by John Verdon
“I get the impression,” said Gurney, “that you’re talking about a personal source of pain, not just the general human condition.”
Mellery nodded slowly. “There’s no pain worse than having two people living in one body.”
Chapter 16
The end of the beginning
Gurney had an uncomfortable feeling. It had been with him on and off since Mellery’s initial visit to Walnut Crossing. Now he realized with chagrin that the feeling was a longing for the relative clarity of an actual crime; for a crime scene that could be combed and sifted, measured and diagrammed; for fingerprints and footprints, hairs and fibers to be analyzed and identified; for witnesses to be questioned, suspects to be located, alibis to be checked, relationships to be investigated, a weapon to be found, bullets for ballistics. Never before had he been so frustratingly engaged in a problem so legally ambiguous, with so many obstructions to normal procedure.
During the drive down the mountain from the institute to the village, he speculated on Mellery’s competing fears—on one side a malevolent stalker, on the other a client-alienating police intervention. Mellery’s conviction that the cure would be worse than the disease kept the situation in limbo.
He wondered if Mellery knew more than he was saying. Was he aware of something he’d done in the distant past that could be the cause of the current campaign of threat and innuendo? Did Dr. Jekyll know what Mr. Hyde had done?
Mellery’s lecture topic of two minds at war inside one body interested Gurney for other reasons. It resonated with his own perception over the years, reinforced now by his Mug Shot Art efforts, that divisions of the soul are often evident in the face, and most evident in the eyes. Time and again he had seen faces that were really two faces. The phenomenon was easiest to observe in a photograph. All you had to do was alternately cover each half of the face with a sheet of paper—along the center of the nose, so only one eye was visible each time. Then jot down a character description of the person you see on the left and another of the person you see on the right. It was amazing how different those descriptions could be. A man might appear peaceful, tolerant, wise on one side—and resentful, cold, manipulative on the other. In those faces whose blankness was pierced by a glint of the malice that led to murder, the glint often was present in one eye and absent from the other. Perhaps in real-life encounters our brains were wired to combine and average the disparate characteristics of two eyes, making the differences between them hard to see, but in photographs they were hard to miss.
Gurney remembered the photo of Mellery on the cover of his book. He made a mental note to take a closer look at the eyes when he arrived home. He also remembered that he needed to return the call from Sonya Reynolds—the one Madeleine had mentioned with a touch of ice. A few miles outside Peony, he pulled off onto a patch of weedy gravel separating the road from the Esopus Creek, took out his cell phone, and entered the number for Sonya’s gallery. After four rings her smooth voice invited him to leave as long a message as he wished.
“Sonya, it’s Dave Gurney. I know I promised you a portrait this week, and I hope to bring it to you Saturday, or at least e-mail you a graphics file you can print a sample from. It’s almost finished, but I’m not satisfied yet.” He paused, aware of the fact that his voice had dropped into that softer register triggered by attractive women—a habit Madeleine had once brought to his attention. He cleared his throat and continued, “The essence of this art is character. The face should be consistent with murder, especially the eyes. That’s what I’m working on. That’s what’s taking time.”
There was a click on the line, and Sonya’s voice broke in, breathlessly.
“David, I’m here. I couldn’t make it to the phone, but I heard what you said. And I understand perfectly your need to get it just right. But it would be really great if you could deliver it Saturday. There’s a festival Sunday, lots of gallery traffic.”
“I’ll try. It might be late in the day.”
“Perfect! I’ll be closing at six, but I’ll be here working for another hour. Come then. We’ll have time to talk.”
It struck him that Sonya’s voice could make anything sound like a sexual overture. Of course, he knew he was bringing too damn much receptivity and imagination to the situation. He also knew he was being pretty damn silly.
“Six o’clock sounds good,” he heard himself say—even as he remembered that Sonya’s office, with its large couches and plush rugs, was furnished more like an intimate den than a place of business.
He dropped the phone back into the glove box and sat gazing up the grassy valley. As usual, Sonya’s voice had disrupted his rational thoughts, and his mind was pinballing from object to object: Sonya’s too-cozy office, Madeleine’s uneasiness, the impossibility of anyone knowing in advance the number another person would think of, blood as red as a painted rose, you and I have a date Mr. 658, Charybdis, the wrong post-office box, Mellery’s fear of the police, Peter Piggert the mass-murdering motherfucker, the charming young Justin, the rich aging Caddy, Dr. Jekyll and Mr. Hyde, and so on, without rhyme or reason, around and around. He lowered the window on the passenger side of the car by the creek, leaned back, closed his eyes, and tried to focus on the sound of the water tumbling over the rocky streambed.
A knock at the closed window by his ear roused him. He glanced up at an expressionless rectangular face, eyes concealed behind mirrored sunglasses, shaded by the rigid circular brim of a trooper’s gray hat. He lowered the window.
“Everything all right, sir?” The question sounded more threatening than solicitous, the sir more perfunctory than polite.
“Yes, thank you, I just needed to close my eyes for a moment.” He glanced at the dashboard clock. The moment, he saw, had lasted fifteen minutes.
“Where are you heading, sir?”
“Walnut Crossing.”
“I see. Have you had anything to drink today, sir?”
“No, Officer, I haven’t.”
The man nodded and stepped back, looking over the car. His mouth, the only visible feature that might betray his attitude, was contemptuous—as though he considered Gurney’s drink denial a transparent lie and would soon find evidence to that effect. He walked with exaggerated deliberation around to the rear of the car, then up along the passenger side, around the front, and finally back to Gurney’s window. After a long, evaluative silence, he spoke with a contained menace more appropriate to a Harold Pinter play than a routine vehicle check.
“Were you aware that this is not a legal parking area?”
“I didn’t realize that,” said Gurney evenly. “I only intended to stop for a minute or two.”
“May I see your license and registration, please?”
Gurney produced them from his wallet and handed them out the window. It was not his habit in such situations to present evidence of his status as a retired NYPD detective first grade, with the connections that might imply, but he sensed, as the trooper turned to walk back to his patrol car, an arrogance that was off the scale and a hostility that would be expressed in an unjustifiable delay, at the very least. He reluctantly withdrew another card from his wallet.
“Just a moment, Officer, this might be helpful as well.”
The trooper took the card cautiously. Then Gurney saw the flicker of a change at the corners of his mouth, not in the direction of friendliness. It looked like a combination of disappointment and anger. Dismissively, he handed the card, license, and registration back through the window.
“Have a nice day, sir,” he said in a tone that conveyed the opposite sentiment, returned to his vehicle, made a rapid U-turn, and drove off in the direction he’d come from.
No matter how sophisticated the psychological testing had become, thought Gurney, no matter how high the educational requirements, no matter how rigorous the academy training, there would always be cops who shouldn’t be cops. In this case the trooper had committed no specific violation, but there was something hard and hateful in him—Gurney could
feel it, see it in the lines in his face—and it was only a matter of time before it collided with its mirror image. Then something terrible would happen. In the meantime a lot of people would be delayed and intimidated to no good end. He was one of those cops who made people dislike cops.
Maybe Mellery had a point.
During the next seven days, winter came to the northern Catskills. Gurney spent most of his time in the den, alternating between the mug-shot project and a painstaking reexamination of the Charybdis communications—stepping deftly back and forth between those two worlds and repeatedly veering away from thoughts of Danny’s drawings and the inner chaos that came with them. The obvious thing would be to talk to Madeleine about it, find out why she’d decided to raise the issue now—literally to bring it up from the basement—and why she was waiting with such peculiar patience for him to say something. But he couldn’t seem to summon the necessary willingness. So he would push it out of his mind and return to the Charybdis matter. At least he could think about that without feeling lost, without his heart racing.
He frequently thought, for example, about the evening after his last visit to the institute. As promised, Mellery had called him at home that night and related the conversation he’d had with Gregory Dermott of GD Security Systems. Dermott had been obliging enough to answer all his questions—the ones Gurney had written out—but the information itself did not amount to much. The man had been renting the box for about a year, ever since he’d moved his consulting business from Hartford to Wycherly; there had never been a problem before, certainly no misaddressed letters or checks; he was the only person with access to the box; the names Arybdis, Charybdis, and Mellery meant nothing to him; he had never heard of the institute. Pressed on the question of whether anyone else in his company could have been using the box in some unauthorized way, Dermott had explained that it was impossible, since there wasn’t anyone else in his company. GD Security Systems and Gregory Dermott were one and the same. He was a security consultant to companies with sensitive databases that required protection against hackers. Nothing he said cast any light on the matter of the misdirected check.
Neither had the Internet background searches Gurney had conducted. The sources concurred on the main points: Gregory Dermott had a science degree from M.I.T., a solid reputation as a computer expert, and a blue-clip client roster. Neither he nor GD Security was linked to any lawsuit, judgment, lien, or bad press, past or present. In short, he was a squeaky-clean presence in a squeaky-clean field. Yet someone had, for some still impenetrable reason, appropriated his post office box number. Gurney kept asking himself the same baffling question: Why demand that a check be sent to someone who would almost certainly return it?
It depressed him to keep thinking about it, to keep walking down that dead-end street as if the tenth time he’d find something there that wasn’t there the ninth time. But it was better than thinking about Danny.
The first measurable snow of the season came the evening of the first Friday in November. From a few flakes drifting here and there at dusk, it increased over the next couple of hours, then tapered off, stopping around midnight.
As Gurney was coming to life over his Saturday-morning coffee, the pale disk of the sun was creeping over a wooded ridge a mile to the east. There had been no wind during the night, and everything outside from the patio to the roof of the barn was coated with at least three inches of snow.
He hadn’t slept well. He’d been trapped for hours in an endless loop of linked worries. Some, dissolving now in the daylight, involved Sonya. He had at the last minute postponed their planned after-hours meeting. The uncertainty of what might happen there—his uncertainty about what he wanted to happen—made him put it off.
He sat, as he had for the past week, with his back turned to the end of the room where the ribbon-tied carton of Danny’s drawings lay on the coffee table. He sipped his coffee and looked out at the blanketed pasture.
The sight of snow always brought to mind the smell of snow. On an impulse he went to the French doors and opened them. The sharp chill in the air touched off a chain of recollected moments—snowbanks shoveled up chest-high along the roads, his hands rosy and aching from packing snowballs, bits of ice stuck in the wool of his jacket cuffs, tree branches arcing down to the ground, Christmas wreaths on doors, empty streets, brightness wherever he looked.
It was a curious thing about the past—how it lay in wait for you, quietly, invisibly, almost as though it weren’t there. You might be tempted to think it was gone, no longer existed. Then, like a pheasant flushed from cover, it would roar up in an explosion of sound, color, motion—shockingly alive.
He wanted to surround himself with the smell of the snow. He pulled his jacket from the peg by the door, slipped it on, and went out. The snow was too deep for the ordinary shoes he was wearing, but he didn’t want to change them now. He walked in the general direction of the pond, closing his eyes, inhaling deeply. He had gone less than a hundred yards when he heard the kitchen door opening and Madeleine’s voice calling to him.
“David, come back!”
He turned and saw her halfway out the door, alarm on her face. He started back.
“What is it?”
“Hurry!” she said. “It’s on the radio—Mark Mellery is dead!”
“What?”
“Mark Mellery—he’s dead, it was just on the radio. He was murdered!” She stepped back inside.
“Jesus,” said Gurney, feeling a constriction in his chest. He ran the last few yards to the house, entering the kitchen without removing his snow-covered shoes. “When did it happen?”
“I don’t know. This morning, last night, I don’t know. They didn’t say.”
He listened. The radio was still on, but the announcer had gone on to another news item, something about a corporate bankruptcy.
“How?”
“They didn’t say. They just said it was an apparent homicide.”
“Any other information?”
“No. Yes. Something about the institute—where it happened. The Mellery Institute for Spiritual Renewal in Peony, New York. They said the police are on the scene.”
“That’s all?”
“I think. How awful!”
He nodded slowly, his mind racing.
“What are you going to do?” she asked.
A rapid mental review of the options eliminated all but one.
“Inform the officer-in-charge of my connection to Mellery. What happens after that is up to him.”
Madeleine took a long breath and seemed to be attempting a brave smile, which fell a good deal short of success.
Part Two
Macabre
Games
Chapter 17
Quite a lot of blood
It was precisely 10:00 A.M. when Gurney called the Peony police station to give them his name, address, phone number, and a brief summary of his involvement with the victim. The officer he spoke to, Sergeant Burkholtz, told him that the information would be passed along to the State Police Bureau of Criminal Investigation team that had taken control of the case.
Assuming he might be contacted within twenty-four to forty-eight hours, he was taken aback when the call came in less than ten minutes. The voice was familiar but not instantly placeable, a problem prolonged by the man’s nameless introduction of himself.
“Mr. Gurney, this is the senior investigator at the Peony crime scene. I understand you have some information for us.”
Gurney hesitated. He was about to ask the officer to identify himself—a matter of normal procedure—when the voice’s timbre suddenly generated a recollection of the face and the name that went with it. The Jack Hardwick he remembered from a sensational case they’d worked on together was a loud, obscene, red-faced man with a prematurely white crew cut and pale malamute eyes. He was a relentless banterer, and half an hour with him could seem like half a day—a day you kept wishing would end. But he was also smart, tough, tireless, and politically incorrect with
a vengeance.
“Hello, Jack,” said Gurney, hiding his surprise.
“How did you … Fuck! Someone fucking told you! Who told you?”
“You have a memorable voice, Jack.”
“Memorable voice, my ass! It’s been ten fucking years!”
“Nine.” The Peter Possum Piggert arrest had been one of the biggest in Gurney’s career, the one that secured his promotion to the coveted rank of detective first grade, and the date was one he remembered.
“Who told you?”
“Nobody told me.”
“Bullshit!”
Gurney fell silent, recalling Hardwick’s penchant for having the last word and the inane exchanges that would go on indefinitely until he got it.
After a long three seconds, Hardwick continued in a less combative tone. “Nine goddamn years. And all of a sudden you pop up out of nowhere, right in the middle of what might be the most sensational murder case in New York State since you fished the bottom half of Mrs. Piggert out of the river. That’s some goddamn coincidence.”
“Actually, it was the top half, Jack.”
After a short silence, the phone exploded with the long braying laugh that was a Hardwick trademark.
“Ah!” he cried, out of breath at the end of the bray. “Davey, Davey, Davey, always a stickler for details.”
Gurney cleared his throat. “Can you tell me how Mark Mellery died?”
Hardwick hesitated, caught in the awkward space between relationship and regulation where cops lived much of their lives and got most of their ulcers. He opted for the full truth—not because it was required (Gurney had no official standing in the case and was entitled to no information at all) but because it had a harsh edge. “Someone cut his throat with a broken bottle.”