It will be remembered that she had spoken in similar terms of my influence over Andrée. Had either of them a real feeling for me? And, in themselves, what were Albertine and Andrée? To know the answer, I should have to immobilise you, to cease to live in that perpetual state of expectancy ending always in a different presentment of you, I should have to cease to love you in order to fix your image, cease to be conscious of your interminable and always disconcerting arrival, O girls, O successive rays in the swirling vortex wherein we throb with emotion on seeing you reappear while barely recognising you, in the dizzy velocity of light. We might perhaps remain unaware of that velocity, and everything would seem to us motionless, did not a sexual attraction set us in pursuit of you, O drops of gold, always dissimilar and always surpassing our expectation! Each time, a girl so little resembles what she was the time before (shattering, as soon as we catch sight of her, the memory that we had retained of her and the desire that we had proposed to gratify), that the stability of nature which we ascribe to her is purely fictitious and a convention of speech. We have been told that some pretty girl is tender, loving, full of the most delicate feelings. Our imagination accepts this assurance, and when we behold for the first time, beneath the woven girdle of her golden hair, the rosy disc of her face, we are almost afraid that this too virtuous sister, cooling our ardour by her very virtue, can never be to us the lover for whom we have been longing. What secrets, however, we confide to her from the first moment, on the strength of that nobility of heart, what plans we make together! But a few days later, we regret that we were so confiding, for the rosy-cheeked girl, at our second meeting, addresses us in the language of a lascivious Fury. As for the successive facets which after pulsating for some days the roseate light, now eclipsed, presents to us, it is not even certain that a momentum external to these girls has not modified their aspect, and this might well have happened with my band of girls at Balbec. People extol to us the gentleness, the purity of a virgin. But afterwards they feel that something more spicy would please us better, and recommend her to show more boldness. In herself was she one more than the other? Perhaps not, but capable of yielding to any number of different possibilities in the headlong current of life. With another, whose whole attraction lay in a certain ruthlessness (which we counted upon subduing to our own will), as, for instance, with the fearsome jumping girl at Balbec who grazed in her leaps the bald pates of startled old gentlemen, what a disappointment when, a new facet of her personality being presented to us, just as we are making tender declarations fired by the memory of her cruelty to others, we hear her telling us, by way of an opening gambit, that she is shy, that she can never say anything intelligent to anyone at a first introduction, so frightened is she, and that it is only after a fortnight or so that she will be able to talk to us at her ease. The steel has turned to cotton wool, and there is nothing left for us to attempt to break down, since of her own accord she has shed her hard integument. Of her own accord, but through our fault perhaps, for the tender words which we addressed to Harshness had perhaps, even without any deliberate calculation on her part, suggested to her that she ought to be gentle. (Distressing as the change may have been to us, it was not altogether maladroit, for our gratitude for all her gentleness may exact more from us than our delight at overcoming her cruelty.)
I do not say that a day will not come when, even to these luminous girls, we shall assign sharply defined characters, but that will be because they will have ceased to interest us, because their entry upon the scene will no longer be, for our heart, the apparition which it expected to be different and which, each time, leaves it overwhelmed by fresh incarnations. Their immobility will come from our indifference to them, which will deliver them up to the judgment of our intelligence. The latter’s conclusions will not in fact be very much more categorical, for after deciding that some defect, predominant in the one, was happily absent from the other, it will see that this defect was offset by some precious quality. So that, from the false judgment of our intelligence, which comes into play only when we have lost interest, there will emerge well-defined, stable characters of girls, which will enlighten us no more than did the surprising faces that used to appear every day when, in the bewildering speed of our expectation, they presented themselves daily, weekly, too different to allow us, since their course was never arrested, to classify them, to award degrees of merit. As for our sentiments, we have said so too often to repeat it here, as often as not love is no more than the association of the image of a girl (whom otherwise we should soon have found intolerable) with the heartbeats inseparable from an endless wait in vain and her failure to turn up at the end of it. All this is true not only of impressionable young men in the face of changeable girls. At the stage that our narrative has now reached, it appears, as I later learned, that Jupien’s niece had altered her opinion of Morel and M. de Charlus. My chauffeur, to reinforce her love for Morel, had extolled to her, as existing in the violinist, boundless refinements of delicacy in which she was all too ready to believe. And at the same time Morel never ceased to complain to her of the despotic treatment that he received from M. de Charlus, which she ascribed to malevolence, never imagining that it could be due to love. She was moreover forced to acknowledge that M. de Charlus was a tyrannical presence at all their meetings. And in corroboration of this, she had heard society women speak of the Baron’s atrocious spitefulness. Lately, however, her judgment had been completely reversed. She had discovered in Morel (without ceasing for that reason to love him) depths of malevolence and perfidy, compensated it was true by frequent gentleness and genuine sensitivity, and in M. de Charlus an immense and unsuspected kindness mixed with incomprehensible asperities. And so she had been no more able to arrive at a definite judgment of what, each in himself, the violinist and his protector really were, than I was able to form of Andrée, whom nevertheless I saw every day, or of Albertine who was living with me.
On the evenings when the latter did not read aloud to me, she would play me some music or begin a game of draughts, or a conversation, which I would interrupt with kisses. Our relations had a simplicity that made them soothing. The very emptiness of her life gave Albertine a sort of eagerness to comply with the few demands I made on her. Behind this girl, as behind the purple light that used to filter beneath the curtains of my room at Balbec, while outside the concert blared, there shone the blue-green undulations of the sea. Was she not, after all (she in whose being there now existed an idea of me so habitual and familiar that, next to her aunt, I was perhaps the person whom she distinguished least from herself), the girl whom I had seen the first time at Balbec, beneath her flat cap, with her insistent laughing eyes, a stranger still, slender as a silhouette projected against the waves? These effigies preserved intact in our memory astonish us, when we recall them, by their dissimilarity from the person we know, and we realise what a task of remodelling is performed every day by habit. In the charm that Albertine had in Paris, by my fireside, there still survived the desire that had been aroused in me by that insolent and blossoming cortege along the beach, and just as Rachel retained in Saint-Loup’s eyes, even after he had made her abandon it, the glamour of her stage life, so in this Albertine cloistered in my house, far from Balbec whence I had hurried her away, there persisted the excitement, the social confusion, the restless futility, the roving desires of seaside life. She was so effectively caged that on certain evenings I did not even ask her to leave her room for mine, she whom at one time all the world pursued, whom I had found it so hard to overtake as she sped past on her bicycle, whom the lift-boy himself was unable to bring back to me, leaving me with little hope of her coming, although I sat up waiting for her all night. Had not Albertine been—out there in front of the hotel—like a great actress of the blazing beach, arousing jealousy when she advanced upon that natural stage, speaking to no one, jostling the habitués, dominating her friends? And was not this so greatly coveted actress the same who, withdrawn by me from the stage, shut up in my house, was no
w here, shielded from the desires of all those who might henceforth seek for her in vain, sitting now in my room, now in her own, engaged in some work of design or engraving?
No doubt, in the first days at Balbec, Albertine seemed to exist on a parallel plane to that on which I was living, but one that had converged on it (after my visit to Elstir) and had finally joined it, as my relations with her, at Balbec, in Paris, then at Balbec again, grew more intimate. Moreover, what a difference there was between the two pictures of Balbec, on my first visit and on my second, pictures composed of the same villas from which the same girls emerged by the same sea! In Albertine’s friends at the time of my second visit, whom I knew so well, whose good and bad qualities were so clearly engraved on their features, how could I recapture those fresh, mysterious strangers who once could not thrust open the doors of their chalets with a screech over the sand or brush past the quivering tamarisks without making my heart beat? Their huge eyes had sunk into their faces since then, doubtless because they had ceased to be children, but also because those ravishing strangers, those actresses of that first romantic year, about whom I had gone ceaselessly in quest of information, no longer held any mystery for me. They had become for me, obedient to my whims, a mere grove of budding girls, from among whom I was not a little proud of having plucked, and hidden away from the rest of the world, the fairest rose.
Between the two Balbec settings, so different one from the other, there was the interval of several years in Paris, the long expanse of which was dotted with all the visits that Albertine had paid me. I saw her in the different years of my life occupying, in relation to myself, different positions which made me feel the beauty of the intervening spaces, that long lapse of time during which I had remained without seeing her and in the diaphanous depths of which the roseate figure that I saw before me was carved with mysterious shadows and in bold relief. This was due also to the superimposition not merely of the successive images which Albertine had been for me, but also of the great qualities of intelligence and heart, and of the defects of character, all alike unsuspected by me, which Albertine, in a germination, a multiplication of herself, a fleshy efflorescence in sombre colours, had added to a nature that formerly could scarcely have been said to exist, but was now difficult to plumb. For other people, even those of whom we have dreamed so much that they have come to seem no more than pictures, figures by Benozzo Gozzoli against a greenish background, of whom we were inclined to believe that they varied only according to the point of vantage from which we looked at them, their distance from us, the effect of light and shade, such people, while they change in relation to ourselves, change also in themselves, and there had been an enrichment, a solidification and an increase of volume in the figure once simply outlined against the sea.
Moreover, it was not only the sea at the close of day that existed for me in Albertine, but at times the drowsy murmur of the sea upon the shore on moonlit nights. For sometimes, when I got up to fetch a book from my father’s study, my mistress, having asked my permission to lie down while I was out of the room, was so tired after her long outing in the morning and afternoon in the open air that, even if I had been away for a moment only, when I returned I found her asleep and did not wake her. Stretched out at full length on my bed, in an attitude so natural that no art could have devised it, she reminded me of a long blossoming stem that had been laid there; and so in a sense she was: the faculty of dreaming, which I possessed only in her absence, I recovered at such moments in her presence, as though by falling asleep she had become a plant. In this way, her sleep realised to a certain extent the possibility of love: alone, I could think of her, but I missed her, I did not possess her; when she was present, I spoke to her, but was too absent from myself to be able to think of her; when she was asleep, I no longer had to talk, I knew that I was no longer observed by her, I no longer needed to live on the surface of myself.
By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which she had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her personality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath.
I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and, when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep, on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole landscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the sand, one could listen for hours on end to the surf breaking and receding.
On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.
I spent many a charming evening talking and playing with Albertine, but none so sweet as when I was watching her sleep. Granted that she had, as she chatted with me, or played cards, a naturalness that no actress could have imitated; it was a more profound naturalness, as it were at one remove, that was offered me by her sleep. Her hair, falling along her pink cheek, was spread out beside her on the bed, and here and there an isolated straight tress gave the same effect of perspective as those moonlit trees, lank and pale, which one sees standing erect and stiff in the backgrounds of Elstir’s Raphaelesque pictures. If Albertine’s lips were closed, her eyelids, on the other hand, seen from where I was placed, seemed so loosely joined that I might almost have questioned whether she really was asleep. At the same time those lowered lids gave her face that perfect continuity which is unbroken by the eyes. There are people whose faces assume an unaccustomed beauty and majesty the moment they cease to look out of their eyes.
I would run my eyes over her, stretched out below me. From time to time a slight, unaccountable tremor ran through her, as the leaves of a tree are shaken for a few moments by a sudden breath of wind. She would touch her hair and then, not having arranged it to her liking, would raise her hand to it again with motions so consecutive, so deliberate, that I was convinced that she was about to wake. Not at all; she grew calm again in the sleep from which she had not emerged. Thereafter she lay motionless. She had laid her hand on her breast, the limpness of the arm so artlessly childlike that I was obliged, as I gazed at her, to suppress the smile that is provoked in us by the solemnity, the innocence and the grace of little children.
I, who was acquainted with many Albertines in one person, seemed now to see many more again reposing by my side. Her eyebrow
s, arched as I had never noticed them, encircled the globes of her eyelids like a halcyon’s downy nest. Races, atavisms, vices reposed upon her face. Whenever she moved her head, she created a different woman, often one whose existence I had never suspected. I seemed to possess not one but countless girls. Her breathing, as it became gradually deeper, made her breast rise and fall in a regular rhythm, and above it her folded hands and her pearls, displaced in a different way by the same movement, like boats and mooring chains set swaying by the movement of the tide. Then, feeling that the tide of her sleep was full, that I should not run aground on reefs of consciousness covered now by the high water of profound slumber, I would climb deliberately and noiselessly on to the bed, lie down by her side, clasp her waist in one arm, and place my lips upon her cheek and my free hand on her heart and then on every part of her body in turn, so that it too was raised, like the pearls, by her breathing; I myself was gently rocked by its regular motion: I had embarked upon the tide of Albertine’s sleep.
Sometimes it afforded me a pleasure that was less pure. For this I had no need to make any movement, but allowed my leg to dangle against hers, like an oar which one trails in the water, imparting to it now and again a gentle oscillation like the intermittent wing-beat of a bird asleep in the air. I chose, in gazing at her, the aspect of her face which one never saw and which was so beautiful. It is I suppose comprehensible that the letters which we receive from a person should be more or less similar to one another and combine to trace an image of the writer sufficiently different from the person we know to constitute a second personality. But how much stranger is it that a woman should be conjoined, like Radica with Doodica,2 with another woman whose different beauty makes us infer another character, and that in order to see them we must look at one of them in profile and the other in full face. The sound of her breathing, which had grown louder, might have given the illusion of the panting of sexual pleasure, and when mine was at its climax, I could kiss her without having interrupted her sleep. I felt at such moments that I had possessed her more completely, like an unconscious and unresisting object of dumb nature. I was not troubled by the words that she murmured from time to time in her sleep; their meaning was closed to me, and besides, whoever the unknown person to whom they referred, it was upon my hand, upon my cheek that her hand, stirred by an occasional faint tremor, tightened for an instant. I savoured her sleep with a disinterested, soothing love, just as I would remain for hours listening to the unfurling of the waves.
In Search of Lost Time, Volume 5: The Captive, the Fugitive Page 8