The Tenth Circle

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The Tenth Circle Page 11

by Picoult, Jodi


  Trixie fled the principal's office, blindly navigating the maze of halls that made up the high school. Class was still in session, so it was quiet - the faint jingle of a kid with a bathroom pass, the muted click of high heels, the wheezy strains of the wind instruments upstairs in the band room. She twisted the combination on her own

  locker, 40-22-38. Hey, Jason had said, a lifetime ago. Aren't those Barbie's measurements?

  Trixie rested her forehead against the cool metal. All she had to do was sit in class for another four hours. She could fill her mind

  with Lord of the Flies and A = nr2 and the assassination of Archduke Franz Ferdinand. She didn't have to talk to anyone if she didn't want to. All of her teachers had been briefed. She would be an army of one.

  When she pulled open the door of her locker, a sea of snakes poured out of the narrow cubby, spilling over her feet. She reached down to pick one up. Eight small foil squares, accordion-pleated at the perforations.

  Trojan, Trixie read. Twisted Pleasure Lubricated Latex Condoms.

  * * *

  “They're all having sex,” Marita Soorenstad said, tilting her head and pouring the last of the lime-colored powder into her mouth. In the fifteen minutes that Mike Bartholemew had been sitting with the assistant district attorney, she'd consumed three Pixy Stix. "Teenage girls want guys to be attracted to them, but no one's taught them how to deal with the emotions that come with that stuff. I see this all

  the time, Mike. Teenage girls wake up to find someone having sex with them, and they don't say a word.“ She crushed the paper straw in her fist and grimaced. ”Some judge told me these were a godsend when he was trying to quit smoking. But I swear all I'm getting is a sugar high and a green tongue."

  “Trixie Stone said no,” the detective pointed out. “It's in her statement.”

  “And Trixie Stone was drinking. Which the defense attorney will use to call her judgment into question. Oosterhaus is going to say that she was intoxicated, and playing strip poker, and saying yes yes yes all the way up till afterward, which is about when she decided to say no. He's going to ask her what time it was when she said it and how many pictures were on the walls of the room and what song was playing on the stereo and whether the moon was in Scorpio . . . details she won't be able to remember. Then he'll say that if she can't remember particulars like this, how on earth could she be sure of whether she told Jason to stop?” Marita hesitated. “I'm not saying that Trixie Stone wasn't raped, Mike. I'm just telling you that not everyone is going to see it as clearly.”

  “I think the family knows that,” Bartholemew said.

  “The family never knows that, no matter what they say.” Marita opened the file on Trixie Stone. “What the hell else did they think their kid was out doing at two in the morning?” Bartholemew pictured a car overturned on the side of the road, the rescue crews clustered around the body that had been thrown through the windshield. He imagined the EMT who pulled up the sleeve of his daughter's shirt and saw the bruises and needle marks along the map of her veins. He wondered if that tech had looked at Holly's long-sleeved shirt, worn on the hottest night of July, and asked himself what this girl's parents had been thinking when they saw her leave the house in it.

  The answer to this question, and to Marita's: We weren't thinking. We didn't let ourselves think, because we didn't want to know.

  Bartholemew cleared his throat. “The Stones thought their daughter was having a parent-supervised sleepover at a friend's house.”

  Marita ripped open a yellow Pixy Stix. “Great,” she said, upending the contents into her mouth. “So Trixie's already lied once.”

  * * *

  Even though parents don't want to admit it, school isn't about what a kid absorbs while she's sitting at a cramped desk, but what happens around and in spite of that. It's the five minutes between bells when you find out whose house is hosting the party that evening; it's borrowing the right shade of lip gloss from your friend before you have French with the cute guy who moved here from Ohio; it's being noticed by everyone else and pretending you are above that sort of celebrity.

  Once all this social interaction was surgically excised from Trixie's school day, she noticed how little she cared about the academic part. In English, she focused on the printed text in her book until the letters jumped like popcorn in a skillet. From time to time she would hear a snide comment: What did she do to her hair? Only once did someone have the guts to actually speak to her in class. It was in phys ed, during an indoor soccer game. A girl on her own team had come up to her after the teacher called a time-out. “Someone who got raped for real,” she'd whispered,

  “wouldn't be out here playing soccer.”

  The part of the day that Trixie was most dreading was lunch. In the cafeteria, the mass of students split like amoebas into socially polarized groups. There were the drama kids and the skateboarders and the brains. There were the Sexy Sevena group of girls who set the school's unwritten fashion rules, like what months you should wear shorts to school and how flip-flops were totally passe. There were the caffies, who hung out all morning drinking Java with their friends until the voc-tech bus came to ferry them to classes on hairstyling and child care. And then there was the table where Trixie used to belong - the one with the popular kids, the one where Zephyr and Moss and a carefree knot of hockey players hung out pretending they didn't know that everyone else was looking at them and saying they were so fake, when in reality those same kids went home and wished that their own group of friends could be as cool.

  Trixie bought herself french fries and chocolate milk - her comfort lunch, for when she screwed up on a test or had period cramps - and stood in the middle of the cafeteria, trying to find a place for herself. Since Jason had broken up with Trixie, she'd been sitting somewhere else, but Zephyr had always joined her in solidarity. Today, though, she could see Zephyr sitting at their old table. One sentence rose from the collective din: “She wouldn't dare.”

  Trixie held her plastic tray like a shield. She finally moved toward the Heater Hos, congregating near the radiator. They were girls who wore white pants with spandex in them and had boyfriends who drove raised I-Rocs; girls who got pregnant at fifteen and then brought the ultrasounds to school to show off. One of them - a ninth-grader in what looked like her ninth month - smiled at Trixie, and the action was so unexpected, she nearly stumbled. “There's room,” the girl said, and she slid her backpack off the table so that Trixie could sit down. A lot of kids at Bethel High made fun of the Heater Hos, but Trixie never had. She found them too depressing to be the butt of jokes. They seemed to be so nonchalant about throwing their lives away - not that their lives were the kind that anyone would have wanted in the first place, but still. Trixie had wondered if those bellybaring T-shirts they wore and the pride they took in their situation were just for show, a way to cover up how sad they really were about what had happened to them. After all, if you acted like you really wanted something even when you didn't, you just might convince yourself along with everyone else. Trixie ought to know.

  “I asked Donna to be Elvis's godmother,” one of the girls said.

  “Elvis?” another answered. “I thought you were going to name him Pilot.”

  “I was, but then I thought, what if he's born afraid of heights? That would suck for him.”

  Trixie dipped a french fry into a pool of ketchup. It looked weak

  and watery, like blood. She wondered how many hours it had been since she'd talked out loud. If you didn't use your voice, ever, would it eventually shrivel up and dry away? Was there a natural selection involved in not speaking up?

  "Trixie.

  She looked up to see Zephyr sliding into the seat across from her. Trixie couldn't contain her relief - if Zephyr had come over here, she couldn't be mad anymore, could she? “God, I'm glad to see you,” Trixie said. She wanted to make a joke, to let Zephyr know it was okay to treat her like she wasn't a freak, but she couldn't think of a single thing to say.

 
; “I would have called,” Zephyr said, “but I've sort of been grounded until I'm forty.”

  Trixie nodded. It was enough, really, that Zephyr was sitting here now.

  “So . . . you're okay, right?”

  “Yeah,” Trixie said. She tried to remember what her father had said that morning: If you think you're fine, you'll start to believe it. “Your hair...”

  She ran her palm over her head and smiled nervously. “Crazy, isn't it?”

  Zephyr leaned forward, shifting uncomfortably. “Look, what you did ... well, it worked. No questionyou got Jason back.”

  “What are you talking about?”

  “You wanted payback for getting dumped, and you got it. But Trixie ... it's one thing to teach someone a lesson ... and a whole different thing to get him arrested. Don't you think you can stop now?”

  “You think...” Trixie's scalp tightened. “You think I made this up?”

  “Trix, everyone knows you wanted to hook up with him again. It's kind of hard to rape someone who's willing.”

  “You're the one who came up with the plan! You said I should make him jealous! But I never expected ... I didn't. . .” Trixie's voice was as thin as a wire, vibrating. “He raped me.” A shadow fell across the table as Moss approached. Zephyr looked up at him and shrugged. “I tried,” she said. He pulled Zephyr out of her chair. “Come on.” Trixie stood up, too. “We've been friends since kindergarten. How could you believe him over me?”

  Something in Zephyr's eyes changed, but before she could speak, Moss slid an arm around her shoulders, anchoring her to his side. So, Trixie thought. It's like that.

  “Nice hair, G.I. Ho,” Moss said as they walked off. It had gotten so quiet in the cafeteria that even the lunch ladies seemed to be watching. Trixie sank down into her seat again, trying not to notice the way that everyone was staring at her. There was a one-year-old she used to babysit for who liked to play a game: He'd cover his face with his hands and you'd say,

  “Where's Josh?” She wished it was that simple: Close your eyes, and you'd disappear.

  Next to her, one of the Heater Hos cracked her bubble gum. “I wish Jason Underhill would rape me,” she said.

  * * *

  Daniel had made coffee for Laura.

  Even after what she had done, even after all the words that fell between them like a rain of arrows, he had still done this for her. It might not have been anything more than habit, but it brought her to the verge of tears.

  She stared at the carafe, its swollen belly steaming with French roast. It occurred to Laura that in all the years they had been married, she could literally not remember it being the other way around: Daniel had been a student of her likes and dislikes; in return, Laura had never even signed up for the proverbial course. Was it complacency that had made her restless enough to have an affair? Or was it because she hadn't wanted to admit that even had she applied herself, she would not be as good a wife as Daniel was a husband?

  She had come into the kitchen to sit down at the table, spread out her notes, prepare for her afternoon class. Today, thank God, was a lecture, an impersonal group where she got to do all the talking, not a smaller class where she might have to face the questions of students again. In her hands was a book, open to the famous Dore illustration for Canto 29, where VirgilDante's guide through hellberated his curiosity. But now that Laura could smell the grounds, inhale that aromatic steam, she couldn't for the life of her remember what she was going to say about this drawing to her students.

  Explaining hell took on a whole new meaning when you'd been recently living smack in the middle of it, and Laura envisioned her own face on the sketch, instead of Dante's. She took a sip of her coffee and imagined drinking from the River Lethe, which ran back to its source, taking all your sins with it.

  There was a fine line between love and hate, you heard that cliche all the time. But no one told you that the moment you crossed it would be the one you least expected. You'd fall in love and crack open a secret door to let your soul mate in. You just never expected such closeness, one day, to feel like an intrusion. Laura stared down at the picture. With the exception of Dante, nobody chose to go willingly to hell. And even Dante would have lost his way if he hadn't found a guide who'd already been through hell and come out the other side.

  Reaching up to the cabinet, Laura took out a second mug and poured another cup of coffee. In all honesty, she had no idea if Daniel took it with milk or sugar or both. She added a little of each, the way she liked to drink it.

  She hoped that was a start.

  * * *

  In the latest issue of Wizard magazine, on the list of top ten comic book artists, Daniel was ranked number nine. His picture was there, eight notches below Jim Lee's number one smiling face. Last month, Daniel had been number ten; it was the growing anticipation for The Tenth Circle that was fueling his fame.

  It was actually Laura who had told Daniel when he was becoming famous. They'd gone to a Christmas party at Marvel in New York, and when they entered the room, they were separated in the crush. Later, she told him that as he walked through the crowd, she could hear everyone talking in his wake. Daniel, she had said, people definitely know you.

  When he'd first been given a test story to draw, years ago - a godawful piece that took place inside a cramped airplane - he'd worried about things that he never would have given a second thought to now: having F lead in his pencil instead of something too soft, testing the geometry of arches, mapping the feel of a ruler in his hand. If anything, he had drawn more from the gut when he was starting out - emotional art, instead of cerebral. The first time he'd penciled Batman for DC Comics, for example, he'd had to reimagine the hero. Daniel's rendition had a certain length ear and a certain width belt that had little to do with the historical progression of art on that character and far more to do with poring over the comic as a kid, and remembering how Batman had looked at his coolest.

  Today, though, drawing wasn't bringing him any joy or relief. He kept thinking about Trixie and where she would be at this hour of the day and if it was a good thing or a bad thing that she hadn't called him yet to say how it was going. Ordinarily, if Daniel was restless, he'd get up and walk around the house, or even take a run to jog his brain and recover his lost muse. But Laura was home - she had no

  classes until this afternoon - and that was enough to keep him holed up in his office. It was easier to face down a blank page than to pull from thin air the right words to rebuild a marriage. His task today was to draw a series of panels in hell with adultery demons - sinners who had lusted for each other in life, and in death couldn't be separated from each other. The irony of having to draw this, given his own situation, had not been lost on Daniel. He imagined a male and a female torso, each growing out of the same root of a body. He pictured one wing on each of their backs. He saw claws that would reach in to steal a hero's heart, because that was exactly how it felt.

  He was cheating today, drawing the action sequences, because they were the most engaging. He always jumped around the story, to keep himself from overdoing it on the first panel he drew. But just in case he started running out of time on a deadline, it was easier to draw straight lines and buildings and roads than to dynamically draw a figure.

  Daniel began sketching the outline of an ungainly, birdlike creature, half man and half woman. He roughed in a wing . . . no, too batlike. He was just blowing the eraser rubbings off the Miraweb paper when Laura walked into his office, holding a cup of coffee.

  He set down his pencil and leaned back in his chair. Laura rarely visited him in his office. Most of the time, she wasn't home. And when she was, it was always Daniel seeking her out, instead of the other way around.

  “What are you drawing?” she asked, peering down at the panels.

  “Nothing good.”

  “Worried about Trixie?”

  Daniel rubbed a hand down his face. “How couldn't I be?” She sank down at his feet, cross-legged. “I know. I keep thinking I hear the
phone ring.” She glanced down at her coffee cup, as if she was surprised to find herself clutching it. “Oh,” she said. “I brought this for you.”

  She never brought him coffee before. He didn't even really like coffee. But there was Laura with her hand outstretched, offering the steaming mug . . . and in that instant, Daniel could imagine her fingers reaching like a dagger between his ribs. He could see how a wing that grew from between her shoulder blades might sweep over the muscles of her trapezius, wrapping over her arm like a shawl.

  “Do me a favor?” he asked, taking the mug from her. He grabbed a quilt that he kept on the couch in his office and leaned down to pull it around Laura.

  “God,” she said. “I haven't modeled for you in years.” When he was just starting out, he'd pose her a hundred different ways: in her bra and panties holding a water gun; tossed halfway off the bed; hanging upside down from a tree in the yard. He would wait for the moment when that familiar skin and structure stopped being Laura and became, instead, a twist of sinew and a placement of bone, one he could translate anatomically into a character sprawled just the same way on the page.

  “What's the quilt for?” Laura asked, as he picked up his pencil and started to draw. “You have wings.” “Am I an angel?” Daniel glanced up. “Something like that,” he said. The moment Daniel stopped obsessing about drawing the wing, it took flight. He drew fast, the lines pouring out of him. This quick, art was like breath. He couldn't have told you why he placed the fingers at that angle instead of the more conventional one, but it made the figure seem to move across the panel. “Lift the blanket up a little, so it covers your head,” he instructed. Laura obliged. “This reminds me of your first story. Only drier.” Daniel's first paid gig had been a Marvel fill-in for the Ultimate X-Men series. In the event that a regular artist didn't make deadline, his stand-alone piece would be used without breaking the continuity of the ongoing saga.

 

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