‘What am I to do, Parmenon?’ she cried.
‘Nothing,’ I replied. ‘Domina,’ I fell on my knees before her, ‘Acte is not Narcissus, an enemy to be removed. Let your son have his way. Leave Rome for a while.’
It was the only time Agrippina ever struck me in anger. She refused to listen and instead ordered me from of her presence. I waited in the antechamber, hoping she would regret her actions. Suddenly the door to her chamber flew open and Agrippina swept out, her maids running behind her. She walked like a general down the galleries and corridors, to where Nero was drinking with a small party of friends. Bursting in, she openly confronted her son.
‘See,’ she shouted, pointing at Acte lying on a couch next to Nero, ‘what a spectacle my son offers to Rome! Nero the Emperor!’ she sneered. ‘Like a doting, old man lying at the feet of a former slave: a woman who can be bought to give a man an hour of pleasure!’
Agrippina stood in the doorway, as I and the other servants huddled behind her. She was beyond all reason.
‘Look at her!’ Agrippina shouted. ‘She’s nothing more than a painted whore but the Emperor of Rome has made her his official mistress. Is it for this that I made you Emperor, the legitimate heir of Claudius?’ She turned on Seneca who was lying on the couch to Nero’s left. ‘I thought I was choosing a tutor, the wisest man in the whole Empire, but in truth, I picked a fool. His student, my son, fornicates with a freedwoman whilst Octavia, his proper wife, is neglected and repelled and I, Germanicus’s daughter, am insulted and ignored!’
She stopped, shoulders heaving. She put a hand out and leaned against the lintel. Nero’s guests stared in disbelief, a frozen tableau in some play. Acte kept her head down, and Seneca looked astonished, his eyes screwed up in mock hurt. Nero had the measure of his mother. He picked up that emerald eye-glass and examined her closely.
‘Why, Mother? What is the matter? Have you been drinking? As you know, I invited you here this evening but you said you were unable to come.’ He shifted his gaze. ‘Is that you, Parmenon? Take my mother back to her apartments. She’s overcome with exertion.’ He let the eye-glass drop on its silver chain and waved his hand. ‘Now, leave!’
Agrippina withdrew. I tried to seize her by the arm, but she shook me off. Behind the closing doors I heard muffled conversation and the sound of laughter. Agrippina walked slowly back to her chamber. She dismissed the maids and spent the rest of that night pacing up and down, pondering her next move.
The following day Nero added insult to injury: he opened the storerooms of the palace where the jewels and ornaments were kept, and chose from the treasure an exquisite headdress and pendant which he sent as gifts to his mother. I was with Agrippina when they arrived. She had been trying to calm her rage by dictating letters to stewards and bailiffs on her estates outside Rome. When the servants presented the gifts, she knocked them out of their hands.
‘Tell my son,’ she hissed, ‘that everything he possesses actually belongs to me! He is only sending me what is already mine!’
I attempted to reason with Agrippina but she was possessed by anger. All she was conscious of was her waning influence over her son and the hated presence of Acte. Nero now decided to twist the cord a little tighter, telling her that in view of his love for Acte he might divorce Octavia and marry his new love, abdicate as Emperor and retire to Rhodes to live as a private citizen. The barbs struck home: he was rejecting Agrippina and everything she had worked for.
Agrippina brooded and refused to tell me what she was planning. Her next confrontation with Nero, during one of Nero’s eternal banquets, struck terror in my heart. Agrippina was given the place of honour, though Nero spent most of his time whispering to Acte, showing her every mark of public affection. The guests were all aware of Agrippina drinking a little too fast as she glared at her son: it was like waiting for a violent storm to strike on a beautiful summer’s day. Nero turned to fill his mother’s cup and she let it drop to the floor, the precious goblet smashing to smithereens.
‘Why, Mother,’ Nero drawled. ‘What is the matter?’
Agrippina swung her legs from the couch, got to her feet and stood over him. ‘Why, son, have you forgotten?’ She gestured down the hall to where Britannicus sat with his friends. ‘He is no longer a child,’ she snapped. ‘He is Claudius’s true son, the real heir to the throne.’ Her voice rose. ‘The throne that you stole with my help – your mother whom you now insult. All Rome shall learn of all this! The army will choose!’
It was ridiculous scene. After Agrippina withdrew, for the first time in my life I pushed her through the antechamber into her own private writing office, where she stood like a little girl ready to be chastised. I could not forget Nero’s face at that banquet, those popping blue eyes, the effeminate curls and pouting lips.
‘Domina,’ I shouted, ‘you’ve signed our death warrants and that of Britannicus. You’ve challenged your own son!’
Agrippina did not break down in tears. She sat on a stool clutching the fringes of her robes, staring at the wall. In that moment her greatest weakness was exposed: this wasn’t about the empire or power, about who controlled the court and army, this was a mother who truly believed her son had publicly spurned her. She’d lashed out, uttering the first thing that came into her mind. I sighed and knelt beside her.
‘Domina, listen!’ I urged. ‘Would it be so bad if your son abdicated and took you with him to Antium to live as private citizens . . . ?’
Her eyes crinkled in amusement.
‘Why, Parmenon, you are quite a philosopher. You are right: all my life I dreamt of being the Augusta, a new Livia, mistress of an empire. I have achieved that but now I’ve lost my son, haven’t I, Parmenon?’
‘It can be rectified, Domina.’
I’ve told many lies in my life, but that was my greatest. Nero was no longer her son. He was what the empire had made him: a monster. Or had his father been right? Was there something in the blood, some evil taint? Did Nero have the same penchant for wickedness as Caligula and Tiberius? Of course he did!
He did not dare touch Agrippina but, like a panther, he turned on Britannicus. The young man was invited to another banquet, where, hoping to make fun of him, Nero asked to hear one of his poems. Britannicus performed so brilliantly that even Nero’s claque, a group of professional hand-clappers who wore their hair bushy and went under the name of ‘The Bees’, were impressed. Nero took a vile revenge: he attacked Britannicus and buggered him, heaping humiliation upon him. Caligula’s ghost had returned.
Nero spent more time with his foppish courtiers, consulting Seneca or Burrus if he wanted advice, whilst Agrippina stayed in her own apartments, where most of her household, apart from Acerronia and Creperius, were Seneca’s spies. The hangers-on and time-servers soon sniffed the breeze and realised what was coming. Agrippina was still physically safe but Britannicus, a mere shadow of his former self, had to be dealt with. He started to suffer from epileptic seizures, during which his face would turn blue, his neck would swell convulsively and he’d froth at the mouth. Britannicus one could see was marked down for death. I pleaded with Agrippina and she tried to do what she could, sending antidotes for Britannicus, warning him to watch what he ate and drank. But Nero brought Locusta the poisoner back into the palace and put her under the direct charge of one of Burrus’s lieutenants, the tribune Julius Pollio. All the court suspected what was happening. A poison was given to Britannicus but the dosage was too small, and after stomach pains he soon recovered. Nero was so annoyed that he beat Locusta with his own hands until she promised something that ‘would act like lightning’. The poison she concocted was served to a pig and within seconds it had dropped down dead.
A sumptuous supper party was arranged, to which all of the court were invited, including Agrippina and me. The theme was Persian and the rooms and couches were decorated with exquisite Persian tapestries, whilst we were served with delicious dishes from that country. A special soup was brewed for Britannicus to avoid upsetting
his delicate stomach, but finding it too hot he returned it and asked for some cold water to be added. The poison must have been added then. In less than a minute, Britannicus lurched off his couch, with his hands clutching at his throat, only to fall lifeless to the floor.
‘Do not trouble yourselves,’ Nero drawled to the guests. ‘My brother Britannicus is subject to fits.’
Two Nubians carried Britannicus’s body from the dining hall and the banquet continued. Agrippina and I managed to slip away and discovered Britannicus’s corpse sprawled on a couch in an adjoining room. Embalmers were already smearing it with creams and cosmetics to hide the livid, dark spots appearing all over the skin. Within hours the body was sheeted, taken out to a makeshift funeral pyre and consumed by flames.
Agrippina returned to her chamber, her face as pale as that of a ghost. She sat at her writing desk, hastily scrawled a note on a wax tablet and told me to send Creperius with it to a house in the Jewish quarter across the Tiber. Once this was done I returned to the chamber.
‘What is this nonsense?’ I demanded. ‘Do you really need to consult a soothsayer to learn what the future holds?’
Agrippina refused to listen. Creperius returned and said that Joah the Israelite would meet her immediately. Agrippina ordered a plain litter to be brought to the side door of her private apartments, and Acerronia and I were ordered to escort her. The bearers, all trusted slaves, took her at a soft-footed run down through the alleyways of the Palatine and across the bridge into the Jewish quarter. Joah’s house was unpretentious, flanked on one side by a cookshop, and on the other by a small warehouse. Joah was tall and lean with a gaunt face, cascading white hair and a moustache and beard of the same colour. He had large, deep-set eyes and the sort of magical presence which appealed to his select clientele of wealthy, Roman women. He opened the door before I even knocked.
‘Tell the Augusta to come in.’ He looked at me closely. ‘And you and her waiting woman. You can be trusted, Parmenon, can’t you?’
I don’t know whether he truly had magical powers or was just shrewd enough to know that I worked closely with Agrippina.
The room he ushered us into was dark and lit by flickering oil lamps. ‘I have the answer to what you are going to ask,’ he declared, closing the door behind us. The magician strode across and placed a hand on Agrippina’s shoulder.
‘Lie down on the floor!’ he urged. ‘Parmenon, Acerronia, stand in the corner. Do not react to what happens.’
Agrippina pulled off her headdress and lay down. Immediately strange shrieks and cries seemed to echo from the earthbeaten floor, and the air became thick with the odour of pungent sharp spices. The light seemed to grow, showing great spider webs that glimmered on the floor and crept over Agrippina’s prostrate body. Only then did I glimpse the altar half way down the room. Joah drew what looked like a white, gleaming circle round Agrippina’s body. The light became as intense as that of the corona of the sun during an eclipse. I had to shield my eyes even as I marvelled at the magician’s trickery. How he created that illusion, I have never understood. He ordered Agrippina to hold a small sheaf of corn in her left hand and, with her right, to count out thirteen grains of corn. As Agrippina obeyed, Joah scooped these up and put them in a small copper cup which he poured into a silver bowl and filled with water.
‘Drink!’ he urged Agrippina.
She later told me that the grains of corn sparkled like diamonds whilst the water seemed to fire her blood. She lay back again, as Joah made signs over her face and the phenomena disappeared. We were just in an ill-lit, dank room with the mother of the Emperor of Rome lying on a dirty floor. Joah helped Agrippina to her feet and kissed her fingers.
‘Well?’ Agrippina demanded.
‘It is finished,’ Joah murmured, stepping back. ‘Another woman will take your place.’
‘Acte?’ Agrippina spat out.
Joah shook his head. ‘No, another woman!’
We left that magician’s house and returned to the Palatine, where Agrippina brooded for days. Joah was either a true prophet or possibly just a very shrewd observer of court affairs. The open opposition, behind which I could detect Seneca’s hand, began with murmurs and whispers. Court cases were begun against her and the Emperor railed that his palace was becoming a meeting place for her litigants. He visited his mother less and less and eventually it was tactfully suggested that Agrippina should leave the palace and move to a nearby house. She had no choice but to obey. Although she was allowed to take her possessions, the guards were withdrawn: she was no longer a member of the imperial circle.
Nero seemed intent on demonstrating to his mother the depths of his decadence. He organised an elaborate, mock naval engagement on an artificial lake of salt water but the display got out of hand and many of the sailors were killed: Nero declared himself disgusted with such bloodshed. He next staged a ballet of the Minotaur legend with an actor disguised as a bull actually mounting another playing the role of Pasiphaë. The crowd were treated to the sight of the bull copulating with the hind quarters of a hollow heifer. At night Nero, disguised in a cap or a wig, prowled the streets and the taverns looking for mischief. Occasionally he’d visit the theatre in a sedan chair to watch the quarrels amongst the pantomime actors, joining in when they came to blows and fought it out with stones and broken benches. His feasts started at noon and would last till dawn, with an occasional break for swimming in warm baths or, if it was summer, snow-cooled waters. On one occasion he floated down the Tiber to Ostia and arranged for a row of temporary brothels to be erected along the shore in which married women, pretending to be inn-keepers, solicited him for custom. He never wore the same clothes twice and would stake thousands of gold pieces on the throw of a dice. He always insisted on being accompanied by a lavishly garbed retinue, and even the mules of his pack train were shod with silver.
Agrippina tried to hide herself away from all this but Nero kept up the insults. He would send her mushrooms, calling them ‘the Food of Gods and Goats’ and taunted her by granting Locusta a house in Rome as well as country estates. He despatched lawyers and their clerks to stand under her window, disturbing her with jeers and cat-calls. Mysterious gifts of food arrived, some of them blatantly poisoned.
I tired of this nonsense and opened my treasure chests to hire bodyguards, who drove away the litigants and ensured that any gifts brought to the house were immediately destroyed. Agrippina’s hair began to turn grey, and her face became gaunt as she lost weight. Nero had perfected his sadistic teasing of her. He would visit Agrippina in a profuse show of solicitude and concern, and build up her hopes, as he sat at her feet, wide-eyed, listening to her advice. Then he would jump to his feet, crowing with laughter, and leave, mimicking what she had said.
Agrippina, now full of guilt over Britannicus’s death, also tried to comfort the young Octavia, who was in a parlous state: her face was ashen and, in spite of her youth, she was losing clumps of hair from worry. Terrified of what had happened to Britannicus, she refused to leave her chamber, and would fret herself sick if her nurse, an old family retainer, left her sight.
Agrippina tried to fight back but Nero’s cruelty became even more barbed. I was in the Forum when I first heard rumours that Nero had been seduced by his own mother. On investigating these stories, I discovered that Nero had paid his servants to ransack the brothels of Rome until they found a woman who looked remarkably like Agrippina. Nero then had the woman dressed in his mother’s clothes, and would sit closeted with her in his litter. When he emerged, people could tell from the stains on his tunic and his air of dishevelment that, as one wit put it, ‘he’d not been discussing the problem of Parthia!’. I tried to protect Domina but Nero ensured such rumours reached her, and in despair she took to her bed, refusing food and drink.
I called on the services of every physician and quack in Rome, but they examined her and walked away, shaking their heads. Nero’s game became more intense, and he sent the woman masquerading as his mother to the house. I i
ntervened and courteously turned her away. It was a chilling experience: she was the image of Agrippina until she opened her mouth and spoke, displaying her blackened teeth. At last I decided to sue for terms. For days I kicked my heels outside Seneca’s office until that wily, old Spaniard granted me an audience. He studied me with black, hooded eyes, a faint smile on his lips.
‘Your mistress will know peace, Parmenon, once she leaves both the Emperor and Rome alone.’
‘Exile?’ I asked.
‘When she leaves Nero and the Empire alone,’ he said, flicking his hand as a sign of dismissal.
By the end of the week, despite her feeble protests, Acerronia and I put Agrippina in a litter. We packed whatever possessions we could and took the road to Antium. Perhaps I should have waited for Nero was soon distracted from his cruel games against his mother, not by Acte, but by the new love of his life, the beautiful, exquisite Poppea. By that time, however, we were out of Rome. Agrippina began to recover even before we reached Antium, curious about where we were going and mocking what little retinue the Emperor of Rome’s mother possessed.
So we came to Antium, and enjoyed soft summer days, good food and delicious wines, and Agrippina took a new lover, Callienus, a Greek actor. We became accustomed to spending more and more of our afternoons together in the garden, reminiscing about the past and wondering about the future. Even then Agrippina was still convinced that her son’s love was only dormant, not dead. Because of that, she accepted Nero’s invitation to Baiae and that last, splendid feast. Because of her deep unconditional love for her monster of a son, she took ship across the Bay of Naples at night and was almost drowned by his minions. In the end, because of her all-consuming love, she and I sheltered in a dark, cold villa and waited for her beloved son to finish the task he had begun.
Chapter 15
Domina (Paul Doherty Historical Mysteries) Page 22