“You will kindly retain it, and produce it in case I am arrested.”
“Arrested? For what?”
“For murder. It is quite on the cards. I wish to be ready for every event. There is only one course open to me, and I am determined to take it.”
“For Heaven’s sake, don’t do anything rash!”
“Believe me, it would be far more rash to adopt any other course. I hope that we won’t need to bother you, but it will ease my mind to know that you have this statement of my motives. And now I am ready to take your advice and to go to roost, for I want to be at my best in the morning.”
* * * *
Abercrombie Smith was not an entirely pleasant man to have as an enemy. Slow and easy-tempered, he was formidable when driven to action. He brought to every purpose in life the same deliberate resoluteness which had distinguished him as a scientific student. He had laid his studies aside for a day, but he intended that the day should not be wasted. Not a word did he say to his host as to his plans, but by nine o’clock he was well on his way to Oxford.
In the High Street he stopped at Clifford’s the gunmaker’s, and bought a heavy revolver, with a box of central-fire cartridges. Six of them he slipped into the chambers, and half-cocking the weapon, placed it in the pocket of his coat. He then made his way to Hastie’s rooms, where the big oarsman was lounging over his breakfast, with the Sporting Timespropped up against the coffee-pot.
“Hullo! What’s up?” he asked. “Have some coffee?”
“No, thank you. I want you to come with me, Hastie, and do what I ask you.”
“Certainly, my boy.”
“And bring a heavy stick with you.”
“Hullo!” Hastie stared. “Here’s a hunting crop that would fell an ox.”
“One other thing. You have a box of amputating knives. Give me the longest of them.”
“There you are. You seem to be fairly on the war trail. Anything else?”
“No; that will do.” Smith placed the knife inside his coat, and led the way to the quadrangle. “We are neither of us chickens, Hastie,” said he. “I think I can do this job alone, but I take you as a precaution. I am going to have a little talk with Bellingham. If I have only him to deal with, I won’t, of course, need you. If I shout, however, up you come, and lam out with your whip as hard as you can lick. Do you understand?”
“All right. I’ll come if I hear you bellow.”
“Stay here, then. I may be a little time, but don’t budge until I come down.”
“I’m a fixture.”
Smith ascended the stairs, opened Bellingham’s door and stepped in. Bellingham was seated behind his table, writing. Beside him, among his litter of strange possessions, towered the mummy case, with its sale number 249 still stuck upon its front, and its hideous occupant stiff and stark within it. Smith looked very deliberately round him, closed the door, and then stepping across to the fire-place, struck a match and set the fire alight. Bellingham sat staring, with amazement and rage upon his bloated face.
“Well, really now, you make yourself at home,” he gasped.
Smith sat himself deliberately down, placing his watch upon the table, drew out his pistol, cocked it, and laid it in his lap. Then he took the long amputating knife from his bosom, and threw it down in front of Bellingham.
“Now, then,” said he, “just get to work and cut up that mummy.”
“Oh, is that it?” said Bellingham with a sneer.
“Yes, that is it. They tell me that the law can’t touch you. But I have a law that will set matters straight. If in five minutes you have not set to work, I swear by the God who made me that I will put a bullet through your brain!”
“You would murder me?”
Bellingham had half risen, and his face was the colour of putty.
“Yes.”
“And for what?”
“To stop your mischief. One minute has gone.”
“But what have I done?”
“I know and you know.”
“This is mere bullying.”
“Two minutes are gone.”
“But you must give reasons. You are a madman—a dangerous madman. Why should I destroy my own property? It is a valuable mummy.”
“You must cut it up, and you must burn it.”
“I will do no such thing.”
“Four minutes are gone.”
Smith took up the pistol and he looked towards Bellingham with an inexorable face. As the secondhand stole round, he raised his hand, and the finger twitched upon the trigger.
“There! there! I’ll do it!” screamed Bellingham.
In frantic haste he caught up the knife and hacked at the figure of the mummy, ever glancing round to see the eye and the weapon of his terrible visitor bent upon him. The creature crackled and snapped under every stab of the keen blade. A thick yellow dust rose up from it. Spices and dried essences rained down upon the floor. Suddenly, with a rending crack, its backbone snapped asunder, and it fell, a brown heap of sprawling limbs, upon the floor.
“Now into the fire!” said Smith.
The flames leaped and roared as the dried and tinder-like debris was piled upon it. The little room was like the stoke-hole of a steamer and the sweat ran down the faces of the two men; but still the one stooped and worked, while the other sat watching him with a set face. A thick, fat smoke oozed out from the fire, and a heavy smell of burned rosin and singed hair filled the air. In a quarter of an hour a few charred and brittle sticks were all that was left of Lot No. 249.
“Perhaps that will satisfy you,” snarled Bellingham, with hate and fear in his little grey eyes as he glanced back at his tormentor.
“No; I must make a clean sweep of all your materials. We must have no more devil’s tricks. In with all these leaves! They may have something to do with it.”
“And what now?” asked Bellingham, when the leaves also had been added to the blaze.
“Now the roll of papyrus which you had on the table that night. It is in that drawer, I think.”
“No, no,” shouted Bellingham. “Don’t burn that! Why, man, you don’t know what you do. It is unique; it contains wisdom which is nowhere else to be found.”
“Out with it!”
“But look here, Smith, you can’t really mean it. I’ll share the knowledge with you. I’ll teach you all that is in it. Or, stay, let me only copy it before you burn it!”
Smith stepped forward and turned the key in the drawer. Taking out the yellow, curled roll of paper, he threw it into the fire, and pressed it down with his heel. Bellingham screamed, and grabbed at it; but Smith pushed him back and stood over it until it was reduced to a formless grey ash.
“Now, Master B.,” said he, “I think I have pretty well drawn your teeth. You’ll hear from me again, if you return to your old tricks. And now good-morning, for I must go back to my studies.”
And such is the narrative of Abercrombie Smith as to the singular events which occurred in Old College, Oxford, in the spring of ’84. As Bellingham left the university immediately afterwards, and was last heard of in the Soudan, there is no one who can contradict his statement. But the wisdom of men is small, and the ways of Nature are strange, and who shall put a bound to the dark things which may be found by those who seek for them?
THE MUMMY’S FOOT, by Théophile Gautier
I had entered, in an idle mood, the shop of one of those curiosity venders who are called marchands de bric-à-brac in that Parisian argot which is so perfectly unintelligible elsewhere in France.
You have doubtless glanced occasionally through the windows of some of these shops, which have become so numerous now that it is fashionable to buy antiquated furniture, and that every petty stockbroker thinks he must have his chambre au moyen âge.
There is one thing there which clings alike to the shop of the dealer in old iron, the ware-room of the tapestry maker, the laboratory of the chemist, and the studio of the painter: in all those gloomy dens where a furtive daylight filters in through the window-
shutters the most manifestly ancient thing is dust. The cobwebs are more authentic than the gimp laces, and the old pear-tree furniture on exhibition is actually younger than the mahogany which arrived but yesterday from America.
The warehouse of my bric-à-brac dealer was a veritable Capharnaum. All ages and all nations seemed to have made their rendezvous there. An Etruscan lamp of red clay stood upon a Boule cabinet, with ebony panels, brightly striped by lines of inlaid brass; a duchess of the court of Louis XV nonchalantly extended her fawn-like feet under a massive table of the time of Louis XIII., with heavy spiral supports of oak, and carven designs of chimeras and foliage intermingled.
Upon the denticulated shelves of several sideboards glittered immense Japanese dishes with red and blue designs relieved by gilded hatching, side by side with enamelled works by Bernard Palissy, representing serpents, frogs, and lizards in relief.
From disembowelled cabinets escaped cascades of silver-lustrous Chinese silks and waves of tinsel, which an oblique sunbeam shot through with luminous beads, while portraits of every era, in frames more or less tarnished, smiled through their yellow varnish.
The striped breastplate of a damascened suit of Milanese armour glittered in one corner; loves and nymphs of porcelain, Chinese grotesques, vases of céladon and crackleware, Saxon and old Sèvres cups encumbered the shelves and nooks of the apartment.
The dealer followed me closely through the tortuous way contrived between the piles of furniture, warding off with his hand the hazardous sweep of my coat-skirts, watching my elbows with the uneasy attention of an antiquarian and a usurer.
It was a singular face, that of the merchant; an immense skull, polished like a knee, and surrounded by a thin aureole of white hair, which brought out the clear salmon tint of his complexion all the more strikingly, lent him a false aspect of patriarchal bonhomie, counteracted, however, by the scintillation of two little yellow eyes which trembled in their orbits like two louis-d’or upon quicksilver. The curve of his nose presented an aquiline silhouette, which suggested the Oriental or Jewish type. His hands—thin, slender, full of nerves which projected like strings upon the finger-board of a violin, and armed with claws like those on the terminations of bats’ wings—shook with senile trembling; but those convulsively agitated hands became firmer than steel pincers or lobsters’ claws when they lifted any precious article—an onyx cup, a Venetian glass, or a dish of Bohemian crystal. This strange old man had an aspect so thoroughly rabbinical and cabalistic that he would have been burnt on the mere testimony of his face three centuries ago.
“Will you not buy something from me to-day, sir? Here is a Malay kreese with a blade undulating like flame. Look at those grooves contrived for the blood to run along, those teeth set backward so as to tear out the entrails in withdrawing the weapon. It is a fine character of ferocious arm, and will look well in your collection. This two-handed sword is very beautiful. It is the work of Josepe de la Hera; and this colichemarde with its fenestrated guard—what a superb specimen of handicraft!”
“No; I have quite enough weapons and instruments of carnage. I want a small figure—something which will suit me as a paper-weight, for I cannot endure those trumpery bronzes which the stationers sell, and which may be found on everybody’s desk.”
The old gnome foraged among his ancient wares, and finally arranged before me some antique bronzes, so-called at least; fragments of malachite, little Hindoo or Chinese idols, a kind of poussah-toys in jade-stone, representing the incarnations of Brahma or Vishnoo, and wonderfully appropriate to the very undivine office of holding papers and letters in place.
I was hesitating between a porcelain dragon, all constellated with warts, its mouth formidable with bristling tusks and ranges of teeth, and an abominable little Mexican fetich, representing the god Vitziliputzili au naturel, when I caught sight of a charming foot, which I at first took for a fragment of some antique Venus.
It had those beautiful ruddy and tawny tints that lend to Florentine bronze that warm living look so much preferable to the gray-green aspect of common bronzes, which might easily be mistaken for statues in a state of putrefaction. Satiny gleams played over its rounded forms, doubtless polished by the amorous kisses of twenty centuries, for it seemed a Corinthian bronze, a work of the best era of art, perhaps moulded by Lysippus himself.
“That foot will be my choice,” said to the merchant, who regarded me with an ironical and saturnine air, and held out the object desired that I might examine it more fully.
I was surprised at its lightness. It was not a foot of metal, but in sooth a foot of flesh, an embalmed foot, a mummy’s foot. On examining it still more closely the very grain of the skin, and the almost imperceptible lines impressed upon it by the texture of the bandages, became perceptible. The toes were slender and delicate, and terminated by perfectly formed nails, pure and transparent as agates. The great toe, slightly separated from the rest, afforded a happy contrast, in the antique style, to the position of the other toes, and lent it an aerial lightness—the grace of a bird’s foot. The sole, scarcely streaked by a few almost imperceptible cross lines, afforded evidence that it had never touched the bare ground, and had only come in contact with the finest matting of Nile rushes and the softest carpets of panther skin.
“Ha, ha, you want the foot of the Princess Hermonthis!” exclaimed the merchant, with a strange giggle, fixing his owlish eyes upon me. “Ha, ha, ha! For a paper-weight! An original idea!—artistic idea!-Old Pharaoh would certainly have been surprised had some one told him that the foot of his adored daughter would be used for a paper-weight after he had had a mountain of granite hollowed out as a receptacle for the triple coffin, painted and gilded, covered with hieroglyphics and beautiful paintings of the Judgment of Souls,” continued the queer little merchant, half audibly, as though talking to himself.
“How much will you charge me for this mummy fragment?”
“Ah, the highest price I can get, for it is a superb piece. If I had the match of it you could not have it for less than five hundred francs. The daughter of a Pharaoh! Nothing is more rare.”
“Assuredly that is not a common article, but still, how much do you want? In the first place let me warn you that all my wealth consists of just five louis. I can buy anything that costs five louis, but nothing dearer. You might search my vest pockets and most secret drawers without even finding one poor five-franc piece more.”
“Five louis for the foot of the Princess Hermonthis! That is very little, very little indeed. ’Tis an authentic foot,” muttered the merchant, shaking his head, and imparting a peculiar rotary motion to his eyes. “Well, take it, and I will give you the bandages into the bargain,” he added, wrapping the foot in an ancient damask rag. “Very fine? Real damask—Indian damask which has never been redyed. It is strong, and yet it is soft,” he mumbled, stroking the frayed tissue with his fingers, through the trade-acquired habit which moved him to praise even an object of such little value that he himself deemed it only worth the giving away.
He poured the gold coins into a sort of mediaeval alms-purse hanging at his belt, repeating:
“The foot of the Princess Hermonthis to be used for a paper-weight!”
Then turning his phosphorescent eyes upon me, he exclaimed in a voice strident as the crying of a cat which has swallowed a fish-bone:
“Old Pharaoh will not be well pleased. He loved his daughter, the dear man!”
“You speak as if you were a contemporary of his. You are old enough, goodness knows! but you do not date back to the Pyramids of Egypt,” I answered, laughingly, from the threshold.
I went home, delighted with my acquisition.
With the idea of putting it to profitable use as soon as possible, I placed the foot of the divine Princess Hermonthis upon a heap of papers scribbled over with verses, in themselves an undecipherable mosaic work of erasures; articles freshly begun; letters forgotten, and posted in the table drawer instead of the letter-box, an error to which absent-minded people
are peculiarly liable. The effect was charming, bizarre, and romantic.
Well satisfied with this embellishment, I went out with the gravity and pride becoming one who feels that he has the ineffable advantage over all the passers-by whom he elbows, of possessing a piece of the Princess Hermonthis, daughter of Pharaoh.
I looked upon all who did not possess, like myself, a paper-weight so authentically Egyptian as very ridiculous people, and it seemed to me that the proper occupation of every sensible man should consist in the mere fact of having a mummy’s foot upon his desk.
Happily I met some friends, whose presence distracted me in my infatuation with this new acquisition. I went to dinner with them, for I could not very well have dined with myself.
When I came back that evening, with my brain slightly confused by a few glasses of wine, a vague whiff of Oriental perfume delicately titillated my olfactory nerves. The heat of the room had warmed the natron, bitumen, and myrrh in which the paraschistes, who cut open the bodies of the dead, had bathed the corpse of the princess. It was a perfume at once sweet and penetrating, a perfume that four thousand years had not been able to dissipate.
The Dream of Egypt was Eternity. Her odours have the solidity of granite and endure as long.
I soon drank deeply from the black cup of sleep. For a few hours all remained opaque to me. Oblivion and nothingness inundated me with their sombre waves.
Yet light gradually dawned upon the darkness of my mind. Dreams commenced to touch me softly in their silent flight.
The eyes of my soul were opened, and I beheld my chamber as it actually was. I might have believed myself awake but for a vague consciousness which assured me that I slept, and that something fantastic was about to take place.
The odour of the myrrh had augmented in intensity, and I felt a slight headache, which I very naturally attributed to several glasses of champagne that we had drunk to the unknown gods and our future fortunes.
I peered through my room with a feeling of expectation which I saw nothing to justify. Every article of furniture was in its proper place. The lamp, softly shaded by its globe of ground crystal, burned upon its bracket; the water-colour sketches shone under their Bohemian glass; the curtains hung down languidly; everything wore an aspect of tranquil slumber.
The Mummy Megapack Page 15