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A Sky Full of Birds

Page 22

by Matt Merritt


  I watch until the last birds have become tiny specks in the eastern sky, then vanish below the horizon, their clangour faded to a faint rumour above the calls of waders and the growing tinnitus of the awakening world. They’ll probably be back tonight, of course, but they won’t necessarily return in one large movement. The early bird really is the one who gets the early bird.

  If geese were all Snettisham had to offer, it would still be utterly worth rising at an unearthly hour and risking hypothermia. But they’re not, and what follows can, depending on your view of gangly, gawky shorebirds, make the pink-feet seem like little more than the competent but essentially commonplace opening act of the greatest show you ever saw.

  There’s a little gaggle of birdwatchers around me now. We were all present to see the geese, but strung out along the sea wall at intervals of around thirty yards or so. Being British our natural reserve demands that we gravitate towards each other only very slowly, and seemingly reluctantly, but the extreme cold probably helps encourage our coming together, seeing as how we’re all looking for the slightest excuse to move around and keep warm. Once we do, we start to discuss excitedly what we’ve just seen, like the audience at a West End musical pouring out into the bar at the interval, talking about highlights from the first half and wondering how on earth the cast are going to top that in the second half.

  But top it they do. Where they differ from the stars of the stage is that, taken individually, none of these birds is necessarily stellar. It’s just that brought together for the greatest crowd scene of the British birdwatching year, every one of them is unforgettable.

  It starts with redshanks. They’re familiar enough to birdwatchers of most types and abilities, their extreme sensitivity to danger (especially in the form of man) having long ago earned them the nickname of ‘warden of the marshes’. Generally solitary, they start to arrow a few feet over the sea wall, flying straight down the slipstream of their mournful, liquid, three-note whistles – by the time you hear it they’re past you.

  Golden plovers, too, are birds that still breed in Britain in reasonable numbers, and at least some of those that we see spangling high above the water in the first rays of the risen sun will have made the relatively short journey from the Pennines, or Scotland. In this light they come closer than most to being heavenly bodies, toggling between tiny, almost invisible white dwarfs as they present us with their pale bellies, then exploding into a hundred supernovas of yellow-gold as the flock turns and their backs and wings catch the sun. There are three such groups, with two occasionally combining and then separating again, and they alternate a seemingly aimless wide circling with fast, purposeful flight in our direction, all the time losing height.

  Dunlin and knot, on the other hand, are rather less familiar birds, especially for any birder from a landlocked county, like me. In spring and summer they’d be a completely different story, the former resplendent in black waistcoat and rufous back, and the latter a dazzling terracotta shade that outweighs the rather ungainly impression given by its portly outline, as well as fully justifying the species’ American moniker of red knot.

  For now, though, both are clouds of dark-grey specks in the distance, like so many midges in summertime. Where the golden plovers are creatures of light, these waders seem to be soaking it up. Their flocks twist and gyre like those fractal screen-saver displays on PCs in the 1990s, threatening to tear apart and disintegrate completely, before suddenly coalescing again and taking on a new form. It’s truly hypnotic, and again it’s easy not to notice that as we watch, they’re getting closer, and lower.

  Just as it seems they must run out of mudflat over which to perform their perfectly choreographed moves, there’s an interruption in their aerial dervish dance. A large female peregrine appears from behind us, flying into the wind with powerful strokes that clearly show her flexed carpal joints. She soars for a few metres every now and then, presumably eyeing the immense moveable feast below and ahead, and the flocks tighten and tighten until they’re solid black. The waders know the deep-chested, muscular shape of the raptor for what it is – sudden and violent death – and react accordingly. This, after all, is what flocks are really all about. On its own, not one of those birds would stand a chance against the falcon and her breakneck fury, but together they’re something more intimidating. It takes only a few seconds and then the peregrine decides that discretion is the better part of valour, and starts to drift around the shore towards Lincolnshire, perhaps looking to pick off one of the lone curlews that are studding what’s left of the mud, or else thinking about heading inland to make a breakfast of woodpigeon.

  The peregrine’s departure is the signal that the dunlin, golden plovers and especially knots have been waiting for. Birds are unravelled from the larger tangle by invisible forces of kinship, habit and hunger, and are spun out into long thin strands above our heads, before finally snagging on some invisible hook just beyond the gravel pits and falling to earth. But others are emboldened to strike out on their own, perhaps deciding that a faster, more direct approach is needed to secure the best positions at the roost. As we stand birds start to skim lower and lower over our heads, sometimes so close that we feel the draught from their wings as they rush by. Our ears are filled with the strange music – melancholy and yet so urgent that it’s life-affirming – of shorebirds calling to each other to remain in contact. Who knows? Calling to the whole world to tell it that they’ve survived another winter night.

  This little squall of birds gathers pace, until you feel as though you could grab a couple simply by raising your outstretched hands above your head. It’s a moment to be glad that you made the effort to get up so early and, birds’ digestive systems being what they are, relieved that you wore a hat, but most of all it’s time to be astonished by the sheer size and scale and the power of crowds.

  When, finally, the amount of incoming birds lessens and then stops almost entirely, we make our way to the hide overlooking the nearest gravel pit. After the immense relief at being out of the stinging wind has worn off, and we’ve begun thinking about using our binoculars again, we’re jabbering away once more, so much so that none of us registers exactly what is before us. No one actually says ‘where have they all gone to’, but we’re all thinking it, and it’s only when that oystercatcher starts barging his way to the front that we realise we’re looking at a landscape made up entirely of birds. While the water’s empty enough, pretty well every inch of solid ground in sight is occupied by a wader of one sort or another.

  That takes some getting your head around, and again I start marvelling at the fact that this is all happening, not in some distant, remote and picturesque location, but round the back of a humdrum caravan park just a couple of miles from the main roads and filling stations, retail parks and housing estates of the modern world.

  Then it strikes me. However deliciously thrilling that juxtaposition is for us – the grandeur of untamed nature next to the gentle, unchanging banality of everyday life – for the birds this is nothing special at all. The waders will have cared nothing for the fact that their own movements were synchronous with those of the geese. The geese likewise. This immense gathering is, to the average knot or dunlin, no more significant than any other. They’re used to flying in flocks, feeding in flocks, and breeding in close proximity, and the timing of tides and sunrises are utterly irrelevant. For them the location is neither unspoiled nor man-made, just a huge, muddy fly-through takeaway with adjoining waiting areas to be used for as long as necessary until the next biological imperative wings them halfway across the country, or continent, or world.

  And that, perhaps, is the single thing that makes birdwatching so endlessly involving. However much we can predict behaviour based on careful study and past experience, there’s no getting away from the fact that every bird is an individual, sentient being with its own motives and particular habits and routines. And while each of them is also affected by mankind’s behaviour – above all the destruction of vast swath
es of habitat – many are also capable of adapting to new circumstances, or else of arranging their lives so that they intersect with man’s only when it’s absolutely necessary. The power of flight, of course, gives them more freedom than just about any other creature on the planet and it also invests each encounter with every bird with an aura of good fortune.

  Those intersections are what continue to delight me, after getting on for forty years of birding. More than that, they astonish me, in the genuine sense of the word. Even a sighting of a familiar bird – a song thrush riffing from the top of the garden rowan, say – feels like a gift once you take into account that it had so many other places it could be, and so many other things it could be doing. Multiply that feeling and that possibility by tens, and hundreds, and thousands, as so many of the experiences in this book have done, and you can start to feel like the luckiest person on the planet.

  Index

  The page references in this index correspond to the printed edition from which this ebook was created. To find a specific word or phrase from the index, please use the search feature of your ebook reader.

  Athelney, Isle of xviii, xix

  Attenborough Nature Reserve 141

  Bass Rock 80

  Bempton Cliffs RSPB 96

  Berwick-upon-Tweed 186–7

  blackbird 25, 43, 201

  blackcap 28, 43, 136

  bullfinch 27

  bunting, corn 209

  bunting, reed 59

  buzzard xiii, xx, 57

  capercaillie 3, 7

  chaffinch 6, 27

  Charnwood Forest 25, 112, 198

  chiffchaff 27

  crow, carrion xx, 57, 160, 163–4

  cuckoo 51, 54

  curlew 26, 213

  curlew, slender-billed 185

  dove, stock xiii

  duck, tufted 41

  dunlin 205, 218–19

  egret, little 195

  eider 16

  Esher Rugby Club 203

  Farne Islands 90

  fieldfare xx

  flycatcher, pied 137

  fulmar 84, 88

  gannet 16, 82, 84–7, 96

  godwit, black-tailed 44, 178

  goldeneye 205

  goose, Canada 10, 143

  goose, pink-footed 186, 212, 214–15

  Gracedieu Woods 24

  grebe, great crested 1, 10–11, 13, 15, 17

  grebe, Slavonian 16

  greenfinch 27

  grouse, black 6–8

  guillemot 84, 88

  guillemot, black 88

  gull, black-headed xx, 69, 98, 213

  harrier, hen 55–6

  harrier, marsh, xx, 209

  heron, grey 6, 57

  heron, squacco 141

  hoopoe 139

  jackdaw xx, 156, 158, 160, 163

  kestrel xiii, 57

  kite, red 104–108

  kittiwake 68, 70–2, 73–9, 88

  Knepp Castle Estate 33, 37

  knot 206, 218–19

  lapwing xx, xxi, 209

  mallard xx, 10, 14, 178, 180, 205

  mandarin 197–8, 200

  martin, house 51–2

  merlin 56, 59

  moorhen xx

  Nethy Bridge 2

  Newborough Warren 165–170

  nightingale 31–7

  Oakham 115–16

  osprey xv, 124–8, 130

  Ouse Washes 172–4

  owl, barn 37, 56, 65, 209, 213

  owl, short-eared 56

  owl, tawny 37

  oystercatcher xv, 205

  Pagham Harbour 47

  parakeet, ring-necked 201–4

  Parkgate RSPB 58

  peregrine 56, 59, 100–6, 110–14, 218

  pigeon, feral 98–100, 109–10

  pintail 16, 205

  pipit, meadow 59

  plover, golden xxi, 16, 209, 217, 219

  pochard 178, 180

  puffin 84, 88–9

  rail, water 60

  Rathlin Island 87

  raven 6, 9, 160–2, 163, 165–70

  razorbill 84, 88

  redshank 205, 213, 217

  redstart 47, 136, 142

  redwing xx

  robin 6, 21, 25, 31

  rook xx, 156, 158–60, 162, 163–4

  Rutland Water 12, 117–28

  scaup, lesser 39–40

  shrike, red-backed 137

  Snettisham 206–7, 212–13

  Somerset Levels xiv, 145

  sparrowhawk 201

  Spurn Point 133–6, 141

  starling xii, 59, 144–55

  Stokenchurch 107

  swallow 13, 42

  swan, Bewick’s 174–6, 180, 183–4

  swan, mute 181–3, 186–8

  swan, whooper 171–5, 177–80, 183

  Swithland Reservoir 39

  Tate Modern 98, 111

  teal xx

  tern, little 46

  tern, Arctic 92–3

  thrush, mistle 191

  thrush, song 25

  tit, great 27

  tit, long-tailed 1, 138

  wagtail, yellow 48

  warbler, garden 28, 136

  warbler, icterine 136

  warbler, marsh 26

  warbler, willow 28, 48–9, 136

  waxwing 190–5

  wheatear 41, 45, 53–4, 73

  whinchat 136, 142

  whitethroat 28, 136

  wigeon xx

  Welney 173–5, 177

  woodpecker, green 138

  woodpigeon xiii, 201

  wryneck 131, 137

  York 109–11

  Acknowledgements

  For help and inspiration, thanks are due to: Bird Watching magazine, the RSPB, the Wildfowl & Wetlands Trust, the British Trust for Ornithology, Alison Brackenbury, the Grant Arms in Grantown-on-Spey, Heatherlea Birdwatching Holidays, Knepp Castle Estate, the Wildlife Trusts, Leicestershire and Rutland Ornithological Society, Nine Arches Press, Tim Appleton, Stuart Winter, David Lindo, Rutland Osprey Project, Rick and Elis Simpson, David Morley, John Miles, Mark Cocker, Conor Jameson, Paul Brook, Swarovski Optik, Neil Glenn, Waveney River Centre.

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Epub ISBN: 9781473503328

  Version 1.0

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  Rider, an imprint of Ebury Publishing,

  20 Vauxhall Bridge Road,

  London SW1V 2SA

  Rider is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com.

  Copyright © Matt Merritt 2016

  Matt Merritt has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988

  First published in the United Kingdom by Rider in 2016

  www.eburypublishing.co.uk

  A CIP catalogue record for this book is available from the British Library

  ISBN 9781846044793

 

 

 


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