The canoe is thick-sided and shallow-bottomed. I sit in front on a rough wooden plank. I am wearing my blue suit with a white shirt, red tie, heavy black shoes. When I step out of the jungle to see my quarry I want to look as if I have just stepped out of court, no matter the discomfort in the heat, and make no mistake, it is uncomfortable, uncomfortable as hell. My collar is undone, my tie is loose, my shirt is already soaked with sweat. As we travel upriver we move through pockets of shade but, with the humidity at eighty-five percent, even the shade is no respite. At my feet is my briefcase and over the briefcase is my suit jacket. A paddle sits across my legs but I’m not doing any of the work. Canek Panti is standing in the back of the canoe, a woven cowboy hat on his head, a long wooden pole in his hands. He presses the end of the pole into the river bottom and pushes us forward against the slight current. He is an imposing figure standing there, poling the canoe ever south, majestic as a gondolier, his ornate machete hanging from a loop in his belt.
Every once in a while the river quickens and Canek is forced to jump out of the canoe and take hold of the front rope and drag the canoe through swift water, the rope digging into his shoulder as he struggles forward. I offer half-heartedly to help but Canek waves me off and shoulders me upstream until the river calms enough for him to jump back in and pick up once again his pole. In those moments, with my suit and dry shoes, with Canek dragging me upriver, I feel every inch the ugly colonialist. Call me Bwana. We have passed women washing clothes on rocks and children swimming. A boy riding bareback on a great black horse crossed the river in front of us a mile or so back, but now we are alone with the water.
The jungle rises about us in walls of dense green, punctuated by the yellow-tipped crimson of lobster claws or star-shaped white blossoms, and the world behind those walls is alive with the sounds of animals scurrying and birds cawing. The trees overhead are thick with hairlike growths in their crooks, which Canek tells me are wild orchids. Little yellow fish leap out of the tropical waters and flat-headed kingfishers, dark blue with bright white collars, skim across the water’s surface. Something oblong and heavy slips into the river before us. Mosquitoes hum around us, as well as other bugs, thicker, hunchbacked, and black. Botlass flies, Canek tells me. One of them tears into my neck, drawing blood. The bite swells immediately.
In my briefcase, wrapped in plastic to protect it from any water that might seep into the case during the course of our journey, is the original of the letter to his child written three quarters of a century ago by Christian Shaw. As I travel through this ancient Mayan jungle I can’t help but wonder if the strange sense of revelation I felt atop El Castillo in the ruins of Xunantunich was somehow similar to what Christian Shaw first experienced at the bedside of the terribly wounded Corporal Magee. Beth, who has lately made a study of these things, said that in Shaw’s letter she saw the beginnings of a spiritual ideology reminiscent of the Vedanta, one of the classic systems of Indian philosophy, which teaches that the multiplicity of objects in the universe is merely illusory and that spiritual liberation comes from stripping the illusion and attaining a knowledge of the self as simply another manifestation of the whole. Beth told me the ideas in the Vedanta are not too far removed from what Jacqueline Shaw was learning from Oleanna at the Church of the New Life. I don’t know Vedanta from Valhalla from Valium but I think it more than a coincidence that Christian Shaw and his granddaughter were both suicidal before finding in a nascent spirituality something to save them. They were both trapped by the materiality and wealth and crimes of the Reddmans and longed for an understanding richer and deeper than that which surrounded them as members of that ill-fated clan. One can’t help but feel that they were on the edge of some sort of solution and Beth continues to pursue a similar path for her answer, though I still can’t figure out what it is an answer to.
But it wasn’t the change effected on Christian Shaw in that hospital in France that was most revelatory about the letter, nor was it his confession of his knowledge and acquiescence in the death of Charity Reddman at the hands of her sister Faith, though that confession answered many question about the fate of the Reddmans. No, the most interesting aspect of the letter was a name, the name of Shaw’s fellow patient at that hospital in France, the name that was to be given to the bastard child of Christian Shaw and Emma Poole, the name that pointed with clean precision to the man who had perpetrated the latter-day massacre of Reddmans. It is this man whom I am hunting, against whom my default judgment was issued, and who is the sole beneficiary of the Wergeld Trust from which I intend to wrest my fortune. Morris found out the meaning of Wergeld for me. We had thought it was a family name, but it was something else entirely, discernible from any dictionary. In feudal times, when a man was killed, a payment was made as recompense to avoid a blood feud that would result only in more killing. This payment was called a Wergeld. Faith Reddman Shaw’s attempt to pay for the crimes of her father and satisfy the blood yearnings of the sole grandson of Elisha Poole had obviously failed.
The river is peaceful now and full of beauty. We pass a tree with bright red and black berries hanging down in loops, like fine coral necklaces. Two white egrets float by; a black vulture sits above us, hunchbacked and deprived. Something like an ungainly arrow, yellow and blue, shoots across the gap in the canopy above us and I realize I have just seen a toucan. The trees here are infested with the parasitic orchids, thick as moss, a few hungry red blooms spilling down, and as I look up at them something drops loudly into the quiet of the river. I turn around, startled.
“What was that?” I ask.
“Iguana,” says Canek Panti.
Above me I notice a pack of thick-bodied lizards crawling along the outstretched branch of a tree. They are playing, scampering one around the other, and suddenly another falls off, splashing into the river. As I sit in the canoe, watching the iguanas and heading ever closer to the murderous lizard I am chasing, I can’t help but see the parallels in the death struggle over the Reddman fortune and the war between Raffaello and Calvi for control of the Philly mob and its river of illegal money. How much all have sacrificed to Mammon is stunning. For now the mob is at peace, the deadly battle for control fought and decided on Pier Four of the Naval Shipyard. What was surprising was that, with all the missing soldiers, there wasn’t much fuss in South Philly. Oh, there was some talk about a war, and the Inquirer’s mob correspondent raised some questions in an article, but it all subsided rather quickly and life went on as if the dead had never been born. I am out of it now, just as I wanted to be out of it, and am grateful as hell for that.
There was a final meeting with Earl Dante at Tosca’s in which the rules of my separation were made clear. Files were handed over, vows of secrecy were established. We looked at each other warily. He didn’t trust that I wouldn’t betray him if I had a chance to make a nickel out of it and I didn’t trust that he wouldn’t kill me just for the sport when came his ascendance to absolute power.
“One other thing,” I said, after my obligations under the separation arrangement had been made clear. “I promised Peckworth that you would reduce his street tax.”
“Why did you promise such a thing to that pervert?” Dante asked.
“It was the only way to find out what I needed to find out.”
“We already knew what it was you were finding out.”
“But I didn’t know that. Why did you get him to switch his story in the first place?”
“This was a problem for us, not for some headline-happy prosecutor. We knew how to handle it on our own.”
“I promised him you’d lower his street tax.”
He stared at me for a long moment. Then he dropped his eyes and shook his head. “Stay out of our business,” he warned before he agreed.
My last job for the mob was an appearance as Peter Cressi’s counsel at his trial for the attempted purchase of all those guns, the crime that started this story for me in the first place.
“Where is your client, Mr. Carl?” the judge
asked
“I don’t know, Judge,” I answered and, as befits an officer of the court, my answer was perfectly truthful because as far as I knew he could be in a landfill in New Jersey or in a landfill in Chester County or on a garbage barge floating slowly south looking for a place to dump. I didn’t know where he was but I did know that no matter how many bench warrants were issued in his name he wasn’t going to be found. So ended my last case as a mob lawyer. In the defense bar it is considered a victory if your client is not convicted and so I guess I went out a winner.
There is a bend in the river coming up. A huge black bird with a cape of white feathers around its red face swirls above and alights on a branch overhanging the water. The branch bends from the creature’s substantial weight. Canek tells me it is a king vulture and I don’t like the idea of it following us like that. I yell, but it holds its place on the branch, not interested in anything I have to offer until I am dead. We are close now, I can feel it. At each spot when the river turns I look anxiously for the pile of rocks and the tall cottonwood that will tell me we have arrived. I expect I’ll recognize it right off, I have imagined it in my mind ever since I heard Rudi tell of it over a Belikin in Eva’s, but even if I miss it I know that my trusty guide, Canek Panti, will find it for me. He is still standing behind me, stalwart and strong and able. The carved machete rests valiantly in the loop of his pants.
“Tell me something, Canek,” I say as I feel us getting ever closer. “When I was mugged in the streets of Belize City was that the real thing or had you just set that up for my benefit?”
He is quiet for a long moment. His pole in the water gives off an ominous swish as he pushes us forward.
“It was the real thing,” he says, finally. “Belize City can be a dangerous place for foreigners, though if those two had not come along I would have set it up much like that the next day.”
“Well, then thank you again for saving me,” I say.
“It was nothing,” says Canek Panti.
I’m not sure exactly when I knew about Canek. I suspected him when he seemed too perfect to be true, precisely the man I had hoped to meet in my quest through Belize. The idea grew when he stayed outside while I went into the Belize Bank branch in San Ignacio, as if he were afraid that the tellers would recognize him as the man making the withdrawals from the account I was so interested in, and it grew even more when he volunteered to be somewhere else while I made my foray into the market at San Ignacio. And when Rudi, the Mayan, spoke of the man who was not a foreigner, with the intricately carved machete, who took supplies to the distant jungle camp, I was certain. I don’t mind it actually, it is comforting that I am on the right track, that I won’t get lost, and that, no matter what happens, Canek will be by my side.
“He’s a murderer,” I say.
“What he did in a foreign land is not my concern.”
“Do you know what he wants with me?”
“No, Victor.”
“You’re not going to let him kill me, are you, Canek?”
“Not if I can help it,” he says.
Just then we round the curve of the bend and I see it, plain as a street sign, the pile of large rocks and the huge cottonwood, its thick walls of roots reaching down to the water. There is a place on the bank that appears a bit worn and Canek heads right toward it. He steps into the water and secures the canoe with the rope around a sapling and then I step out onto solid ground with my heavy black shoes. Despite the heat, I take my suit jacket out of the canoe and put it on. I button the top button of my shirt. The collar rubs against the swelling where the humpbacked botlass fly bit me, but still I tighten my tie. I intend to look as officially benign as an accountant. Is it only wishful thinking that I imagine it harder to kill a man in a suit? I lift out the briefcase and nod to Canek and then follow him as he slashes us a path up from the river and into the jungle.
Branches brush my legs and face as I climb behind Canek Panti. Birds are hooting, bugs are circling my face. Beneath our feet is a path, but the thick green leaves of the rain forest have encroached upon the space we need to move through and we have to swing the leaves away, as if we were swinging away the shutter doors of a Wild West saloon. On and on we go, forward, through the jungle. Canek hacks at vines, I protect my face. Something brutal bites my cheek. I see a small frog leap away, splay-footed, its face and torso daubed with an oxygen-rich red. Then, above the normal calls of the jungle, I hear the humming of a motor, a generator, and then another sound, rhythmic and familiar, shivery and dangerous.
Suddenly, we are at a clearing. There is a long patch of closely mowed grass and atop a slight rise is a cottage, old and wooden and not unlike the Poole house, except that the porch of this cottage is swathed in mosquito netting. It is an incongruous sight in the jungle, this lawn like in any American suburb, this house, gray and weathered, surrounded by perfectly maintained bushes bright with flowers of all different colors.
And there he is, in overalls, a straw hat, with long yellow gloves on his hands, standing in a cloud of tiny yellow butterflies as he holds a pair of clippers from which the rhythmic sound emanates, shivery and silvery, the opening and closing of his metal shears as he clips at a tall thorny bush.
He stops clipping and turns from his task and the eye within the angry red ring squints at me, but not in anger. There is on his face what appears to be a genuine smile.
“Victor,” says Nat, grandson of Elisha Poole and slayer of Reddmans. “Welcome to Belize. I’ve been expecting you.”
56
Somewhere in the jungle, Cayo, Belize
“IT’S THE FUNGUS IN THE AIR that does it,” says Nat, as we walk slowly side by side in an ornamental flower garden around the rear of the cottage. There are potted flowers and flowers growing in between piles of rocks and flowers hanging down from rotting tree limbs placed strategically in the ground. “The specialized fungus that feeds the germinating seeds. It’s everywhere in this jungle, in every breath. It’s the life blood of the orchid. Of course, like everything else, my sweethearts need careful pruning to maintain their splendor, but I’ve never been afraid to prune.”
Nat is showing off his collection of exotic orchids. He had grown some on the Reddman estate, he says, in the garden room, where only the most hardy hybrids prospered. But here, in this tropical fungal-infested garden, he can grow anything. His orchids are the true light of his life now, he says, his children. “My collection is priceless,” he says. I don’t comment on the evident ironies. As I take the tour I continue holding onto my briefcase and sweating into my suit. Canek, still with his cowboy hat and machete, trails ten feet behind us.
“The slipper orchid,” Nat says, pointing to a fragile blossom with three pink drooping petals surrounding what looks to be a white lip.
“Very nice,” I say.
“Masdevallia,” he says, indicating a bright red flower with three pointed petals.
“Beautiful.”
“Rossioglossum,” he says, brushing his fingers lightly along tiger-striped petals surrounding a bright yellow middle, “and Cattleya,” he says, stroking gently a flower with spotted pink petals surrounding a florid burst of purple, “and Dendrobium nobile,” he says, leaning his long frame down to smell the obscenely dark center of a perfect violet bloom.
“They’re all amazing,” I say flatly.
“Yes, they are. Here is one of the finest. Disa uniflora, the pride of Table Mountain in South Africa.” He caresses a large scarlet flower with a pale yellowish organ in the middle that more than vaguely resembles a penis, complete with hanging testicles.
I murmur something indicating my admiration but I am horrified by his collection. I have seen an orchid before, sure, I was as miserable as any high school kid at my prom, blowing too much money on the tickets and the limo and the plaid tux and, of course, the corsage, all without any hope of getting laid, but the orchid in my prom corsage was as prim as my date and as far removed from Nat’s blooms as a kitty cat from a saber-toothed tiger. Th
e flowers Nat is growing are beastly things rising out of wild unkempt bushes. Gaudy petals, spotted and furry, drooping arrogant postures, pouty lips, sex organs explicit enough for Larry Flynt, the whole garden is pornographic.
“Acid, Victor. They thrive on acid. Look here.” He points to a tender white and pink flower pushing up from a separate plot in the ground. “This is my absolute favorite. Imported from Australia. Notice, Victor, there are no leaves. This plant stays underground, in secret, feeding only on that marvelous fungus, biding its time until the flower bursts into the open for its own reproductive purposes.”
“I think it’s time we got down to business,” I say.
Nat stops his tour and turns to stare at me, as if I interrupted the most important thing in his world, and then he smiles. “Right you are, Victor. Time for business. I’ll have tea set out for us on the veranda. Excuse me, but I should change.” He abruptly turns away from me and heads into the house through a rear door.
As I start to follow, Canek comes up beside me and gently takes hold of my arm. “I’ll take you around to the veranda,” he says and then he guides me back around the house to the front porch. He pulls away the mosquito netting, creating a gap for us to push through. Beneath a slowly spinning fan there is a table set with plates and cookies. Two seats face each other on opposite sides of the table. Canek pulls out one of the seats for me to sit upon and then he goes into the house, leaving me alone on the porch. The breeze from the fan is refreshing. Down the manicured slope of the lawn I see a long and crowded chicken coop.
Ten minutes later, out to the porch comes Nat, looking almost dashing in white pants and a white shirt with the sleeves rolled up. “The tea will be out shortly. Iced tea. While the generator’s going we can enjoy the comforts of ice and fans.”
“I have some things for you,” I say, opening the lock and reaching into my briefcase.
Bitter Truth Page 50