She tidied her flat. God, what a mess she'd let accumulate! A poster mapping seventeenth-century Brichester, half-read books by Capote and D. H. Lawrence astray from the bookcases, notes for her own book tangled as the contents of a wastebasket: she'd be able to handle those soon. And all these letters she must answer. One from her publisher: the paperback edition was reprinting. One from the GPO about the delay in providing a telephone: it annoyed her not to be able to phone her friends in Camside—to invite them to meet James, she thought. One from a driving school, offering a free introductory lesson. If she learned to drive it would be worth her visiting friends in Camside: she wouldn't be restricted by the absurdly early last bus back.
When she'd finished she felt exhausted. Her loss of sleep was gaining on her. She checked that the door and windows were locked, smiling: she wouldn't need to do that in future. She'd make sure James stayed with her. She lay down on the couch, to rest.
She woke. The room was dark. But the darkness was shrinking. It had limbs and a head; it was walking on the wall, growing smaller yet closer to her. The ceiling thrust the head down at an angle that would have broken a man's neck. The shadow slipped from the ceiling, yet the head stayed impossibly canted. As she realized that, the shadow was extinguished. At once she felt the man lying beside her. She had to struggle to look; her body felt somehow hampered. But he waited for her. When she turned the face rolled toward her above the emaciated body, like a derisive thick-tongued mask that was almost falling loose: Alastair's face.
She woke gasping. The shadow filled the room; it had pressed against her eyes. She ran blindly to the door and snatched at the light switch. The room was empty, there was nobody outside the window. Night had fallen hours ago; it was past eleven o' clock. James might have come and gone unheard.
Surely he would come back. Wouldn't he? Mightn't he have thought she'd reconsidered, that he'd been right to hear doubt in her voice when she had asked him to come to stay? Might he have taken this as the final rebuff?
She gazed into the mirror, distracted. She must wait outside, then he would know she wanted him. If he came back he mightn't come as far as the door. She tugged at her hair with the brush, viciously. In the reflection of the room, a shadow passed.
She turned violently. There had been a dark movement in the mirror. She felt vulnerable, disoriented by the stealthy fall of night, trapped in unreality. The shadow passed again, dragging its stretched head across the ceiling. Betty ran to the window, but the street was empty. The streetlamp glowed in its lantern.
She couldn't go out there—not until she saw who was casting the shadow. She gazed at the bare pavement, the flat stagnant pool of light. She was still gazing when something dark moved behind her, in the room.
She whipped about, gasping. The shadow was stepping off the edge of the wall, into invisibility. Soon it returned, smaller now, more rapid. Whenever she turned the street was deserted. The shadow repassed, restless, impatient. Each time it was smaller, more intense; its outline hardly vibrated now. Betty kept turning frantically. She heard her body sobbing, felt its dizziness. The shadow was only a little larger than a man; soon he would reach for her. It vanished from the wall, moving purposefully. Her doorbell shrilled, rattling.
Her cry was shrill too. For a moment she couldn't move, then she ran into the hall. It must be James, or someone: not the shadow. The hall rumbled underfoot; the stairs loomed above her, swollen with darkness. She reached the front door and grabbed the light switch. The hall sprang back, bare, isolating her; a shadow stood on the front-door pane, irregular with frosting. She reached for the latch. She wished there were a chain. She opened the door a crack, wedging her toe beneath it, and saw James.
"Oh thank God. Come in, quickly." Behind him the street was empty. She pulled him in and slammed the door.
It wasn't until she had locked them into her flat that she noticed he was carrying no luggage: only a large handbag. "You're going to stay, aren't you?" she pleaded.
Did she sound too eager? His face was calm, expressionless. "I suppose so," he said at last. "For a while."
Not only for a while! she pleaded. She glanced anxiously at the blank wall. Would he see the shadow if it returned, or had it been the drug? "I've got to tell you something," she said. "I want you to know."
"Not now." He had opened the handbag; he took out four lengths of glossy cord. "Get undressed and lie on the bed," he said.
His calm felt cold. She didn't want to be tied up, she would feel like a victim, she wouldn't feel close to him. She was frightened of being tied, when the shadow was so near. But James would protect her from that. And if she rebuffed him again he might leave her for good. She stripped unwillingly and lay down.
At least the cords weren't rough. But he tied her tightly, spread-eagled. She felt nervous, unsafe. But she didn't dare protest; if he left the shadow would come back. She closed her eyes, to try to soothe herself. He undressed and stooped to her.
His smooth cheeks slid along her thighs. His tongue probed into her, strong as a finger. It was rough; it darted deep, opening her. He mounted her; his penis thrust fiercely. Her hands clutched beyond their nooses, struggling vainly to reach for his back. She felt impaled and helpless. Above her his face gazed at the window, calm, mask-like. Behind his head the blank wall hung.
Her body twitched with the strain of her bondage, humiliated, frustrated. His thrusts tugged at her; she glimpsed herself as he must see her, at the mercy of his penis. Suddenly, by a translation she couldn't understand, her genitals began to twitch toward orgasm. It was all right, after all. She could enjoy it too. She closed her eyes again, beginning to enjoy the straining of her limbs against their bonds. Outside she could hear people walking home, from a club or somewhere; the sound was reassuring, it drove the shadow away. Her limbs strained. She was nearly there, nearly—and then he had left her. He was standing beside the bed, reaching into the handbag.
"Oh, what's wrong?" He was gazing at the darkest corner of the room, beyond the window. She saw something move, but not there: on the wall opposite the window—a shadow dwindling, darkening, advancing rapidly. Her hands struggled against their leashes to point. "James!" she screamed.
He turned swiftly. His hand emerged from the bag. Before she could react, his other hand raised her head deftly. He thrust the gag into her mouth and tied it behind her head. At once she felt his calm lift; his eagerness struck her like an explosion, leaving her limp and trembling. His voice rose, rose impossibly. "Not James," it said gleefully. "Mrs. James."
When Betty lay trembling, unable to look, the face stooped for her to see. It was Alastair's mother, smiling triumphantly. She passed a hand over her face. As though that reversed each aspect of it she was James again; his long face replaced her square one, her small plump nose was all at once slim and straight. She passed her hand upward and was herself, as if she'd changed a mask. The mask smiled.
Beneath the smile and the flat-chested body the penis was still erect. Mrs. James pulled at it. Betty shuddered back as far as she could, but the woman wasn't masturbating; she'd detached the organ and dropped it on the floor. Betty heard rubber strike wood. "Yes, that was all it was," Mrs. James said brightly. "Now you know how it feels to have your body used. You're beginning to know how my son felt."
Choked screams stuck in Betty's throat like bile. The wall was full of shadows now: the twelfth shrank into place, completing the wall's unbroken frieze of dark blank faces. Betty strained back on the bed; her eyes heaved at their sockets, the gag suffocated her screams.
Mrs. James brought her a mirror to show her who was at the window. Betty saw one of the folk group, and the barman; the oldest man from the commune; the art teacher, two of the British Supremacists, the antique dealer; others to whom she had been introduced. Their eyes were bright and eager. Mrs. James smiled at them. Softly, like an articulate breeze at the window, they began chanting.
"You could get the better of my son," Mrs. James told Betty. "He was a novice. But now y
ou'll see what I can do."
She joined in the chanting. The whispering insinuated itself into the room, slow as insidious fumes. Betty lay shivering, her cheek against the pillow. The nooses held her easily, the gag rested in her mouth. The twelve shadows gazed, whispering. Beyond Mrs. James, in the darkest corner, there was something more than a shadow: the suggestion of a figure, thin and pale as smoke. From the corner came sounds of a crawling among bones.
Mrs. James beckoned. The shape ventured timidly forward, its head dangling. It was surrounded by an inert chill, which fastened on Betty. As Mrs. James turned to the bed, still beckoning, Betty saw her smile. There was more than righteousness in that smile; there was pride.
The Chimney (1977)
Maybe most of it was only fear. But not the last thing, not that. To blame my fear for that would be worst of all.
I was twelve years old and beginning to conquer my fears. I even went upstairs to do my homework, and managed to ignore the chimney. I had to be brave, because of my parents—because of my mother.
She had always been afraid for me. The very first day I had gone to school I'd seen her watching. Her expression had reminded me of the face of a girl I'd glimpsed on television, watching men lock her husband behind bars; I was frightened all that first day. And when children had hysterics or began to bully me, or the teacher lost her temper, these things only confirmed my fears—and my mother's, when I told her what had happened each day.
Now I was at grammar school. I had been there for much of a year. I'd felt awkward in my new uniform and old shoes; the building seemed enormous, crowded with too many strange children and teachers. I'd felt I was an outsider; friendly approaches made me nervous and sullen, when people laughed and I didn't know why I was sure they were laughing at me. After a while the other boys treated me as I seemed to want to be treated: the lads from the poorer districts mocked my suburban accent, the suburban boys sneered at my shoes.
Often I'd sat praying that the teacher wouldn't ask me a question I couldn't answer, sat paralysed by my dread of having to stand up in the waiting watchful silence. If a teacher shouted at someone my heart jumped painfully; once I'd felt, the stain of my shock creeping insidiously down my thigh. Yet I did well in the end-of-term examinations, because I was terrified of failing; for nights afterwards they were another reason why I couldn't sleep.
My mother read the signs of all this on my face. More and more, once I'd told her what was wrong, I had to persuade her there was nothing worse that I'd kept back. Some mornings as I lay in bed, trying to hold back half past seven, I'd be sick; I would grope miserably downstairs, white-faced, and my mother would keep me home. Once or twice, when my fear wasn't quite enough, I made myself sick. "Look at him. You can't expect him to go like that"—but my father would only shake his head and grunt, dismissing us both.
I knew my father found me embarrassing. This year he'd had less time for me than usual; his shop—The Anything Shop, nearby in the suburbanised village—" failing to compete with the new supermarket. But before that trouble I'd often seen him staring up at my mother and me: both of us taller than him, his eyes said, yet both scared of our own shadows. At those times I glimpsed his despair.
So my parents weren't reassuring. Yet at night I tried to stay with them as long as I could—for my worst fears were upstairs, in my room.
It was a large room, two rooms knocked into one by the previous owner. It overlooked the small back gardens. The smaller of the fireplaces had been bricked up; in winter, the larger held a fire, which my mother always feared would set fire to the room—but she let it alone, for I'd screamed when I thought she was going to take that light away: even though the firelight only added to the terrors of the room.
The shadows moved things. The mesh of the fireguard fluttered enlarged on the wall; sometimes, at the edge of sleep, it became a swaying web, and its spinner came sidling down from a corner of the ceiling. Everything was unstable; walls shifted, my clothes crawled on the back of the chair. Once, when I'd left my jacket slumped over the chair, the collar's dark upturned lack of a face began to nod forward stealthily; the holes at the ends of the sleeves worked like mouths, and I didn't dare get up to hang the jacket properly. The room grew in the dark: sounds outside, footsteps and laughter, dogs encouraging each other to bark, only emphasised the size of my trap of darkness, how distant everything else was. And there was a dimmer room, in the mirror of the wardrobe beyond the foot of the bed. There was a bed in that room, and beside it a dim nightlight in a plastic lantern. Once I'd wakened to see a face staring dimly at me from the mirror; a figure had sat up when I had, and I'd almost cried out. Often I'd stared at the dim staring face, until I'd had to hide beneath the sheets.
Of course this couldn't go on for the rest of my life. On my twelfth birthday I set about the conquest of my room.
I was happy amid my presents. I had a jigsaw, a box of coloured pencils, a book of space stories. They had come from my father's shop, but they were mine now. Because I was relaxed, no doubt because she wished I could always be so, my mother said "Would you be happier if you went to another school?" It was Saturday; I wanted to forget Monday. Besides, I imagined all schools were as frightening. "No, I'm all right," I said.
"Are you happy at school now?" she said incredulously.
"Yes, it's all right."
"Are you sure?"
"Yes, really, it's all right. I mean, I'm happy now."
The snap of the letter-slot saved me from further lying. Three birthday cards: two from neighbours who talked to me when I served them in the shop—an old lady who always carried a poodle, our next-door neighbour Dr Flynn—and a card from my parents. I'd seen all three cards in the shop, which spoilt them somehow.
As I stood in the hall I heard my father. "You've got to control yourself," he was saying. "You only upset the child. If you didn't go on at him he wouldn't be half so bad."
It infuriated me to be called a child. "But I worry so," my mother said brokenly. "He can't look after himself."
"You don't let him try. You'll have him afraid to go up to bed next."
But I already was. Was that my mother's fault? I remembered her putting the nightlight by my bed when I was very young, checking the flex and the bulb each night—I'd taken to lying awake, dreading that one or the other would fail. Standing in the hall, I saw dimly that my mother and I encouraged each other's fears. One of us had to stop. I had to stop. Even when I was frightened, I mustn't let her see. It wouldn't be the first time I'd hidden my feelings from her. In the living-room I said "I'm going upstairs to play."
Sometimes in the summer I didn't mind playing there—but this was March, and a dark day. Still, I could switch the light on. And my room contained the only table I could have to myself and my jigsaw.
I spilled the jigsaw onto the table. The chair sat with its back to the dark yawn of the fireplace; I moved it hastily to the foot of the bed, facing the door. I spread the jigsaw. There was a piece of the edge, another. By lunchtime I'd assembled the edge. "You look pleased with yourself," my father said.
I didn't notice the approach of night. I was fitting together my own blue sky, above fragmented cottages. After dinner I hurried to put in the pieces I'd placed mentally while eating. I hesitated outside my room. I should have to reach into the dark for the light-switch. When I did, the wallpaper filled with bright multiplied aeroplanes and engines. I wished we could afford to redecorate my room, it seemed childish now.
The fireplace gaped. I retrieved the fireguard from the cupboard under the stairs, where my father had stored it now the nights were a little warmer. It covered the soot-encrusted yawn. The room felt comfortable now. I'd never seen before how much space it gave me for play.
I even felt safe in bed. I switched out the nightlight—but that was too much; I grabbed the light. I didn't mind its glow on its own, without the jagged lurid jig of the shadows. And the fireguard was comforting. It made me feel that nothing could emerge from the chimney.
&
nbsp; On Monday I took my space stories to school. People asked to look at them; eventually they lent me books. In the following weeks some of my fears began to fade. Questions darting from desk to desk still made me uneasy, but if I had to stand up without the answer at least I knew the other boys weren't sneering at me, not all of them; I was beginning to have friends. I started to sympathise with their own ignorant silences. In the July examinations I was more relaxed, and scored more marks. I was even sorry to leave my friends for the summer; I invited some of them home.
I felt triumphant. I'd calmed my mother and my room all by myself, just by realising what had to be done. I suppose that sense of triumph helped me. It must have given me a little strength with which to face the real terror.
It was early August, the week before our holiday. My mother was worrying over the luggage, my father was trying to calculate his accounts; they were beginning to chafe against each other. I went to my room, to stay out of their way.
I was halfway through a jigsaw, which one of my friends had swapped for mine. People sat in back gardens, letting the evening settle on them; between the houses the sky was pale yellow. I inserted pieces easily, relaxed by the nearness of our holiday. I listened to the slowing of the city, a radio fluttering along a street, something moving behind the fireguard, in the chimney.
No. It was my mother in the next room, moving luggage. It was someone dragging, dragging something, anything, outside. But I couldn't deceive my ears. In the chimney something large had moved.
It might have been a bird, stunned or dying, struggling feebly—except that a bird would have sounded wilder. It could have been a mouse, even a rat, if such things are found in chimneys. But it sounded like a large body, groping stealthily in the dark: something large that didn't want me to hear it. It sounded like the worst terror of my infancy.
I'd almost forgotten that. When I was three years old my mother had let me watch television; it was bad for my eyes, but just this once, near Christmas... I'd seen two children asleep in bed, an enormous crimson man emerging from the fireplace, creeping towards them. They weren't going to wake up! "Burglar! Burglar!" I'd screamed, beginning to cry. "No, dear, it's Father Christmas," my mother said, hastily switching off the television. "He always comes out of the chimney."
The Collected Short Fiction Page 46