“Our correspondent in Dunwich advises us that people there are very sullen and in a great rage of anger and fear. They suspect many of their number of being at least partly to blame, though they stoutly deny that anyone in Dunwich murdered either Willie or Mrs. Wilkerson, who disappeared a fortnight ago, and of whom no word has since been heard.”
The account concluded with some data about Willie’s family connections.
Thereafter, subsequent editions of the Transcript were distinguished only for the lack of information about the events which had taken place in Dunwich, where authorities and reporters alike apparently ran up against blank walls in the stolid refusal of the natives to talk or even speculate about what had happened. There was, however, one insistent note which recurred in the comments of investigators, relayed to the press, and that was that such trail or track as could be seen appeared to have disappeared into the waters of the Miskatonic, suggesting that if an animal were responsible for the orgy of slaughter which had occurred at Dunwich, it may have come from and returned to the river.
Though it was now close to midnight, Abner massed the discarded newspapers together and took them out to the riverbank, where he set them on fire, having saved only torn pages relative to the occurrences at Dunwich. The air being still, he did not feel obliged to watch the fire since he had already burned a considerable area, and the grass was not likely to catch on fire. As he started away, he heard suddenly above the ululation of the whippoorwills and frogs, now at a frenzied crescendo, the tearing and breaking sound of wood. He thought at once of the window of the shuttered room, and retraced his steps.
In the very dim light flickering toward the house from the burning newspapers, it, seemed to Abner that the window gaped wider than before.
Could it be that the entire mill part of the house was about to collapse?
Then, out of the corner of his eye, he caught sight of a singularly formless moving shadow just beyond the mill wheel, and a moment later heard a churning sound in the water. The voices of the frogs had now risen to such a volume that he could hear nothing more.
He was inclined to dismiss the shadow as the creation of the wild flames leaping upward from the fire. The sound in the water might well have been that of the movement made by a school of fish, darting forward in concert.
Nevertheless, he thought, it would do no harm to have another look at Aunt Sarey’s room.
He returned to the kitchen, took the lamp, and mounted the stairs. He unlocked the door of the shuttered room, threw open the door, and was almost felled by the powerful musk which pushed hallward. The smell of the Miskatonic, of the marshes, the odor of that slimey deposit left on the stones and sunken debris when the Miskatonic receded to its low water stage, the cloying pungence of some animal lairs—all these were combined in the shuttered room.
Abner stood for a moment, wavering on the threshold. True, the odor in the room could have come in through the open window. He raised the lamp so that more of its light fell upon the wall above the mill wheel. Even from where he stood, it was possible to see that not only was all the window itself now gone, but so was the frame. Even at this distance it was manifest that the frame had been broken out from inside!
He fell back, slammed the door shut, locked it, and fled down stairs with the shell of his rationalizations tumbling about him.
Downstairs, he fought for self-control. What he had seen was but one more detail added to the proliferating accumulation of seemingly unrelated data upon which he had stumbled ever since his coming to his grandfather’s home. He was convinced now that however unlikely it had at first seemed to him, all these data must be related. What he needed to learn was the one basic fact or element which bound them together.
He was badly shaken, particularly because he had the uneasy conviction that he did indeed have all the facts he needed to know, that it was his scientific training which made it impossible for him to make the primary assumption, to state the premise which the facts before him would inevitably prove. The evidence of his senses told him that something laired in that room—some bestial creature; it was folly to assume that odors from outside could so permeate Aunt Sarey’s old room and not be noticeable outside the kitchen and at the windows of his own bedroom.
The habit of rational thinking was strong in him. He took out Luther Whateley’s final letter to him once more and read it again. That was what his grandfather had meant when he had written “you have gone forth into the world and gathered to yourself learning sufficient to permit you to look upon all things with an inquiring mind ridden neither by the superstition of ignorance nor the superstition of science.” Was this puzzle, with all its horrible connotations, beyond rationalization?
The wild ringing of the telephone broke in upon his confused thoughts.
Slipping the letter back into his pocket, he strode rapidly to the wall and took the receiver off the hook.
A man’s voice screamed over the wire, amid a chaos of inquiring voices as everyone on the line picked up his receiver as if they waited, like Abner Whateley himself, for word of another tragedy. One of the voices—all were disembodied and unidentifiable for Abner—identified the caller.
“It’s Luke Lang!”
“Git a posse up an’ come quick,” Luke shouted hoarsely over the wire. “It’s jest aoutside my door. Snufflin’ araoun’. Tryin’ the door. Feelin’ at the winders.”
“Luke, what is it?” asked a woman’s voice.
“Oh, Gawd! It’s some unairthly thing. It’s a-hoppin’ raoun’ like it was too big to move right—like jelly. Oh, hurry, hurry, afore it’s too late. It got my dog . . .”
“Git off the wire so’s we can call fer help,” interrupted another subscriber.
But Luke never heard in his extremity. “It’s a-pushin’ at the door—it’s a-bowin’ the door in . . .”
“Luke! Luke! Git off n the wire!”
“It’s a-tryin’ the winder naow.” Luke Lang’s voice rose in a scream of terror.
“There goes the glass. Gawd! Gawd! Hain’t yew comin’? Oh, that hand! That turri’ble arm! Gawd! That face . . .!”
Luke’s voice died away in a frightful screech. There was the sound of breaking glass and rending wood—then all was still at Luke Lang’s, and for a moment all was still along the wire. Then the voices burst forth again in a fury of excitement and fear.
“Git help!”
“We’ll meet at Bishops’ place.”
And someone put in, “It’s Abner Whateley done it!”
Sick with shock and half-paralyzed with a growing awareness, Abner struggled to tear the receiver from his ear, to shut off the half-crazed bedlam on the party line.
He managed it with an effort. Confused, upset, frightened himself, he stood for a moment with his head leaning against the wall. His thoughts seethed around but one central point—the fact that the Dunwich rustics considered him somehow responsible for what was happening. And their conviction, he knew intuitively, was based on more than the countryman’s conventional distrust of the stranger.
He did not want to think of what happened to Luke Lang—and to those others.
Luke’s frightened, agonized voice still rang in his ears. He pulled himself away from the wall, almost stumbling over one of the kitchen chairs. He stood for a moment beside the table, not knowing what to do, but as his mind cleared a little, he thought only of escape. Yet he was caught between the desire to get away, and the obligation to Luther Whateley he had not yet fulfilled.
But he had come, he had gone through the old man’s things—all save the books—he had made arrangements to tear down the mill part of the house—he could manage its sale through some agency; there was no need for him to be present. Impulsively, he hastened to the bedroom, threw such things as he had unpacked, together with Luther Whateley’s note-filled ledger, into his bags, and carried them out to his car.
Having done this, however, he had second thoughts. Why should he take flight?
He had done nothin
g. No guilt of any kind rested upon him. He returned to the house. All was still, save for the unending chorus of frogs and whippoorwills. He stood briefly undecided; then he sat down at the table and took out Grandfather Whateley’s final letter to read it once more.
He read it over carefully, thoughtfully. What had the old man meant when, in referring to the madness that had spawned among the Whateley, he had said, “It has not been so of all that is mine” though he himself had kept free of that madness?
Grandmother Whateley had died long before Abner’s birth; his Aunt Julia had died as a young girl; his mother had led a blameless life. There remained Aunt Sarey. What had been her madness then? Luther Whateley could have meant none other. Only Sarey remained. What had she done to bring about her imprisonment unto death?
And what had he intended to hint at when he adjured Abner to kill anything in the mill section of the house, anything that lived? No matter how small it may be.
No matter what form it may have . . . Even something so small as an inoffensive toad? A spider? A fly? Luther Whateley wrote in riddles, which in itself was an affront to an intelligent man. Or did his grandfather think Abner a victim to the superstition of science? Ants, spiders, flies, various kinds of bugs, millers, cen-tipedes, daddy long-legs—all occupied the old mill; and doubtless in its walls were mice as well. Did Luther Whateley expect his grandson to go about exterminating all these?
Behind him suddenly something struck the window. Glass fragmented to the floor, together with something heavy. Abner sprang to his feet and whirled around.
From outside came the sound of running footsteps.
A rock lay on the floor amid the shattered glass. There was a piece of “store paper” tied to it by common store string. Abner picked it up, broke the string, and unfolded the paper.
Crude lettering stared up at him. “Git out before ye get kilt!” Store paper and string. It was not meant so much as a threat as a well-intentioned warning. And it was clearly the work of Tobias Whateley, thought Abner. He tossed it contemptuously to the table.
His thoughts were still in turmoil, but he had decided that precipitate flight was not necessary. He would stay, not only to learn if his suspicions about Luke Lang were true—as if the evidence of the telephone left room for doubt—but also to make a final attempt to fathom the riddle Luther Whateley had left behind.
He put out the light and went in darkness to the bedroom where he stretched out, fully clothed, upon the bed.
Sleep, however, would not come. He lay probing the maze of his thoughts, trying to make sense out of the mass of data he had accumulated, seeking always that basic fact which was the key to all the others. He felt sure it existed; worse, he was positive that it lay before his eyes—he had but failed to interpret it or to recognize it.
He had been lying there scarcely half an hour, when he heard, rising above the pulsating choir of the frogs and whippoorwills, a splashing from the direction of the Miskatonic—an approaching sound, as if a large wave were washing up the banks on its seaward way. He sat up, listening. But even as he did so, the sound stopped and another took its place—one he was loath to identify, and yet could define as no other than that of someone trying to climb the mill-wheel.
He slid off the bed and went out of the room.
From the direction of the shuttered room came a muffled, heavy falling sound—then a curious, choking whimpering that sounded, horribly, like a child at a great distance trying to call out—then all was still, and it seemed that even the noise and clamor of the frogs diminished and fell away.
He returned to the kitchen and lit the lamp.
Pooled in the yellow glow of light, Abner made his way slowly up the stairs toward the shuttered room. He walked softly, careful to make no sound.
Arriving at the door, he listened. At first he heard nothing—then a susurration smote his ears.
Something in that room— breathed!
Fighting back his fear, Abner put the key in the lock and turned it. He flung open the door and held the lamp high.
Shock and horror paralyzed him.
There, squatting in the midst of the tumbled bedding from that long—abandoned bed, sat a monstrous, leathery-skinned creature that was neither frog nor man, one gorged with food, with blood still slavering from its batrachian jaws and upon its webbed fingers—a monstrous entity that had strong, powerfully long arms, grown from its bestial body like those of a frog, and tapering off into a man’s hands, save for the webbing between the fingers . . .
The tableau held for only a moment.
Then, with a frenzied growling sound—“Eh-ya-ya-ya-yaa-haah— ngh’aaa—h’yuh, h’yuh”—it rose up, towering, and launched itself at Abner.
His reaction was instantaneous, born of terrible, shattering knowledge. He flung the kerosene-filled lamp with all his might straight at the thing reaching toward him.
Fire enveloped the thing. It halted and began to tear frantically at its burning body, unmindful of the flames rising from the bedding behind it and the floor of the room, and at the same instant the calibre of its voice changed from a deep growling to a shrill, high wailing—“Mama-mama— ma-aa-ma-aa-ma-aah! ”
Abner pulled the door shut and fled.
Down the stairs, half falling, through the rooms below, with his heart pounding madly, and out of the house. He tumbled into the car, almost bereft of his senses, half-blinded by the perspiration of his fear, turned the key in the ignition, and roared away from that accursed place from which the smoke already poured, while spreading flames in that tinder-dry building began to cast a red glow into the sky.
He drove like one possessed—through Dunwich—through the covered bridge—his eyes half-closed, as if to shut out forever the sight of that which he had seen, while the dark, brooding hills seemed to reach for him and the chanting whippoorwills and frogs mocked him.
But nothing could erase that final, cataclysmic knowledge seared into his mind—the key to which he had had all along and not known it—the knowledge implicit in his own memories as well as in the notes Luther Whateley had left— the chunks of raw meat he had childishly supposed were going to be prepared in Aunt Sarey’s room instead of to be eaten raw, the reference to “R.” who had come “back at last” after having escaped, back to the only home “R.” knew—the seemingly unrelated references also in his grandfather’s hand to missing cows, sheep, and the remains of other animals—the hideous suggestion clearly defined now in those entries of Luther Whateley’s about R.'s “size commensurate with amt. of food,” and “he must be kept on a careful diet and to a controllable size”—like the Innsmouth people!—controlled to nothingness after Sarah’s death, with Luther hoping that foodless confinement might shrivel the thing in the shuttered room and kill it beyond revival, despite the doubt that had led him to adjure Abner to kill “anything in it that lives,”— the thing Abner had unwittingly liberated when he broke the pane and kicked out the shutters, liberated to seek its own food and its hellish growth again, at first with fish from the Miskatonic, then with small animals, then cattle, and at last human beings— the thing that was half-batrachian, half-human, but human enough to come back to the only home it had ever known and to cry out in terror for its mother in the face of the fatal holocaust— the thing that had been born to the unblessed union of Sarah Whateley and Ralsa Marsh, spawn of tainted and degenerate blood, the monster that would loom forever on the perimeter of Abner Whateley’s awareness— his cousin Ralsa, doomed by his grandfather’s iron will, instead of being released long ago into the sea to join the Deep Ones among the minions of Dagon and great Cthulhu!
THE FISHERMAN OF FALCON POINT
first published in The Shuttered Room and Other Pieces, August Derleth, Arkham House, 1959
ALONG THE Massachusetts coast where he lived many things are whispered about Enoch Conger—and certain others are hinted at in lowered voices and with great caution—things of surpassing strangeness which flow up and down the coast in the words of sea-far
ers from the port of Innsmouth, for he lived only a few miles down the coast from that town, at Falcon Point, which was so named because it was possible to see the peregrines and merlins and even sometimes the great gyrfalcons at migration time passing by this lonely finger of land jutting into the sea. There he lived until he was seen no more, for none can say he died.
He was a powerful man, broad in the shoulders, barrel-chested, with long, muscular arms. Even in middle age he wore a beard, and long hair crowned his head. His eyes were a cold blue in color, and set deep in his square face, and when he was clad in rainproof garments with a hat to match, he looked like someone who had stepped from an old schooner a century ago. He was a taciturn man, given to living alone in a house of stone and driftwood which he himself had constructed on the windswept point of land where he heard the voices of the gulls and terns, of wind and sea, and, in season, of migrants from far places passing by, sometimes invisibly high. It was said of him that he answered them, that he talked with the gulls and terns, with the wind and the pounding sea, and with others that could not be seen and were heard only in strange tones like the muted sounds made by great batrachian beasts unknown in the bogs and marshes of the mainland.
Conger made his living by fishing, and a spare living it was, yet it contented him. He cast his net into the sea by day and by night, and what it brought up he took into Innsmouth or Kingsport or even farther to sell. But there was one moonlight night when he brought no fish into Innsmouth, but only himself, his eyes wide and staring, as if he had looked too long into the sunset and been blinded. He went into the tavern on the edges of town, where he was wont to go, and sat by himself at a table drinking ale, until some of the curious who were accustomed to seeing him came over to his table to join him, and, with the aid of more liquor, set his tongue to babbling, even though he talked as though he spoke but to himself, and his eyes did not seem to see them.
The Lurker at the Threshold: Posthumous Collaborations Page 18