He took a long stick equipped with a leather noose from the wall. Opening the trap he dropped the noose over the big snake's head and tightened the thong. A piercing dry rattle filled the room. The thick body writhed and slashed about the handle of the stick as he lifted the snake out and dropped it in the feeding cage. It stood ready to strike for a time, but the buzzing gradually ceased. The snake crawled into a corner, made a big figure eight with its body and lay still.
"You see," the young man explained, "these snakes are quite tame. I've had them a long time. I suppose I could handle them if I wanted to, but everyone who does handle rattlesnakes gets bitten sooner or later. I just don't want to take the chance." He glanced at the woman. He hated to put in the rat. She had moved over in front of the new cage; her black eyes were on the stony head of the snake again.
She said, "Put in a rat."
Reluctantly he went to the rat cage. For some reason he was sorry for the rat, and such a feeling had never come to him before. His eyes went over the mass of swarming white bodies climbing up the screen toward him. "Which one?" he thought. "Which one shall it be?" Suddenly he turned angrily to the woman. "Wouldn't you rather I put in a cat? Then you'd see a real fight. The cat might even win, but if it did it might kill the snake. I'll sell you a cat if you like."
She didn't look at him. "Put in a rat," she said. "I want him to eat."
He opened the rat cage and thrust his hand in. His fingers found a tail and he lifted a plump, red-eyed rat out of the cage. It struggled up to try to bite his fingers and, failing, hung spread out and motionless from its tail. He walked quickly across the room, opened the feeding cage and dropped the rat in on the sand floor. "Now, watch it," he cried.
The woman did not answer him. Her eyes were on the snake where it lay still. Its tongue, flicking in and out rapidly, tasted the air of the cage.
The rat landed on its feet, turned around and sniffed at its pink naked tail and then unconcernedly trotted across the sand, smelling as it went. The room was silent. Dr. Phillips did not know whether the water sighed among the piles or whether the woman sighed. Out of the corner of his eyes he saw her body crouch and stiffen.
The snake moved out smoothly, slowly. The tongue flicked in and out. The motion was so gradual, so smooth that it didn't seem to be motion at all. In the other end of the cage the rat perked up in a sitting position and began to lick down the fine white hair on its chest. The snake moved on, keeping always a deep S curve in its neck.
The silence beat on the young man. He felt the blood drifting up in his body. He said loudly, "See! He keeps the striking curve ready. Rattlesnakes are cautious, almost cowardly animals. The mechanism is so delicate. The snake's dinner is to be got by an operation as deft as a surgeon's job. He takes no chances with his instruments."
The snake had flowed to the middle of the cage by now. The rat looked up, saw the snake and then unconcernedly went back to licking its chest.
"It's the most beautiful thing in the world," the young man said. His veins were throbbing. "It's the most terrible thing in the world."
The snake was close now. Its head lifted a few inches from the sand. The head weaved slowly back and forth, aiming, getting distance, aiming. Dr. Phillips glanced again at the woman. He turned sick. She was weaving too, not much, just a suggestion.
The rat looked up and saw the snake. It dropped to four feet and back up, and then--the stroke. It was impossible to see, simply a flash. The rat jarred as though under an invisible blow. The snake backed hurriedly into the corner from which it had come, and settled down, its tongue working constantly.
"Perfect!" Dr. Phillips cried. "Right between the shoulder blades. The fangs must almost have reached the heart."
The rat stood still, breathing like a little white bellows. Suddenly it leaped in the air and landed on its side. Its legs kicked spasmodically for a second and it was dead.
The woman relaxed, relaxed sleepily.
"Well," the young man demanded, "it was an emotional bath, wasn't it?"
She turned her misty eyes to him. "Will he eat it now?" she asked.
"Of course he'll eat it. He didn't kill it for a thrill. He killed it because he was hungry."
The corners of the woman's mouth turned up a trifle again. She looked back at the snake. "I want to see him eat it."
Now the snake came out of its corner again. There was no striking curve in its neck, but it approached the rat gingerly, ready to jump back in case it attacked. It nudged the body gently with its blunt nose, and drew away. Satisfied that it was dead, the snake touched the body all over with its chin, from head to tail. It seemed to measure the body and to kiss it. Finally it opened its mouth and unhinged its jaws at the corners.
Dr. Phillips put his will against his head to keep it from turning toward the woman. He thought, "If she's opening her mouth, I'll be sick. I'll be afraid." He succeeded in keeping his eyes away.
The snake fitted its jaws over the rat's head and then with a slow peristaltic pulsing, began to engulf the rat. The jaws gripped and the whole throat crawled up, and the jaws gripped again.
Dr. Phillips turned away and went to his work table. "You've made me miss one of the series," he said bitterly. "The set won't be complete." He put one of the watch glasses under a low-power microscope and looked at it, and then angrily he poured the contents of all the dishes into the sink. The waves had fallen so that only a wet whisper came up through the floor. The young man lifted a trapdoor at his feet and dropped the starfish down into the black water. He paused at the cat, crucified in the cradle and grinning comically into the light. Its body was puffed with embalming fluid. He shut off the pressure, withdrew the needle and tied the vein.
"Would you like some coffee?" he asked.
"No, thank you. I shall be going pretty soon."
He walked to her where she stood in front of the snake cage. The rat was swallowed, all except an inch of pink tail that stuck out of the snake's mouth like a sardonic tongue. The throat heaved again and the tail disappeared. The jaws snapped back into their sockets, and the big snake crawled heavily to the corner, made a big eight and dropped its head on the sand.
"He's asleep now," the woman said. "I'm going now. But I'll come back and feed my snake every little while. I'll pay for the rats. I want him to have plenty. And sometime--I'll take him away with me." Her eyes came out of their dusty dream for a moment. "Remember, he's mine. Don't take his poison. I want him to have it. Good-night." She walked swiftly to the door and went out. He heard her footsteps on the stairs, but he could not hear her walk away on the pavement.
Dr. Phillips turned a chair around and sat down in front of the snake cage. He tried to comb out his thought as he looked at the torpid snake. "I've read so much about psychological sex symbols," he thought. "It doesn't seem to explain. Maybe I'm too much alone. Maybe I should kill the snake. If I knew--no, I can't pray to anything."
For weeks he expected her to return. "I will go out and leave her alone here when she comes," he decided. "I won't see the damned thing again."
She never came again. For months he looked for her when he walked about in the town. Several times he ran after some tall woman thinking it might be she. But he never saw her again--ever.
Breakfast
This thing fills me with pleasure. I don't know why, I can see it in the smallest detail. I find myself recalling it again and again, each time bringing more detail out of sunken memory, remembering brings the curious warm pleasure.
It was very early in the morning. The eastern mountains were black-blue, but behind them the light stood up faintly colored at the mountain rims with a washed red, growing colder, greyer and darker as it went up and overhead until, at a place near the west, it merged with pure night.
And it was cold, not painfully so, but cold enough so that I rubbed my hands and shoved them deep into my pockets, and I hunched my shoulders up and scuffled my feet on the ground. Down in the valley where I was, the earth was that lavender grey of dawn. I
walked along a country road and ahead of me I saw a tent that was only a little lighter grey than the ground. Beside the tent there was a flash of orange fire seeping out of the cracks of an old rusty iron stove. Grey smoke spurted up out of the stubby stovepipe, spurted up a long way before it spread out and dissipated.
I saw a young woman beside the stove, really a girl. She was dressed in a faded cotton skirt and waist. As I came close I saw that she carried a baby in a crooked arm and the baby was nursing, its head under her waist out of the cold. The mother moved about, poking the fire, shifting the rusty lids of the stove to make a greater draft, opening the oven door; and all the time the baby was nursing, but that didn't interfere with the mother's work, nor with the light quick gracefulness of her movements. There was something very precise and practiced in her movements. The orange fire flicked out of the cracks in the stove and threw dancing reflections on the tent.
I was close now and I could smell frying bacon and baking bread, the warmest, pleasantest odors I know. From the east the light grew swiftly. I came near to the stove and stretched my hands out to it and shivered all over when the warmth struck me. Then the tent flap jerked up and a young man came out and an older man followed him. They were dressed in new blue dungarees and in new dungaree coats with brass buttons shining. They were sharp-faced men, and they looked much alike.
The younger had a dark stubble beard and the older had a grey stubble beard. Their heads and faces were wet, their hair dripped with water, and water stood out on their stiff beards and their cheeks shone with water. Together they stood looking quietly at the lightening east; they yawned together and looked at the light on the hill rims. They turned and saw me.
"Morning," said the older man. His face was neither friendly nor unfriendly.
"Morning, sir," I said.
"Morning," said the young man.
The water was slowly drying on their faces. They came to the stove and warmed their hands at it.
The girl kept to her work, her face averted and her eyes on what she was doing. Her hair was tied back out of her eyes with a string and it hung down her back and swayed as she worked. She set tin cups on a big packing box, set tin plates and knives and forks out too. Then she scooped fried bacon out of the deep grease and laid it on a big tin platter, and the bacon cricked and rustled as it grew crisp. She opened the rusty oven door and took out a square pan full of high big biscuits.
When the smell of that hot bread came out, both of the men inhaled deeply. The young man said softly, "Keerist!"
The elder man turned to me, "Had you breakfast?"
"No."
"Well, sit down with us, then."
That was the signal. We went to the packing case and squatted on the ground about it. The young man asked, "Picking cotton?"
"No."
"We have twelve days' work so far," the young man said.
The girl spoke from the stove. "They even got new clothes."
The two men looked down at their new dungarees and they both smiled a little.
The girl set out the platter of bacon, the brown high biscuits, a bowl of bacon gravy and a pot of coffee, and then she squatted down by the box too. The baby was still nursing, its head up under her waist out of the cold. I could hear the sucking noises it made.
We filled our plates, poured bacon gravy over our biscuits and sugared our coffee. The older man filled his mouth full and he chewed and chewed and swallowed. Then he said, "God Almighty, it's good," and he filled his mouth again.
The young man said, "We been eating good for twelve days."
We all ate quickly, frantically, and refilled our plates and ate quickly again until we were full and warm. The hot bitter coffee scalded our throats. We threw the last little bit with the grounds in it on the earth and refilled our cups.
There was color in the light now, a reddish gleam that made the air seem colder. The two men faced the east and their faces were lighted by the dawn, and I looked up for a moment and saw the image of the mountain and the light coming over it reflected in the older man's eyes.
Then the two men threw the grounds from their cups on the earth and they stood up together. "Got to get going," the older man said.
The younger turned to me. " 'Fyou want to pick cotton, we could maybe get you on."
"No. I got to go along. Thanks for breakfast."
The older man waved his hand in a negative. "O.K. Glad to have you." They walked away together. The air was blazing with light at the eastern skyline. And I walked away down the country road.
That's all. I know, of course, some of the reasons why it was pleasant. But there was some element of great beauty there that makes the rush of warmth when I think of it.
The Raid
I
It was dark in the little California town when the two men stepped from the lunch car and strode arrogantly through the back streets. The air was full of the sweet smell of fermenting fruit from the packing plants. High over the corners, blue arc lights swung in the wind and put moving shadows of telephone wires on the ground. The old wooden buildings were silent and resting. The dirty windows dismally reflected the street lights.
The two men were about the same size, but one was much older than the other. Their hair was cropped, they wore blue jeans. The older man had on a peajacket, while the younger wore a blue turtle-neck sweater. As they swung down the dark street, footsteps echoed back loudly from the wooden buildings. The younger man began to whistle Come to Me My Melancholy Baby. He stopped abruptly. "I wish that damn tune would get out of my head. It's been going all day. It's an old tune, too."
His companion turned toward him. "You're scared, Root. Tell the truth. You're scared as hell."
They were passing under one of the blue street lights. Root's face put on its toughest look, the eyes squinted, the mouth went crooked and bitter. "No, I ain't scared." They were out of the light. His face relaxed again. "I wish I knew the ropes better. You been out before, Dick. You know what to expect. But I ain't ever been out."
"The way to learn is to do," Dick quoted sententiously. "You never really learn nothing from books."
They crossed a railroad track. A block tower up the line a little was starred with green lights. "It's awful dark," said Root. "I wonder if the moon will come up later. Usually does when it's so dark. You going to make the first speech, Dick?"
"No, you make it. I had more experience than you. I'll watch them while you talk and then I can smack them where I know they bite. Know what you're going to say?"
"Sure I do. I got it all in my head, every word. I wrote it out and learned it. I heard guys tell how they got up and couldn't think of a thing to say, and then all of a sudden they just started in like it was somebody else, and the words came out like water out of a hydrant. Big Mike Sheane said it was like that with him. But I wasn't taking no chances, so I wrote it out."
A train hooted mournfully, and in a moment it rounded a bend and pushed its terrible light down the track. The lighted coaches rattled past. Dick turned to watch it go by. "Not many people on that one," he said with satisfaction. "Didn't you say your old man worked on the railroad?"
Root tried to keep the bitterness out of his voice. "Sure, he works on the road. He's a brakeman. He kicked me out when he found out what I was doing. He was scared he'd lose his job. He couldn't see. I talked to him, but he just couldn't see. He kicked me right out." Root's voice was lonely. Suddenly he realized how he had weakened and how he sounded homesick. "That's the trouble with them," he went on harshly. "They can't see beyond their jobs. They can't see what's happening to them. They hang on to their chains."
"Save it," said Dick. "That's good stuff. Is that part of your speech?"
"No, but I guess I'll put it in if you say it's good."
The street lights were fewer now. A line of locust trees grew along the road, for the town was beginning to thin and the country took control. Along the unpaved road there were a few little houses with ill-kept gardens.
"Jesus
! It's dark," Root said again. "I wonder if there'll be any trouble. It's a good night to get away if anything happens."
Dick snorted into the collar of his peajacket. They walked along in silence for a while.
"Do you think you'd try to get away, Dick?" Root asked.
"No, by God! It's against orders. If anything happens we got to stick. You're just a kid. I guess you'd run if I let you!"
Root blustered: "You think you're hell on wheels just because you been out a few times. You'd think you was a hundred to hear you talk."
"I'm dry behind the ears, anyway," said Dick.
Root walked with his head down. He said softly, "Dick, are you sure you wouldn't run? Are you sure you could just stand there and take it?"
"Of course I'm sure. I've done it before. It's the orders, ain't it? Why, it's good publicity." He peered through the darkness at Root. "What makes you ask, kid? You scared you'll run? If you're scared you got no business here."
Root shivered. "Listen, Dick, you're a good guy. You won't tell nobody what I say, will you? I never been tried. How do I know what I'll do if somebody smacks me in the face with a club? How can anybody tell what he'd do? I don't think I'd run. I'd try not to run."
"All right, kid. Let it go at that. But you try running, and I'll turn your name in. We got no place for yellow bastards. You remember that, kid."
"Oh, lay off that kid stuff. You're running that in the ground."
The locust trees grew closer together as they went. The wind rustled gently in the leaves. A dog growled in one of the yards as the men went by. A light fog began to drift down through the air, and the stars were swallowed in it. "You sure you got everything ready?" Dick asked. "Got the lamps? Got the lit'ature? I left all that to you."
"I did it all this afternoon," said Root. "I didn't put the posters up yet, but I got them in a box out there."
"Got oil in the lamps?"
"They had plenty in. Say, Dick, I guess some bastard has squealed, don't you?"
"Sure. Somebody always squeals."
The Long Valley Page 9