On a Chinese Screen

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On a Chinese Screen Page 10

by W. Somerset Maugham


  But at that moment we were interrupted. A little girl came softly in and nestled close up to the old gentleman. She stared at me with curious eyes. He told me that she was his youngest child. He put his arms round her and with a murmur of caressing words kissed her fondly. She wore a black coat and trousers that barely reached her ankles, and she had a long pig-tail hanging down her back. She was born on the day the revolution was brought to a successful issue by the abdication of the emperor.

  "I thought she heralded the Spring of a new era," he said. "She was but the last flower of this great nation's Fall."

  From a drawer in his roll-top desk he took a few cash, and handing them to her, sent her away.

  "You see that I wear a queue," he said, taking it in his hands. "It is a symbol. I am the last representative of the old China."

  He talked to me, more gently now, of how philosophers in long past days wandered from state to state with their disciples, teaching all who were worthy to learn. Kings called them to their councils and made them rulers of cities. His erudition was great and his eloquent phrases gave a multicoloured vitality to the incidents he related to me of the history of his country. I could not help thinking him a somewhat pathetic figure. He felt in himself the capacity to administer the state, but there was no king to entrust him with office; he had vast stores of learning which he was. eager to impart to the great band of students that his soul hankered after, and there came to listen but a few, wretched, half-starved, and obtuse provincials.

  Once or twice discretion had made me suggest that I should take my leave, but he had been unwilling to let me go. Now at last I was obliged to. I rose. He held my hand.

  "I should like to give you something as a recollection of your visit to the last philosopher in China, but I am a poor man and I do not know what I can give you that would be worthy of your acceptance."

  I protested that the recollection of my visit was in itself a priceless gift. He smiled.

  "Men have short memories in these degenerate days, and I should like to give you something more substantial. I would give you one of my books, but you cannot read Chinese."

  He looked at me with an amicable perplexity. I had an inspiration.

  "Give me a sample of your calligraphy," I said.

  "Would you like that?" He smiled. "In my youth I was considered to wield the brush in a manner that was not entirely despicable."

  He sat down at his desk, took a fair sheet of paper, and placed it before him. He poured a few drops of water on a stone, rubbed the ink stick in it, and took his brush. With a free movement of the arm he began to write. And as I watched him I remembered with not a little amusement something else which had been told me of him. It appeared that the old gentleman, whenever he could scrape a little money together, spent it wantonly in the streets inhabited by ladies to describe whom a euphemism is generally used. His eldest son, a person of standing in the city, was vexed and humiliated by the scandal of this behaviour; and only his strong sense of filial duty prevented him from reproaching the libertine with severity. I daresay that to a son such looseness would be disconcerting, but the student of human nature could look upon it with equanimity. Philosophers are apt to elaborate their theories in the study, forming conclusions upon life which they know only at second hand, and it has seemed to me often that their works would have a more definite significance if they had exposed themselves to the vicissitudes which befall the common run of men. I was prepared to regard the old gentleman's dalliance in hidden places with leniency. Perhaps he sought but to elucidate the most inscrutable of human illusions.

  He finished. To dry the ink he scattered a little ash on the paper and rising handed it to me.

  "What have you written?" I asked.

  I thought there was a slightly malicious gleam in his eyes.

  "I have ventured to offer you two little poems of my own."

  "I did not know you were a poet."

  "When China was still an uncivilised country," he retorted with sarcasm, "all educated men could write verse at least with elegance."

  I took the paper and looked at the Chinese characters. They made an agreeable pattern upon it.

  "Won't you also give me a translation?"

  "Tradwtore -- tradittore," he answered. "You cannot expect me to betray myself. Ask one of your English friends. Those who know most about China know nothing, but you will at least find one who is competent to give you a rendering of a few rough and simple lines."

  I bade him farewell, and with great politeness he showed me to my chair. When I had the opportunity I gave the poems to a sinologue of my acquaintance, and here is the version he made. I confess that, doubtless unreasonably, I was somewhat taken aback when I read it.

  You loved me not: your voice was sweet;

  Your eyes were full of laughter; your hands were tender.

  And then you loved me: your voice was bitter;

  Your eyes were full of tears; your hands were cruel.

  Sad, sad that love should make you

  Unlovable.

  I craved the years would quickly pass

  That you might lose

  The brightness of your eyes, the peach-bloom of your skin,

  And all the cruel splendour of your youth.

  Then I alone would love you

  And you at last would care.

  The envious years have passed full soon

  And you have lost

  The brightness of your eyes, the peach-bloom of your skin,

  And all the charming splendour of your youth.

  Alas, I do not love you

  And I care not if you care.

  XXXIX

  THE MISSIONARY LADY

  SHE was certainly fifty, but a life of convictions harassed by never a doubt had left her face unwrinkled. The hesitations of thought had never lined the smoothness of her brow. Her features were bold and regular, somewhat masculine, and her determined chin bore out the impression given you by her eyes. They were blue, confident, and unperturbed. They summed you up through large round spectacles. You felt that here was a woman to whom command came easily. Her charity was above all things competent and you were certain that she ran the obvious goodness of her heart on thoroughly business lines. It was possible to suppose that she was not devoid of human vanity (and this is to be counted to her for grace) since she wore a dress of violet silk, heavily embroidered, and a toque of immense pansies which on a less respectable head would have been almost saucy. But my Uncle Henry, for twenty-seven years Vicar of Whitstable, who had decided views on the proper manner of dress for a clergyman's wife, never objected to my Aunt Sophie wearing violet, and he would have found nothing to criticise in the missionary lady's gown. She spoke fluently with the even flow of water turned on at a tap. Her conversation had the admirable volubility of a politician at the end of an electioneering campaign. You felt that she knew what she meant (with most of us so rare an accomplishment) and meant what she said.

  "I always think," she remarked pleasantly, "that if you know both sides of a question you'll judge differently from what you will if you only know one side. But the fact remains that two and two make four and you can argue all night and you won't make them five. Am I right or am I wrong?"

  I hastened to assure her that she was right, though with these new theories of relativity and parallel lines behaving at infinity in such a surprising manner I was in my heart of hearts none too sure.

  "No one can eat their cake and have it," she continued, exemplifying Benedetto Croce's theory that grammar has little to do with expression, "and one has to take the rough with the smooth, but as I always say to the children you can't expect to have everything your own way. No one is perfect in this world and I always think that if you expect the best from people you'll get the best."

  I confess that I was staggered, but I determined to do my part. It was only civil.

  "Most men live long enough to discover that every cloud has a silver lining," I began earnestly. "With perseverance you can d
o most things that are not beyond your powers, and after all, it's better to want what you have than to have what you want."

  I thought her eyes were glazed with a sudden perplexity when I made this confident statement, but I daresay it was only my fancy, for she nodded vigorously.

  "Of course, I see your point," she said. "We can't do more than we can."

  But my blood was up now and I waved aside the interruption. I went on.

  "Few people realise the profound truth that there are twenty shillings in every pound and twelve pence in every shilling. I'm sure it's better to see clearly to the end of your nose than indistinctly through a brick wall. If there's one thing we can be certain about it is that the whole is greater than the part."

  When, with a hearty shake of the hand, firm and characteristic, she bade me farewell, she said :

  "Well, we've had a most interesting chat. It does one good in a place like this, so far away from civilisation, to exchange ideas with one's intellectual equals."

  "Especially other people's," I murmured.

  "I always think that one should profit by the great thoughts of the past," she retorted. "It shows that the mighty dead have not lived in vain."

  Her conversation was devastating.

  XL

  A GAME OF BILLIARDS

  I WAS sitting in the lobby of the hotel, reading a number, several days old, of the South China Times, when the door of the bar was somewhat brusquely thrown open and a very long, thin man appeared.

  "Do you care for a game of billiards?" he said.

  "By all means."

  I got up and went with him into the bar. It was a small hotel, of stone, somewhat pretentious in appearance, and it was kept by a half-caste Portuguese who smoked opium. There were not half a dozen people staying there, a Portuguese official and his wife waiting for a ship to take them to a distant colony, a Lancashire engineer who was sullenly drunk all day long, a mysterious lady, no longer young but of voluptuous appearance, who came to the dining room for meals and went back to her room immediately afterwards, and I had not seen the stranger before. I supposed he had come in that evening on a Chinese boat. He was a man of over fifty, I should think, shrivelled as though the sap had been dried out of him by tropical suns, with a face that was almost brick red. I could not place him. He might have been a skipper out of a job or the agent of some foreign firm in Hong Kong. He was very silent and he made no answer to the casual remarks that I made in the course of the game. He played billiards well enough, though not excellently, but he was a very pleasant fellow to play with; and when he pocketed my ball, instead of leaving me a double balk, gave me a reasonable shot. But when the game was over I should never have thought of him again, if suddenly, breaking his silence for the first time, he had not put me a very odd question.

  "Do you believe in fate?" he asked.

  "At billiards?" I retorted not a little astonished at his remark.

  "No, in life."

  I did not want to answer him seriously,

  "I hardly know," I said.

  He took his shot. He made a little break. At the end of it, chalking his cue, he said :

  "I do. I believe if things are coming to you, you can't escape them."

  That was all. He said nothing more. When we had finished the game he went up to bed, and I never saw him again. I shall never know what strange emotion impelled him to put that sudden question to a stranger.

  XLI

  THE SKIPPER

  I KNEW he was drunk.

  He was a skipper of the new school, a neat little man, clean-shaven, who might easily have passed for the commander of a submarine. In his cabin there hung a beautiful new coat with gold braid on it, the uniform which for its good service in the war has been granted to the mercantile marine, but he was shy of using it; it seemed absurd when he was no more than captain of a small boat on the Yangtze; and he stood on his bridge in a neat brown suit and a homburg hat; you could almost see yourself in his admirably polished shoes. His eyes were clear and bright and his skin was fresh. Though he had been at sea for twenty years and could not have been much less than forty he did not look more than twenty-eight. You might be sure that he was a clean-living fellow, as healthy in mind as he was in body, and the depravity of the East of which they talk had left him untouched. He had a pleasant taste in light literature and the works of E. V. Lucas adorned his book-case. In his cabin you saw a photograph of a football team in which he figured and two of a young woman with neatly waved hair whom it was possible enough he was engaged to.

  I knew he was drunk, but I did not think he was very drunk, till he asked me suddenly:

  "What is democracy?"

  I returned an evasive, perhaps a flippant answer, and for some minutes the conversation turned on less unseasonable topics to the occasion. Then breaking his silence, he said :

  "I hope you don't think I'm a socialist because I said, what is democracy."

  "Not at all," I answered, "but I don't see why you shouldn't be a socialist."

  "I give you my word of honour I'm not," he protested. "If I had my way I'd stand them up against a wall and shoot them."

  "What is socialism?" I asked.

  "Oh, you know what I mean, Henderson and Ramsay Macdonald and all that sort of thing," he answered. "I'm about fed up with the working man."

  "But you're a working man yourself, I should have thought."

  He was silent for quite a long time and I thought his mind had wandered to other things. But I was wrong; he was thinking my statement over in all its bearings, for at last he said:

  "Look here, I'm not a working man. Hang it all, I was at Harrow."

  XLII

  THE SIGHTS OF THE TOWN

  I AM not an industrious sight-seer, and when guides, professional or friendly, urge me to visit a famous monument I have a stubborn inclination to send them about their business. Too many eyes before mine have looked with awe upon Mont Blanc; too many hearts before mine have throbbed with deep emotion in the presence of the Sistine Madonna. Sights like these are like women of too generous sympathies: you feel that so many persons have found solace in their commiseration that you are embarrassed when they bid you, with what practised tact, to whisper in their discreet ears the whole tale of your distress. Supposing you were the last straw that broke the camel's back! No, Madam, I will take my sorrows (if I cannot bear them alone, which is better) to someone who is not quite so certain of saying so exactly the right thing to comfort me. When I am in a foreign town I prefer to wander at random and if maybe I lose the rapture of a Gothic cathedral I may happen upon a little Romanesque chapel or a Renaissance doorway which I shall be able to flatter myself no one else has troubled about.

  But of course this was a very extraordinary sight indeed and it would have been absurd to miss it. I came across it by pure chance. I was sauntering along a dusty road outside the city wall and by the side of it I saw a number of memorial arches. They were small and undecorated, standing not across the way but along it, close to one another, and sometimes one in front of the other, as though they had been erected by no impulse of gratitude to the departed or of admiration for the virtuous but in formal compliment, as knighthoods on the King's birthday are conferred on prominent citizens of provincial towns. Behind this row of arches the land rose sharply and since in this part of the country the Chinese bury their dead by preference on the side of a hill it was thickly covered with graves. A trodden path led to a little tower and I followed it. It was a stumpy little tower, ten feet high perhaps, made of rough-hewn blocks of stone; it was cone shaped and the roof was like a Pierrot's hat. It stood on a hillock, quaint and rather picturesque against the blue sky, amid the graves. At its foot were a number of rough baskets thrown about in disorder. I walked round and on one side saw an oblong hole, eighteen inches by eight, perhaps, from which hung a stout string. From the hole there came a very strange, a nauseating odour. Suddenly I understood what the queer little building was. It was a baby tower. The baskets were the baske
ts in which the babies had been brought, two or three of them were quite new, they could not have been there more than a few hours. And the string? Why, if the person who brought the baby, parent or grandmother, midwife or obliging friend, were of a humane disposition and did not care to let the new-born child drop to the bottom (for underneath the tower was a deep pit), it could be let down gently by means of the string. The odour was the odour of putrefaction. A lively little boy came up to me while I stood there and made me understand that four babes had been brought to the tower that morning.

  There are philosophers who look upon evil with a certain complacency, since without it, they opine, there would be no possibility of good. Without want there would be no occasion for charity, without distress of sympathy i without danger of courage, and without unhappiness of resignation. They would find in the Chinese practice of infanticide an apt illustration of their views. Except for the baby tower there would not be in this city an orphanage: the traveller would miss an interesting and curious sight, and a few poor women would have no opportunity to exercise a beautiful and touching virtue. The orphanage is shabby and bedraggled; it is situated in a poor and crowded part of the city; for the Spanish nuns who conduct it -- there are but five of them -- think it more convenient to live where they may be most useful; and besides, they have not the money to build commodious premises in a salubrious quarter. The institution is supported by the work, lace and fine embroidery, which they teach the girls to do, and by the alms of the faithful.

  Two nuns, the Mother Superior and another, showed me what there was to see. It was very strange to go through the whitewashed rooms, work-rooms, playrooms, dormitories, and refectory, low, cool, and bare; for you might have been ,in Spain, and when you passed a window you half expected to catch a glimpse of the Giralda. And it was charming to see the tenderness with which the nuns used the children. There were two hundred of them and they were, of course, orphans only in the sense that their parents had abandoned them. There was one room in which a number were playing, all of the same age, perhaps four, and all of the same size; with their black eyes and black hair, their yellow skins, they all looked so much alike that they might have been the children of a Chinese Old Woman who lived in a Shoe. They crowded round the nuns and began to romp with them. The Mother Superior had the gentlest voice I ever heard, but it became gentler still when she joked with the tiny mites. They nestled about her. She looked a very picture of charity. Some were deformed and some were diseased, some were puny and hideous, some were blind; it gave me a little shudder: I marvelled when I saw the love that filled her kind eyes and the affectionate sweetness of her smile.

 

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