Upon reaching the Aylesbury Road residence, he entered the library and began to examine his acquisitions. First he turned through the Text in an attempt to find the incantation he had sought for so many years. He discovered it easily—it had been underlined, and the former owner had written beside it in the margin: "for traffick with Yuggoth". It was indeed the right chant, and the reader could not hold back a shudder at the hideous cadences and rhythms which it recalled to his mental ear.
He turned to the documents. The man's name, he discovered, had been Simon Frye, and at once it became apparent that the nameless suspicions of the time of death of Frye must have been correct. For the date of that first letter, with its archaic spelling and handwriting, was 1688; and none in the pile bore a later date than 1735. One—addressed, it would seem, to England, but never sent—" dated 1723, and so much had it impressed the reader that he had put a large star in red ink at the top of the yellowed missive. It may not be amiss to quote it in full.
Brother in Azathoth,
Your letter was received by me some Days ago, and so great has been my Excitement that I could not send you a letter to tell you of my good fortune. I have, as you well must know, a great yearning for yinin Text. My half-human Compatriot in Asia has now sent me a Copy of yinin Volume of Terror, and if it had been in my possession when Cotton Mather had tried to destroy yinin Coven, he would have had some Thing called down on him! But I wish to go to yinin Steps of yinin Devil beyond Dunwich and call those from Yuggoth. So I thank you for yinin Vial of Powder of Ibn Ghazi which was enclosed in yr Letter, and send my Hope that yinin Box which I enclosed some time ago will help you to invoke Yogge-Sothothe, and no Thing give your Occupation away.
Azathoth pWnafn Ogthrod S. Frye.
A second missive was clipped to this by Armitage, and it can be conjectured that the second gave him a different outlook on his forthcoming traffic than did the first. The latter was dated 1723, a few months after the first, and since it came from Asia, it is presumable that the writer was Frye's "half-human Compatriot".
Brother in Azathoth,
I write this as a warning, and hope that I do not send too late. You know that my Father was one of those from yinin black world which you seek, and you must know how many Foulnesses have come down to this Earth from Yuggoth. But for exceeding Horror and Malevolence, those of yinin shell-bodies are yinin greatest. Tho ' my Father indeed was one of those that was call'd long ago, and my Mother liv'd too near to yinin terrible Plateau of Leng, I have always avoided yinin Things which come down from that Globe on yinin Rim. I have walk'd with Abominations which come up out of yinin Darkness below yinin Pyramid, and have had Traffick with those that came down from yinin Stars with great Cthulhut, but yinin Monsters from Yuggoth are all Honours of all yinin Cosmos, and even Cthulhu did not come from so neary" Rim at first. I would have let them take you off into yinin Gulf, because of my Father; but no Man should ever have Traffick with such, and I warn you not to go to yinin Steps, or anywhere else which is known to be an Outpost ofYuggoth.
Azathoth mgwi'nglui cfayak James M.
But later documents of Frye show that he did indeed visit the Devil's Steps, though inexplicably not until 1735, after which no more is heard of him. Pierce's references to a friend who "would go down to the Devil's Steps" may be recalled. The description of his fate also returns to mind in hideous detail.
An imaginative person may imagine Armitage as he stared out of the window into the sunset over far-off Arkham's gambrel roofs, making it resemble some fabulous city seen far off in the red dusk of a crystal dream. For a minute, perhaps, he almost wished to be back among the quaint New England scenery and mellow architecture which he used to see from his window on busy High Street. Transiently, he may have felt a hate and repulsion for the frightful things in which he had dabbled, and the abnormalities he had called out of space and earth. But the dreadful R'lyeh Text lay open before him, and he thought of the legendary powers of the stone which he would gain from traffic with the trans-spatial entities. The warnings of "James M." had had no effect almost two centuries ago; and his warning was unsuccessful on this modern sorcerer.
IV
It was on a day of wailing winds and lurid skies that Edward Wingate Armitage left his house on Aylesbury Road to drive out to the Devil's Steps beyond Dunwich. The Yuletide and New Year holidays did not suit his purpose, for too many people might conceivably take it into their heads to drive in the lonely Dunwich region, and question his drive into the most secluded and shunned part of the woods. For this reason the trip was postponed until a day in early January 1929.
The hitherto invaluable information in Armitage's notebook now gives out, for he was in no condition to note down events when he returned from that frightful experience on that last cataclysmic day which led to his insanity and entrance to an institution. One must now rely on the seeming insane ravings of a madman if one is to learn anything about the journey and its aftermath. When, finally, he was discovered, after passers-by had heard strange sounds from the house on the Aylesbury Road, he had succeeded in destroying most of the volumes in his library, including the fabulous R'lyeh Text. Only a few books of hexerei and other unimportant tomes were left, together with the documents of Simon Frye and, of course, Armitage's notebook. The man babbled of a monstrous focal point of outer-dimensional activity, and screamed that he knew how the abominations from that black sphere on the rim moved between the earth and their terrible home. Under sedatives he calmed somewhat, and began to tell his tale with a little more coherency. He was, it became obvious, hopelessly insane; and little can be believed of what he hints and recounts in his delirium.
Concerning the actual journey he is fairly coherent, and one would not think that anything abnormal had happened. He speaks of the nearing of Dunwich, where the trees rattled and cackled hideously, and pitchy streams flowed by the road and disappeared into unseen and unspeakable gulfs. The wind that dropped into a brooding silence seemed to affect him with unease, and the shrieking flocks of whippoorwills that were disturbingly silent near his destination, those horrendous Devil's Steps, made him vaguely disquieted. But this was no more than the usual disturbance of the mind of travellers in that witchcraft-haunted region.
When he came to the crossroads near Dunwich, where certain persons had been buried with stakes through their hearts, he left the car and began to follow a curse-muttering stream which flowed through the overgrown forest. On one side was a rough path, leading off into archways of vine-entangled trees; on the other great cliffs towered up to unbelievable heights, with strange signs cut into the rock here and there. He narrowly escaped falling into the hellishly-coloured stream once or twice, and it seemed an aeon before the waters plunged into a curiously artificial-looking tunnel, the path widened out into marshy ground, and he saw the fabled Devil's Steps leading up into mist and seeming to touch the dismal, overhanging sky.
As he crossed the marshy tract of land before his destination, he noticed certain eldritch marks in the soft earth. If they were footprints, they must have been of beings of which it is better not to think. They led back and forth, but they often seemed to disappear into the pit of the stream, and most of them ended at the shunned Steps. But Armitage, determined now to find whatever lay at the top of that Cyclopean stairway of rock and overcome it with his abominable incantation, did not hesitate more than a moment. He reached the first of the strata of unknown mineral and began to climb with the aid of a pickaxe. Only a painful memory remains in his diseased mind of that interminable climb up into space, where the only sounds were the noise of his axe and that unhealthy trickle of water far below. His mind must have been full of conjectures as to what might be seen when he reached the top of the hidden plateau. Possibly some alien onyx temple would come into view, or perhaps a whole windowless city of that trans-spatial race. Possibly a lake might lie in the centre of a horizonless expanse, hiding some ghastly aquatic deity, or conceivably a gathering of the entities might swim into view. How long he
struggled upward and occupied himself with speculations born of something like terror can never be known. But it is certain that what he did see was nothing resembling what he imagined, for he recounts that when his head came over the edge of the last step he gasped in amazement —and perhaps a little in loathing. At any rate, it is one of the last things he can recall with complete coherency.
In the centre of a lichen-grown plain stood three closely-set windowless stone towers. All about the rest of the plain grew a fortunately unknown species of vegetation, which resembled nothing which ever spawned on the face of earth elsewhere, with its grey fungoid stem and long twining decayed leaves, which leaned and flapped in Armitage's direction as he clambered over the edge of the plateau.
The half-nauseated searcher reeled between the fungi and leaned over the edge of one of a few pits, gouged so deep into the rock that their lowest point was lost in tenebrous blackness. These, he presumed, must be the mines on earth of the crustaceans from Yuggoth. No sign of movement could be seen, though there were metallic sounds somewhere far down in the dark. There was no evidence beyond this in any of the other pits, either, and he realised that he must seek elsewhere—in other words, in those forbidding black towers in the centre of the plain.
He began to pick his way through the fungi, doing his best to avoid passing near them, for it seemed very repugnant to him that one of those blindly reaching grey members should touch him. Armitage was thankful when the last of the hateful nodding things was out of reach, for there was an extensive cleared space around each tower. The seeker decided to enter the central steeple; they seemed alike, each being about thirty feet high, without windows, as on the lightless planet of their origin, with a peculiarly angled doorway revealing stairs climbing up into total blackness. Armitage, however, had carried a torch with him, and, shining it up the alien passage, he forced himself to enter the somehow terrible building, reminding himself of the incantation. Armitage's steps rang hollowly on the carven stairs, seeming to resound through illimitable gulfs of space. The darkness which barred the way ahead and soon closed in behind seemed to have an almost tangible quality, and the seeker disliked the way the blackness seemed to move and twist beyond the radius of his torch-beam. He knew that the tower was windowless only because the buildings had no windows on lightless Yuggoth, but his mind would persist in conjecturing what blasphemous abnormalities the lack of windows might hide in the tower. One could never be sure what might be standing around the bend in the dizzyingly spiralling steps, and those hieroglyphics and crude drawings of fabulous spheres beyond were not comforting to the thoughts of the climber in the dark.
He had been ascending the lightless stairs for some time when he became aware of a strange feeling, as if he was about to suffer some terrible psychic displacement. There was no apparent reason why he should imagine such eldritch ideas, but it seemed as though he was about to be dragged forth from his body, or fall into some bottomless charnel pit. Those strange hieroglyphic characters all seemed to be indicating something unseen around that ever-present bend in the passageway. Was it simply a trick of light or vision that there appeared to be no steps above a certain point, and nothing except a totally dark expanse which even his torch's light would not penetrate? He drew back in affright, but once again curiosity overcame disquiet, and he continued to ascend the stairs. Upon reaching that anomalous wall of blackness, he closed his eyes involuntarily and rose one more step into the unseen section of the passage beyond the barrier.
Armitage cried out as he fell on the steps at the other side. It was as if his body had been momentarily torn apart into atoms and recombined in an infinitesimal instant. The agony he had suffered had never registered on his brain, but there was a memory of unspeakable psychic torture, resembling a memory from another life. He now lay on stairs seemingly a continuation of the steps on the other side of the barrier, but different in several essential respects. For one thing, the others had been bare and worn away; these, however, were covered with mineral dust. The walls, too, were grown with small glistening fungi, obviously of a type not seen in sane places of the world, instead of the curious, sometimes disturbingly alien hieroglyphics.
When he had recovered from that indescribable sensation, Armitage continued up the stairs. Though he felt as if he had been changed physically in some non-visible way, he noticed that the torch, to which he had clung through all that unendurable instant, still lit when he pressed the stud. He held the torch out in front of him, the beam stretching out some five feet from the ground. He rounded the inevitable bend in the stairs, and shone the ray into a face.
What that face was like, and of what body it was the face, he does not dare to tell. There are certain things which are better known by no sane man. If the whole truth about certain cosmic relationships, and the implication of the beings which exist in certain spheres, were known by the world, the whole of the human race would be shrieking in terror and gibbering for oblivion. And the thing which Armitage saw at last—one of those hideous crustacean beings which had come through space from the rim-world—" one such cosmically terrible being. But even though his mind shrivelled up inside his skull at the unspeakable sight which leered and hopped before him in the light of the torch, Armitage had enough composure left to scream that painfully sought incantation at the monstrosity. It seemed to cringe—though it was difficult to correlate the motions of something so grotesquely proportioned and abnormally shaped—and clattered off down the steps. As it reached that black barrier across the stairs, it seemed to grow infinitely huge and become something even more monstrous, before it shrank to an infinitesimal point on the ebony curtain and disappeared altogether, as the clattering claws became silent.
Reeling against the lichenous wall, Armitage attempted to forget that fungoid abomination which had burst on him around that corner. As his mind returned to equilibrium from that seething void of suspicion, he began to climb again, not thinking of what might yet lurk in the upper regions of the tower. The darkness now seemed even more material, as if at any moment it might close in on the hapless Armitage.
It was about the time that Armitage began to realise that he had been climbing the darkened stairway far longer than he should have in a thirty foot tower that he saw the ceiling of the tower. The nitrous, dripping rock seemed to meet the stairs with no means of exit, but almost immediately he saw the curiously-angled trapdoor where steps and ceiling met. Now came the time of ultimate hesitation. Why would a trapdoor open out onto a circular roof, thirty feet above the ground, of small diameter? What nameless terror might await the opening of the trapdoor? But, having come this far, he did not wish to pass through that barrier of agony without having glimpsed what might lie above. So he pushed the door open with his shoulders and stepped out on the roof.
Even in his lunacy, Armitage does not pretend to have a plausible explanation for certain aspects of his fantastic tale. He insists that the barrier across the passageway was not as meaningless as sanity would have it appear, and thinks it was in reality a barrier between points that should have been millions of miles apart, had it not been for some awful tampering with the structure of the cosmos. He seems to conjecture that the barrier changed him bodily—otherwise, according to his story, the circumstances in which he found himself would have led to asphyxiation and burst lungs with the first breath he took on that other side of the barrier. He explains that the abominations of the plateau did not capture him because he shrieked the incantation incessantly as he plunged down the tower's stairway and climbed back feverishly down the Devil's Steps. None of this may be disproved—and as for those disturbing hints concerning "bodily changes," X-ray examinations show certain modifications of the lungs and other organs for which the doctors cannot easily account.
As he clambered on the roof, Armitage wondered if the sight of that stunted horror on the stairs had already unhinged his mind. How could he not have noticed these towers which his torch's beams picked out on every side as far as its light would reach? And how
could it now be black night, when he had reached the Devil's Steps well before midday? His torch, shining down the side of his vantage tower, showed black streets where abominable blasphemies moved among hideous gardens of those greyish nodding fungi and vast black windowless towers.
Confused and terrified, he stared out at the ebony void of space which stretched infinitely away from him, and of the crystalline, distorted stars which shimmered in the gulf. Then he stared again in growing, horrible realisation at those far-off constellations—and their positions. For the positions of the constellations were never seen thus on Earth; and Edward Wingate Armitage knew in that cataclysmic instant that this place of fungoid gardens and streets of windowless stone towers, whither he had come through that barrier between dimensions, was none other than Yuggoth.
The Church In High Street (1962)
“...the Herd that stand watch at the secret portal each tomb is known to have, and that thrive on that which groweth out of the inhabitants thereof…” —ABDUL ALHAZRED: Necronomicon
The Collected Short Fiction Page 3