Haugen, Einar. Ibsen’s Drama: Author to Audience. Minneapolis: University of Minneapolis Press, 1979.
McFarlane, James, ed. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press, 1994.
Marker, Frederick J. and Lise-Lone. Ibsen’s Lively Art. New York: Cambridge University Press, 1989.
May, Keith M. Ibsen and Shaw. New York: St. Martin’s Press, 1985.
Meyer, Michael. Ibsen: A Biography. Harmondsworth: Penguin, 1974.
Northam, John. Ibsen: A Critical Study. London: Cambridge University Press, 1973.
—— Ibsen’s Dramatic Method: A Study of the Prose Dramas. Oslo: Universitetsforlaget, 1971.
Templeton, Joan. Ibsen’s Women. Cambridge: Cambridge University Press, 1997.
Theoharis, Constantine. Ibsen’s Drama: Right Action and Tragic Joy. New York: St. Martin’s Press, 1996.
Anton Chekhov
Carlile, Cynthia and Sharon McKee, trans. Anton Chekhov and His Times. Andrei Turkov, ed. Fayetteville: University of Arkansas, 1995.
Gilles, Daniel. Chekhov: Observer Without Illusion. New York: Funk & Wagnalls, 1968.
Gillman, Richard. Chekhov’s Plays: An Opening into Eternity. New Haven, CT: Yale University Press, 1995.
Koteliansky, S.S., trans, and ed. Anton Chekhov: Literary and Theatrical Reminiscences. New York: Blom, 1968.
Magarshack, David. Chekhov the Dramatist. London: Eyre Methuen, 1952.
Miles, Patrick, ed. Chekhov on the British Stage. Cambridge: Cambridge University Press, 1993.
Peace, Richard. Chekhov: A Study of the Four Major Plays. New Haven, CT: Yale University Press, 1983.
Rayfield, Donald. Chekhov: The Evolution of His Art. New York: Harper, 1975.
Senelick, Laurence. The Chekhov Theatre: A Century of Plays in Performance. Cambridge: Cambridge University Press, 1997.
Styan, J.L. Chekhov in Performance. Cambridge: Cambridge University Press, 1971.
Valency, Maurice. The Breaking String: The Plays of Anton Chekhov. New York: Schocken, 1983.
Bernard Shaw
Berst, Charles A. Bernard Shaw and the Art of Drama. Urbana: University of Illinois Press, 1973.
Dukore, Bernard F. Bernard Shaw, Director. Seattle: University of Washington Press, 1971.
Crompton, Louis. Shaw the Dramatist. Lincoln: University of Nebraska Press, 1969.
Gainor, J. Ellen. Shaw’s Daughters: Dramatic and Narrative Constructions of Gender. Ann Arbor: University of Michigan Press, 1991.
Holroyd, Michael. Bernard Shaw. New York: Random House, 1988.
Innes, Christopher, ed. The Cambridge Companion to George Bernard Shaw. Cambridge: Cambridge University Press, 1998.
Lorichs, Sonja. The Unwomanly Woman in Bernard Shaw’s Drama and Her Social and Political Background. Uppsala: University of Uppsala, 1973.
May, Keith M. Ibsen and Shaw. New York: St. Martin’s Press, 1985.
Meisel, Martin. Shaw and the Nineteenth-Century Theatre. Princeton: Princeton University Press, 1969.
Peters, Margot. Bernard Shaw and the Actresses. Garden City, NY: Doubleday, 1980.
Peters, Sally. Bernard Shaw: The Ascent of the Superman. New Haven, CT: Yale University Press, 1996.
Weintraub, Stanley. Journey to Heartbreak: The Crucible Tears of Bernard Shaw, 1914–1918. New York: Weybright and Talley, 1971.
Wisenthal, J. L. The Marriage of Contraries: Bernard Shaw’s Middle Plays. Cambridge: Harvard University Press, 1974.
INDEX
Bold numbers indicate extracts
5th Avenue Theatre: 112
Abbey Theatre: 38
Abel, Walter: 145
Achurch, Janet: 19, 37, 78, 82, 87, 88, 89, 90, 92, 112
An Actor Prepares: 22, 56–59
The Actor’s Studio: 22
The Actresses’ Franchise League: 39, 216–217
Adelphi Play Society: 145, 164
Adelphi Theatre: 112
Adlersparre, Sophie: 75, 83
Admission of Women to Electorial Franchise: 33
Adrienne Lecouvreur: 18,31
Aesthetic Studies: 33
Agate, James: 244
Alan’s Wife: 18, 36
Aldwych Theatre: 174
Alekseiev, Konstantin, see Stanislavsky
Alexander III: 130
Alexandrinsky Theatre: 142, 144, 146,
Alexeyeva, M.P., see Lilina
Alexis, Paul: 47
Alfred: 10
All My Sons: 22
Allen, Grant: 119
L’Ami Fritz: 48
Ancey, Georges: 47
Andersen, Hans Christian: 30
Andreeva, Maria F.: 112
Andreyevna, Olga: 54
Andromaque: 18
Anthony, Susan B.: 33
Antoine, André: 4, 10, 11, 13, 14, 16, 21, 26, 27, 35, 39, 46, 47, 52–53, 54, 87, 184, 218
Apollonsky, Roman: 144
Appia, Adolphe: 37
Archer, Charles: 88, 121
Archer, William: 7, 23, 26, 40, 78, 84, 87, 88–90, 91–96, 112–113, 115–117, 118, 121–122, 163, 212, 214
Arkhangelsky, Pavel: 125
Der arme Heinrich: 179
L’Art du comédien: 36
The Art of the Theatre: 4, 38
As Tou Like It 239
Asbjornsen, P.C.: 30, 67
Ashwell, Lena: 232, 243
L’Assommoir: 34
At the Hawk’s Well: 40
Auerbach, Erich: 4
Augier, Emile: 8, 11, 31, 34, 44, 52
Aveling, Edward: 84
L’Aventurière: 31
Avenue Theatre: 82
Axël: 138
Ayliff, H.K.: 232, 237
Baal: 41
Baker, George Pierce: 7, 41
Bakunin, Mikhil Aleksandrovich: 128
Balzac, Honoré de: 14, 47, 48, 49, 51
Bancroft, George: 215
Bandbox Theatre: 145
Barrie, James: 38, 121
Barrymore, Ethel: 82
Bateman, Leah: 215
Bayreuth Festspielhaus: 34
Beckett, Samuel: 188
Becque, Henry (also Henri): 12, 18, 34, 111, 181
Before Dawn: 21, 35
Beggar’s Opera: 239
Behn, Aphra: 18
Belasco, David: 32, 38
Beidon, Eileen: 237
Bell, Florence (Lady): 18, 36, 117, 119
Bell, Vanessa: 233
Belloc, Marie: 46
The Beils: 33
Ben–Ami, Jacob: 145
Bennett, Arnold: 180, 181, 239
Bentham, Jeremy: 192
Bérénice’: 18
Bergen Theatre (Norske Theater): 11, 65
Berlin Volksbühne: 239
Berlyn, Ivan: 174
Bernard, Claude: 6, 32
Bernhardt, Sarah: 32, 35, 41
Berstein, Aline: 145
Besant, Annie: 190, 191, 192–195
Beyond the Horizon: 41
Bibilin, Viktor: 146
Bijou Theatre: 175
Billy Rose theatre: 248
Birkeland, Mikael: 69
Birth of Tragedy: 34
Bizet, Georges: 146
Bjørnson, Bjørnsterne: 38, 66, 70, 73, 114, 115
Blake, William: 190
Blanchette: 18
Blaschko, Alfred: 201
The Blind: 36
Bloomsbury Group (see also Vanessa Bell, Virginia Woolf): 233, 238
The Blue Bird: 38
Bobo, Pierre: 54
Boris Godunov: 123
Boucicault, Dion: 32
Bound East for Cardiff: 21, 40
Bourget, Paul: 117
Brahm, Otto: 14, 22, 35, 82
Brandes, Edvard: 76
Brandes, Georg: 33, 43, 44–46, 60
Brandès, Marthe: 112
Brando, Marlon: 22
Breaking a Butterfly: 78, 84, 87
Brecht, Bertolt: 16, 41, 212, 217
Brieux, Eugène: 9, 13, 14, 18, 23, 38, 1
89, 209, 210, 211, 214, 230
Brook, Peter: 15
Brooke, Rupert: 232
The Brothers Karamozov: 34, 58
Brough, Fanny: 215, 216
Browning, Robert: 30
Bruford, W.H.: 25
Bruun, Constance: 106, 114, 115
Büchner, Georg: 30, 40
Buist, Scott: 115
Bulgakov, Leo: 145
Bulgakova, Barbara: 145
Buchanan, Robert: 117
Bunin, Ivan: 172
Burgtheater: 242
Butler, Samuel: 190
Byron, Lord George Gordon: 44
Bystrom, Ebba: 242
Cady, Elizabeth: 33
Calderon, George: 161, 164, 174, 175, 180
Campbell, Mrs Patrick: 37, 112
Capuana, Luigi: 86, 87
Carlyle, Thomas: 207
Carmen: 146
Carré, Michel: 47
Cathleen ni Houlihan: 38
Caste: 9, 11, 33
Céard, Henri: 47
Charcot, Jean Martin: 6, 36
Charrington, Charles: 82, 89, 90
Chatwin, Margaret: 237
Chekhov, Alexander: 140
Chekhov, Anton: 3, 16, 17, 18, 21, 22, 23, 25, 26, 27, 32, 34, 35, 37, 38, 46, 53–56, 58, 123–188, 189, 202, 210, 218, 232, 237, 238, 247
PLAYS
The Bear: 141
The Cherry Orchard: 21, 25, 38, 125, 126, 128, 129, 135, 136, 138, 139, 140, 141, 164, 165–188, 189, 217, 232, 237, 238
Ivanov: 35, 129, 140, 144
On the High Road: 22, 35
Platonov: 34, 165
The Seagull: 3, 18, 21, 22, 25, 37, 54, 138, 139, 140, 141, 142–165, 168, 176, 217
The Swan Song: 35
The Three Sisters: 18, 25, 38, 129, 135, 138, 140, 143, 165, 168, 169, 184
Uncle Vanya: 25, 37, 165, 169
The Wood Demon: 35, 129, 144, 165
Chekhov, Michael: 146
Chekhova, Maria: 151
Chernov, Viktor: 129
Christiana Theater (Kristiana Norske Theater see also Norwegian Theatre): 82, 107, 114
Christians, Mady: 237
Cibber, Colley: 63
Civic Repertory Theatre: 145, 175
Clark, Alfred: 236
Clonabraney, Oliver: 174
Clurman, Harold: 248
The Colleen Bawn: 32
Collett, Camilla: 69, 70, 72, 73, 97
Collett, John: 73
The Collier’s Friday Night: 39
Comédie Française: 32, 46, 48, 185
Comedy Theater: 145, 215
The Communist Manifesto: 31
Companie Pitoëf: 83
Companions of New Drama: 174
Comte, Auguste: 93
The Condition of the Working Class in England: 30
Conrad–Ramlo, Marie: 112
A Co-operative Company: 145
Copeau, Jacque: 40, 184
Coquelin, Benoit–Constant: 36
Corneille, Pierre: 49, 50
The Corsican Brothers: 11, 34
Coulouris, George: 237
The Country Wife: 18
Court Theatre (London): 26, 53, 112, 217, 218, 236, 246, 247
Covent Garden: 10, 30
Craig, Gordon: 4, 38, 40
Crime and Punishment: 32
Critique of Political Economy: 32
Crøger, Olea: 67
The Crows (Les Corbeaux): 12, 34, 111
The Crucible: 22
Dahl, Vladimir: 32
Daily Life in Russia: 125, 126–128
Daly, Arnold: 215, 224, 225, 226, 227, 229
Damaged Goods: 230
Dante: 38
Danton’s Death: 30
Darwin, Charles: 3, 6, 32
The Daughter–in–Law: 18
Dean, Basil: 3
de Curel, Francois: 47
Defoe, Daniel: 6
de Goncourt, Edmond: 5, 14, 46
de Goncourt, Jules: 5, 14
Dehellyjean: 185
de L’Isle–Adam, Villiers: 138
de Loutherbourg, Philip: 10
Le Demi–Monde: 8, 31
Denham, Reginald: 232
Deutsches Theater: 34, 82, 179
de Vega, Lope (Vega Carpio): 54
The Development of Capitalism in Russia: 129
Devonport, Lord : 236, 238
Dictionary of the Living Russian Tongue: 32
Diderot, Denis: 6, 7
Dietrichson, Lorentz: 68
Digges, Dudley: 236, 239
Dignam, Mark: 237
Donat, Robert: 248
Dostoyevsky, Fydor Mikhailovich: 31, 32, 33, 34, 58, 186
Dr. Strangelove: 248
Dramatic Technique: 7, 41
Dublin English Stage Society: 38
Dumas fits (Alexandre): 8, 31, 52, 95
Duse, Eleonora: 26, 33, 82, 87, 88, 112
Dyer, Alfreds.: 197
Efros, Nfickolai] E: 26, 161, 166, 168, 173
Ellis, Havelock: 201, 202
Elvey, Maurice: 145, 164
The Emperor Jones: 41
Engels, Friedrich: 30, 31, 189
English Repertory Theatre: 39
Enright, Florence: 145
Erewhon: 190
Ervine, St John: 235, 239
Essay on Liberty: 32
Essays on Some Unsettled Questions of Political Economy: 30
L’Ètranger: 143
Euripides: 108
The European Slave Trade in English Girls: 196, 197–199
Evans, Edith: 236, 237
Everyman: 40
Exiles: 41
The Experimental Novel: 46
Fabian Society: 35, 190, 191–195, 203, 232–233
Fagan, Gemma: 175
Fagan, James B.: 175, 181, 188, 236, 239
Farrel, Paul: 174
Fashion; or, Life in New York: 30
Fassbinder, Werner: 16
Fay, Frank: 26
Fédora: 34
Fell, Marian: 145
Fergusson, Francis: 25
Ferréol: 7, 33
Feuerbach, Ludwig: 44
Fielding, Henry: 6
Fiske, Minnie Maddern: 112
Fitzgerald, Geraldine: 237
Flaubert, Gustav: 14, 21
Fletcher, Constance: 18, 36
The Forest 33
Les Fourchambeault: 34
Freie Bühne: 14, 22, 35, 36
Freud, Sigmund: 6, 36, 37, 38,
From the Camp of the Dumb (Fra de Stummes Lejr): 69–70
Fuchs, Georg: 38
Fuller, Margaret: 30
Le Gallienne, Eva: 145, 175
Galsworthy, John: 18, 39, 60, 218
Gapon, Father George: 133–135
Garnett, Constance: 145, 180
Garrick, David: 63
Garrick Theatre: 215, 225, 226, 227, 228, 236, 244
Garvey, Maire: 26
Gassner, John: 26
Gauss, K.F.: 30
Gay, John: 239
Geobel, Heinrich: 31
Germinal: 35
Girl of the Golden West: 38
Globe Theatre: 82
Godwin, Mary: 71
Goethe, Johann Wolfgang von: 117
Gogol, Nikolai: 30, 123, 173
The Golden Fleece’: 39
Goldman, Emma: 60, 197, 200–202, 214
Goodheart, Charles: 216
Gordon, Ruth: 83
Gorky, Maxim: 21, 22, 38, 54, 129, 173
Gosse, Edmund: 59, 75, 108–112
Grand, Sarah: 20
Grand Opera House: 227
Granville Barker, Harley: 18, 26, 38, 39, 215, 216, 217, 218, 223, 237
Greer, Germaine: 197, 214
Grein, J[ohn] T.: 14, 36, 214
Grev, Mary: 175
Grey, Mary: 236, 237
Griffies, Ethel: 175
Grosses Schauspielhaus: 41
Guthrie, Tyrone: 188
Hagen, Uta: 145
La Haine (Hatred):
7, 33
Hall, E.: 20
Hamlet: 40
Hansson, Olaf: 114
Hardwicke, Cedric: 237
Harris, Jed: 83
Hassan: 3
Hauptmann, Gerhart: 14, 21, 22, 23, 35, 36, 38, 40, 54, 60, 179
Haverland, Anna: 112
Hebbel, Friedrich: 30
Hedberg, Karl: 239
Hedberg, Tor: 239, 242
Heese, Clara: 112
Heiberg, Johan Ludvig: 30, 45
Helburn, Theresa: 239, 247
Hennings, Betty: 81, 82, 83, 112
L’Héritière (The Heiress): 18
Hernani: 30
Herne, Chrystal: 215, 217
Hoffory, Julius: 97
Hofmannsthal Hugo von: 22
Homer: 54
Hood, Margaret: 237
Houghton, Norris: 54
The House of Bondage: 200
Hughes, David E.: 31
Hugo, Victor: 12, 30, 50, 229
Hutchinson, Josephine: 145
Hyperion Theatre: 215, 225
Ibsen, Henrik: 3, 5, 7, 8, 9, 10, 11, 13, 14, 15, 16, 17, 18, 19, 21, 22, 23, 25, 27, 31, 32, 33, 34, 35, 36, 37, 39, 43–44, 45, 54, 59, 60, 61, 62, 65–122, 128, 138, 143, 161, 163, 181, 189, 190, 202, 207, 209, 212, 214, 230, 246, 247
PLAYS
The Banquet at Solhaug: 31
Brand: 32, 43, 45, 61, 91, 96
The Burial Mound: 31
Catiline: 31, 65, 75
A Doll’s House (Et Dukkehjem): 3, 11, 13, 16, 17, 18, 19, 20, 21, 25, 34, 35, 63, 66, 70, 71, 73, 77, 78–96, 108, 109, 113, 116, 189, 196
Emperor and Galilean: 33, 44, 61, 65, 75
An Enemy of the People: 11, 21, 22, 34, 78, 93, 108
Ghosts: 5, 13, 14, 21, 25, 34, 35, 36, 40, 75, 76, 77, 78, 81, 83, 95, 108, 111, 113, 115, 116, 189, 230
Hedda Gabler: 18, 21, 25, 36, 77, 78, 96–122
John Gabriel Borkman: 37
The Lady from the Sea: 35, 77, 78, 97, 108
Lady Inger: 31
League of Youth: 33
Little Eyolf: 37
Love’s Comedy: 32
The Master Builder: 36, 78, 247
Norma, or a Politician’s Love: 31
Olaf Liljekrans: 31
Peer Gynt 33, 59, 61, 91, 96
The Pillars of Society: 8, 21, 34, 35, 44, 77, 78, 108, 190
The Pretenders: 10, 32, 34
Rosmersholm: 21, 22, 35, 77, 78 ,108, 116
St. John’s Night: 31
The Vikings at Helgeland: 31, 44
The Wild Duck: 14, 18, 21, 25, 26, 35, 36, 76, 87, 108, 143
OTHER WRITINGS
Poems: 59
Speech to the Norwegian Women’s Rights League: 71, 74–75
Ibsen and the Actress: 90–91, 117
Ibsen’s Ghost 121
The Iceman Cometh: 22
An Ideal Husband: 37
The Idiot 33
The Immediate Question of the Revolutionary Cause: 129
A Sourcebook on Naturalist Theatre Page 36