by Victoria Fox
‘I’m going to wake Mama.’ Teresa stood and dusted off her shorts.
Her sister glanced up. ‘Don’t.’
‘Why not? It’s our birthday.’
‘She already saw us today.’ Indeed, Julia had graced them with her presence that morning, thirty minutes at breakfast in her night robe, pale-faced and sad-eyed.
‘She’ll want to see me again.’ Teresa said it because she knew it would hurt. She loved her sister deeply, an unquestioning, imperative love, but sometimes she hated her too. Calida was clever and useful and smart. What was she, in comparison? The youngest, made to follow directions and do as she was told. Why couldn’t she have been born first? Then her father would respect her. Then she could make her own decisions. Jealousy, a nascent seed, had grown over the years into creeping ivy.
‘Whatever.’ Calida pretended Julia’s preference didn’t wound her but her sister knew better. Teresa knew every little thing she thought or felt. ‘I don’t care.’
Teresa stalked past. It was as though the twins could argue on the barest of words, those surface weapons sufficient, like ripples on the deepest ocean.
Inside the house, it was cool and quiet. Teresa glanced down the hallway and decided she would take her mother a sprig of lavender, her favourite. She knew where the best of the purple herb grew, at the side of the stables, and went to find some. She imagined Julia’s face when she handed her the lilac bouquet, and lifted at the thought.
A strange sound came upon her slowly. At first she thought it was an animal in pain, one of the horses, maybe, and she hoped it wasn’t Paco.
But as she drew nearer, she knew it wasn’t that at all.
Teresa stopped by the stable door. The scent of lavender enveloped her, heady and sweet, and from that day forward it would eternally be associated with sex. In her adult years, in fields in France or in gardens in England, in perfumed tea-blends or in Hollywood spas, it would carry with it an echo of that exotic, bewildering revelation, all the more tender for the age at which she had discovered it.
A primal reflex told her the sound was human, not animal: gasping, close to a scream, as if the person making it was being stifled. There was violence buried inside; but willingness, too, even begging. She picked out a contrasting tone, guttural, which punctuated the silence between the high-pitched yelps, like a pig grunting. Words, perhaps, although she couldn’t be sure: Yes, she kept hearing, yes, yes, yes, and then please, and then yes again. Unable to desist, she drew the stable door wider.
Two figures wrestled on the hay-strewn floor. A bundle of clothes dripped from a rafter. The man, on top, was turned away, his pale, bare bottom pumping up and down. Each time it rose, a shadowy strip appeared between his cheeks, and a soft pocket of fruit, like an over-ripe peach, could momentarily be seen. His back was muscular, the ridge of spine glistening with sweat, and his thighs were scattered with hair. Gradually, the speed of his motions increased. He lifted the leg of the person beneath him and hooked it over his shoulder, pressing deeper, his hand clutching the person’s knee as he tensed and thrust with an urgency that soon became manic. His grunts got louder. Teresa saw the soles of his feet, white, the toes braced on the dry floor. She wanted to call his name, but knew it was impossible. This could never be interrupted: the thought of interruption was somehow cataclysmic.
Abruptly, their position changed. Teresa stepped backwards, scared she would be seen, but she had no need for fear: they were utterly consumed by their task.
The woman, facing her now, straddled the man, her cheeks flushed and her breasts pale and heavy, the nipples large and black, drooping slightly. She had long, mahogany hair. Teresa had never seen the woman’s hair down before, always scraped back off a high forehead, and she looked prettier than she normally did.
What alarmed her most was the clump of hair below Señorita Gonzalez’s stomach. It was close to the man’s belly, and she kept lifting it off him and going back down, and there was something connecting them, something swollen and weird that Teresa had heard only whispers about. The difference between boys and girls: the thing that grew hard. The man’s hands gripped Gonzalez’s waist then ran up to her breasts, squeezing them together, his thumbs on her nipples. Gonzalez threw her head back, all that mahogany hair falling free; her face screwed up tight and her mouth opened wide and the veins in her neck stood out as she released an ear-splitting cry, rocking back and forth and then, at last, she collapsed on to his chest.
The man kept going, raising his hips and thrusting. Gonzalez was thrown into an upright position, her breasts bouncing hectically, and Teresa almost laughed, but she was about to cry as well so it was confusing. In seconds, the man groaned.
It was over.
But that groan lingered on. It released something in Teresa, like a flesh wound in that pale instant before it splurges blood. All at once, she despised her papa. She despised his weakness. She despised his nakedness. She despised that pathetic, defenceless, self-serving groan. She despised him for liking her tyrant teacher, for choosing her over them. She despised him for loving her twin more than he loved her. She despised him for pretending that evil woman was her mama, who was tired and sick and ignorant of his sin. Teresa was filled with rage, but within that rage sat a nugget of conviction that smacked her with total clarity. Her father had committed a basic, unequivocal transgression that she would never forgive and never forget.
Gonzalez lifted herself and tied her hair back. They said something to each other, Teresa didn’t hear what, and laughed softly.
She found herself staring at it. The thing was relaxing now, less stiff and angry than before, and smaller, almost shy as it rested against her father’s thigh.
Soundlessly, Teresa retreated from the stable door. She stumbled back into the house, the lavender forgotten, and went to the bathroom and thought she might be sick.
Later, Teresa decided she would not tell her sister what she had seen. It was something she should keep to herself, a burden she alone must carry, and it would be the very first thing she ever kept from Calida.
Summer turned to winter and winter turned to spring. Skies were bracing and boundless blue, wisps of clouds drifting high in the ether, and far away the snow-capped mountains surveyed their kingdom of open plains. In the evenings, Teresa sat on the veranda to watch the horses run free, their manes wild in the hot wind.
She spent less time with her father, and resisted his embrace.
‘Chica, what’s the matter?’ Diego would ask. But she couldn’t answer him. She couldn’t look at him. She kept remembering what she had seen—it came at her in flashes, accompanied by that pitiful, animal groan, and she could not bear to be kissed good night or even touched by him. In lessons with Gonzalez, she became surly and distant. Gonzalez smacked and mocked her—’What are you doing?’ Calida whispered when their tutor’s back was turned. ‘Stop making her angry!’—and despite the number of times Teresa longed to put Gonzalez in her place and confess to what she’d seen, she never did. She was afraid of hurting Julia, of disappointing Calida, of Diego’s denial, of the question she kept returning to: Why didn’t you run? Why did you stay and watch? And the more she rejected Diego, the closer he grew to Calida, and the more Teresa felt the cool shawl of loneliness close around her shoulders.
What was there left for her here?
Her mama was right. Her mama told her she didn’t belong on the estancia. She was fated for greater, more important things. She had outgrown this life.
How could Calida be content to stay? There were so many worlds to see, so much more to discover, beyond the gate at the foot of the track. Teresa felt the draw of possibility as a physical force, beckoning her, tempting her. Stay here and you’ll never amount to anything. You’ll always be second best. She imagined her existence twenty years from now, as unhappy as Julia, her hopes and dreams snuffed to dust.
Julia hadn’t always been like this. Hers was a cautionary tale, so she said, as she combed Teresa’s hair and gazed in the mirror at the d
ecades between their reflections. Once, Julia had bathed in banknotes and showered in glittering coins. She had been raised in a mansion many miles away and, as the only daughter of a rich man, had had her every need catered for; surrounded by servants, banquets, and ball gowns, she was the girl whose hand every suitor sought to claim. Then Diego Santiago had swept into her life, so different from the polished men of whom her father approved, and they had fallen in love. Julia, as spirited and defiant as her daughter, refused to be cowed by her father’s ultimatum. Given the choice between her family and her lover, she had chosen her lover. Teresa thought this romantic, but Julia was quick to clarify her mistake. She had been left with nothing. No money. No luxury. No furs or sapphires or silk sheets. When her parents died, they left it all to a distant cousin and not a peso came Julia’s way. Her sacrifice lost her everything.
What Julia wouldn’t give to swap her fortunes now! Look where romance had got her: a house that was falling apart, clothes that were tatty and shapeless, a husband who had changed, or so the story went, when he left to fight on the Islas Malvinas, leaving Julia behind with her pregnancy and a rapidly swelling depression. Now, her only refuge was in her romance novels, which she read to Teresa late into the night. The Billionaire’s Mistress, The Diamond Tycoon, The Handsome Magnate …
She informed Teresa how her beauty would serve her well; it was a pass into an exclusive club beyond the reach of ordinary people, and it meant she never had to settle. ‘These are the kind of men you must find,’ Julia counselled. ‘Rich men.’ She told Teresa that love was a trap only fools fell into. ‘Men will let you down—all men, eventually, no matter how much you think you can trust them—but money never will. If you have money, you have power … and if you have power, you have everything.’
That night, watching the stars through the window, silver cobwebs in a deep and soundless purple, Teresa prayed for the courage to make her mama’s vision come true. Diego’s betrayal proved that this was a cutthroat, adult world, that the innocence of her childhood was over, and, if she intended to succeed, she couldn’t hide away.
‘Recognise fortune when it comes for you,’ her mama said. ‘And when it does, be ready.’ Teresa was ready. She sensed it like a current at her fingertips. Something vital was about to change, something big: she could almost touch it.
She closed her eyes and took a breath, filling her lungs with promise. In the bunk below, she heard the yield of the mattress as Calida turned in her sleep.
3
London
Seven thousand miles across the sea, in a townhouse in Kensington, actress Simone Geddes faced the wall-mounted mirror as her husband drove into her from behind.
Shit, Brian was a lame fuck. He had never made her come—not once. His technique, if that wasn’t too grand a word, was to pound as hard and as fast as he could until her groans of boredom could be mistaken for cries of ecstasy, and so when the time came for him to collapse on her back in a sweaty, sticky heap (three minutes later), he could feel satisfied that she had also reached climax. This made her suspicious that Brian had never made a woman come, because otherwise he’d know.
‘That feel good, baby?’ he growled, rutting away, lightly slapping her bottom.
Do it properly! Simone wanted to scream. If you’re going to slap me, give it some welly! But as with everything with Brian, it was lame. Lame, lame, lame.
‘Let me get on top,’ she instructed. Her husband was close to spunking and she wouldn’t be in with a shot unless she took matters into her own hands. As she flipped his pale, bloated-from-too-many-lunches-at-Quaglino’s body between her thighs and clamped him into place, she thanked God for the mirror she’d had the foresight to install in the mansion’s master suite. At least this way she could get off on her own image, and no one could deny she looked incredible. At forty-eight, Simone Geddes was the ultimate English screen siren: cool, composed, with a chiselled sort of beauty that could freeze even the most experienced co-star into submission. She wore not an ounce of fat. Her ribcage was visible, delicate as a toothcomb beneath flawless white skin. Her breasts were high and small, the nipples tight. Her thighs were long and lean, smooth as the curves on a cherished motorcar. Her bush was honey-blonde and waxed into a neat landing strip. Her arms were slender and sinewy.
‘Baby, you are so sexy …’ Brian echoed her thoughts. She watched his hands reach up to knead her tits, quickly followed by the back of his head, then the feel of his wet, insistent tongue lapping her nipples as she mused on how much hair he had lost from that area. It was turning into a veritable monk’s patch!
‘I’m ready, hot stuff,’ he murmured—what were they living in, the 1970s? ‘Can you feel me deep inside you? D’you want this cock to make you come?’
Brian’s cock was mediocre. Simone would deal with it as one might a sticky gearbox, grinding it into position until finally she was cruising. She kept an eye on her own reflection as she hit orgasm, enjoying the pink flush that built and spread across her chest, and the way her breasts bounced and shook as she surrendered.
Brian shot his load a second later. He did this disagreeable wiggly thing with his hips, like he was stirring the contents of a mixing bowl with a big wooden spoon.
Efficiently, Simone dismounted. ‘Time to get ready,’ she ordered, stalking into the bathroom. Before entering, she called out, ‘Wear the Armani, would you? And the shirt. That shirt’s good. It’s slimming.’ She slammed the door.
Ugh. Doubts over her marriage were at an all-time high. At first, she had been seduced by the muscle of a big-shot director—not that she wasn’t a big shot herself, but Brian Chilcott was one of the hottest names in British film and together they were dynamite. Of course she had hoped the sex might get better, but then, when it didn’t, she’d given up. Brian did nothing for her, erotically. She didn’t even fancy him. Had she ever? Or had she just been in love with his plethora of awards and the allure of being half of the UK’s reigning power couple? No wonder she took other lovers. Men who knew where a woman’s clitoris was located—who knew women had one, for a start—and would happily spend an hour down there sending her to the brink, until the marital sheets were crumpled and soaked. Vera, the Spanish maid, asked no questions. The day Vera did, Simone would fire her so fast her head would spin.
Simone ran a scented bath and climbed in. The hot bubbles soothed her and she applied her cucumber facemask and closed her eyes. Brian’s latest movie was premiering tonight at Leicester Square and she had to look the part: they’d been married five years now and it was always around this time that the gossip columnists decided to speculate. A glowing joint appearance every couple of months normally did the trick. Just remember to smile! Simone told herself, attempting to practise underneath the mask, which had now set solid and cracked like cake icing.
She was beginning to relax when a caterwaul sounded from the bedroom.
‘But Daaaaad!’
Brian’s voice followed immediately: ‘I said no, darling.’
‘You are such a shit, Dad! All my friends are going. It’s only a fucking party—why do you have to be such a moron all the time?’
‘It’s only because I care—’
‘No, you fucking don’t. If you did, you’d fucking well let me go. It’s like I’m a fucking criminal—it’s like you’re keeping me fucking prisoner!’
‘Stop swearing.’
‘Like fuck I will.’
That was enough! Simone rose from the bath and wrapped herself in a towel. Damn Emily Chilcott! The thirteen-year-old was the bane of Simone’s life—she and her elder brother, the awful Lysander. Who would have stepchildren? Soon after Simone had moved in, Lysander and his friends had ‘done a waffle’ in the first-floor wet room, which involved defecating into the shower grill and, well, she couldn’t bear to think of the rest. Vera the maid had been forced to clear it up. Simone had been appalled, but all Brian did was to roll his eyes and chuckle, ‘Boys will be boys.’
Not on her watch, they wouldn’t. Emi
ly and Lysander were begging for a smack of discipline; if they were her own, they wouldn’t get away with a second of it.
But they’re not yours, are they?
And now you’re a dried-up old husk. Barren. Shrivelled. Sterile.
Simone swallowed hard. She put her hand on the bathroom doorknob and stopped, watching her hand, focusing on it, because when she thought of that time, of that secret, it stole her breath away and it was all she could do to keep standing.
It wasn’t like that. I had no choice.
Emily’s tirade shattered her thoughts. ‘I hate you!’
Simone tore open the door. ‘What the hell is this?’ she demanded.
‘Oh, perfect,’ sang Emily, who privately loved Simone getting involved because that meant she could access her favoured armoury: the ‘you’re-not-my-mother’ diatribe. ‘Now your little bitch on the side is coming to tell me off.’
‘Emily, no!’ objected Brian, who was sweating. ‘You mustn’t say that!’
‘Bloody well let me go to the party, Dad, or I’ll say a lot worse.’
For a pretty girl, Emily Chilcott made an ugly mess of herself. Her permanent scowl erased the loveliness of her blue eyes, and her filthy mouth better belonged on a black-toothed hooker than an heiress to London’s greatest film dynasty. She was attractive, but her attitude made her a grim proposition. The same went for Lysander. Since their mother had left Brian for a female German show jumper named Trudi (a well-publicised scandal ten years ago), it had all gone tits up: all four tits up, if you thought of it that way. Brian’s laissez-faire attitude was one big long apology, and the kids took every advantage of it. When would he grow a ball-sack, for heaven’s sake?