Gloomily, she ferried and stacked boxes until she had cleared a broad path to the filthy little window that the housemaids of yesteryear must have wished they could gaze out of during daylight hours. She dragged a tall dresser away from it, rubbed the panes with a wet cloth, and stared out into a galaxy of snow.
The flurries of a few hours earlier had become a blizzard. She contemplated returning to the house and camping out in front of the parlor fire with some reheated pizza and a good book. But she’d come this far and she was filled with anticipation, wondering what she would discover here amidst the detritus of lives long forgotten.
Weak winter light threw the room into vapid monochrome, revealing shrouded shapes crammed against moldering walls. Dragging a protective mask over her nose and mouth, she drew off some of the dust sheets. Incredibly, the furniture she unveiled was not junk, but fine quality Victorian pieces. A piano. Dining chairs. A mahogany chiffonier. She pulled a stack of boxes away from the front of a rolltop writing desk and tried the middle drawer. As her common-sense self had expected, it was locked. So were all the others, and the rolltop itself.
She groped beneath the desktop, hoping to locate a key. Her fingers connected with a small metal box screwed into the wood, and she got down on her hands and knees to inspect her discovery.
“Genius!” she congratulated herself, withdrawing not one but two keys from the concealed receptacle.
Just as she hoped, one of them unlocked the desk drawers, the other the rolltop. This slid back with surprising ease, and Rowe found herself staring at the mother lode. Rolls of letters, stacks of ledger books, cards, receipts. She opened an inlaid wooden box and gasped. An antique Waterman fountain pen complete with eye dropper and ink would thrill her any time, but this one told her she was looking at the Bakers’ domestic workstation. Before World War One, most fountain pens were dropper-filled.
She positioned her flashlight to one side and reached for a roll of letters. As she caught sight of her grubby hand, she groaned. Did she really want to cover all these old documents with black grime? There was probably historical stuff here Mrs. Chauncey would kill for. Besides, if there was one thing that turned Rowe’s stomach, it was having filthy hands and nails. Now that she’d seen hers, all she could think about was a hot shower.
Shivering with cold, she emptied a box and filled it with the contents of the desk. Halfway through this task, something caught her eye and she reached into the cavity behind the small upper drawers and extracted a thin, rectangular fabric purse.
Her pulse leapt. Someone had hidden this—obviously a woman. The purse was pretty and seemed to be made of silk. Elated, she unfastened the ribbon ties and withdrew a half-finished letter. It was written in a refined hand and dated July 1912:
Dearest James,
My heart is miserable. I know some accident must have befallen you en route to Dark Harbor. I can tolerate any embarrassment, the whispers and vindictive gossip, if I can but be assured that you are safe and we shall soon be married.
In your silence, my thoughts prey upon its cause. Surely my father’s ill-timed bombast could not have discouraged a true heart such as yours. If it is indeed his honest desire not to settle upon me the promised sum, it is my most fervent belief that this is of no consequence to you and could not in any way pertain to your absence upon the occasion of my birthday ball.
Although I feel most dreadfully alone, it is of some faint consolation to have shared the burden of my fears and secrets with my dear Becky. A more loyal and faithful confidante to her mistress could not be found. It is upon her counsel that I write this urgent plea…
Rowe searched every crevice of the desk for the next page of the letter and any other correspondence, but came up empty-handed. She read the unhappy words once more, then folded the page and returned it to the purse. Clearly there had been some shit going down between Juliet’s father and the prospective husband and threats that her marriage settlement would not be paid. Reading between the lines, it looked like Juliet believed this could be the reason she had been dumped. She was unhappy and hurt, but Rowe didn’t get the sense that she was suicidal.
She was intrigued by the reference to “Becky.” This had to be the maid Mrs. Chauncey had mentioned. Had Becky’s elopement with her young man pushed the jilted Juliet over the edge?
Rowe tucked the purse deep inside the box to protect it from the snow. Feeling thoroughly satisfied with her afternoon, she fastened her jacket, dragged on her wooly hat, and braved the bruising cold.
*
“Come with me.” Iris took Phoebe’s hand, and they floated out of the white room with its blinking equipment and tinny blipping sounds, and up toward the star-coated sky. Far below, the world glimmered as if the mantle of night were crawling with fireflies.
“You look better,” Phoebe said, noticing Iris’s bruises had gone. “Are you in heaven now?”
“I’m not sure,” Iris answered. “You’re here and you’re not dead, so how can I be?”
The lights became streams of golden lava so bright that Phoebe closed her eyes. She and Iris fell to earth without touching the ground. A willow tree loomed above them.
“This must be what it’s like to walk on the moon,” Phoebe said as they waded through air toward a pale wooden house.
Iris pointed to a ventilation grille in the concrete basement wall, and Phoebe lay down to peer inside. In the black interior, all she could make out was a metallic gleam.
“Call her,” Iris said.
“Who?”
“You know.”
Phoebe tried to call June’s name, but it was like talking underwater. Her voice bubbled out in a dull hiss. A shock of lightning drenched the basement interior and Phoebe saw her then, inside a cage like the kind they store oversized baggage in at airports. She was sitting huddled in one corner with a blanket around her, her legs drawn up, her head resting on her knees.
“June,” Phoebe wheezed, helpless to inject the cry with power. Frustrated, she told Iris, “We have to get her out.”
“He’ll be back soon.”
“We can smash this wall. Help me.” Phoebe beat the concrete with her hands, making no impression.
“I can’t. I have to go now.” Iris drifted away.
“No. Wait!” Phoebe followed her, trying to run on legs that felt weak and heavy.
The front of the house looked out on a road lined with tall trees. A dark van with tinted windows rolled to a stop at the curb, and a man got out and glanced around. Phoebe dropped to the ground, terrified. The man stopped at his mailbox. Those boots. Phoebe could see them in the streetlight. Heavy, light colored, with reinforced heels and pale soles.
The man stared directly at her. He had a small beard, and his hair was cut short and flat across the top. His eyes were narrow and his face and shoulders so fleshy he seemed neckless. Phoebe crawled frantically toward the nearest tree. He started to walk toward her, a strange sick smile on his face. She screamed and this time the sound burst from her lungs, piercing the starry night and opening the earth beneath her. Through the chasm she fell until a hand caught hers and Cara’s voice summoned her.
“Sweetie. Wake up.”
Phoebe opened her eyes. Her body shook violently. She clasped her hands, trying to still them. “I saw him. I saw his face.”
Cara held her close and stroked her hair. “You’re safe now. He can’t hurt you.”
“She’s in a cage in the basement under his house. We have to get her out.”
Dr. Karnovich bustled through the door and approached the bed. Speaking like he had a hairball lodged in his throat, he said, “This is very good. Very good.”
He took a sweet from his pocket, opened the wrapper, and offered it to Phoebe in the palm of his hand as if rewarding a child who had just taken nasty medicine. Phoebe took the candy automatically and put it in her mouth, surprised that she felt less shaky almost immediately.
Dr. K took her pulse, listened to her heart through his stethoscope, then asked, “
Can you remember your dream?”
“Most of it. I saw the man. Please tell Vernell.”
“He’s on his way.”
“Now?” Cara looked astonished.
“We have to hurry,” Phoebe said. “June’s alive. I saw her.”
Cara took her hand. “Remember the other dreams. They’re always—”
“No. This is different. I know she’s alive.”
Sounding like a priest in the confessional, Dr. K asked, “What makes you feel that, dear child?”
Phoebe struggled for a moment, trying to understand why this was not the same as every other dream. It dawned on her then that the reason she’d been able to converse with the others was that she was a visitor in their realm, the realm of the dead.
“June couldn’t hear me,” she said. “That means she’s not dead yet.”
*
Rowe stood in the vestibule and told herself it was mind over matter. She was sleepless. For hours her mind had been churning with stressful ruminations on her career, and countless questions about the people who had lived in her house a century ago. Now she wanted a cup of tea. All she had to do was walk into the kitchen and boil the kettle.
She turned on the lights and took a few paces, watching her shadow swell across the wall ahead of her. The hallway seemed longer than usual, the kitchen lying in wait like a dozing beast. Rowe reminded herself that the only truly sinister presence in her house was a fax she’d received from her publisher late that afternoon outlining some unattractive legal options. Her feet, in fleece-lined moccasins, followed orders and led her to the kitchen threshold. She stood there, inhaling air of a different character—musty, torpid air.
Walking into the kitchen was like entering a cell. She could feel the resentment of past occupants seeping from the walls. Rowe’s hands were sweaty and her heart began pounding like it needed to escape from her chest and head for the door. Stubbornly, she filled the kettle and set it on the stove, telling herself that stress was the real problem tonight. There were no footsteps in the ballroom, the Widow was not tapping on the turret room door.
She rinsed her favorite teapot, an antique black basalt Wedgwood she’d splurged on after she got her first-ever royalty check. Refusing to look over her shoulder, she spooned tea leaves into the tea ball and wished the water would boil. As the seconds slithered by, she distracted herself by exploring the fridge. Phoebe had baked a pecan pie just before she and Cara left for Quantico, and they’d dropped off the leftovers for Rowe on their way to their airport.
She wiggled the knife drawer open, irritated that she kept forgetting to wax the edges to stop it from sticking. From the quivering knives, she selected a small carver and placed it on the counter. As usual, it tried to move. Irritated to find herself unnerved by this, Rowe slapped her hand down on it.
Dwayne and Earl claimed the counter surface was level and instead there was some kind of malevolent presence guarding the room, clearly nonsense. Rowe had renovated an old house once before. There was no such thing as a straight line or a plumb wall. As for an evil presence—they wished.
The kettle whistled, and she switched her attention to making the tea and putting away dishes she had washed earlier. As she lifted crockery into the cabinet next to the sink, a shiver twitched her spine, and she felt certain she was being stared at. To turn or not to turn? Telling herself she was being ridiculous, she did not look back at the counter where the pie waited, but instead took her time stirring the tea. When finally she turned, mug in hand, she froze.
The carving knife was no longer on the counter. Instead it was several inches above the chipped tile surface, the blade pointing directly at her. Rowe dropped her tea in fright and took a swift sideways step toward the door. The knife catapulted after her, and she plunged out of its path, diving for the floor. The lethal blade struck the wall behind her and embedded itself.
“Fuck. Damn.” Rowe was soaked with wet tea, and a shard of ceramic jutted from her right palm. Above her the half-open knife drawer began rattling violently. Horrified, she scrambled to her feet and shoved it closed, leaning back against it, breathing hard. “Who the fuck are you and what do you want?” she yelled. “Come on, chickenshit. Show yourself.”
She stared around the dingy room. Was this a dream? Her hand throbbed with pain and she pulled out the long shard. Blood dripped from the wound to the floor, blending with the liquid already there to form a reddish pool. Rowe found a kitchen towel and wrapped it around the injury. It wasn’t serious, just painful. At least she was alive.
With trepidation, she yanked the knife from the wall and returned it to the drawer, hurriedly shoving it closed.
“This is my house and you’re not getting rid of me that easily,” she informed the peeling walls.
Fuck this. She was going to bring a team of workmen in here as soon as the worst of winter was over. They could demolish the goddamned room. There were plenty of better locations for a kitchen anyway. Maybe she would convert the huge formal dining room she never used. There was enough space for a state-of-the-art kitchen if she wanted one.
Rowe picked up the pie and crossed the room. Her hand was so sore she was whining. Screw the mess on the floor. She would clean it up tomorrow.
“Your days are numbered, pal,” she announced from the safety of the threshold. “I’m going to take this place apart brick by brick.”
The kitchen gave her the silent treatment. Rowe felt self-conscious all of a sudden, seeing herself as someone else would: a well-known author holding a pie, standing in the doorway of an empty room, talking to herself. And she had thought Phoebe needed professional help.
CHAPTER EIGHT
“Let’s start with the eyes, Ms. Golden.” A rangy forensic sketch artist named Colby Boone pinned several computer-generated composites to a whiteboard. They looked like androids.
Phoebe picked out an image. “This one. But his eyes are set deeper and his eyebrows are thicker. It was dark so I’m not sure about his eye color.”
“And a flattop hair cut, you were saying?” Colby’s accent was distinctively Texan. It suited his dark tan and his cowboy shirt and boots.
He wasn’t FBI, Phoebe decided. You didn’t have to be telepathic to figure that out. “Yes, like they have in the army.”
The artist worked quickly, his sun-bleached blond head bent, his pencil darting and weaving over a sketching block. “Compare those beards now, would you, ma’am.”
Phoebe compared the android pictures with her mental snapshot. The computer-generated faces were even-featured on both sides, unlike real people. She plumbed her memory for the tiny details and irregularities that would make the image more true to life.
“The beard is a shade darker than the hair. And something else. His ears are quite small compared with his face and the left one sticks out a lot more than the right.”
“Probably sleeps on that side,” Colby said. “You have a good eye for detail.”
“I’m motivated.”
They worked on the forehead, the nose, the shape of this face. The picture Colby finally placed in front of her was remarkably close to her recollection of the man, and he looked much more like a real person than the computer image.
“Wow.” She examined the sketch carefully. “That’s amazing.”
“Machines still can’t replace the human eye.”
“I guess artists like you are being phased out these days.”
“It depends how good you are.” Eyes the same color as his jeans glinted with humor. “You don’t have to be able to draw a straight line to make one of these computer pictures, and that’s a good thing for small police departments. On a big case, they usually bring in a real artist to work with important witnesses like yourself.”
Phoebe felt a pang of guilt. She didn’t like having to deceive people about who she was. Vernell had told Colby she was a key witness who had seen the suspect in the vicinity of an abduction. It was the truth, in a roundabout way, she supposed.
“You made
this very easy for me,” she said. “I think what you do is incredible.”
The Texan gave her a broad smile. “Mighty nice of you to say so.”
The door swung open, and Vernell entered the room with a well-scrubbed young agent Phoebe had never seen. Aware that Vernell had been working since Dr. K called him in the middle of the night, Phoebe was amazed at how fresh he looked. His white shirt was crisp, his conservative maroon tie perfectly pressed, and his suit pristine. He smelled faintly of high-quality aftershave and hair product. Phoebe tried to imagine him in casual clothing and failed.
He picked up the sketch and studied it closely. “This our guy?” he asked her.
“Definitely.”
Vernell handed the sketch to the young agent and told him to scan it and make copies. There was the same leashed excitement about him that Phoebe noticed whenever they found a grave. Today it brimmed closer to the surface, making his dark eyes more intense and his speech rapid. He had mentioned this was his first big case as an S.A.C., Special Agent in Charge. The possibility that June could still be alive had him chomping at the bit to catch the killer red-handed.
“Looks like we’re done here,” he said, thanking Colby and collecting the other sketches they’d done of the van and the house. “If you’d like to come with me, Ms. Golden.”
Phoebe got to her feet and said farewell to the artist. She’d enjoyed their session and appreciated how he had made her comfortable, chatting between times about his ranch and animals. He had even suggested a couple of breeders when she said she wanted a puppy. Phoebe checked the back pocket of her jeans as she accompanied Vernell and his colleague along the drab corridors of the Behavioral Science Unit. She’d made a note of the kennels’ names, just in case Cara suddenly decided they could have a dog after all.
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