Nikolay Parfenovitch faltered, somewhat embarrassed. "We will continue it in the town, and I, for my part, of course, am ready to wish you all success… in your defence… . As a matter of fact, Dmitri Fyodorovitch, I've always been disposed to regard you as, so to speak, more unfortunate than guilty. All of us here, if I may make bold to speak for all, we are all ready to recognise that you are, at bottom, a young man of honour, but, alas, one who has been carried away by certain passions to a somewhat excessive degree… "

  Nikolay Parfenovitch's little figure was positively majestic by the time he had finished speaking. It struck Mitya that in another minute this "boy" would take his arm, lead him to another corner, and renew their conversation about "girls." But many quite irrelevant and inappropriate thoughts sometimes occur even to a prisoner when he is being led out to execution.

  "Gentlemen, you are good, you are humane, may I see her to say 'good-bye' for the last time?" asked Mitya.

  "Certainly, but considering… in fact, now it's impossible except in the presence of-"

  "Oh, well, if it must be so, it must!"

  Grushenka was brought in, but the farewell was brief, and of few words, and did not at all satisfy Nikolay Parfenovitch. Grushenka made a deep bow to Mitya.

  "I have told you I am yours, and I will be yours. I will follow you for ever, wherever they may send you. Farewell; you are guiltless, though you've been your own undoing."

  Her lips quivered, tears flowed from her eyes.

  "Forgive me, Grusha, for my love, for ruining you, too, with my love."

  Mitya would have said something more, but he broke off and went out. He was at once surrounded by men who kept a constant watch on him. At the bottom of the steps to which he had driven up with such a dash the day before with Andrey's three horses, two carts stood in readiness. Mavriky Mavrikyevitch, a sturdy, thick-set man with a wrinkled face, was annoyed about something, some sudden irregularity. He was shouting angrily. He asked Mitya to get into the cart with somewhat excessive surliness.

  "When I stood him drinks in the tavern, the man had quite a different face," thought Mitya, as he got in. At the gates there was a crowd of people, peasants, women, and drivers. Trifon Borissovitch came down the steps too. All stared at Mitya.

  "Forgive me at parting, good people!" Mitya shouted suddenly from the cart.

  "Forgive us too!" he heard two or three voices.

  "Good-bye to you, too, Trifon Borissovitch!"

  But Trifon Borissovitch did not even turn round. He was, perhaps, too busy. He, too, was shouting and fussing about something. It appeared that everything was not yet ready in the second cart, in which two constables were to accompany Mavriky Mavrikyevitch. The peasant who had been ordered to drive the second cart was pulling on his smock, stoutly maintaining that it was not his turn to go, but Akim's. But Akim was not to be seen. They ran to look for him. The peasant persisted and besought them to wait.

  "You see what our peasants are, Mavriky Mavrikyevitch. They've no shame!" exclaimed Trifon Borissovitch. "Akim gave you twenty-five copecks the day before yesterday. You've drunk it all and now you cry out. I'm simply surprised at your good-nature, with our low peasants, Mavriky Mavrikyevitch, that's all I can say."

  "But what do we want a second cart for?" Mitya put in. "Let's start with the one, Mavriky Mavrikyevitch. I won't be unruly, I won't run away from you, old fellow. What do we want an escort for?"

  "I'll trouble you, sir, to learn how to speak to me if you've never been taught. I'm not 'old fellow' to you, and you can keep your advice for another time!" Mavriky Mavrikyevitch snapped out savagely, as though glad to vent his wrath.

  Mitya was reduced to silence. He flushed all over. A moment later he felt suddenly very cold. The rain had ceased, but the dull sky was still overcast with clouds, and a keen wind was blowing straight in his face.

  "I've taken a chill," thought Mitya, twitching his shoulders.

  At last Mavriky Mavrikyevitch, too, got into the cart, sat down heavily, and, as though without noticing it, squeezed Mitya into the corner. It is true that he was out of humour and greatly disliked the task that had been laid upon him.

  "Good-bye, Trifon Borissovitch!" Mitya shouted again, and felt himself, that he had not called out this time from good-nature, but involuntarily, from resentment.

  But Trifon Borissovitch stood proudly, with both hands behind his back, and staring straight at Mitya with a stern and angry face, he made no reply.

  "Good-bye, Dmitri Fyodorovitch, good-bye!" he heard all at once the voice of Kalganov, who had suddenly darted out. Running up to the cart he held out his hand to Mitya. He had no cap on.

  Mitya had time to seize and press his hand.

  "Good-bye, dear fellow! I shan't forget your generosity," he cried warmly.

  But the cart moved and their hands parted. The bell began ringing and Mitya was driven off.

  Kalganov ran back, sat down in a corner, bent hi
s head, hid his face in his hands, and burst out crying. For a long while he sat like that, crying as though he were a little boy instead of a young man of twenty. Oh, he believed almost without doubt in Mitya's guilt.

  "What are these people? What can men be after this?" he exclaimed incoherently, in bitter despondency, almost despair. At that moment he had no desire to live.

  "Is it worth it? Is it worth it?" exclaimed the boy in his grief.

  Part 10

  The Boys

  Chapter 1 Kolya Krassotkin

  IT was the beginning of November. There had been a hard frost, eleven degrees Reaumur, without snow, but a little dry snow had fallen on the frozen ground during the night, and a keen dry wind was lifting and blowing it along the dreary streets of our town, especially about the market-place. It was a dull morning, but the snow had ceased.

  Not far from the market-place, close to Plotnikov's shop, there stood a small house, very clean both without and within. It belonged to Madame Krassotkin, the widow of a former provincial secretary, who had been dead for fourteen years. His widow, still a nice-looking woman of thirty-two, was living in her neat little house on her private means. She lived in respectable seclusion; she was of a soft but fairly cheerful disposition. She was about eighteen at the time of her husband's death; she had been married only a year and had just borne him a son. From the day of his death she had devoted herself heart and soul to the bringing up of her precious treasure, her boy Kolya. Though she had loved him passionately those fourteen years, he had caused her far more suffering than happiness. She had been trembling and fainting with terror almost every day, afraid he would fall ill, would catch cold, do something naughty, climb on a chair and fall off it, and so on and so on. When Kolya began going to school, the mother devoted herself to studying all the sciences with him so as to help him, and go through his lessons with him. She hastened to make the acquaintance of the teachers and their wives, even made up to Kolya's schoolfellows, and fawned upon them in the hope of thus saving Kolya from being teased, laughed at, or beaten by them. She went so far that the boys actually began to mock at him on her account and taunt him with being a "mother's darling."

  But the boy could take his own part. He was a resolute boy, "tremendously strong," as was rumoured in his class, and soon proved to be the fact; he was agile, strong-willed, and of an audacious and enterprising temper. He was good at lessons, and there was a rumour in the school that he could beat the teacher, Dardanelov, at arithmetic and universal history. Though he looked down upon everyone, he was a good comrade and not supercilious. He accepted his schoolfellows' respect as his due, but was friendly with them. Above all, he knew where to draw the line. He could restrain himself on occasion, and in his relations with the teachers he never overstepped that last mystic limit beyond which a prank becomes an unpardonable breach of discipline. But he was as fond of mischief on every possible occasion as the smallest boy in the school, and not so much for the sake of mischief as for creating a sensation, inventing something, something effective and conspicuous. He was extremely vain. He knew how to make even his mother give way to him; he was almost despotic in his control of her. She gave way to him, oh, she had given way to him for years. The one thought unendurable to her was that her boy had no great love for her. She was always fancying that Kolya was "unfeeling" to her, and at times, dissolving into hysterical tears, she used to reproach him with his coldness. The boy disliked this, and the more demonstrations of feeling were demanded of him, the more he seemed intentionally to avoid them. Yet it was not intentional on his part but instinctive- it was his character. His mother was mistaken; he was very fond of her. He only disliked "sheepish sentimentality," as he expressed it in his schoolboy language.

  There was a bookcase in the house containing a few books that had been his father's. Kolya was fond of reading, and had read several of them by himself. His mother did not mind that and only wondered sometimes at seeing the boy stand for hours by the bookcase poring over a book instead of going to play. And in that way Kolya read some things unsuitable for his age.

  Though the boy, as a rule, knew where to draw the line in his mischief, he had of late begun to play pranks that caused his mother serious alarm. It is true there was nothing vicious in what he did, but a wild mad recklessness.

  It happened that July, during the summer holidays, that the mother and son went to another district, forty-five miles away, to spend a week with a distant relation, whose husband was an official at the railway station (the very station, the nearest one to our town, from which a month later Ivan Fyodorovitch Karamazov set off for Moscow). There Kolya began by carefully investigating every detail connected with the railways, knowing that he could impress his schoolfellows when he got home with his newly acquired knowledge. But there happened to be some other boys in the place with whom he soon made friends. Some of them were living at the station, others in the neighbourhood; there were six or seven of them, all between twelve and fifteen, and two of them came from our town. The boys played together, and on the fourth or fifth day of Kolya's stay at the station, a mad bet was made by the foolish boys. Kolya, who was almost the youngest of the party and rather looked down upon by the others in consequence, was moved by vanity or by reckless bravado to bet them two roubles that he would lie down between the rails at night when the eleven o'clock train was due, and would lie there without moving while the train rolled over him at full speed. It is true they made a preliminary investigation, from which it appeared that it was possible to lie so flat between the rails that the train could pass over without touching, but to lie there was no joke! Kolya maintained stoutly that he would. At first they laughed at him, called him a little liar, a braggart, but that only egged him on. What piqued him most was that these boys of fifteen turned up their noses at him too superciliously, and were at first disposed to treat him as "a small boy," not fit to associate with them, and that was an unendurable insult. And so it was resolved to go in the evening, half a mile from the station, so that the train might have time to get up full speed after leaving the station The boys assembled. It was a pitch-dark night without a moon. At the time fixed, Kolya lay down between the rails. The five others who had taken the bet waited among the bushes below the embankment, their hearts beating with suspense, which was followed by alarm and remorse. At last they heard in the distance the rumble of the train leaving the station. Two red lights gleamed out of the darkness; the monster roared as it approached.

  "Run, run away from the rails," the boys cried to Kolya from the bushes, breathless with terror. But it was too late: the train darted up and flew past. The boys rushed to Kolya. He lay without moving. They began pulling at him, lifting him up. He suddenly got up and walked away without a word. Then he explained that he had lain there as though he were insensible to frighten them, but the fact was that he really had lost consciousness, as he confessed long after to his mother. In this way his reputation as "a desperate character," was established for ever. He returned home to the station as white as a sheet. Next day he had a slight attack of nervous fever, but he was in high spirits and well pleased with himself. The incident did not become known at once, but when they came back to the town it penetrated to the school and even reached the ears of the masters. But then Kolya's mother hastened to entreat the masters on her boy's behalf, and in the end Dardanelov, a respected and influential teacher, exerted himself in his favour, and the affair was ignored.

  Dardanelov was a middle-aged bachelor, who had been passionately in love with Madame Krassotkin for many years past, and had once already, about a year previously, ventured, trembling with fear and the delicacy of his sentiments, to offer her most respectfully his hand in marriage. But she refused him resolutely, feeling that to accept him would be an act of treachery to her son, though Dardanelov had, to judge from certain mysterious symptoms, reason for believing that he was not an object of aversion to the charming but too chaste and tender-hearted widow. Kolya's mad prank seemed to have broken the ice, and Dardane
lov was rewarded for his intercession by a suggestion of hope. The suggestion, it is true, was a faint one, but then Dardanelov was such a paragon of purity and delicacy that it was enough for the time being to make him perfectly happy. He was fond of the boy, though he would have felt it beneath him to try and win him over, and was severe and strict with him in class. Kolya, too, kept him at a respectful distance. He learned his lessons perfectly; he was second in his class, was reserved with Dardanelov, and the whole class firmly believed that Kolya was so good at universal history that he could "beat" even Dardanelov. Kolya did indeed ask him the question, "Who founded Troy?" to which Dardanelov had made a very vague reply, referring to the movements and migrations of races, to the remoteness of the period, to the mythical legends. But the question, "Who had founded Troy?" that is, what individuals, he could not answer, and even for some reason regarded the question as idle and frivolous. But the boys remained convinced that Dardanelov did not know who founded Troy. Kolya had read of the founders of Troy in Smaragdov, whose history was among the books in his father's bookcase. In the end all the boys became interested in the question, who it was that had founded Troy, but Krassotkin would not tell his secret, and his reputation for knowledge remained unshaken.

  After the incident on the railway a certain change came over Kolya's attitude to his mother. When Anna Fyodorovna (Madame Krassotkin) heard of her son's exploit, she almost went out of her mind with horror. She had such terrible attacks of hysterics, lasting with intervals for several days, that Kolya, seriously alarmed at last, promised on his honour that such pranks should never be repeated. He swore on his knees before the holy image, and swore by the memory of his father, at Madame Krassotkin's instance, and the "manly" Kolya burst into tears like a boy of six. And all that day the mother and son were constantly rushing into each other's arms sobbing. Next day Kolya woke up as "unfeeling" as before, but he had become more silent, more modest, sterner, and more thoughtful.