“I left the house at shortly before three o'clock, just before Mr. Brooke returned from the bank with that money in his brief-case. You see, I can tell you . . . oh, told the police so often afterwards! . . . all the times. I meant to go for a dip in the river, so I took along a bathing-suit. But instead I simply wandered along the river-bank.”
Fay paused.
“When I left that house, Mr. Hammond”―she uttered a strange, far-off kind of laugh―it was outwardly a very peaceful house. Georgina Brooke, that's Harry's mother, was in the kitchen speaking to the cook. Harry was upstairs in his room writing a letter. Harry―poor fellow!―wrote once a week to an old friend of his in England, named Jim Morell.”
Miles sat up.
“Just a minute, Miss Seton!”
“Yes?”
And now she did lift her eyes, with a quick blue glance, startled, as though she were suddenly wondering.
“Was this Jim Morell,” asked Miles, “any relation to a girl named Barbara Morell?”
“Barbara Morell. Barbara Morell.” she repeated it, and the momentary interest died out of her face. “No, I can't say I have any knowledge of the girl. Why do you ask?”
“Because . . . nothing at all! It doesn't matter.”
Fay Seton smoothed at her skirt, as though earnestly occupied in choosing just what words to say. She seemed to find it a delicate business.
“I don't know anything about the murder!” she exclaimed, with delicate insistence. “Over and over I told the police so afterwards! At just before three o'clock I went for a stroll along the river-bank, northwards, and far beyond the tower.
“You've undoubtedly heard what was happening in the meantime. Mr. Brooke returned from the bank and looked for Harry. Since Harry was by that time in the garage instead of his room, Mr. Brooke walked slowly out of the house to keep his appointment with me―miles ahead of time, really―at the tower. Shortly afterwards Harry learned where he had gone, and snatched up his raincoat and followed Mr. Brooke. Mrs. Brooke 'phoned to Georges Rigaud, who drove out there in his car.
“At half-past three . . . I knew that by my wrist-watch . . . I thought it was time for me to stroll back towards the tower, and went inside. I heard voices talking from the direction of the roof. As I started up the stairs I recognized the voices of Harry and his father.”
Fay moistened her lips.
To Miles it seemed, by the subtle alteration in her tone, that she used by force of habit―sincerely, yet glibly―a series of words made familiar to her by repetition.
“No, I did not hear what they were talking about. It is simply that I dislike unpleasantness, and I would not remain. In going out of the tower I met Monsieur Rigaud, who was going in. Afterwards . . . well! I went for my dip after all.”
Miles stared at her.
“for a swim in the river?”
“I felt hot and tired. I believed it would cool me. I undressed in the woods by the river, as many persons do. This was not near the tower; it was well away from the tower, northwards, on the west bank. I swam and floated and dreamed in the cool water. I did not know anything was wrong until I was walking back home at a quarter to five. There was a great clamour of people round the tower, with policemen among them. And Harry walked up to me, putting out his hands, and said, 'My God, Fay, somebody's killed Dad.'”
Her voice trailed away.
Putting up a hand to shade her eyes, Fay shielded her face as well. When she looked at Miles again, it was with a wistful and apologetic smile.
“Please do forgive me!” she said, giving her head that little sideways toss which made the dim yellow light ripple across her hair. “I lived it again, you see. It's a habit lonely people have.”
“Yes. I know.”
“And that's the limit of my knowledge, really. Is there anything you want to ask me?”
Acutely uncomfortable, Miles spread out his hands. “My dear Miss Seton! I'm not here to question you like a public prosecutor!”
“Perhaps not. But I'd rather you did, if you have any doubts.”
Miles hesitated.
“The only thing the police really could urge against me,” she said, “was that most unfortunate swim of mine. I had been in the river. And there were no witnessed who could testify about the part of the tower facing the river: who went near it, or who didn't. Of course it was perfectly absurd that someone―in a bathing-dress: really―could get up a smooth wall forty feet high. They were compelled to see that, eventually. But in the meantime . . .!”
smiling as though the matter were of no importance now, yet shivering a little nevertheless, Fay rose to her feet. She edged forward among the waist-high piles of books, as though impulsively, before changing her mind. Her head was still a little on one side. About her eyes and her mouth there was a passive gentleness, a sweetness, which went straight to Mile's heart. He jumped down from the edge of the window-sill.
“You do believe me?” cried Fay. “Say you believe me!”
Chapter VIII
Miles smiled at her.
“Of course I believe you!”
“Thank you, Mr. Hammond. Only I thought you looked a little doubtful, a little—what shall I call t?”
“It isn't that. It's only that Professor Rigaud's account was more of less cut off in the middle, and there were certain things that kept tormenting me. What was the official police view of the whole matter?”
“They finally decided it was suicide.”
“Suicide?”
“Yes.”
“But why?”
“I suppose, really,” and Fay lifted her thin-arched eyebrows in a timidly whimsical way, “it was because they couldn't find any other explanation. That verdict saved their faces.” She hesitated. “And it's true that Mr. Brooke's fingerprints, and only Mr. Brooke's fingerprints, were on the handle of the sword-stick?”
“Oh, yes. I even saw the infernal thing.”
“The police surgeon, a nice funny little man named Doctor Pommard, almost had a fit whenever he thought of the verdict. He gave some technicalities, which I'm afraid I don't understand, to show that the angle of the wound was very nearly impossible for a suicide: certainly impossible unless Mr. Brooke had held the weapon by the blade instead of by the handle. All the same . . .” She lifted her shoulders.
“But wait a minute!” protested Miles. “As I understand it, the brief-case with the money was missing?”
“Yes. That's true.”
“If nobody got up on top of the tower to stab Mr. Brooke, what did they think had happened to the brief-case?”
Fay looked away from him.
“They thought,” she replied, “that in Mr. Brooke's dying convulsion he—he had somehow knocked it off the parapet into the river.”
“Did they drag the river?”
“Yes. Immediately.”
“And they didn't find t?”
“Not then . . . or ever.”
Fay's head was bent forward, her eyes on the floor.
“And it wasn't for want of trying!” she cried out softly. The tips of her fingers brushed across books and left streaks in the dust. “That affair was the sensation of France during the first winter of the war. Poor Mrs. Brooke died during that winter; they say she died of grief. Harry, as I told you, was killed in the retreat to Dunkirk.
“Then the Germans came. They were always glad of any excuse to give publicity to a sensational murder case, especially one that had—that had a woman's immorality concerned in it, because they believed it kept the French public amused and out of mischief. Oh, they saw to it that popular curiosity didn't lapse!”
“I gather,” said Miles, “that you were caught in the invasion? You didn't come back to England before then?”
“No,” answered Fay. “I was ashamed.”
Miles turned away from her, turned his back to her, and fiercely struck his fist on the window-sill.
“We've talked about this long enough,” he declared.
“Please! It's perfectly all rig
ht.”
“It's not all right!” Miles stared grimly out of the window. “I hereby give you my solemn promise that this subject is finished; tat I will never refer to it again; that I will never ask you another ques—” He stopped. “You didn't marry Harry Brooke, then?”
Reflected in the little panes of the windows, black illuminated glass, he saw her begin to laugh before he heard a sound. He saw Fay throw back her head and shoulders, he saw the white throat working, the closed eyes and the tensely out-thrown arms, before her almost hysterical laughter choked and sobbed and rang in the quiet library, dazing him with its violence from so passive a girl.
Miles swung round. Over him, penetrating to his inner heart, flowed such a wave of sympathy and protectiveness—dangerously near love—that it unstrung his nerves. He blundered towards her, putting out his hand. He knocked over a toppling heap of books, with a crash and drift of dust which floated up against the dim light, just as Marion Hammond opened the door and came in.
“Do you two,” inquired Marion's common-sense voice, cutting off emotion as a string is snapped, “do you two have any idea what time it is?”
Miles stood still, breathing rapidly. Fay Seton also stood still, as placid-faced now as she had ever been. That outburst might have been an illusion seen in glass or heard in a dream.
Yet there was a sense of strain even about the bright-eyed, brisk-looking Marion.
“It's nearly half-past eleven,” she went on. “Even if Miles wants to stay up for most of the night, as he generally does, I've got to see to it that all of us don't lose our sleep.”
“Marion, for the love of . . .!”
Marion cooed at him.
“Now don't be snappish, Miles. Can you imagine,” she appealed to Fay, “can you imagine how he can be almost too sympathetic towards everyone else in the world, and yet an absolute beast to me?”
“I expect most brothers are like that, really.”
“Yes. Maybe you're right.” Wearing a house-apron, trim and sturdy and black-haired, Marion wormed with dislike and distrust through the morass of books. With a firm managing gesture she picked up Fay's lamp and pressed it into her guest's hand.
“I like my lovely present so much,” she told Fay cryptically, “that I'm going to give you something in return. Yes, I am! A box of something! It's upstairs in my room now. You run along up and see it, and I'll join you in just one moment; and afterwards I'm going to send you straight downstairs to bed. You—you know your way?”
Holding up the lamp, Fay smiled back at her.
“Oh, yes! I think I could find my way anywhere in the house. It's awfully kind of you to . . . to . . .”
“Nor at all, my dear! Run along!”
“Good night, Mr. Hammond.”
Giving Miles a backward glance, Fay closed the door as she went out. With only one lamp left, it was a little difficult to see Marion's face as she stood over there in the gloom. Yet, even an outsider would have realized that a state of emotion, a dangerous state of emotion, was already gathering in this house. Marion spoke gently.
“Miles, old boy!”
“Yes?”
“It was frightfully overdone, you know.”
“What was?”
“You know what I mean.”
“On the contrary, me dear Marion, I haven't the remotest idea what you're talking about,” said Miles. He roared this out in what he recognized to be a pompous and stuffed-shirt manner; he knew this, he knew that Marion knew it, and it was beginning to make him angry. “Unless it by any chance means you've been listening at the door?”
“Miles, don't be so childish!”
“Would you mind explaining that rather offensive remark?” He strode towards her, sending books flying. “What is actually means, I suppose, is that you don't like Fay Seton?”
“That's where you're wrong. I do like her! Only . . .”
“Go on, please.”
Marion looked rather helpless, lifting her hands and then dropping them against the house-apron.
“You get angry with me, Miles, because I'm practical and you're not. I can't help being practical. That's how I'm made.”
“I don't criticize you. Why should you criticize me?”
“It's for your own good, Miles! Even Steve—and heaven knows, Miles, I love Steve a very great deal—!”
“Steve ought to be practical enough for you.”
“Under that moustache and that slowness, Miles, he's nervy and romantic and a bit like you. Maybe all men are; don't know. But Steve rather likes being bossed, whereas you won't be bossed in any circumstances . . .”
“No, by God I won't!”
“. . . or even take a word of advice, which you must admit is silly of you. Anyway, let's not quarrel! I'm sorry brought the subject up.”
“Listen, Marion.” He had himself under control. He spoke slowly, and thoroughly believed every word he was saying. “I've got no deep personal interest in Fay Seton, if that's what you think. I'm academically interested in a murder case. A man was killed on top of a tower where nobody, NOBODY, could possibly have come near him—”
“All right, Miles. Don't forget to lock up before you go to bed, dear. Good night.”
There was a strained silence between them as Marion moved towards the door. It irked Miles; it chafed his conscience.
“Marion!”
“Yes, my dear?”
“No offense, old girl?”
Her eye twinkled. “Of course not, stupid! And I do like your Fay Seton, in a way. Only, Miles: as for your floating murderers and things that can walk on air—I only wish I could meet one of them, that's all!”
“As a matter of scientific interest, Marion, what would you do if that did happen?”
“Oh, I don't know. Shoot at it with a revolver, I suppose. Be sure to lock up, Miles, and don't go wandering away into the forest with all the doors wide open. Good night!”
And the door closed after her.
For a little while after she had gone, turning over unruly thoughts, Miles stood motionless. In a mechanical way he picked up and replaced the books he had knocked over.
What had these women got against Fay Seton, anyway? Last night, for instance, Barbara Morell had practically warned him against Fay—or had she? There was a good deal in Barbara's behaviour he could not fit into any pattern. He could only be sure that she was emotionally upset. Fay, on the other hand, had denied knowing Barbara Morell; though Fay had mentioned, with a sharp hinting insistence, some man of the same surname . . .
“Jim Morell.” That was it.
Damn it all!
Miles Hammond swung himself up again to st on the window-ledge. Glancing behind at the darkling shape of the New Forest pressing up to within twenty yards of the house, he saw its darkness and breathed its fragrance as a balm for fever. And so, pushing one of the swinging lights wider open, he slid through and jumped down outside.
To breathe this dew-scented dimness was like a weight off the lungs. He climbed up the little grass slope of the terrace to the open space between here and the line of the forest. A few feet below him now lay the long narrow side of the house; he could see into the library, into the dark dining-room, into the sitting-room with ts low-glimmering lamp, then the dark reception hall. Most of the other rooms at Greywood were bedrooms, chiefly unused and in a bad state of repair.
He glanced upwards and to his left. Marion's bedroom was at the rear of the house, over the library. The bedroom windows on the side facing him—eastwards—were covered with curtains. But its rear windows, looking south towards another loom of the encircling woods, threw out dim yellow light the edge of whose reflection he could see as it touched the trees. Though Miles was out of sight of these rear windows, that yellow light lay plain enough at the corner of his eye. And, as he watched, a woman's shadow slowly passed across it.
Marion herself? Or Fay Seton talking to her before she retired?
It was all right!
Muttering to himself, Miles swung round
and walked northwards towards the front of the house. It was a bit chilly; he might at least have brought a raincoat. But the singing silence, the hint of moonrise beginning to make a white dawn behind the trees, at once soothed and exalted him.
He walked down to the open space in front of Greywood. Just before him lay the stream spanned by the rustic bridge. Miles went out on the bridge, leaned against its railing, and stood listening to the little whispering noises of the water at night. He might have stood there for twenty minutes, lost in thoughts where a certain face kept obtruding, when the jarring bump of a motor-car roused him.
The car, approaching unseen through the trees in the direction of the main road, jolted to a stop on gravel. Two men got out of it, one of them carrying an electric torch. As they piled up on foot towards the rustic bridge, Miles could see in outline tat one of them was short and stoutish, bouncing along with quick little inward-turning steps. The other was immensely tall and immensely fat, his long dark cape making him appear even more vast; he strode along with a rolling motion like an emperor, and the sound of his throat-clearing preceded him like a war-cry.
The smaller man, Miles saw, was Professor Georges Antoine Rigaud. And the immense man was Miles' friend, Dr. Gideon Fell.
He called out their names in astonishment, and both of them stopped.
Dr. Fell, absent-mindedly turning the light of the torch on his own face as he whirled it round to seek the source of the voice, stood briefly revealed as being even more ruddy of face and vacant of eye than Miles remembered him. His several chins were drawn in as though for argument. His eyeglasses on the broad black ribbon were stuck wildly askew on his nose. His big mop of grey-streaked hr seemed to quiver with argument like the bandit's moustache. So he stood peering round, huge and hatless, in every direction except the right one.
“ I'm here, Dr. Fell! On the bridge! Walk forward.”
“Oh, ah!” breathed Dr. Fell.
He came rolling forward majestically, swinging a cane, and towered over Miles as his footsteps thundered and shook on the planks of the bridge.
“Sir,” intoned Dr. Fell, adjusting his eyeglasses as he peered down like a very large djinn taking form, “good evening. You may safely trust two men of—harrumph--mature years and academic pursuits to do something utterly harebrained. I refer, of course . . .”
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