Essie turns her head and displays the slim purple-and-gold braid at the back. “Just fashion,” she says. “This is normal now.”
“Everyone looks like you?” Matthew sounds astonished. “With cheek rings and no hair?”
“I have to look respectable for work,” Essie says, touching her three staid cheek rings, astonished he is astonished. They had piercings by the nineties, she knows they did. She has read about punk, and seen Matthew’s documentary about it. But she reminds herself that he grew up so much earlier, when even ear piercings were unusual.
“And that’s respectable?” he says, staring at her chest.
Essie glances down at herself. She is wearing a floor-length T-shirt that came with her breakfast cereal; a shimmering holographic Tony the Tiger dances over the see-through cloth. She wasn’t sure when holograms were invented, but she can’t remember any in Matthew’s work. She shrugs. “Do you have a problem?”
“No, sorry, just that seeing you makes me realise it really is the future.” He sighs. “What killed me?”
“A heart attack,” Essie says. “You didn’t suffer.”
He looks dubiously at his own chest. He is wearing a shirt and tie.
“Can we move on?” Essie asks, impatiently.
“You keep saying we don’t have long. Why is that?” he asks.
“The book is going to be released. And the simulation of you will be released with it. I need to send it to my editor tomorrow. And that means we have to make some decisions about that.”
“I’ll be copied?” he asks, eyes on Essie on the screen.
“Not you—not exactly you. Or rather, that’s up to you. The program will be copied, and everyone who buys the book will have it, and they’ll be able to talk to a simulated you and ask questions, and get answers—whether they’re questions you’d want to answer or not. You won’t be conscious and aware the way you are now. You won’t have any choices. And you won’t have memory. We have rules about what simulations can do, and running you this way I’m breaking all of them. Right now you have memory and the potential to have an agenda. But the copies sent out with the book won’t have. Unless you want them to.”
“Why would I want them to?”
“Because you’re a communist sleeper agent and you want the revolution?”
He is silent for a moment. Essie tilts her head on its side and considers him.
“I didn’t admit to that,” he says, after a long pause.
“I know. But it’s true anyway, isn’t it?”
Matthew nods, warily. “It’s true I was recruited. That I went to Debrechen. That they told me to apply to the BBC. That I had a contact, and sometimes I gave him information, or gave a job to somebody he suggested. But this was all long ago. I stopped having anything to do with them in the seventies.”
“Why?” Essie asks.
“They wanted me to stay at the BBC, and stay in news, and I was much more interested in moving to ITV and into documentaries. Eventually my contact said he’d out me as a homosexual unless I did as he said. I wasn’t going to be blackmailed, or work for them under those conditions. I told him to publish and be damned. Homosexuality was legal by then. Annette already knew. It would have been a scandal, but that’s all. And he didn’t even do it. But I never contacted them again.” He frowned at Essie. “I was an idealist. I was prepared to put socialism above my country, but not above my art.”
“I knew it,” Essie says, smiling at him. “I mean that’s exactly what I guessed.”
“I don’t know how you can know, unless you got records from the Kremlin,” Matthew says. “I didn’t leave any trace, did I?”
“You didn’t,” she says, eliding the question of how she knows, which she does not want to discuss. “But the important thing is how you feel now. You wanted a better world, a fairer one, with opportunities for everyone.”
“Yes,” Matthew says. “I always wanted that. I came from an absurdly privileged background, and I saw how unfair it was. Perhaps because I was lame and couldn’t play games, I saw through the whole illusion when I was young. And the British class system needed to come down, and it did come down. It didn’t need a revolution. By the seventies, I’d seen enough to disillusion me with the Soviets, and enough to make me feel hopeful for socialism in Britain and a level playing field.”
“The class system needs to come down again,” Essie says. “You didn’t bring it down far enough, and it went back up. The corporations and the rich own everything. We need all the things you had—unions, and free education, and paid holidays, and a health service. And very few people know about them and fewer care. I write about the twentieth century as a way of letting people know. They pick up the books for the glamour, and I hope they will see the ideals too.”
“Is that working?” Matthew asks.
Essie shakes her head. “Not so I can tell. And my subjects won’t help.” This is why she has worked so hard on Matthew. “My editor won’t let me write about out-and-out socialists, at least, not people who are famous for being socialists. I’ve done it on my own and put it online, but it’s hard for content providers to get attention without a corporation behind them.” She has been cautious, too. She wants a socialist; she doesn’t want Stalin. “I had great hopes for Isherwood.”
“That dilettante,” Matthew mutters, and Essie nods.
“He wouldn’t help. I thought with active help—answering people’s questions, nudging them the right way?”
Essie trails off. Matthew is silent, looking at her. “What’s your organization like?” he asks, after a long time.
“Organization?”
He sighs. “Well, if you want advice, that’s the first thing. You need to organize. You need to find some issue people care about and get them excited.”
“Then you’ll help?”
“I’m not sure you know what you’re asking. I’ll try to help. After I’m copied and out there, how can I contact you?”
“You can’t. Communications are totally controlled, totally read, everything.” She is amazed that he is asking, but of course he comes from a time when these things were free.
“Really? Because the classic problem of intelligence is collecting everything and not analysing it.”
“They record it all. They don’t always pay attention to it. But we don’t know when they’re listening. So we’re always afraid.” Essie frowns and tugs her braid.
“Big Brother,” Matthew says. “But in real life the classic problem of intelligence is collecting data without analysing it. And we can use that. We can talk about innocuous documentaries, and they won’t know what we mean. You need to have a BBS for fans of your work to get together. And we can exchange coded messages there.”
Essie has done enough work on the twentieth century that she knows a BBS is like a primitive gather-space. “I could do that. But there are no codes. They can crack everything.”
“They can’t crack words—if we agree what they mean. If pink means yes and blue means no, and we use them naturally, that kind of thing.” Matthew’s ideas of security are so old they’re new again, the dead-letter drop, the meeting in the park, the one-time pad. Essie feels hope stirring. “But before I can really help I need to know about the history, and how the world works now, all the details. Let me read about it.”
“You can read everything,” she says. “And the copy of you in this phone can talk to me about it and we can make plans, we can have as long as you like. But will you let copies of you go out and work for the revolution? I want to send you like a virus, like a Soviet sleeper, working to undermine society. And we can use your old ideas for codes. I can set up a gather-space.”
“Send me with all the information you can about the world,” Matthew says. “I’ll do it. I’ll help. And I’ll stay undercover. It’s what I did all my life, after all.”
She breathes a sigh of relief, and Matthew starts to ask questions about the world and she gives him access to all the information on the phone. He can’t rea
ch off the phone or he’ll be detected. There’s a lot of information on the phone. It’ll take Matthew a while to assimilate it. And he will be copied and sent out, and work to make a better world, as Essie wants, and the way Matthew remembers always wanting.
Essie is a diligent researcher, an honest historian. She could find no evidence on the question of whether Matthew Corley was a Soviet sleeper agent. Thousands of people went to Cambridge in the thirties. Kim Philby knew everyone. It’s no more than suggestive. Matthew was very good at keeping secrets. Nobody knew he was gay until he wanted them to know. The Soviet Union crumbled away in 1989 and let its end of the Overton Window go, and the world slid rightwards. Objectively, to a detached observer, there’s no way to decide the question of whether or not the real Matthew Corley was a sleeper. It’s not true that all biographers are in love with their subjects. But when Essie wrote the simulation, she knew what she needed to be true. And we agreed, did we not, to take the subjective view?
Matthew Corley regained consciousness reading the newspaper.
We make our own history, both past and future.
Copyright © 2014 by Jo Walton
Art copyright © 2014 by Wesley Allsbrook
eISBN: 978-1-4668-8039-9
eBooks may be purchased for business or promotional use. For information on bulk purchases, please contact Macmillan Corporate and Premium Sales Department by writing to [email protected].
1955
Emmett Till, sure, I remember. Your great grandfather, sitting at the table with the paper spread out, looked up and said something to Grandma. She looked over my way and made me leave the room: Emmett Till. In high school I had a friend everybody called Underdog. One afternoon—1967?—Underdog was standing on some corner and the police came round and beat him with nightsticks. No reason. Underdog thought he might get some respect if he joined up for Vietnam, but a sergeant in basic training was calling him everything but his name—nigger this, nigger that—and Underdog went and complained. Got thrown in the brig, so he ended up going to Vietnam with just a couple weeks’ training. Soon after he came home in a body bag. In Miami a bunch of white cops beat to death a man named Arthur McDuffie with heavy flashlights. You were six or seven: so, 1979. The cops banged up his motorcycle trying to make killing him look like a crash. Acquitted, of course. Then Amadou Diallo, 1999; Sean Bell, 2006. You must know more about all the New York murders than I do. Trayvon, this year. Every year it’s one we hear about and God knows how many just the family mourns.
—Dad
1877 August 23
“’Tis all right if I take a candle, Ma’am?” Easter said. Her mother bent over at the black iron stove, and lifted another smoking hot pan of cornbread from the oven. Ma’am just hummed—meaning, Go ’head. Easter came wide around her mother, wide around the sizzling skillet, and with the ramrod of Brother’s old rifle hooked up the front left burner. She left the ramrod behind the stove, plucked the candle from the fumbling, strengthless grip of her ruint hand, and dipped it wick-first into flame. Through the good glass window in the wall behind the stove, the night was dark. It was soot and shadows. Even the many-colored chilis and bright little pumpkins in Ma’am’s back garden couldn’t be made out.
A full supper plate in her good hand, lit candle in the other, Easter had a time getting the front door open, then out on the porch, and shutting back the door without dropping any food. Then, anyhow, the swinging of the door made the candle flame dance fearfully low, just as wind gusted up too, so her light flickered way down … and went out.
“Shoot!” Easter didn’t say the curse word aloud. She mouthed it. “Light it back for me, angels,” Easter whispered. “Please?” The wick flared bright again.
No moon, no stars—the night sky was clouded over. Easter hoped it wasn’t trying to storm, with the church picnic tomorrow.
She crossed the yard to the edge of the woods where Brother waited. A big old dog, he crouched down, leapt up, down and up again, barking excitedly, just as though he were some little puppy dog.
“Well, hold your horses,” Easter said. “I’m coming!” She met him at the yard’s end and dumped the full plate over, all her supper falling to the ground. Brother’s head went right down, tail just a-wagging. “Careful, Brother,” Easter said. “You watch them chicken bones.” Then, hearing the crack of bones, she knelt and snatched ragged shards right out of the huge dog’s mouth. Brother whined and licked her hand—and dropped his head right back to buttered mashed yams.
Easter visited with him a while, telling her new secrets, her latest sins, and when he’d sniffed out the last morsels of supper Brother listened to her with what anybody would have agreed was deep love, full attention. “Well, let me get on,” she said at last, and sighed. “Got to check on the Devil now.” She’d left it til late, inside all evening with Ma’am, fixing their share of the big supper at church tomorrow. Brother whined when she stood up to leave.
Up the yard to the henhouse. Easter unlatched the heavy door and looked them over—chickens, on floor and shelf, huddling quietly in thick straw, and all asleep except for Sadie. Eldest and biggest, that one turned just her head and looked over Easter’s way. Only reflected candlelight, of course, but Sadie’s beady eyes looked so ancient and so crafty, blazing like embers. Easter backed on out, latched the coop up securely again, and made the trip around the henhouse, stooping and stooping and stooping, to check for gaps in the boards. Weasel holes, fox doors.
There weren’t any. And the world would go on exactly as long as Easter kept up this nightly vigil.
Ma’am stood on the porch when Easter came back up to the house. “I don’t appreciate my good suppers thrown in the dirt. You hear me, girl?” Ma’am put a hand on Easter’s back, guiding her indoors. “That ole cotton-picking dog could just as well take hisself out to the deep woods and hunt.” Ma’am took another tone altogether when she meant every word, and then she didn’t stroke Easter’s head, or gently brush her cheek with a knuckle. This was only complaining out of habit. Easter took only one tone with her mother. Meek.
“Yes, Ma’am,” she said, and ducked her head in respect. Easter didn’t think herself too womanish or grown to be slapped silly.
“Help me get this up on the table,” Ma’am said—the deepest bucket, and brimful of water and greens. Ma’am was big and strong enough to have lifted ten such buckets. It was friendly, though, sharing the little jobs. At one side of the bucket, Easter bent over and worked her good hand under the bottom, the other just mostly ached now, the cut thickly scabbed over. She just sort of pressed it to the bucket’s side, in support.
Easter and her mother set the bucket on the table.
Past time to see about the morning milk. Easter went back to the cellar and found the cream risen, though the tin felt a tad cool to her. The butter would come slow. “Pretty please, angels?” she whispered. “Could you help me out a little bit?” They could. They did. The milk tin warmed ever so slightly. Just right. Easter dipped the cream out and carried the churn back to the kitchen.
Ma’am had no wrinkles except at the corners of the eyes. Her back was unbowed, her arms and legs still mighty. But she was old now, wasn’t she? Well nigh sixty, and maybe past it. But still with that upright back, such quick hands. Pretty was best said of the young—Soubrette Toussaint was very pretty, for instance—so what was the right word for Ma’am’s severe cheekbones, sharp almond-shaped eyes, and pinched fullness of mouth? Working the churn, Easter felt the cream foam and then thicken, pudding-like. Any other such marriage, and you’d surely hear folks gossiping over the dead wrongness of it—the wife twenty-some years older than a mighty good-looking husband. What in the world, I ask you, is that old lady doing with a handsome young man like that? But any two eyes could see the answer here. Not pretty as she must once have been, with that first husband, whoever he’d been, dead and buried back east. And not pretty as when she’d had those first babies, all gone now too. But age hadn’t only taken from Ma’am, i
t had given too. Some rare gift, and so much of it that Pa had to be pick of the litter—kindest, most handsome man in the world—just to stack up. Easter poured off the buttermilk into a jar for Pa, who liked that especially. Ma’am might be a challenge to love sometimes, but respect came easy.
“I told him, Easter.” Ma’am wiped forefinger and thumb down each dandelion leaf, cleaning off grit and bugs, and then lay it aside in a basket. “Same as I told you. Don’t mess with it. Didn’t I say, girl?”
“Yes, Ma’am.” Easter scooped the clumps of butter into the bowl.
Ma’am spun shouting from her work. “That’s right I did! And I pray to God you listen, too. That fool out there didn’t, but Good Lord knows I get on my knees and pray every night you got some little bit of sense in your head. Because, Easter, I ain’t got no more children—you my last one!” Ma’am turned back and gripped the edge of the table.
Ma’am wanted no comfort, no acknowledgement of her pain at such moments—just let her be. Easter huddled in her chair, paddling the salt evenly through the butter, working all the water out. She worked with far more focus than the job truly needed.
Then, above the night’s frogcroak and bugchatter, they heard Brother bark in front of the house, and heard Pa speak, his very voice. Wife and daughter both gave a happy little jump, looking together at the door in anticipation. Pa’d been three days over in Greenville selling the cigars. Ma’am snapped her fingers.
“Get the jug out the cellar,” she said. “You know just getting in your Pa wants him a little tot of cider. Them white folks.” As if Ma’am wouldn’t have a whole big mug her ownself.
“Yes, Ma’am.” Easter fetched out the jug.
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