by Lee Goldberg, Scott Nicholson, J A Konrath, J Carson Black,
Keeping a journal calmed me. Several hours after dusk, when I’d finished reading and Orson had locked me in for the night, I would sit in bed and jot down the day’s events. I’d write for an hour, often longer, sometimes disgressing into thoughts of home and the lake. I’d compose elaborate descriptions of my property, summoning the smells and sounds of the lake in summer to this lonely desert. Without question, it became my favorite time of day, and I considered it a temporary oasis. It was all I could think about during the day — what I lived for. And often, by the time I’d put my pen and paper in the drawer and cut out the light, I could hear the lake lapping at the shore, its breeze stirring the trees.
With respect to time, I knew only that it was late May. Since I’d been drugged during my abduction, I couldn’t be sure which day I’d come to consciousness in the desert. Several days might have passed between that stormy night at the motel and my waking in the cabin. So I labeled my journal entries “Day 1,” “Day 2,” “Day 3,” et cetera, beginning with my first day of consciousness. I couldn’t understand what drove Orson to keep the date hidden from me. It seemed like an irrelevant, useless fact in my present situation, yet it bothered me not to know.
As for the location of the cabin, I didn’t have the first clue. It could’ve been anywhere west of the plains. I pencil-sketched views from the front porch and my barred bedroom window, including the mountain range to the north and east and the ridge of red bluffs in the west. I also sketched the local plant life: sagebrush, tumble-weed, greasewood, lupine, and several other desert flowers that I happened upon during early-evening walks.
Some nights after sunset, when just a blush of red lingered in the sky, I’d see herds of antelope and mule deer moving through the desert. Their silhouettes against the horizon pained me, for as they trudged slowly out of sight, I envied their freedom. I recorded these observations in the journal, too, along with sightings of jackrabbits and long-tailed kangaroo mice. Though I never saw one, barn owls screeched constantly through the night and turkey vultures frequented the sky in the heat of day. I hoped that through the observations I recorded, I could one day locate this desert again. But in truth, I had no way of knowing if I would ever be allowed to leave.
I lay awake in bed. Having finished my journal, it was late, and Orson had disabled the generator for the night, so the cabin was silent. Outside in the dark, only the wind disrupted the oblique stillness. I could feel it pushing through cracks between the logs. Always blowing.
A memory had been haunting me for the last hour.
Orson and I are eight years old, playing in the woods near our neighborhood in Winston-Salem, North Carolina, under a bleached August sky. Like many young boys, we’re fascinated with wildlife, and Orson catches a gray lizard scampering across a rotten log.
Thrilled with the find, I tell him to hold the lizard down, and with a devious smile, he does. I extract a magnifying glass from my pocket. The sun is bright, and in no time a blinding dot appears on the lizard’s scaly skin. The sunlight burns through, and Orson and I look at each other and laugh with delight, enthralled as the smoking lizard squirms to escape.
“It’s my turn!” he says finally. “You hold him.”
We spend the entire afternoon torturing the creature. When we’re finished, I throw it into the grass, but Orson insists on taking it with him.
“I own it now,” he says. “It’s mine.”
8
Day 6 (after midnight?)
Took another shower today. The thermometer read 95°F when I scrambled naked across the blistering ground to the well. I loathe that icy water. Feels just a few degrees above freezing, and it takes my breath as it spills over me. I washed as fast as I could, but by the time I’d rinsed all the soap from my body, I was shivering.
At sunset, I wanted to go for a walk on the desert, but Orson locked me in my room. From my bedroom window, I saw a brown Buick heading east on a slim dirt road that runs perfectly straight into the horizon. He’s been gone several hours now. It feels safer here without him.
The Scorcher is probably hitting the bookstores now, and I’m sure Cynthia has about nine ulcers. I don’t blame her. I’m supposed to start a twelve-city book tour any day now. Signings, radio programs, and television appearances will be canceled. This is going to dampen sales; this is breaking contract with my publisher…. But I can’t dwell on these things now. It’s out of my control and only makes me crazy.
I’m still reading like a madman. Poe, Plato, and McCarthy in the last two days. I still don’t understand what Orson wants so desperately for me to see. Hell, I’m not sure he even knows. He spends his days reading, too, and I wonder what he’s searching for in the thousands of pages, if he thinks there’s some character, some story or philosophy he’s yet to uncover that might explain or justify what he sees in the mirror. But I imagine he only finds morsels of comfort, like that cruelty bit from The Prince or the psychopathic Judge Holden in Blood Meridian.
I hear a car approaching in the distance. This is the first time he’s left me alone, and that worries me. Perhaps he just went for groceries. Good night.
I walked from the bed to the dresser and placed the pen and paper inside the middle drawer. It would be useless to try to hide my journal from Orson. Besides, he did display a sense of decorum when it came to my writing. At least I didn’t think he’d read my journal yet. He respected what he called intrinsic urges, which was writing in my case.
I crawled back into bed, reached over to the beside table, and smothered the kerosene lantern, which I’d been using the last few nights instead of the lamp. The slam of a car door echoed through the open window. I didn’t want to be awake when he came inside.
His voice whispered my name: “Andy. Andy. Andrew Thomas.” My eyes opened, but I saw nothing. The sotto voce whisper continued. “Hey there, buddy. Got a surprise for you. Well, for us actually.” The blinding beam of a flashlight illuminated Orson’s face — a smile between blood-besmirched cheeks. He turned on the lamp above the bed. My eyes ached.
“Let’s go. You’re burning moonlight.” He set the flashlight on the dresser and yanked the covers off me. Glancing out the window, I saw the moon high in the sky. Still exhausted, I didn’t feel like I’d been asleep long.
Orson tossed me a pair of jeans and a blue T-shirt from my duffel bag, which lay open in a corner. Impatient, almost manic, he resembled a child in an amusement park as he paced around the room in his navy one-piece mechanic’s suit and steel-tipped boots.
The waning moon spread a blue glow, bright as day, upon everything — the sagebrush, the bluffs, even Orson. My breath steamed in the cold night air. We walked toward the shed, and as we approached, I noticed the Buick parked outside, its back end facing us, the front pointed into the double doors. The license plate had been removed.
Something banged into those doors inside the shed, followed by a brief lamentation: “HELP ME!” When I stopped walking, Orson spun around.
“Tell me what we’re doing,” I said.
“You’re coming with me into that shed.”
“Who’s in there?”
“Andy…”
“No. Who’s in —” I stared down the two-and-one-eighth-inch stainless steel barrel of my .357 revolver.
“Lead the way,” he said.
At gunpoint, I walked along the side of the building. The shed was bigger than I’d originally thought, the sides forty feet long, the tin roof steeply slanted, presumably to protect it from caving under the crippling winter snows, if we were, in fact, that far north. We reached the back side of the shed, and Orson stopped me at the door. He withdrew a key from his pocket, and as he inserted it into the lock, glanced back at me and grinned.
“You like buttermilk, don’t you?” he asked.
“Yes,” I said, though I couldn’t fathom the possible relevance.
“Did you always like it?”
“No.”
“That’s right. You drank it ’cause Dad did, but you came to love i
t. Well, I think it tastes like shit, but you have an acquired taste for buttermilk. That’s sort of what’s gonna happen here. You’re gonna hate it at first. You’re gonna hate me more than you do now. But it’ll grow on you. You’ll acquire a taste for this, too, I promise.” He unlocked the door and put the key back into his pocket. “Not one word unless I tell you.” Smiling, he motioned for me to enter first. “ ‘Inhuman cruelty,’ “ he whispered as I opened the door and he followed me into the shed.
A woman lay blindfolded and handcuffed in the middle of the floor, a brown leather collar around her neck, a five-foot chain running from the collar to a metal pole. The pole rose from the concrete floor to the ceiling, where it was welded to a rafter. When Orson slammed the door, the woman clambered to her feet, wobbling awkwardly around the pole, attempting to gauge our location.
She must’ve been about forty-five, her blond hair losing a perm. Slightly overweight, she wore a red-and-gray bowling shirt, navy pants, and one white shoe. Her perfume filled the room, and blood ran down the side of her nose from a cut beneath the blindfold.
“Where are you? Why are you doing this?”
This isn’t happening. This is pretend. We’re playing a game. That is not a human being.
“Go sit, Andy,” Orson said, pointing to the front of the shed. I walked past tool-laden metal shelves and took a seat in a green lawn chair near the double doors. A white shoe rested against the doors, and I wondered why the woman had kicked it off. She looked in my direction, tears rambling down her cheeks. Orson came and stood beside me. He knelt down, inspecting the shiny tips of his boots. Suddenly, something clenched around my ankle.
“Sorry,” he said, “but I just don’t trust you yet.” He’d cuffed my ankle with a leg iron, bolted to the floor beneath the lawn chair.
As Orson walked toward the woman, he shoved my gun into a deep pocket in his mechanic’s suit.
“Why are you doing this to me?” she asked again. Orson reached out and wiped the tears from her face, moving with her as she backed away, winding the chain slowly around the pole.
“What’s your name?” he asked gently.
“Sh-Shirley,” she said.
“Shirley what?”
“Tanner.” Orson crossed the room and picked up two stools that had been set upside down on the floor. He arranged them beside each other, within range of the woman’s chain.
“Please,” he said, taking hold of her arm above the elbow, “have a seat.” When they were seated, facing each other, Orson stroked her face. Her entire body quaked, as though suffering from hypothermia. “Shirley, please calm down. I know you’re scared, but you have to stop crying.”
“I wanna go home,” she said, her voice shaky and childlike. “I want —”
“You can go home, Shirley,” Orson said. “I just want to talk to you. That’s all. Let me preface what we’re going to do by asking you a few questions. Do you know what preface means, Shirley?”
“Yes.”
“This is just a hunch, but when I look at you, I don’t see someone who spends much time in the books. Am I right?” She shrugged. “What’s the last thing you read?”
“Um…Heaven’s Kiss.”
“Is that a romance?” he asked, and she nodded. “Oh, I’m sorry, that doesn’t count. You see, romance novels are shit. You could probably write one. Go to college by chance?”
“No.”
“Finish high school?”
“Yes.”
“Whew. Scared me there for a minute, Shirley.”
“Take me back,” she begged. “I want my husband.”
“Stop whining,” he said, and tears trickled down her face again, but Orson let them go. “My brother’s here tonight,” he said, “and that’s a lucky coincidence for you. He’s gonna ask you five questions on anything — philosophy, history, literature, geography, whatever. You have to answer at least three correctly. Do that and I’ll take you back to the bowling alley. That’s why you’re blindfolded. Can’t see my face if I’m gonna let you go, now can you?” Timidly, she shook her head. Orson’s voice dropped to a whisper, and leaning in, he spoke into her ear just loudly enough for me to hear also: “But if you answer less than three questions correctly, I’m gonna cut your heart out.”
Shirley moaned. Clumsily dismounting the stool, she tried to run, but the chain jerked her to the floor.
“Get up!” Orson screamed, stepping down from his stool. “If you aren’t sitting on that stool in five seconds, I’ll consider it a forfeiture of the test.” Shirley stood up immediately, and Orson helped her back onto the stool. “Calm down, sweetheart,” he said, his voice recovering its sweetness. “Take a breath, answer the questions, and you’ll be back with your husband and — do you have kids?”
“Three,” she said, weeping.
“With your husband and your three beautiful children before morning.”
“I can’t do it,” she whined.
“Then you’ll experience an agonizing death. It’s all up to you, Shirley.”
The single bare lightbulb that illuminated the room flickered, throwing the shed into bursts of darkness. Orson sighed and stood up on his stool. He tightened the bulb, climbed down, and walked to my chair. Putting his hand on my shoulder, he said, “Fire away, Andy.”
“But…” I swallowed. “Please, Orson. Don’t do —”
Leaning down, he whispered into my ear so the woman couldn’t hear: “Ask the questions or I’ll do her in front of you. It won’t be pleasant. You might close your eyes, but you’ll hear her. The whole desert’ll hear her. But if she gets them right, I will let her go. I won’t rescind that promise. It’s all in her hands. That’s what makes this so much fun.”
I looked at the woman, still quivering on the stool, felt my brother’s hand gripping my shoulder. Orson was in control, so I asked the first question.
“Name three plays by William Shakespeare,” I said woodenly.
“That’s good,” Orson said. “That’s a fair question. Shirley?”
“Romeo and Juliet,” she blurted. “Um…Hamlet.”
“Excellent,” Orson mocked. “One more, please.”
She was silent for a moment and then exclaimed, “Othello! Othello!”
“Yes!” Orson clapped his hands. “One for one. Next question.”
“Who’s the president of the United States?”
Orson slapped the back of my head. “Too easy, so now I’m gonna ask one. Shirley, which philosopher’s theory is encapsulated in this quote: ‘Act only on that maxim through which you can at the same time will that it should become a universal law’?”
“I don’t know! How the hell should I know that?”
“If you knew anything about philosophy, you’d know it was Kant. One for two. Andy?” Hesitating, I glanced up at Orson. “Ask the question, Andy!”
I deliberated. “On what hill was Jesus Christ crucified?” I looked up at Orson, and he nodded approvingly.
“Golgotha,” she said weakly.
“Two for three,” Orson said, but he didn’t sound as happy this time.
“Fourth question. When —”
“I’ve got one,” said Orson, interrupting. “You can ask the last one, Andy. Shirley, on what continent is the country of Gabon?”
She answered quickly, as if she knew. “Europe.”
“Oh, no, I’m sorry. Africa. Western coast.”
“Don’t do this anymore,” she begged. “I’ll give you money. I have credit cards. I have —”
“Shut up,” Orson said. “Play fair. I am.” His face reddening, he gritted his teeth. When it passed, he said, “It all comes down to this. Andy, hope you’ve got a good one, ’cause if it isn’t, I have a perfect question in mind.”
“The subject is history,” I said. “In what year did we sign the Declaration of Independence?” Closing my eyes, I prayed Orson would let the question fly.
“Shirley?” he said after ten seconds. “I’m gonna have to ask for your answer.”
When I opened my eyes, my stomach turned. Tears had begun to glide down her cheeks. “1896?” she asked. “Oh God, 1896?”
“EEEEEHHHHH! I’m sorry, that is incorrect. The year was 1776.” She collapsed onto the concrete. “Two for five doesn’t cut it,” he said, walking across the floor to Shirley. He bent down and untied the blindfold. Wadding it up, he threw it at me. Shirley refused to look up.
“That’s a shame, Shirley,” he said, circling her as she remained balled up on the floor. “That last one was a gimme. I didn’t want my brother to have to see what I’m gonna do to you.”
“I’m sorry,” she cried, trying to catch her breath as she lifted her bruised face from the floor. Her eyes met Orson’s for the first time, and it struck me that they were exceptionally kind. “Don’t hurt me, sir.”
“You are sorry,” he said. He walked to a row of three long metal shelves stacked piggyback against the wall beside the back door. From the middle shelf he took a leather sheath and a gray sharpening stone. Then he strolled back across the room and pulled his stool against the wall, out of my reach and Shirley’s. Sitting down, he unsheathed the knife and winked at me. “Shirley,” he coaxed. “Look here, honey. I want to ask you something.” Again, she lifted her head to Orson, taking long, asthmatic breaths.
“Do you appreciate fine craftsmanship?” he asked. “Let me tell you about this knife.”
She disintegrated into hysteria, but Orson paid her sobs and pleadings no attention. For the moment, he’d forgotten me, alone with his victim.
“I acquired this tool from a custom knife maker in Montana. His work is incredible.” Orson slid the blade methodically up and down the sharpening stone. “It’s a five-and-a-half-inch blade, carbon steel, three millimeters thick. Had a helluva time trying to explain to this knife maker the uses to which I’d be putting this thing. ’Cause, you know, you’ve got to tell them exactly what you need it for, so they’ll fashion the appropriate blade. Finally, I ended up saying to the guy, ‘Look, I’ll be cleaning a lot of big game.’ And I think that’s accurate. I mean, I’m gonna clean you, Shirley. Wouldn’t you consider yourself big game?”