Poor Folk Anthology

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Poor Folk Anthology Page 408

by Fyodor Dostoyevsky


  "My dear boy, that's my business, not yours.

  I am going of myself because I choose to, but you've all been hauled there by Alexey Karamazov- there's a difference, you know. And how do you know? I may not be going to make it up at all. It's a stupid expression."

  "It's not Karamazov at all; it's not his doing. Our fellows began going there of themselves. Of course, they went with Karamazov at first. And there's been nothing of that sort of silliness. First one went, and then another. His father was awfully pleased to see us. You know he will simply go out of his mind if Ilusha dies. He sees that Ilusha's dying. And he seems so glad we've made it up with Ilusha. Ilusha asked after you, that was all. He just asks and says no more. His father will go out of his mind or hang himself. He behaved like a madman before. You know he is a very decent man. We made a mistake then. It's all the fault of that murderer who beat him then."

  "Karamazov's a riddle to me all the same. I might have made his acquaintance long ago, but I like to have a proper pride in some cases. Besides, I have a theory about him which I must work out and verify."

  Kolya subsided into dignified silence. Smurov, too, was silent. Smurov, of course, worshipped Krassotkin and never dreamed of putting himself on a level with him. Now he was tremendously interested at Kolya's saying that he was "going of himself" to see Ilusha. He felt that there must be some mystery in Kolya's suddenly taking it into his head to go to him that day. They crossed the market-place, in which at that hour were many loaded wagons from the country and a great number of live fowls. The market women were selling rolls, cottons and threads, etc., in their booths. These Sunday markets were naively called "fairs" in the town, and there were many such fairs in the year.

  Perezvon ran about in the wildest spirits, sniffing about first one side, then the other. When he met other dogs they zealously smelt each other over according to the rules of canine etiquette.

  "I like to watch such realistic scenes, Smurov," said Kolya suddenly. "Have you noticed how dogs sniff at one another when they meet? It seems to be a law of their nature."

  "Yes; it's a funny habit."

  "No, it's not funny; you are wrong there. There's nothing funny in nature, however funny it may seem to man with his prejudices. If dogs could reason and criticise us they'd be sure to find just as much that would be funny to them, if not far more, in the social relations of men, their masters- far more, indeed. I repeat that, because I am convinced that there is far more foolishness among us. That's Rakitin's idea- a remarkable idea. I am a Socialist, Smurov."

  "And what is a Socialist?" asked Smurov.

  "That's when all are equal and all have property in common, there are no marriages, and everyone has any religion and laws he likes best, and all the rest of it. You are not old enough to understand that yet. It's cold, though."

  "Yes, twelve degrees of frost. Father looked at the thermometer just now."

  "Have you noticed, Smurov, that in the middle of winter we don't feel so cold even when there are fifteen or eighteen degrees of frost as we do now, in the beginning of winter, when there is a sudden frost of twelve degrees, especially when there is not much snow. It's because people are not used to it. Everything is habit with men, everything even in their social and political relations. Habit is the great motive-power. What a funny-looking peasant!"

  Kolya pointed to a tall peasant, with a good-natured countenance in a long sheepskin coat, who was standing by his wagon, clapping together his hands, in their shapeless leather gloves, to warm them. His long fair beard was all white with frost.

  "That peasant's beard's frozen," Kolya cried in a loud provocative voice as he passed him.

  "Lots of people's beards are frozen," the peasant replied, calmly and sententiously.

  "Don't provoke him," observed Smurov.

  "It's all right; he won't be cross; he's a nice fellow. Good-bye, Matvey."

  "Good-bye."

  "Is your name Matvey?"

  "Yes. Didn't you know?"

  "No, I didn't. It was a guess."

  "You don't say so! You are a schoolboy, I suppose?"

  "Yes."

  "You get whipped, I expect?"

  "Nothing to speak of- sometimes."

  "Does it hurt?"

  "Well, yes, it does."

  "Ech, what a life!" The peasant heaved a sigh from the bottom of his heart.

  "Good-bye, Matvey."

  "Good-bye. You are a nice chap, that you are."

  The boys went on.

  "That was a nice peasant," Kolya observed to Smurov. "I like talking to the peasants, and am always glad to do them justice."

  "Why did you tell a lie, pretending we are thrashed?" asked Smurov.

  "I had to say that to please him."

  "How do you mean?"

  "You know, Smurov, I don't like being asked the same thing twice. I like people to understand at the first word. Some things can't be explained. According to a peasant's notions, schoolboys are whipped, and must be whipped. What would a schoolboy be if he were not whipped? And if I were to tell him we are not, he'd be disappointed. But you don't understand that. One has to know how to talk to the peasants."

  "Only don't tease them, please, or you'll get into another scrape as you did about that goose."

  "So you're afraid?"

  "Don't laugh, Kolya. Of course I'm afraid. My father would be awfully cross. I am strictly forbidden to go out with you."

  "Don't be uneasy, nothing will happen this time. Hallo, Natasha!" he shouted to a market woman in one of the booths.

  "Call me Natasha! What next! My name is Marya," the middle-aged marketwoman shouted at him.

  "I am so glad it's Marya. Good-bye!"

  "Ah, you young rascal! A brat like you to carry on so!"

  "I'm in a hurry. I can't stay now. You shall tell me next Sunday." Kolya waved his hand at her, as though she had attacked him and not he her.

  "I've nothing to tell you next Sunday. You set upon me, you impudent young monkey. I didn't say anything," bawled Marya. "You want a whipping, that's what you want, you saucy jackanapes!"

  There was a roar of laughter among the other market women round her. Suddenly a man in a violent rage darted out from the arcade of shops close by. He was a young man, not a native of the town, with dark, curly hair and a long, pale face, marked with smallpox. He wore a long blue coat and a peaked cap, and looked like a merchant's clerk. He was in a state of stupid excitement and brandished his fist at Kolya.

  "I know you!" he cried angrily, "I know you!"

  Kolya stared at him. He could not recall when he could have had a row with the man. But he had been in so many rows in the street that he could hardly remember them all.

  "Do you?" he asked sarcastically.

  "I know you! I know you!" the man repeated idiotically.

  So much the better for you. Well, it's time I was going. Good-bye!"

  "You are at your saucy pranks again?" cried the man. "You are at your saucy pranks again? I know, you are at it again!"

  "It's not your business, brother, if I am at my saucy pranks again," said Kolya, standing still and scanning him.

  "Not my business?"

  "No; it's not your business."

  "Whose then? Whose then? Whose then?"

  "It's Trifon Nikititch's business, not yours."

  "What Trifon Nikititch?" asked the youth, staring with loutish amazement at Kolya, but still as angry as ever.

  Kolya scanned him gravely.

  "Have you been to the Church of the Ascension?" he suddenly asked him, with stern emphasis.

  "What Church of Ascension? What for? No, I haven't," said the young man, somewhat taken aback.

  "Do you know Sabaneyev?" Kolya went on even more emphatically and even more severely.

  "What Sabaneyev? No, I don't know him."

  "Well then you can go to the devil," said Kolya, cutting short the conversation; and turning sharply to the right he strode quickly on his way as though he disdained further conversation with a
dolt who did not even know Sabaneyev.

  "Stop, heigh! What Sabaneyev?" the young man recovered from his momentary stupefaction and was as excited as before. "What did he say?" He turned to the market women with a silly stare.

  The women laughed.

  "You can never tell what he's after," said one of them.

  "What Sabaneyev is it he's talking about?" the young man repeated, still furious and brandishing his right arm.

  "It must be a Sabaneyev who worked for the Kuzmitchovs, that's who it must be," one of the women suggested.

  The young man stared at her wildly.

  "For the Kuzmitchovs?" repeated another woman. "But his name wasn't Trifon. His name's Kuzma, not Trifon; but the boy said Trifon Nikititch, so it can't be the same."

  "His name is not Trifon and not Sabaneyev, it's Tchizhov," put in suddenly a third woman, who had hitherto been silent, listening gravely. "Alexey Ivanitch is his name. Tchizhov, Alexey Ivanitch."

  "Not a doubt about it, it's Tchizhov," a fourth woman emphatically confirmed the statement.

  The bewildered youth gazed from one to another.

  "But what did he ask for, what did he ask for, good people?" he cried almost in desperation." 'Do you know Sabaneyev?' says he. And who the devil's to know who is Sabaneyev?"

  "You're a senseless fellow. I tell you it's not Sabaneyev, but Tchizhov, Alexey Ivanitch Tchizhov, that's who it is!" one of the women shouted at him impressively.

  "What Tchizhov? Who is he? Tell me, if you know."

  "That tall, snivelling fellow who used to sit in the market in the summer."

  "And what's your Tchizhov to do with me, good people, eh?"

  "How can I tell what he's to do with you?" put in another. "You ought to know yourself what you want with him, if you make such a clamour about him. He spoke to you, he did not speak to us, you stupid. Don't you really know him?"

  "Know whom?"

  "Tchizhov."

  "The devil take Tchizhov and you with him. I'll give him a hiding, that I will. He was laughing at me!"

  "Will give Tchizhov a hiding! More likely he will give you one. You are a fool, that's what you are!"

  "Not Tchizhov, not Tchizhov, you spiteful, mischievous woman. I'll give the boy a hiding. Catch him, catch him, he was laughing at me

  The woman guffawed. But Kolya was by now a long way off, marching along with a triumphant air. Smurov walked beside him, looking round at the shouting group far behind. He too was in high spirits, though he was still afraid of getting into some scrape in Kolya's company.

  "What Sabaneyev did you mean?" he asked Kolya, foreseeing what his answer would be.

  "How do I know? Now there'll be a hubbub among them all day. I like to stir up fools in every class of society. There's another blockhead, that peasant there. You know, they say 'there's no one stupider than a stupid Frenchman,' but a stupid Russian shows it in his face just as much. Can't you see it all over his face that he is a fool, that peasant, eh?"

  "Let him alone, Kolya. Let's go on."

  "Nothing could stop me, now I am once off. Hey, good morning, peasant!"

  A sturdy-looking peasant, with a round, simple face and grizzled beard, who was walking by, raised his head and looked at the boy. He seemed not quite sober.

  "Good morning, if you are not laughing at me," he said deliberately in reply.

  "And if I am?" laughed Kolya.

  "Well, a joke's a joke. Laugh away. I don't mind. There's no harm in a joke."

  "I beg your pardon, brother, it was a joke."

  "Well, God forgive you!"

  "Do you forgive me, too?"

  "I quite forgive you. Go along."

  "I say, you seem a clever peasant."

  "Cleverer than you," the peasant answered unexpectedly, with the same gravity.

  "I doubt it," said Kolya, somewhat taken aback.

  "It's true, though."

  "Perhaps it is."

  "It is, brother."

  "Good-bye, peasant!"

  "Good-bye!"

  "There are all sorts of peasants," Kolya observed to Smurov after a brief silence. "How could I tell I had hit on a clever one? I am always ready to recognise intelligence in the peasantry."

  In the distance the cathedral clock struck half-past eleven. The boys made haste and they walked as far as Captain Snegiryov's lodging, a considerable distance, quickly and almost in silence. Twenty paces from the house Kolya stopped and told Smurov to go on ahead and ask Karamazov to come out to him.

  "One must sniff round a bit first," he observed to Smurov.

  "Why ask him to come out?" Smurov protested. "You go in; they will be awfully glad to see you. What's the sense of making friends in the frost out here?"

  "I know why I want to see him out here in the frost," Kolya cut him short in the despotic tone he was fond of adopting with "small boys," and Smurov ran to do his bidding.

  Chapter 4 The Lost Dog

  KOLYA leaned against the fence with an air of dignity, waiting for Alyosha to appear. Yes, he had long wanted to meet him. He had heard a great deal about him from the boys, but hitherto he had always maintained an appearance of disdainful indifference when he was mentioned, and he had even "criticised" what he heard about Alyosha. But secretely he had a great longing to make his acquaintance; there was something sympathetic and attractive in all he was told about Alyosha. So the present moment was important: to begin with, he had to show himself at his best, to show his independence. "Or he'll think of me as thirteen and take me for a boy, like the rest of them. And what are these boys to him? I shall ask him when I get to know him. It's a pity I am so short, though. Tuzikov is younger than I am, yet he is half a head taller. But I have a clever face. I am not good-looking. I know I'm hideous, but I've a clever face. I mustn't talk too freely; if I fall into his arms all at once, he may think- Tfoo! how horrible if he should think- !"

  Such were the thoughts that excited Kolya while he was doing his utmost to assume the most independent air. What distressed him most was his being so short; he did not mind so much his "hideous" face, as being so short. On the wall in a corner at home he had the year before made a pencil-mark to show his height, and every two months since he anxiously measured himself against it to see how much he had gained. But alas! he grew very slowly, and this sometimes reduced him almost to despair. His face was in reality by no means "hideous"; on the contrary, it was rather attractive, with a fair, pale skin, freckled. His small, lively grey eyes had a fearless look, and often glowed with feeling. He had rather high cheekbones; small, very red, but not very thick, lips; his nose was small and unmistakably turned up. "I've a regular pug nose, a regular pug nose," Kolya used to mutter to himself when he looked in the looking-glass, and he always left it with indignation. "But perhaps I haven't got a clever face?" he sometimes thought, doubtful even of that. But it must not be supposed that his mind was preoccupied with his face and his height. On the contrary, however bitter the moments before the looking-glass were to him, he quickly forgot them, and forgot them for a long time, "abandoning himself entirely to ideas and to real life," as he formulated it to himself.

  Alyosha came out quickly and hastened up to Kolya. Before he reached him, Kolya could see that he looked delighted. "Can he be so glad to see me?" Kolya wondered, feeling pleased. We may note here, in passing, that Alyosha's appearance had undergone a complete change since we saw him last. He had abandoned his cassock and was wearing now a wellcut coat, a soft, round hat, and his hair had been cropped short. All this was very becoming to him, and he looked quite handsome. His charming face always had a good-humoured expression; but there was a gentleness and serenity in his good-humour. To Kolya's surprise, Alyosha came out to him just as he was, without an overcoat. He had evidently come in haste. He held out his hand to Kolya at once.

  "Here you are at last! How anxious we've been to see you!"

  "There were reasons which you shall know directly. Anyway, I am glad to make your acquaintance. I've long been hoping for an opp
ortunity, and have heard a great deal about you," Kolya muttered, a little breathless.

  "We should have met anyway. I've heard a great deal about you, too; but you've been a long time coming here."

  "Tell me, how are things going?"

  "Ilusha is very ill. He is certainly dying."

  "How awful! You must admit that medicine is a fraud, Karamazov," cried Kolya warmly.

  "Ilusha has mentioned you often, very often, even in his sleep, in delirium, you know. One can see that you used to be very, very dear to him… before the incident… with the knife… . Then there's another reason… . Tell me, is that your dog?"

  "Yes Perezvon."

  "Not Zhutchka?" Alyosha looked at Kolya with eyes full of pity. "Is she lost for ever?"

  "I know you would all like it to be Zhutchka. I've heard all about it." Kolya smiled mysteriously. "Listen, Karamazov, I'll tell you all about it. That's what I came for; that's what I asked you to come out here for, to explain the whole episode to you before we go in," he began with animation. "You see, Karamazov, Ilusha came into the preparatory class last spring. Well, you know what our preparatory class is- a lot of small boys. They began teasing Ilusha at once. I am two classes higher up, and, of course, I only look on at them from a distance. I saw the boy was weak and small, but he wouldn't give in to them; he fought with them. I saw he was proud, and his eyes were full of fire. I like children like that. And they teased him all the more. The worst of it was he was horribly dressed at the time, his breeches were too small for him, and there were holes in his boots. They worried him about it; they jeered at him. That I can't stand. I stood up for him at once, and gave it to them hot. I beat them, but they adore me, do you know, Karamazov?" Kolya boasted impulsively; "but I am always fond of children. I've two chickens in my hands at home now- that's what detained me to-day. So they left off beating Ilusha and I took him under my protection. I saw the boy was proud. I tell you that, the boy was proud; but in the end he became slavishly devoted to me: he did my slightest bidding, obeyed me as though I were God, tried to copy me. In the intervals between the classes he used to run to me at once' and I'd go about with him. On Sundays, too. They always laugh when an older boy makes friends with a younger one like that; but that's a prejudice. If it's my fancy, that's enough. I am teaching him, developing him. Why shouldn't I develop him if I like him? Here you, Karamazov, have taken up with all these nestlings. I see you want to influence the younger generation- to develop them, to be of use to them, and I assure you this trait in your character, which I knew by hearsay, attracted me more than anything. Let us get to the point, though. I noticed that there was a sort of softness and sentimentality coming over the boy, and you know I have a positive hatred of this sheepish sentimentality, and I have had it from a baby. There were contradictions in him, too: he was proud, but he was slavishly devoted to me, and yet all at once his eyes would flash and he'd refuse to agree with me; he'd argue, fly into a rage. I used sometimes to propound certain ideas; I could see that it was not so much that he disagreed with the ideas, but that he was simply rebelling against me, because I was cool in responding to his endearments. And so, in order to train him properly, the tenderer he was, the colder I became. I did it on purpose: that was my idea. My object was to form his character, to lick him into shape, to make a man of him… and besides… no doubt, you understand me at a word. Suddenly I noticed for three days in succession he was downcast and dejected, not because of my coldness, but for something else, something more important. I wondered what the tragedy was. I have pumped him and found out that he had somehow got to know Smerdyakov, who was footman to your late father- it was before his death, of course- and he taught the little fool a silly trick- that is, a brutal, nasty trick. He told him to take a piece of bread, to stick a pin in it, and throw it to one of those hungry dogs who snap up anything without biting it, and then to watch and see what would happen. So they prepared a piece of bread like that and threw it to Zhutchka, that shaggy dog there's been such a fuss about. The people of the house it belonged to never fed it at all, though it barked all day. (Do you like that stupid barking, Karamazov? I can't stand it.) So it rushed at the bread, swallowed it, and began to squeal; it turned round and round and ran away, squealing as it ran out of sight. That was Ilusha's own account of it. He confessed it to me, and cried bitterly. He hugged me, shaking all over. He kept on repeating 'He ran away squealing': the sight of that haunted him. He was tormented by remorse, I could see that. I took it seriously. I determined to give him a lesson for other things as well. So I must confess I wasn't quite straightforward, and pretended to be more indignant perhaps than I was. 'You've done a nasty thing,' I said, 'you are a scoundrel. I won't tell of it, of course, but I shall have nothing more to do with you for a time. I'll think it over and let you know through Smurov'- that's the boy who's just come with me; he's always ready to do anything for me- 'whether I will have anything to do with you in the future or whether I give you up for good as a scoundrel.' He was tremendously upset. I must own I felt I'd gone too far as I spoke, but there was no help for it. I did what I thought best at the time. A day or two after, I sent Smurov to tell him that I would not speak to him again. That's what we call it when two schoolfellows refuse to have anything more to do with one another. Secretly I only meant to send him to Coventry for a few days and then, if I saw signs of repentance, to hold out my hand to him again. That was my intention. But what do you think happened? He heard Smurov's message, his eyes flashed. 'Tell Krassotkin for me,' he cried, 'that I will throw bread with pins to all the dogs- all- all of them!' 'So he's going in for a little temper. We must smoke it out of him.' And I began to treat him with contempt; whenever I met him I turned away or smiled sarcastically. And just then that affair with his father happened. You remember? You must realise that he was fearfully worked up by what had happened already. The boys, seeing I'd given him up, set on him and taunted him, shouting, 'Wisp of tow, wisp of tow!' And he had soon regular skirmishes with them, which I am very sorry for. They seem to have given him one very bad beating. One day he flew at them all as they were coming out of school. I stood a few yards off, looking on. And, I swear, I don't remember that I laughed; it was quite the other way, I felt awfully sorry for him; in another minute I would have run up to take his part. But he suddenly met my eyes. I don't know what he fancied; but he pulled out a penknife, rushed at me, and struck at my thigh, here in my right leg. I didn't move. I don't mind owning I am plucky sometimes, Karamazov. I simply looked at him contemptuously, as though to say, 'This is how you repay all my kindness! Do it again if you like, I'm at your service.' But he didn't stab me again; he broke down; he was frightened at what he had done; he threw away the knife, burst out crying, and ran away. I did not sneak on him, of course, and I made them all keep quiet, so it shouldn't come to the ears of the masters. I didn't even tell my mother till it had healed up. And the wound was a mere scratch. And then I heard that the same day he'd been throwing stones and had bitten your finger- but you understand now what a state he was in! Well, it can't be helped: it was stupid of me not to come and forgive him- that is, to make it up with him- when he was taken ill. I am sorry for it now. But I had a special reason. So now I've told you all about it… but I'm afraid it was stupid of me."

 

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