Good Booty
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808s & Heartbreak (West), 331
Eis, Alice, 52
Electric Lady Studios, 180–181
Elektra Records, 224–225
Elite No. 1 (club), 52
Ellington, Duke, 26–27, 33–34, 54–55, 122
Ellis, Bret Easton, 263
Ellis, Havelock, 47
Ellison, Ralph, 172, 179
ELO, 286
Elvis and Me (Presley), 146–147
“E-mail My Heart” (Spears), 303
Eminem, 335
Emmy and the Emmys, 268
“End, The” (Doors), 194–195
“entrainment,” xxiv–xxv
Eph and Dinah, 60
Erenberg, Lewis, 60
Eros and Civilization (Marcuse), 176–177
Erotica (Madonna), 272, 273
Erotic City (Sides), 167
eroticism in music. see also AIDS backlash and music industry (1977–1997); American Heartland (1950–1960); cyberspace; gender roles of 1970s; gospel; LGBTQ; New Orleans (1800–1900); New York (1900–1929); sexual revolution
acknowledging the erotic in music, xxiv–xxvi
apache dances and violent depiction of, 55–59, 63
cybersex phenomenon, 306 (see also cyberspace)
early blues and, 66–74
early partner dancing popularity, 59–62
as entertainment subject of early twentieth century, 39–42, 62–66
Hendrix’s male fans, 176–177
Jong on, 269–270
orgasm, 208–211, 229–238, 229–238. 208–211
overview, xv–xxiv
plaçage, 11
shimmy and hootchie-kootchie, 43–47
shimmy and race “mixing,” 47–55
strip-club culture, 328–332
Victorian era and “domino theory of sex,” 41
“Erotic South,” 6
Escalanti, Janice, 143–144
Etchingham, Kathy, 174
Etheridge, Melissa, 254, 296
Europe, James Reese, 46
Evans, Freddi Williams, 30
Evans, John, 98
Everly Brothers (Phil and Don Everly), 150–152
“Everybody’s Talkin’” (Nilsson), 237
Everything You Always Wanted to Know About Sex But Were Afraid to Ask (Reuben), 233
Exile in Guyville (Phair), 296
Experience, 175, 178
F
Fabian, 143, 146, 150
Factory (New York art studio), 200
Fairfield Four, 92
Falsettos (play), 254
Falwell, Jerry, 270, 296
Fame Monster, The (Lady Gaga), 319
Famous Blue Jay Singers, 94–95
Fanning, Shawn, 333
Fanny, 229
fans
groupies and, 202–206, 211–216
of Holly, 132
Internet inception and, 315–316
of Little Richard, 130
of Madonna, 266–267
Morrison’s behavior toward, 193
of Presley, 141–142
of Prince, 276
rape of, 143–144
“Sister Flute,” 98–99
social media use and, 321–326
as “teenage queens” of rock and roll, 135–148
Web chats and, 304
Farber, Jim, 223, 226
Farner, Mark, 231
Fast, Susan, 208–209
Federline, Kevin, 310
female performers. see also gender roles of 1970s; individual names of performers and artists
early gospel ensembles with men and women, 88
female gospel quartets, 100
funk artists, 227–228
girl groups of 1960s, 121, 154, 157–162
gospel “mothers” and “queens,” 85–93
hip-hop and, 288
punk rock, 257–258, 261–262
rap performers, 290–292
feminism
Beatlemania and, 136–137
feminist rock of 1990s, 295–297
on hard rock, 204
hooks on Knowles’s work, 324–325
Joplin and, 182, 186
Madonna and, 266
movement of 1970s, 222, 229–230
Fensterstock, Alison, 330
file sharing, 326–327, 333–334
Finn, William, 254
First Rock and Roll Record, The, 114
“First Time Ever I Saw Your Face, The” (Flack), 234
Fitzgerald, Ella, 122
Five Blind Boys of Alabama, 99
Five Blind Boys of Mississippi, 98, 105
Flack, Roberta, 234
Flying Clouds, 98
“Flying Saucers Rock ’n’ Roll” (Riley), 124
Flynn, Christopher, 268
Ford, Walter H., 39–41
“Formation” (Knowles), 36–37
Forte, Fabian, 143, 146, 150
45 RPM singles, advent of, 124, 136
Fosse, Bob, 313
Foster, Pops, 15
Foster, R. C., 96
Fowley, Kim, 212
Fox, Jackie, 212
Francis, Frankie, 40
Frankie Goes to Hollywood, 253
Franklin, Aretha, 168, 185, 267
Frazier, Al, 118
Freakout (magazine), 192
Freed, Alan “Moondog,” 122–123
“Freedom!” (Knowles), 349
free-love music, 162–169
French Quarter, The (Asbury), 33
Frere-Jones, Sasha, 329
Freud, Sigmund, xvi
Friedman, Myra, 183
Friedwald, Will, 70
Frka, Christine, 217–218
Froelich, Bianca, 49
Frye, Theodore, 82, 84
“Fuck and Run” (Phair), 296
Fugs, 170
Fulbright, Thomas, 77
funk, Labelle and, 227–228
Funkadelic, 227–229
Funny Girl (film), 64
Furnier, Vincent. see Cooper, Alice
G
Gaines, Donna, 208
Gainsbourgh, Serge, 241
Gallery (California disco), 240
Gamson, Joshua, 226–227
gangs
hip-hop and, 283
vocal groups of 1950s and, 121
gangsta rap, 292
Ganz, Caryn, 308
Garcia, Jerry, 165–168
Garland, Judy, 66
Garner, Eric, 344, 349
Gasser, Urs, 316, 332–333
Gates, David, 233–234
Gathering of the Tribes for a Human Be-In, 155, 167
gay community. see LGBTQ
Gaye, Marvin, 160, 162, 337–341
Gay Men’s Health Crisis, 245, 248–250
Gaynor, Gloria, 241
“Gee” (Crows), 113–115, 119
gender issues. see crime and violence; female performers; feminism; gender roles of 1970s; LGBTQ; male performers; pornography
gender roles of 1970s, 199–244
androgyny chic, 216–229
Bowie and, 199–201
disco and, 238–244
groupie “system,” 211–216
hard-core pornography and erotic noises in music, 206–211
Mom’s Apple Pie, 199, 213
soft-core pornography, 201–202
soft rock and, 229–238
underage groupies and male rockers, 202–206
George, Nelson, 236, 285, 290
Germanotta, Stefani. see Lady Gaga
“Get Away Jordan” (Coates), 91, 93
“Get Away Jordan” (Statesmen), 106
G.G. Barnum’s (disco), 241
Gilbert, Henry F., 33
Gillis, Jamie, 206
Gleason, Ralph J., 194
gling, 314
Globe (ballroom), 31
Goffin, Gerry, 157–158, 234
Goffin, Louise, 157
“Goin’ Back to Cali” (LL Cool J), 284
Golden Gate Park, free-l
ove music and, 167–169
Golden Gate Quartet, 94, 97, 98–99
Goldfrapp, 310
Goldman, Albert, 171–173
Goldstein, Al, 225
Goldstein, Richard, 185, 189, 191
“good booty,” Little Richard on, xxiv
Goodwin, Andrew, 273
Gordon, Kim, 280–281, 284
Gordony, Lena Trent, 69–70
Gordy, Berry, 159–162
Gore, Tipper, 274
gospel, 75–109
black and white Southern gospel, 104–109
call-and-response singing, xvi, 313
Dorsey and, 77–85
female quartets, 100
Golden Age of, 81–85
“gospel impulse,” 88
gospel “mothers” and “queens,” 85–93
“hard” singing, 98
male quartets, 93–100
in Memphis, 100–103
naming of, 80
preachers’ influence in, 80–81
“pumping” technique, 99–100
Spirit of Memphis (quartet), 75, 95, 97, 100–102, 104
spirituality in music, overview, 75–76
Gospel Harmonettes, 90–91
Gospel Pearls (songbook), 78
“Got to Give It Up” (Gaye), 337–341
Gottwald, Lukasz, 347
Goude, Jean-Paul, 246, 247
Graham, Bill, 172
Grand Funk Railroad, 212, 231
Grandissimes, The (Cable), 14, 32–35
Grateful Dead, 163, 165–168
Gray, Gilda, 39, 51–52, 54
Great Depression, “teenage” phenomena and, 113
Greater Chesapeake area, Virginia jig in, 12
Great Migration, xxiii–xxiv, 72, 96–97
Great Ziegfeld, The (film), 45
Green, Al, 98
Green, Sharony, 11
Green, Vernon, 121
Gribin, Anthony, 120
Griffith, Nancy, 139
Grindr, 325, 336
groupies, 202–206, 211–216, 261
grunge, 283, 293–295, 297–298
GTOs, 217–218
Guerrero, Lourdes “Lulu,” 159
Guitar Slim, 25–26
H
Haag, Romy, 224
Haight-Ashbury, 170–171
Hajdu, David, 174
Halford, Rob, 223
Hall, Adelaide, 27
Haraway, Donna, 301
hard-core pornography, music of 1970s and, 206–211
hardcore punk, 285–288
Hardin, Tim, 231
“hard” singing, 98
Harris, Michael, 79–80
Harris, Rebert H., 95–96, 98
Harris, Wynonie, 112
Harrison, Douglas, 109
Harrison, Ruth, 20–21
Harry, Debbie, 261, 264, 268
Harvey Danger, 294
Harvey, PJ, 296
Havens, Richie, 174
Hawkins, Screamin’ Jay, 147
Hawthorne, Susie, 60
Hayes, Isaac, 236
Hayes, William, 256
Hearn, Lafcadio, 29
Heckscher, Jurretta Jordan, 12
Hefner, Hugh, 156, 190–191
Hegamin, Lucille, 71
Heilbut, Anthony, 89, 92
Hell, Richard, 259
“Help Me Make It Through the Night” (Kristofferson), 231
Hemmenway, James, 2
Hemphill, Essex, 251
Hendrix, Jimi
biographical information, 172–173, 179
as candio, 26
characterization of, 171–177, 188, 191
death of, 180–181
free-love music and, 166, 168
with Joplin, Morrison at the Scene (New York), 169
mental health and alcoholism of, 179, 185–186, 189, 194
notoriety of, 169–172
police incidents and, 195–196
racial identity issues, 172, 174, 177–180, 186
Hendryx, Nona, 227–228
Hensley, Ken, 214
Herne, James, 47
Hersch, Charles, 15
Hersch, Fred, 254
Hesitation (waltz), 50
Hess, Jake, 107
Hickman, Art, 62
“High School Confidential” (Lewis), 146
Highway 61 Revisited (Dylan), 219
Hildebrand, Andy, 329
Hill, Lauryn, 292
Hilburn, Robert, 271
Hines, James Earle, 118
Hi-NRG (electronic music), 254–255
Hinson, Glenn, 86, 99
Hinton, Joe, 99
hip-hop
business of sex associated with, 328–329
gangsta rap and, 292
gay men and, 288–291
rise of, 280–285, 293
women’s roles and, 288
hippies, free-love music and, 167–169
Hodge, Alex, 118
Hodge, Gaynel, 118, 119
“Hold Me” (Hickman), 62
Hole, 297–298
Holiday, Billie, 66, 112, 346
Holland-Dozier-Holland (songwriting team), 160
Holly, Charles Hardin “Buddy,” 127–128, 130–135, 147
Hollywood Flames, 118
hooks, bell, 324–325
hootchie-kootchie, xxi–xxii, 43–47
Hopkins, Jerry, 194
Hopper, Jessica, 347
“Horse Latitudes” (Doors), 190
Hot Band, 227
“Hot Muff” (Nig-Heist), 285
House, Son, 81
Houston, Penelope, 261
Houston, Whitney, 267, 308
How to Be a Successful Teenager (Kirkendall), 131
Hudman, Clara, 86
Hudson, Rock, 253
Hugg, Dick “Huggy Boy,” 114–115, 119
Hughes, Herbert, 69
Hughes, Walter, 256
Hullabaloo (magazine), 187
Human Be-In (San Francisco; 1967), 155, 167
Hunter, Alberta, 53
Huynh, Lisa, 339
HWY (short film), 194
Hyatt House (“Riot House”), 203–204, 208
Hynde, Chrissie, 268
Hyser, Elizabeth, 7
I
“I Am a Child” (Springfield), 262
I Am . . . Sasha Fierce (Knowles), 313
“I Am Thinking of a City” (hymn), 83
“I Do, Don’t You?” (hymn), 78
“I Don’t Live Today” (Hendrix), 179
“I Feel Love” (Summer), xxii
“I Feel the Earth Move” (King), 234
“If I Was Your Girlfriend” (Prince), 275
“I Got a Woman” (Charles), 101
“I Kissed a Girl” (Perry), 336
“I’m a Little Blackbird Looking for a Bluebird” (Mills), 68
“I’m a Slave 4 U” (Spears), 306–307
“I’m Craving for That Kind of Love” (Blake), 67
“I’m Eighteen” (Alice Cooper), 221
“I’m ’n Luv (wit a Stripper)” (T-Pain), 329
I’m with the Band (Des Barres), 204–205
Incesticide (Nirvana), 294
indie rock, 280–289, 293
Indigo Girls, 296
“I Need a Man” (Jones), 246
infinity cove technique, 313
In the Zone (Spears), 307–308
“Is It My Body” (Alice Cooper), 222
Isley Brothers, 236
“It’s Tight Like That” (Dorsey), 77, 79, 81
“It Was Tight Like That” (sermon), 81
“I’ve Got What It Takes, But It Breaks My Heart to Give It Away” (Mills), 74
“I Want a Love I Can See” (Temptations), 160
“I Want to Shimmie” (Brooks, Clarke), 49–50
“I Will Survive” (Gaynor), 241
J
“jack leg preachers,” 80
Jackson, Janet, xix, 279, 307
Jackson, Mahalia, 84, 85, 88–89, 10
2
Jackson, Michael, 277–279, 307
Jackson, Wanda, 136
Jagger, Mick, 166, 168, 214
Jahn, Mike, 222
“J’ai Deux Amours” (Baker), 26
Jam, Jimmy, 307
James, Etta, 92–93, 117, 136
James, Sylvester (Sylvester; Dooni), 218–219, 226–227, 242–243, 252
Jay Z, 283, 312, 319–323, 328, 343
Jazz Age, dance instructors of, 59. see also New York (1900-1929); shimmy
Jazz & Pop (magazine), 189–190
J. Dash, 36
Jensen, Deborah, 23
“Je T’aime . . . Moi Non Plus” (Birkin, Gainsbourg), 241
Jeter, Claude, 98, 99
J. Geils Band, 213
Jigsaw (Vail), 295
Jive Records, 303
J&M Studios, 35, 128–129
Jobriath, 224–225
Johansen, David, 205, 222–223, 224
John, Elton, 230, 253
Johns, Sammy, 237
Johnson, Bill, 98–99
Johnson, Blind Willie, 81
Johnson, Francis, 2
Johnson, James Weldon, 69
Johnson, Virginia, 156
Johnston, Maura, 339
“John the Revelator” (Johnson), 81
Jolson, Al, 65–66
Jones, Grace, 246–248, 251–252
Jones, Isabel Morse, 112
Jones, Mike, 329
Jong, Erica, 269–270
Jonkonnu (festival), 15
Joplin, Janis
biographical information, 184–185
Cavett’s interview of, 189
characterization of, 181–187, 188
death of, 187
free-love music and, 168
gospel influence on, 90
with Hendrix, Morrison at the Scene (New York), 169
Madonna compared to, 267
“Me and Bobby McGee,” 231
notoriety of, 169–172
Plant influenced by, 209–210
sexual identity of, 181–182, 191–192
Jordanaires, 108, 109
Joy of Sex, The (Comfort), 232–233
J-setting style, 313
jubilee groups, 97
“Just My Imagination” (Temptations), 329–330
K
Kael, Pauline, 277
Kaiman, Kim, 303
Kein, Sybil, 17, 23
Keith, Linda, 174, 178
Kelly, R., 148
Kemble, Edward Windsor, 1, 28–29
Kendall, Dave, 291
Kendricks, Eddie, 241, 329–330
Kesey, Ken, 165
Keyes, Johnny, 117
Keynes, John Maynard, xvi
King, B.B., 102
King, Carole, 157–158, 234
King, Martin Luther, Jr., xviii–xix, 90, 160, 168
King, Mickey, 239
Kings of Harmony, 95
Kinks, 219, 222
Kirkendall, Lester A., 131
“Kiss” (Prince), 276
“Kiss Letter” (Wicker), 141–142
Klein, Melanie, 194
Klosterman, Chuck, 309
Knowles, Beyoncé
Beyoncé and social media use, 321–326
biographical information, 318–319
early career of, 312
“Formation,” 36–37
Lemonade, 17–18, 343–344, 346, 349