by IGMS
Oh, yeah, her and me, we were both in it. They paid for Willa to come from Florida -- flew little Ben and Carol Ann, too, but not her husband Jerry, cause they just wanted to show Esau being an uncle. They'd have put her and the kids up at the Laurel Inn with the crew, but she wanted to stay here at the old house, which was fine with me. Don't get to be around children much.
We didn't see much of Esau even after Willa got here, but a day or two before they wrapped up the film, he dropped over to the house for dinner, which meant that the whole crew dropped over too. We were the only ones eating, and it was the strangest meal I've ever had in my life, what with all those electricians setting up lights, and the sound people running cables every which way, and a director, for God's sake, a director telling us when to start eating -- they sent out to Horshach's for prime rib -- and where to look when the camera was on us, and what Willa should say to the kids when they asked for seconds. Carol Ann got so nervous, she actually threw up her creamed corn. And Willa got so mad at the lighting guy, because Ben's got eye trouble, and the lights were so bright and hot ... well, it was a real mess, that's all. Just a real mess.
But Esau, he just sat through it all like it was just another broadcast, which I guess to him it was. Never got upset about all the retakes -- lord, that dinner must have taken three hours, one thing another -- never looked sweaty or tired, always found something new and funny to say to the camera when it started rolling again. But that's who he was talking to, all through that show -- not us, for sure. He never once looked straight at any of us, Willa or the kids or me, if the camera wasn't on him.
He was a stranger in this house, the house where we'd all grown up -- more of a stranger than all those cameramen, those producers. He could just as well have been from another country, where everybody's great-looking, but they don't speak any language you ever heard of. With all the craziness and confusion, the lights and the reflectors, and the microphones swinging around on pole-things, I probably studied on my brother longer and harder than I'd ever done in my life before. There at that table, having that fake dinner, I studied on him, and I thought a few new things.
See, I couldn't believe it was just Esau. What I could believe is there's no such thing as history, not the way they teach it to you in school. Wars, revolutions, all those big inventions, all those big discoveries ... if there's been a bunch of people like Esau right through time -- or even a few, a handful -- then the history books don't signify, you understand what I'm saying? Then it's all just been what any one of them wanted, decided on, right at this moment or that, and no great, you know, patterns to the way things happen. Just Esau, and whatever Others, and you got run over. Like that. That's what I came to think.
And I know I'm right. Because Susie Harkin was in that film.
Yeah, yeah, I know what I told you about the plane crash, the rest of it, I'm telling you this now. She walked in by herself, bright as you please, just before they finally got around to putting real food on the table, and sat right down across from Esau, between me and little Ben. The TV people looked at the director for orders, and I guess he figured she was family, no point fussing about it, and let her stay. He was too busy yelling at the crew about the lights, anyway.
Esau was good. I am here to tell you, Esau was good. There was just that one moment when he saw her ... and even then, you might have had to be me or Willa, and watching close, before you noticed the twist of blank panic in his eyes. After that he never looked straight at her, and he sure never said her name, but you couldn't have told one thing from his expression. Susie didn't waste no time on him, neither; she was busy helping little Ben with his food, cutting his meat up small for him, and making faces to make him laugh. Ma had said "Esau makes people into ghosts," but I don't guess you'd find a ghost cutting up a boy's prime rib for him, do you? Not any kind of ghost I ever heard about.
When she'd finished helping Ben, she looked right up at me, and she winked.
As long as she'd been gone, Susie Harkin didn't look a day different. I don't suppose you'd ever have called her a beauty, best day she ever saw. Face too thin, forehead a shade low, nose maybe a bit beaky -- but she had real nice brown eyes, and when she smiled you didn't see a thing but that smile. I'd liked her a good bit when she was going out with Esau, and I was real sorry when she died in that plane crash. So was Willa. And now here Susie was again, sitting at our old dinner table with all these people around, winking at me like the two of us had a secret together. And we did, because I knew she'd been dead, and now she wasn't, and she knew I knew, and she knew why I knew besides. So, yeah, you could say we had our secret.
Esau didn't do much more looking at me during the dinner than he did at Susie, but that was the one time he did. I saw him when I turned to say something to Willa. It wasn't any special kind of a look he gave me, not in particular; it was maybe more like the first time I really looked at him, when he did what he did to Donnie Schmidt. As though he hadn't ever seen me either, until that glance, that wink, passed between Susie Harkin and me.
Anyway, by and by the little ones fell asleep, and Willa took them off to bed, and the crew packed up and went back to the Laurel Inn, and Susie right away vanished into the kitchen with all the dirty dishes -- "No, I insist, you boys just stay and talk." You don't hear women say that much anymore.
So there we were, me and Esau, everything gotten quiet now -- always more quiet after a lot of noise, you notice? -- and him still not really looking at me, and me too tired and fussed and befuddled not to come straight at him. But the first thing I asked was about as dumb as it could be. "Squirrels still chasing you?"
Whatever he was or wasn't expecting from me, that sure as hell wasn't it. He practically laughed, or maybe it was more like he grunted in a laugh sort of way, and he said, "Not so much these days." Close to, he looked exactly like he looked on the TV -- exactly, right down to the one curl off to the left on his forehead, and the inlaid belt buckle, and that steepling thing he did with his fingers. Really was like talking to the screen.
"Susie's looking fine, don't you think?" I asked him. "I mean, for having been dead and all."
Oh, that reached him. That got his attention. He looked at me then, all right, and he answered, real slow and cold and careful, "I don't know what you're talking about. What are you talking about?"
"Come on, Esau," I said. "Tomorrow I might wake up remembering mostly whatever you want me to remember, the way you do people, but right now, tonight, I'm afraid you're just going to have to sit here and talk to me --"
"Or what?" Those two words cracked out of him just like a whip does -- there's the forward throw, almost gentle, like you're fly-fishing, and then the way you bring it back, that's what makes that sound. He didn't say anything more, but the color had drained right out of his eyes, same way it happened with Donnie Schmidt. Didn't look much like the TV now.
I asked him, "You planning to make me a ghost too? Kill me off in a plane crash a few weeks ago? I ought to tell you, I hate flying, and everybody knows it, so you might want to try something different. Me, I always wanted to get shot by a jealous husband at ninety-five or so, but it's your business, I wouldn't presume." I don't know, something just took me over and I didn't care what I said right then.
He didn't answer. We could hear Susie rattling things in the kitchen, and Willa singing softly to her kids upstairs. Got a pretty voice, Willa does. Wanted to do something with it, but what with school, and then there was Jerry, and then there was the trouble starting with Ma ... well, nothing ever came of it somehow. But I could see Esau listening, and just for a minute or so he looked like somebody who really might have had a sister, and maybe a brother too, and was just visiting with them for the evening, like always. I took the moment to say, "Papa was funny, wasn't he, Esau? Getting us backwards like that, with the naming?"
He stared at me. I shrugged a little bit. I said, "Well, you think about it some. Here's Jacob, which I'm named for, cheating Esau out of his inheritance, tricks him into swapp
ing everything due him for a mess of chicken soup or some such. But with us ... with us, it kind of worked out t'other way round, wouldn't you say? I mean, when you think about it."
"I don't know what you're talking about." He said it in the TV voice, but his eyes still weren't his TV eyes, reassuring everyone that the world hadn't ended just yet. "Papa was as crazy as Ma, only different, and our names don't signify a thing except he was likely drunk at the time." He slammed his hand on the table, setting all the dishes Susie hadn't cleared off yet to rattling. Esau lowered his voice some. "I never stole anything from you, Jake Robbins. I wouldn't have lowered myself to it, any more than I'd have lowered myself to take along a lump of sand-covered catshit from this litterbox of a town, the day I finally got out of here. The one thing I ever took away was me, do you understand that, brother? Nothing more. Not one damn thing more."
His face was so cramped up with anger and plain contempt that I couldn't help putting a finger out toward him, like I was aiming to smooth away a bunch of rumples. "You want to watch out," I said. "Crack your makeup." Esau came to his feet then, and I really thought he was bound to clock me a good one. I said, "Sit down. There's ladies in the house."
He went on glaring in my face, but by and by he kind of stood down -- didn't quite sit, you understand, but more leaned on the table, staring at me. He'd cracked his makeup, all right, and I don't mean the stuff they'd put on his skin for the filming. You wouldn't want that face telling you any kind of news right then.
"I bet Papa knew," I said. "Ma just had like a glimmer of the truth, but Papa ... likely it's how come he drank so much, and read the Bible so crazy. It's his side of the family, after all."
Esau said it again. "I don't know what you're talking about," but there wasn't much what you might call conviction in the words. It's an odd thing, but he was always a real bad liar -- embarrassing bad. I'd guess it's because he's never had to lie in his life: he could always make the lie be true, if he cared to. Handy.
I said, "I'm talking about genetics. Now there's a word I hadn't had much use for until recently -- knew what it meant, more or less, and let it go at that. But there's a deal to genetics when you look close, you know?" No answer; nothing but that bad-guy stare, with something under it that maybe might be fear, and maybe not. I kept going. "Papa and his Bible. There's a lot in the Bible makes a lot more sense that way, genetics. What if ... let's say all those miracles didn't have a thing to do with God, nor Moses, nor Jesus, nor Adam's left ball, whatever. What if it was all people like you? Two, three, four, five thousand years of people like you? The Bible zigs and zags and contradicts itself, tells the same story forty ways from Sunday, and don't connect up to nothing half the time, even to a preacher. But now you back off and suppose for one moment that the Bible's actually trying to record a world that keeps shifting this way and that, because people keep messing with it. What would you say about that, Esau?"
Nothing. Not a word, not a flicker of an eyelid, nothing for the longest time -- and then, of all things, my brother began to smile. "Declare to goodness," he said, and it wasn't the smooth TV voice at all, but more like the way his mouth was born, as we say around here. "Even a blind hog finds an acorn once in a while. Continue, please. You have all my attention."
"No, I don't yet," I said back to him, "but I will. Because with genetics, it's a family thing. Somebody in a family has a gift, a talent, there's likely to be somebody else who has it too. Oh, maybe not the same size or shape of a gift, but close enough. Close enough."
I surely had his attention now, let me tell you. His hands were opening and closing like leaves starting to stir when a storm's coming. "Willa doesn't have that thing you have," I said, "none of it, not at all. She's the lucky one. But I do. Wouldn't have guessed it before, not even seeing what you'd done, but now I know better. That same power to mess with things, only I guess I never needed to. Not like you."
Esau started to say something, but then he didn't. I said, "I turned out pretty lucky myself. I had Middy Jo -- for a while, anyway. I got a job suited me down to the ground. Didn't have nearly so many people to get even with as you had, and the ones I did I have I mostly forgot over time. I was always forgetful that way. Forget my head, it wasn't screwed on." Papa always used to say that about me, the same way he used to say Willa'd make some woman a great husband, because she could get the car started when he couldn't. Never yet heard old Jerry Flores complain.
"What you did to Donnie Schmidt," I said. "What you did to Susie. What I know you did to a few other folks, even though you made sure the rest of everybody didn't remember. It all scared me so bad, I would never gone anywhere near power like that, if I'd known I had it."
Esau's voice was sort of thickish now, like he was trying not to cry, which surely wasn't the case. He said, "You can't do what I do."
"You know better than that, Esau. Same way I know you've never bent reality towards even one good thing. I watch you on the TV, every night, just about, and everything you report on -- it's death, it's all death, nothing but death, one way or another. A million baby girls left out on the street in China, a raft full of people capsizes off Haiti, some kid wipes out a whole schoolyard in Iowa, there's more people starving in Africa, getting massacred, there's suicide bombers and serial killers all over the place -- it's you, it's your half of the genetics. It's what you are, Esau, and I'm sorry for you."
"Don't be." It was only a whisper, but it came at me like a little sideways swipe from one of those oldtime straight razors, the kind Papa had. Esau said, "You're the good one." It wasn't a question. "Well, who'd have thought it? My loud-mouthed, clumsy, stupid big brother turns out to be the superhero in the closet, the champion with a secret identity. Amazing. Just shows you something or other. Truly amazing."
"No," I said. "No, I don't care about that. I just wanted you to know I know. About the genetics and so forth." And then I said it -- because he's right, I am stupid. I said, "You're trying to be the Angel of Death, Esau, and I'm just so sorry for you, that's all."
He'd been looking toward the kitchen, like he expected something -- or maybe didn't expect it -- but now he turned around on me, and I'm not ever about to forget what I saw then. It was like we were kids again, and he was screaming at me, "I would be a nice God! I would!" Except now the scream was all in his eyes: they were stretched wide as wide, like howling jaws, and the whites had gone too white, so they made the pupils look, not black, but a kind of musty, crumbly gray, like his eyes were rotting, nothing left in there but gray anger, gray pain, gray brick-lined schoolyards, where my brother Esau learned what he was. I'd been halfway joking when I'd said that about the Angel of Death. Not any more.
"Sorry for me, Jake?" It wasn't the razor-whisper, but it wasn't any voice you'd have recognized, either. Esau said, "Sorry for me? I'm on television, asshole. I'm a star. Have you the slightest notion of what that means? It means millions -- millions -- of people inviting me into their homes, listening to me, believing in me, trusting me. Hell, I'm a family member -- a wise old uncle, a mysteriously well-traveled cousin, dropping by to tell them tales of the monsters and fools who run their lives, of the innocents who died horribly today, the people murdered to please somebody's god, the soldiers being sent to die in some place they never heard of, the catastrophes waiting to happen tomorrow, unless somebody does something right away. Which they won't, but that isn't my work. I can't claim credit there."
He smiled at me then, and it was a real smile, young and joyous as you like. He said, "Don't you understand? They love death, all those people, they love what I do -- they need it, no matter how awful they say it is. It's built into the whole species, from the beginning, and you know it as well as I do. You may be the Good Angel, but I'm the one they hang out with in the kitchen and the living room, I'm the one they have their coffee with, or a beer, while I smile and lay on some more horror for them. Meaning no offense, but who wants what you're selling?"
"Those people who watch you don't know what they're buying,"
I said back. "Your stories aren't just stories, you aren't just reporting. You're making real things happen in the real world. I see you on the TV and I can feel all those things you talk about, and explain about, and tell folks to be afraid of, I can feel them coming true, every night. It's like Ma said, your stories kill people." He didn't turn a hair, or look away, and I didn't expect him to. I said, "And I keep wondering, how many like us might be doing the same right now, all over everywhere. Messing with people, messing with the world so nothing makes no sense, one day to the next, so most everybody gets run over in the end, like Donnie Schmidt. You suppose that's all we can do? That's all it's for, this gift we've got? This heritage?"
Esau shrugged. "No idea. It suits me." He gave me that smile again, made him look like a happier little kid than he ever was. "But why should it concern you, Jake? Are you planning to devote the rest of your life to writing letters to my sponsors, telling them I'm the source of all the pain and misery in the world? I'll be very interested in watching your efforts. Fascinated, you could say."
"No," I told him. "I've got a store to run, and I meet Earl Howser and Buddy Andreason for breakfast at Buttercup on Tuesdays, and it's not my place to chase around after you, fixing stuff. What I know's what I know, and it don't include putting the world back the way it ought to be. It's too late for that. Way too late for heroes, champions, miracles. Don't matter what our heritage was maybe meant for -- your side got hold of it first, and you won long ago. No undoing that, Esau, I ain't fool enough to think otherwise. I'm still sorry for you, but I know your side's won, this side the grave."