by Tom Weaver
'This is it?'
'Yeah, this is it,' Healy replied, and started moving up the stairwell to the top floor. He looked left and right, and then knocked four times on the door. Paused. Then knocked again. 'Just follow my lead,' he whispered. 'And don't act surprised.'
I frowned at him.
'Just don't act surprised,' he repeated.
A knock on the door, from the inside.
Healy leaned in further, as if he'd been expecting it.
'Charlie, Hotel, Alpha, November, Charlie, Echo. Case number 827-499.'
There was no reply. Healy looked at his watch and back at me, nodding as if this was how things were supposed to go.
'Winter.'
A female voice. So quiet, for a second I wasn't sure if it had come from another house. Healy leaned in again. 'Wintergreen,' he said.
'Spring,' the voice said again.
'Springboard,' Healy replied.
Then everything went quiet again. As we waited, I realized I could hear a TV beyond the door, muffled but audible. Two people were arguing. Healy turned to me, then back to the door. The code confirmed he was part of the task force, even if he wasn't. The responses to her would have been words only known by those intimate to the investigation: the trusted members of the task force Healy had described.
'What do you want?'
Her voice. A little louder now, but still small.
'My name is Detective Sergeant Colm Healy,' he said, adding a softness to his voice that I hadn't heard before. 'I'm part of Operation Gaslight. We haven't met before but I was hoping I might be able to speak to you for a few minutes. We've had some further developments in the case and I'd like to run a couple of things past you.'
I thought I heard something: paper being leafed through.
'You're not one of the names on my list.'
'I know.' He looked at me. There was an expression in his face that suggested this wasn't going according to plan. 'If you come to the window, I will hold up my ID.'
More pages being turned. Then the sound of footsteps. Healy backed away and stepped towards the window, which was adjacent to the door. He held up his warrant card at the glass. The curtain twitched and opened. In the V-shaped gap, we could see a woman, mostly just silhouette, arms on the curtains either side of her. Her eyes moved from the warrant card to Healy, and then to me. The curtain fell back into place. More footsteps.
'Who's he?'
'His name's David Raker. He's a missing persons investigator. He's been trying to trace the whereabouts of Megan Carver.'
'He's not on the list either.'
'Megan Carver was taken by the same man who took you.'
More silence. Even to my ears, even knowing that Healy was basically telling the truth, it sounded suspicious. Two men, neither of whom was on the list of contacts she'd been given by the task force, turning up on her doorstep at ten o'clock at night. Only one with ID. One not even employed by the Met. If she'd refused to let us in, it wouldn't have been a surprise. Instead there was a noise, like a lock sliding across, and the door opened a fraction on a chain.
In the gap, we could see blonde hair and a sliver of face. An eye. Part of the nose. Some of the cheek. Her eye darted between us and then out into the courtyard.
'Can I see your ID again, please?' she said.
Healy nodded. 'Of course.'
He took out a small black wallet and removed his warrant card, handing it to her through the gap in the door. She took it, disappeared for a moment as she checked it, then gave it back to him. She looked at me. 'And you?'
I got out my wallet, slid out my driver's licence and a business card, and handed it to her. She studied it, then disappeared out of sight. Somewhere in the background I could hear a gentle tap tap. About a minute later, she reappeared. Eye flicking between the licence and me. Then, finally, she handed it back and pushed the door closed. The sound of the chain being removed. Healy looked at me once again, this time not saying anything, the same message as earlier etched on his face: Don't act surprised.
The door opened.
Framed by the doorway, Sona looked between us. She'd been beautiful. Blonde hair. Blue eyes. A sculpted face that swept through a thin nose and high cheekbones. She was dressed in tracksuit trousers and a vest, her arms exposed. Even as forty approached, she was still slender, the skin on her arms a pale pink, her fingers long and graceful, as unblemished and smooth as a twenty-year- olds. In her file, I remembered reading she was once a catalogue model. It was easy to imagine.
Except, now, imagine was all you could do.
Glass had been halfway through surgery when she'd woken up. Pale blotches covered much of her face, like dye spreading beneath her skin. Both cheeks were entirely bleached. Even whiter lines had formed in the creases in her forehead and in the gentle cleft of her chin, as if something had run across her face and collected there. And it had spread to her neck too, along the ridges of her throat. A scar followed her hairline on the right side of her face, and a second one in the same position on her left. There was bruising too, where the blotches hadn't formed: at the bridge of her nose it was almost black, like the advanced stages of frostbite; and under both eyes purple-blue smears moved down into her cheeks. Her eyes fell on me, chips of blue stone, narrowing slightly as if waiting for me to react to the sight of her. I nodded once, smiled, but didn't break my gaze. She stepped back from the door, glanced at Healy and invited us both in.
Immediately inside was a thin hallway that opened out into a living room, three other rooms leading from it. The first was the kitchen. Plates were piled in the sink, one on top of the other. The next was a bedroom with only a bed and a stand-alone wardrobe. The last was the bathroom. The extractor fan was still on as we came in, condensation on the mirrors and her towel lying in the middle of the floor.
The living room was sparse: two sofas, both of which looked about five years past their sell-by date, and a television on a cardboard box, leads snaking off to a Sky decoder on the floor behind it. There was a small coffee table in the corner. Books were stacked up on it, in two piles: ones that looked as if they'd been read, and ones that looked new. A magazine lay on the floor between one of the sofas and the TV, a crossword puzzle half filled in. There was a laptop as well. It's where the tap tap had come from. On the screen I could see she'd done a Google search for my name. The first hit had taken her to the BBC website, where a news report recounted what had happened on my case before Christmas. There was a photo of me leaving a police station, flanked by Liz.
She dropped back on to one of the sofas. Next to her was a remote control. She picked it up and turned off the TV.
We both sat.
'How are you feeling?' Healy asked, smiling again. It was weird seeing him like this. Smiling didn't seem to come easily to him, but he was a convincing Mr Nice Guy.
'Okay,' she said quietly.
She looked between us, waiting for us to react to her face. When no reaction came, she nodded at a sheet of paper on top of the TV. It was the list of names she'd been referring to. From where I was sitting, it looked like there were only about six. At the top were the words Operation Gaslight. At the bottom, in the same handwriting: These people ONLY.
'Why aren't you on the list?' she said to Healy.
Healy looked at me, and then back at Sona. He sat forward. 'Okay, truth time. I'm on the task force, but I'm on the outside. Not as far in as I'd like to be.'
A flash of fear in her face.
'It's all right,' he said, holding up a hand. He paused, glanced at me. Another pause, as if unsure whether to commit himself. 'Nine months ago, my daughter was taken — just like you.'
Her expression changed; the embers of the fear fading, replaced by a flicker of surprise. She looked between us but didn't say anything.
'I know the man who took you, took her. I knew it as soon as we got to you. I knew it was the same prick…' He stopped. 'Sorry.'
Sona just nodded.
'Anyway, a week ago, David was appro
ached by the family of Megan Carver to look into her disappearance. When that happened - when I found out some of the things he'd discovered — I realized it was time to do something. It was time to find this guy. Because no one else cared about finding my girl. They think she ran away from home because…' He paused again, took a sideways glance at me. 'Because we weren't getting on so well as a family.'
I turned to Healy as he was talking, surprised he was being so honest. Maybe he figured Sona had been lied to enough. Everything Markham had fed her. Everything Phillips and Hart were making her believe. Or maybe he saw it as the best way to get her to talk. Problem was, Sona wasn't an ordinary victim, and Healy wasn't an ordinary detective. He was personally invested in her answers, and he needed her much more than she needed him. She was quiet and introspective, driven into her shell by the man who had taken her, and bringing her back out again could take weeks. We had hours.
'So,' he said, picking up the conversation again, 'in order to find him, in order to stop this, I was wondering whether we could go over some of what happened to you.'
He got the reaction I expected: nothing. She looked away, over to the laptop, where the picture of Liz and me still showed.
Healy leaned forward, trying to soften his face. 'Sona?'
'I can't remember,' she said.
He glanced at me. 'Okay.' He readjusted himself, preparing to come at it again. 'Maybe we could start with the man who took you. Daniel Markham. I think you used to call him Mark?'
She flinched a little. But didn't reply.
'Could you tell me about him, do you think?'
Nothing.
'Sona?'
'I can't remember,' she said.
Healy leaned further forward, but this was going nowhere. The secret was to find the chip in her shield that you could slowly open up in order for everything to pour out. Firing a succession of questions at her, or rephrasing the same one, wasn't going to work.
'So, do you remember anything about the day you were taken?' he asked.
She was looking off into space.
'Any detail, however small?'
She shook her head.
'Even if you think it's unimportant?'
Another prolonged silence. Healy paused. Moved in his seat. I could sense he was getting frustrated, but only because we were really short on time. He'd done thousands of interviews. He could pace himself, or he could go in hard and fast, but normally he didn't have to keep an eye on the minute hand. The danger here was that the harder he tried to dig in, the less he'd get out of her, and the more the frustration would build. He shuffled right to the edge of the sofa.
'Sona, we just need to stop this guy.'
She looked down into her lap. We both watched her for a moment, but when she didn't make a move to engage us, Healy glanced at me. I shook my head. Don't say anything else. He gave me the look, the one that told me I was overstepping whatever mark he'd made for me in his head. But he was too close to what was happening — he was relying too heavily on her answers — to see why she'd gone back into her shell. In another place, on another case, he may have seen it clearly. But not now.
'You don't have to feel alone,' I said.
She looked up at me. I didn't take my eyes off her, and she didn't take hers off mine. This was the chip in her shield.
'It won't always be like this,' I continued. You feel betrayed, I understand that. You feel abandoned, and not just by Daniel Markham — by the police as well. You've been left here, and you've been forgotten about, and all anyone ever seems to want from you are answers.'
Her eyes flicked to Healy, and then back to me. She leaned forward, crossing her arms, almost hugging herself.
'Meanwhile, you can't go to sleep at night without fearing that he's going to come back for you. Because that's what the police have told you.'
Finally I moved closer to her, right to the edge of my seat so that our knees were only inches apart. She glanced down and then back up to me.
'But, Sona, let me tell you something: he doesn’t know where you are. He isn't coming back for you. And you're completely and absolutely not alone.'
I moved away from her. She looked at Healy, and then back to me, but didn't speak. I eyed Healy, telling him not to jump in.
'How do you know he's not coming for me?'
Her voice seemed small after the quiet of what had preceded it. Healy leaned forward again. 'Sorry, I didn't catch that,' he said.
But she was looking at me.
'How do you know he's not coming for me?'
'He doesn’t know where you are,' I replied. 'And he's not about to find out.'
She hesitated for a moment, as if the thought of going back would be too painful. Her fingers moved together, sliding around her knee and pulling it into her. An action of protection; subconsciously forming a barrier between us. She glanced off for a second, into the space of the living room. Then her eyes came back to us.
'Okay,' she said quietly. 'I guess we should start with Mark.'
Chapter Sixty
Gradually — very gradually — Sona began to tell us about how she met Markham. She was a receptionist at St John's Hospital, where Markham had worked, and he'd gone up and started talking to her. He told her he hated the name Daniel, and that most people at the hospital just called him Mark. He wouldn't have been trying to conceal his identity - everybody at the youth club already knew his real name - so it was likely that when he told Sona about his name he was, for once, telling her the truth.
He'd probably never looked at her twice before then, even though they'd worked in the same place — but then Glass had discovered her somehow, perhaps after following Markham's movements in and around the hospital, and he'd told Markham to move in on her. Blonde hair, blue eyes. She fitted his twisted fantasy perfectly.
Sona revealed how Markham had been nervous and shy to start with, almost as if he was inexperienced with women. But, in truth, he wasn't shy - he was just being eaten up by the idea of leading another woman into the hands of a psychopath.
'Do you remember the day he attacked you?' Healy asked.
She frowned, looking off, running her hand through her hair.
'Not much of it,' she said quietly. 'He took me for a picnic because it was my birthday. I think maybe he drugged me or something. I started feeling a bit off when we got there. Like a headache; a pressure between my eyes.'
You don't remember where you went?'
Sona shrugged. 'He blindfolded me. But I didn't feel scared. I know it sounds odd him blindfolding me, but it wasn't like that. Or, at least, it never felt like that. He said he wanted to take me somewhere as a surprise for my birthday. I trusted him completely. We'd been seeing each other for almost six months.'
Almost six months. That meant Glass had moved Markham on to Sona only days after Megan had been taken.
'What about after the blindfold came off?' Healy asked.
She shook her head. 'No. I mean, I remember snatches of stuff: he laid a blanket out for us, and had brought a picnic basket. And I remember…' She paused. A flicker. 'After he attacked me… I remember looking up at him, and I remember what he said.'
'What did he say?'
'He said, "I can't do this any more."'
We both nodded, but didn't say anything.
'The next thing I knew, I was waking up in a hole in the ground.'
Sona paused, her eyes fixed off to our right, trying to pull memories out of the darkness. She'd been found three weeks after she'd been taken, and while forensics took urine samples, seventy-two hours was normally the ceiling for IDing anything suspicious. Because of that, the police only speculated on what caused the amnesia. It could have been flunitrazepam, better known as Rohypnol. It would explain the headache and the periods of amnesia. Or it could have been something else. Glass was a surgeon, after all; he would know which drug did what, and how it would protect his plans.
'Going back to the picnic for a second,' Healy said. 'Do you remember anything about your surr
oundings? It doesn’t matter if it seems small or unimportant.'
'Most of it… most of it's just a blank.'
'You mentioned a blanket,' I said. 'Were there a lot of trees?'
She looked at me. 'I'm not sure.'
'We think he took you to a place called Hark's Hill Woods. Does that name ring any bells with you? Did Markham ever mention it?'
Silence. Eyes narrowing. Trying to remember.
Finally, she shook her head. 'I'm sorry.'
'It's okay,' I said, holding up a hand. I stopped for a second, to give her time to resettle. 'In your statement, one of the things you did mention was hearing things.'
'Yes. Visually, I've got this black wall I can't see past.' She paused. Touched a finger to her face. 'But I can remember hearing something.'
'What do you think it was?'
She stopped for a moment.
I leaned forward. 'Sona?'
She looked up at me. 'Nothing I can make any sense out of.'
I looked at Healy and shook my head. We'll come back to that. The worst thing we could do was try to force her to remember something. If you tried to force an answer, it either drove them further away or it pressurized them into making something up.
'Can I ask you about him?' I said.
'Mark?'
'No. The man who kept you prisoner.'
She nodded and shifted a little in her seat. I could smell her perfume briefly, and in the bathroom the extractor fan had finally stopped. Complete silence now.
'Did you get a look at him?'
'Never in daylight, but I saw him a couple of times looking down at me from the edge of that hole.'
'What did he look like?'
'Dark hair, dark eyes, kind of… ugly, I guess. He had this big forehead, and this horrible smile that looked like it could never… I don't know, form properly.'
Healy and I glanced at each other. The Milton Sykes mask.
'Did he speak to you at all?'
Yes. But always through this microphone thing. There was always static when he spoke. Feedback. He had a series of speakers hooked up inside the place he kept me, and his voice would always come through those. It was…' She paused. 'It was frightening. Why do you think he did that'