'I hopes we can get on,' said Gaffer, 'only I've got to muck the imps out in an hour.'
'Oh, I see,' said Rock. 'I'm absolutely anything, am I?'
'You don't keep mines,' said one of the dwarfs. 'Mines keep you. You take the treasure out. You don't put it in. That's fundamental to the whole mine business.'
'Well, perhaps this mine is worked out,' said Soll quickly. 'Anyway, she?'
'Well, in that case, you don't keep it,' said another dwarf, in the expansive manner of one about to settle down to a good long explanation. 'You abandon it, propping and shoring where necessary, and sink another shaft on a line with the major seam?'
'Allowing for fault escarpments and uniclinal structures,' said another dwarf.
'Of course, allowing for fault escarpments and uniclinal structures, and then?'
'And general crustal shifting.'
'All right, and then?'
'Unless you're just cutting and filling, of course.'
'Granted, but?'
'I don't see', Rock began, 'that my face could be called?'
'SHUT UP!' screamed Soll. 'Everyone shut up! SHUT UP! The next person who doesn't shut up will never work in this town again! Understand? Do I make myself CLEAR? Right.' He coughed, and continued in a more normal voice: 'Very well. Now, I want it understood that this is a Breathtaking, Block?busting Romantic film about a woman's fight to save the?' he consulted his clipboard, and went on valiantly, '?everything she loves against the background of a World Gone Mad, and I don't want any more trouble from anyone.'
A dwarf tentatively raised his hand.
' 'Scuse me?'
'Yes?' said Soll.
'Why is it all Mr Dibbler's films are set against the background of a world gone mad?' said the dwarf.
Soll's eyes narrowed. 'Because Mr Dibbler', he growled, 'is a very observant man.'
Dibbler had been right. The new city was the old city distilled. Narrow alleys were narrower, tall buildings taller. Gargoyles were more fearsome, roofs more pointed. The towering Tower of Art in Unseen University was, here, even taller and more precariously towering even though it was at? the same time only one quarter the size; the Unseen University was more baroque and buttressed; the Patrician's Palace more pillar'd. Carpenters swarmed over a construction that, when it was finished, would make AnkhMorpork look like a very indifferent copy of itself, except that the buildings in the original city were not, by and large, painted on canvas stretched over timber and didn't have the dirt carefully sprayed on. Ankh-Morpork's buildings had to get dirty all by themselves.
It looked far more like Ankh-Morpork than Ankh-Morpork ever had.
Ginger had been ushered off to the changing tents before Victor had a chance to speak to her, and then shooting started and it was too late.
Century of the Fruitbat (and now it said on the sign, in slightly smaller type: More Stars than There Are in the Heavens [21]) believed that a click should be made in less than ten times the time it took to watch. Blown Away was going to be different. There were battles. There were night scenes, the imps painting away furiously by torchlight. Dwarfs worked merrily in a mine never seen before or since, where fake gold nuggets the size of chickens had been stuck in the plaster walls. Since Soll demanded that their lips should be seen to move they sang a risque version of the 'Hihohiho' song, which had rather caught on among holy Wood's dwarf population.
It was just possible that Soll knew how it all fitted together. Victor didn't. It was always best, he had learned, never to try to follow the plot of any click you were in, and in any case Soll wasn't just shooting back to front but sides to middle as well. It was totally confusing, just like real life.
When he did get a chance to talk to Ginger, two handlemen and everyone else in the cast who currently had nothing to do were watching them.
'OK, people,' said Soll. 'This is the scene near the end where Victor meets Ginger after all they've been through together, and on the card he'll be saying?' He stared at the big black oblong handed to him. 'Yes, he'll be saying "Frankly, my dear, I'd give anything for one of . . . Harga's . . . prime . . . pork . . . ribs . . . in . . . special . . . curry . . . sauce. . . " '
Soll's voice slowed and stopped. When he breathed in, it was like a whale surfacing.
'Who wrote THIS?'
One of the artists cautiously raised a hand.
'Mr Dibbler told me to,' he said quickly.
Soll leafed through the big heap of cards that represented the dialogue for a large part of the click. His lips tightened. He nodded to one of the people with clipboards and said, 'Could you just run ever to the office and ask my uncle to stroll over here, if he's got a moment?'
Soll pulled a card out of the stack and read, ' "I sure miss the old mine but for a taste of real country cooking I always . . . go . . . to . . . Harp's . . .House . . . Of . . ." I see.'
He selected another at random. 'Ah. I see here a wounded Royalist soldier's last words are "What I wouldn't give right now for a $1 Eat-Till-It-Hurts special at. . . Harga's . . . House . . . of . . . Ribs . . . Mother!" '
'I think it's very moving,' said Dibbler, behind him. 'There won't be a dry eye in the house, you'll see.'
'Uncle?' Soll began.
Dibbler raised his hands. 'I said I'd raise the money somehow,' he said, 'and Sham Harga's even helping us with the food for the barbecue scene.'
'You said you weren't going to interfere with the script!'
'That's not interfering,' said Dibbler stolidly. 'I don't see how that could be considered interfering. I just polished it up here and there. I think it's rather an improvement. Besides, Harp's All-You-Can-Gobble-For-A-Dollar is amazing value these days.'
'But the click is set hundreds of years ago!' shouted Soll.
'We=ell,' said Dibbler. 'I suppose someone could say, "I wonder if the food at Harga's House of Ribs will still be as good in hundreds of years' time?" '
'That isn't moving pictures. That is crass commerce!'
'I hope so,' said Dibbler. 'We're in real trouble if it isn't.'
'Now look?' Soll began, threateningly.
Ginger turned to Victor.
'Can we go somewhere and talk?' she said, quietly. 'Without your dog,' she added, in her normal voice. 'Definitely without your dog.'
'You want to talk to me?' said Victor.
'There hasn't been much of a chance, has there?'
'Right. Certainly. Gaspode, stay. There's a good dog.' Victor derived a quiet satisfaction from the brief look of pure disgust that flashed across Gaspode's face.
Behind them the eternal Holy Wood argument had wound up to cruising speed, with Soll and C.M.O.T. standing nose to nose and arguing in a circle of amused and interested staff.
'I don't have to take this, you know! I can resign!'
'No, you can't! You're my nephew! You can't resign from being a nephew?!'
Ginger and Victor sat down on the steps of a canvas and wood mansion. They had absolute privacy. No one was going to bother to watch them with a rip snorter of a row going on a few yards away.
'Er,' said Ginger. Her fingers twisted among themselves. Victor couldn't help noticing that the nails were worn down.
'Er,' she said again. Her face was a picture of anguish, and pale under the make-up. She isn't beautiful, Victor felt himself think, but you could have real trouble believing it.
'I, er, don't know how to say this,' she said, 'but, er, has anyone noticed me walking in my sleep?'
'To the hill?' said Victor.
Her head whipped around like a snake.
'You know? How do you know? Have you been spying on me?' she snapped. It was the old Ginger again, all fire and venom and the aggressiveness of paranoia.
'Laddie found you . . . asleep yesterday afternoon,' said
Victor, leaning back.
'During the day?'
'Yes.'
She put her hands to her mouth. 'It's worse than I thought,' she whispered. 'It's getting worse! You know when you met me up the h
ill? Just before Dibbler found us, and thought we were . . . spooning . . . ' she blushed.
'Well, I didn't even know how I'd got there!'
'And you went back last night,' said Victor.
'The dog told you, did he?' she said, dully.
'Yes. Sorry.'
'It's every night now,' moaned Ginger. 'I know, because even if I go back to bed there's sand all over the floor and my nails are all broken! I go there every night and I don't know why!'
'You're trying to open the door,' said Victor. 'There's this big ancient door now, where part of the hill has slid away, and?'
'Yes, I've seen it, but why?'
Well, I've got a couple of ideas,' said Victor cautiously.
'Tell me!'
'Um. Well, have you heard of something called a genius loci?,
'No.' Her brow wrinkled. 'It's clever, is it?'
'It's the sort of soul of a place. It can be quite strong. It can be made strong, by worship or love or hate, if it goes on long enough. And I'm wondering if the spirit of a place can call to people. And animals, too. I mean, Holy Wood is a different sort of place, isn't it? People act differently here. Everywhere else, the most important things are gods or money or cattle. Here, the most important thing is to be important.'
He had her full attention. 'Yes?' she said encouragingly, and, 'It doesn't sound too bad so far.'
'I'm getting to the bad bit.'
'Oh.'
Victor swallowed. His brain was bubbling like a bouillon. Halfremembered facts surfaced tantalizingly and sank again. Dry old tutors in high old rooms had been telling him dull old things which were suddenly as urgent as a knife, and he dredged desperately for them.
'I'm not?' he croaked. He cleared his throat. 'I'm not sure it's right, though,' he managed. 'It's come from somewhere else. It can happen. You've heard of ideas whose time has come?'
'Yes.'
'Well, they're the tame ones. There's other ones. Ideas so full of vigour they don't even wait for their time. Wild ideas. Escaped ideas. And the trouble is, when you get something like that, you get a hole?'
He looked at her polite, blank expression. Analogies bubbled to the surface like soggy croutons. Imagine all the worlds that have ever been are in one sense pressed together like a sandwich . . . a pack of cards . . . a book . . . a folded sheet . . . if conditions are right, things can go through rather than along . . . but if you open a gate between worlds, there are terrible dangers, as for instance . . .
As for instance . . .
As for instance . . .
As for instance what?
It rose up in his memory like the suddenly discovered bit of suspicious tentacle just when you thought it was safe to eat the paella.
'It could be that something else is trying to come through the same way,' he ventured. 'In the, uh, in the nowhere between the somewhere there are creatures which on the whole I'd rather not describe to you.'
'You already have,' said Ginger, in a tense voice.
'And, uh, they're generally quite keen to get into the real worlds and perhaps they're somehow making contact with you when you're asleep and . . . ' He gave up. He couldn't bear her expression any more.
'I could be entirely wrong,' he said quickly.
'You've got to stop me opening the door,' she whispered. 'I could be one of Them.'
'Oh, I don't think so,' said Victor loftily. 'They've generally got too many arms, I think.'
'I tried putting tacks on the floor to wake myself up,' said Ginger.
'Sounds awful. Did it work?'
'No. They were all back in their bag in the morning. I must have picked them up again.'
Victor pursed his lips. 'That could be a good sign,' he said.
'Why?'
'If you were being summoned by, uh, unpleasant things,
I think they wouldn't bother what you walked over.'
'Urgh.'
'You haven't got any idea why it's all happening, have you?' Victor said.
'No! But I always get the same dream.' Her eyes narrowed. 'Hey, how come you know all this stuff?'
'I ... a wizard told me, once,' said Victor.
'You're not a wizard yourself?'
'Absolutely not. No wizards in Holy Wood. And this dream?'
'Oh, it's too strange to mean anything. Anyway, I used to dream it even when I was small. It starts off with this mountain, only it's not a normal mountain, because?'
Detritus the troll loomed over them.
'Young Mr Dibbler says it's time to start shooting again,'
he rumbled.
'Will you come to my room tonight?' hissed Ginger.
'Please? You can wake me up if I start sleepwalking again.'
'Well, er, yes, but your landlady might not like it?' Victor began.
'Oh, Mrs Cosmopilite is very broadminded,' said Ginger.
'She is?'
'She'll just think we're having sex,' said Ginger.
'Ah,' said Victor hollowly. 'That's all right, then.'
'Young Mr Dibbler don't like being kept waiting,' said Detritus.
'Oh, shut up,' said Ginger. She stood up and brushed the dust off her dress. Detritus blinked. People didn't usually tell him to shut up. A few worried fault-lines appeared on his brow. He turned and tried another loom, this time aimed at Victor.
'Young Mr Dibbler don't like?'
'Oh, go away,' snapped Victor, and wandered off after her.
Detritus stood alone and screwed up his eyes in the effort of thought. Of course, people did occasionally say things like 'Go away' and 'Shut up' to him, but always with the tremor of terrified bravado in their voice, and so naturally he always riposted 'Hur hur' and hit them. But no-one had ever spoken to him as if his existence was the last thing in the world they could possibly be persuaded to worry about. His massive shoulders sagged. Perhaps all this hanging around Ruby was bad for him.
Soll was standing over the artist who lettered the cards. He looked up as Victor and Ginger approached.
'Right,' he said, 'places, everyone. We'll go straight on to the ballroom scene.' He looked pleased with himself.
'Are the words all sorted out?' said Victor.
'No problem,' said Soll proudly. He glanced at the sun. 'We've lost a lot of time,' he added, 'so let's not waste any more.'
'Fancy you being able to get C.M.O.T. to give in like that,' said Victor.
'He had no argument at all. He's gone back to his office to sulk, I expect,' said Soll loftily. 'OK, everyone, let's all get?'
The lettering artist tugged at his sleeve.
'I was just wondering, Mr Soll, what you wanted me to put in the big scene now Victor doesn't mention ribs?'
'Don't worry me now, man!'
'But if you could just give me an idea?'
Soll firmly unhooked the man's hand from his sleeve. 'Frankly,' he said, 'I don't give a damn,' and he strode off towards the set.
The artist was left alone. He picked up his paintbrush. His lips moved silently, shaping themselves around the words.
Then he said, 'Hmm. Nice one.'
Banana N'Vectif, cunningest hunter in the great yellow plains of Klatch, held his breath as he tweezered the last piece into place. Rain drummed on the roof of his hut.
There. That was it.
He'd never done anything like this before, but he knew he was doing it right.
He'd trapped everything from zebras to thargas in his time, and what had he got to show for it? But yesterday, when he'd taken a load of skins into N'kouf, he'd heard a trader say that if any man ever built a better mousetrap, then the world would beat a path to his door.
He'd lain awake all night thinking about this. Then, in the first light of dawn, he scratched a few designs on the but wall with a stick, and got to work. He had taken the opportunity to look at a few mousetraps while he was in the town, and they were definitely less than perfect. They hadn't been built by hunters.
Now he picked up the twig and pushed it gently into the mechanism.
Perfect.
Now, all he had to do was take it into N'kouf and see if the merchant
The rain was very loud indeed. In fact, it sounded more like
When Banana woke up he was lying in the ruins of his but and they were in a half-mile wide swathe of trodden mud.
He looked muzzily at what remained of his home. He looked at the brown scar that stretched from horizon to horizon. He looked at the dark, muddy cloud just visible at one end of it.Then he looked down. The better mousetrap was now a rather nice two-dimensional design, squashed into the middle of an enormous footprint.
He said, 'I didn't know it was that good.'
According to the history books, the decisive battle that ended the Ankh-Morpork Civil War was fought between two handfuls of bone-weary men in a swamp early one misty morning and, although one side claimed victory, ended with a practical score of Humans 0, ravens 1,000, which is the case with most battles.
Something that both Dibblers were agreed on was that, if they'd been in charge, no one would have been able to get away with such a low-grade war. It was a crime that people should have been allowed to stage a major turning-point in the history of the city without using thousands of people and camels and ditches and earthworks and siege-engines and trebuckets and horses and banners.
'And in a bloody fog, too,' said Gaffer. 'No thought about light levels.'
He surveyed the proposed field of battle, shading his eyes from the sun with one hand. There would be eleven handlemen working on this one, from every conceivable angle. One by one they held up their thumbs.
Gaffer rapped on the picture box in front of him.
'Ready, lads?' he said.
There was a chorus of squeaks.
'Good lads,' he said. 'Get this one right and thee can have an extra lizard for thy tea.'
He grasped the handle with one hand and picked up a megaphone with the other.
'Ready when you are, Mr Dibbler!' he yelled.
C.M.O.T. nodded and was about to raise his hand when Soll's arm shot out and grabbed it. The nephew was staring intently at the ranged ranks of horsemen.
'Just one moment,' he said levelly, and then cupped his hands and raised his voice to a shout. 'Hey, you there! Fifteenth knight along! Yes, you! Would you mind unfurling your banner, please? Thank you. Could you please report to Mrs Cosmopilite for a new one. Thank you.'
Moving pictures tds-10 Page 20