by G. K. Datlow
“Do you mean he made that an excuse?” asked his companion, puzzled.
“I thought so at first,” replied the priest; “but I know now it was not an excuse, but a reason. He really was put off by finding it was a palmist, because—”
“Well,” demanded the other impatiently.
“Because he didn’t want to take his glove off,” said Father Brown.
“Take his glove off?” repeated the inquirer.
“If he had,” said Father Brown mildly, “we should all have seen that his hand was painted pale brown already.… Oh, yes, he did come down specially because the Master was here. He came down very fully prepared.”
“You mean,” cried Phroso, “that it was Hunter’s hand, painted brown, that came in at the window? Why, he was with us all the time!”
“Go and try it on the spot and you’ll find it’s quite possible,” said the priest. “Hunter leapt forward and leaned out of the window; in a flash he could tear off his glove, tuck up his sleeve, and thrust his hand back round the other side of the pillar, while he gripped the Indian with the other hand and halloed out that he’d caught the thief. I remarked at the time that he held the thief with one hand, where any sane man would have used two. But the other hand was slipping the jewel into his trouser pocket.”
There was a long pause and then the ex-Phrenologist said slowly. “Well, that’s a staggerer. But the thing stumps me still. For one thing, it doesn’t explain the queer behaviour of the old magician himself. If he was entirely innocent, why the devil didn’t he say so? Why wasn’t he indignant at being accused and searched? Why did he only sit smiling and hinting in a sly way what wild and wonderful things he could do?”
“Ah!” cried Father Brown, with a sharp note in his voice: “there you come up against it! Against everything these people don’t and won’t understand. All religions are the same, says Lady Mounteagle. Are they, by George! I tell you some of them are so different that the best man of one creed will be callous, where the worst man of another will be sensitive. I told you I didn’t like spiritual power, because the accent is on the word power. I don’t say the Master would steal a ruby, very likely he wouldn’t; very likely he wouldn’t think it worth stealing. It wouldn’t be specially his temptation to take jewels; but it would be his temptation to take credit for miracles that didn’t belong to him any more than the jewels. It was to that sort of temptation, to that sort of stealing that he yielded today. He liked us to think that he had marvellous mental powers that could make a material object fly through space; and even when he hadn’t done it, he allowed us to think he had. The point about private property wouldn’t occur primarily to him at all. The question wouldn’t present itself in the form: ‘Shall I steal this pebble?’ but only in the form: ‘Could I make a pebble vanish and re-appear on a distant mountain?’ The question of whose pebble would strike him as irrelevant. That is what I mean by religious being different. He is very proud of having what he calls spiritual powers. But what he calls spiritual doesn’t mean what we call moral. It means rather mental; the power of the mind over matter; the magician controlling the elements. Now we are not like that, even when we are no better; even when we are worse. We, whose fathers at least were Christians, who have grown up under those mediaeval arches even if we bedizen them with all the demons in Asia—we have the very opposite ambition and the very opposite shame. We should all be anxious that nobody should think we had done it. He was actually anxious that everybody should think he had—even when he hadn’t. He actually stole the credit of stealing. While we were all casting the crime from us like a snake, he was actually luring it to him like a snake-charmer. But snakes are not pets in this country! Here the traditions of Christendom tell at once under a test like this. Look at old Mounteagle himself, for instance! Ah, you may be as Eastern and esoteric as you like, and wear a turban and a long robe and live on messages from Mahatmas; but if a bit of stone is stolen in your house, and your friends are suspected, you will jolly soon find out that you’re an ordinary English gentleman in a fuss. The man who really did it would never want us to think he did it, for he also was an English gentleman. He was also something very much better; he was a Christian thief. I hope and believe he was a penitent thief.”
“By your account,” said his companion laughing, “the Christian thief and the heathen fraud went by contraries. One was sorry he’d done it and the other was sorry he hadn’t.”
“We mustn’t be too hard on either of them,” said Father Brown. “Other English gentlemen have stolen before now, and been covered by legal and political protection; and the West also has its own way of covering theft with sophistry. After all, the ruby is not the only kind of valuable stone in the world that has changed owners; it is true of other precious stones; often carved like cameos and coloured like flowers.” The other looked at him inquiringly; and the priest’s finger was pointed to the Gothic outline of the great Abbey. “A great graven stone,” he said, “and that was also stolen.”
The Chief Mourner of Marne
A blaze of lightning blanched the grey woods tracing all the wrinkled foliage down to the last curled leaf, as if every detail were drawn in silverpoint or graven in silver. The same strange trick of lightning by which it seems to record millions of minute things in an instant of time, picked out everything, from the elegant litter of the picnic spread under the spreading tree to the pale lengths of winding road, at the end of which a white car was waiting. In the distance a melancholy mansion with four towers like a castle, which in the grey evening had been but a dim and distant huddle of walls like a crumbling cloud, seemed to spring into the foreground, and stood up with all its embattled, roofs and blank and staring windows. And in this, at least, the light had something in it of revelation. For to some of those grouped under the tree that castle was, indeed, a thing faded and almost forgotten, which was to prove its power to spring up again in the foreground of their lives.
The light also clothed for an instant, in the same silver splendour, at least one human figure that stood up as motionless as one of the towers. It was that of a tall man standing on a rise of ground above the rest, who were mostly sitting on the grass or stooping to gather up the hamper and crockery. He wore a picturesque short cloak or cape clasped with a silver clasp and chain, which blazed like a star when the flash touched it; and something metallic in his motionless figure was emphasized by the fact that his closely-curled hair was of the burnished yellow that can be really called gold; and had the look of being younger than his face, which was handsome in a hard aquiline fashion, but looked, under the strong light, a little wrinkled and withered. Possibly it had suffered from wearing a mask of make-up, for Hugo Romaine was the greatest actor of his day. For that instant of illumination the golden curls and ivory mask and silver ornament made his figure gleam like that of a man in armour; the next instant his figure was a dark and even black silhouette against the sickly grey of the rainy evening sky.
But there was something about its stillness, like that of a statue, that distinguished it from the group at his feet. All the other figures around him had made the ordinary involuntary movement at the unexpected shock of light; for though the skies were rainy it was the first flash of the storm. The only lady present, whose air of carrying grey hair gracefully, as if she were really proud of it, marked her a matron of the United States, unaffectedly shut her eyes and uttered a sharp cry. Her English husband, General Outram, a very stolid Anglo-Indian, with a bald head and black moustache and whiskers of antiquated pattern, looked up with one stiff movement and then resumed his occupation of tidying up. A young man of the name of Mallow, very big and shy, with brown eyes like a dog’s, dropped a cup and apologized awkwardly. A third man, much more dressy, with a resolute head, like an inquisitive terrier’s, and grey hair brushed stiffly back, was no other than the great newspaper proprietor, Sir John Cockspur; he cursed freely, but not in an English idiom or accent, for he came from Toronto. But the tall man in the short cloak stood up literally like
a statue in the twilight; his eagle face under the full glare had been like the bust of a Roman Emperor, and the carved eyelids had not moved.
A moment after, the dark dome cracked across with thunder, and the statue seemed to come to life. He turned his head over his shoulder and said casually;
“About a minute and half between the flash and the bang, but I think the storm’s coming nearer. A tree is not supposed to be a good umbrella for the lightning, but we shall want it soon for the rain. I think it will be a deluge.”
The young man glanced at the lady a little anxiously and said: “Can’t we get shelter anywhere? There seems to be a house over there.”
“There is a house over there,” remarked the general, rather grimly; “but not quite what you’d call a hospitable hotel.”
“It’s curious,” said his wife sadly, “that we should be caught in a storm with no house near but that one, of all others.”
Something in her tone seemed to check the younger man, who was both sensitive and comprehending; but nothing of that sort daunted the man from Toronto.
“What’s the matter with it?” he asked. “Looks rather like a ruin.”
“That place,” said the general dryly, “belongs to the Marquis of Marne.”
“Gee!” said Sir John Cockspur. “I’ve heard all about that bird, anyhow; and a queer bird, too. Ran him as a front-page mystery in the Comet last year. ‘The Nobleman Nobody Knows.’”
“Yes, I’ve heard of him, too,” said young Mallow in a low voice. “There seem to be all sorts of weird stories about why he hides himself like that. I’ve heard that he wears a mask because he’s a leper. But somebody else told me quite seriously that there’s a curse on the family; a child born with some frightful deformity that’s kept in a dark room.”
“The Marquis of Marne has three heads,” remarked Romaine quite gravely. “Once in every three hundred years a three-headed nobleman adorns the family tree. No human being dares approach the accursed house except a silent procession of hatters, sent to provide an abnormal number of hats. But,”—and his voice took one of those deep and terrible turns, that could cause such a thrill in the theatre—“my friends, those hats are of no human shape.”
The American lady looked at him with a frown and a slight air of distrust, as if that trick of voice had moved her in spite of herself.
“I don’t like your ghoulish jokes,” she said; “and I’d rather you didn’t joke about this, anyhow.”
“I hear and obey,” replied the actor; “but am I, like the Light Brigade, forbidden even to reason why?”
“The reason,” she replied, “is that he isn’t the Nobleman Nobody Knows. I know him myself, or, at least, I knew him very well when he was an attache at Washington thirty years ago, when we were all young. And he didn’t wear a mask, at least, he didn’t wear it with me. He wasn’t a leper, though he may be almost as lonely. And he had only one head and only one heart, and that was broken.”
“Unfortunate love affair, of course,” said Cockspur. “I should like that for the Comet.”
“I suppose it’s a compliment to us,” she replied thoughtfully, “that you always assume a man’s heart is broken by a woman. But there are other kinds of love and bereavement. Have you never read ‘In Memoriam’? Have you never heard of David and Jonathan? What broke poor Marne up was the death of his brother; at least, he was really a first cousin, but had been brought up with him like a brother, and was much nearer than most brothers. James Mair, as the marquis was called when I knew him, was the elder of the two, but he always played the part of worshipper, with Maurice Mair as a god. And, by his account, Maurice Mair was certainly a wonder. James was no fool, and very good at his own political job; but it seems that Maurice could do that and everything else; that he was a brilliant artist and amateur actor and musician, and all the rest of it. James was very good-looking himself, long and strong and strenuous, with a high-bridged nose; though I suppose the young people would think he looked very quaint with his beard divided into two bushy whiskers in the fashion of those Victorian times. But Maurice was clean-shaven, and, by the portraits shown to me, certainly quite beautiful; though he looked a little more like a tenor than a gentleman ought to look. James was always asking me again and again whether his friend was not a marvel, whether any woman wouldn’t fall in love with him, and so on, until it became rather a bore, except that it turned so suddenly into a tragedy. His whole life seemed to be in that idolatry, and one day the idol tumbled down, and was broken like any china doll. A chill caught at the seaside, and it was all over.”
“And after that,” asked the young man, “did he shut himself up like this?”
“He went abroad at first,” she answered; “away to Asia and the Cannibal Islands and Lord knows where. These deadly strokes take different people in different ways. It took him in the way of an utter sundering or severance from everything, even from tradition and as far as possible from memory. He could not bear a reference to the old tie; a portrait or an anecdote or even an association. He couldn’t bear the business of a great public funeral. He longed to get away. He stayed away for ten years. I heard some rumour that he had begun to revive a little at the end of the exile; but when he came back to his own home he relapsed completely. He settled down into religious melancholia, and that’s practically madness.”
“The priests got hold of him, they say,” grumbled the old general. “I know he gave thousands to found a monastery, and lives himself rather like a monk—or, at any rate, a hermit. Can’t understand what good they think that will do.”
“Goddarned superstition,” snorted Cockspur; “that sort of thing ought to be shown up. Here’s a man that might have been useful to the Empire and the world, and these vampires get hold of him and suck him dry. I bet with their unnatural notions they haven’t even let him marry.”
“No, he has never married,” said the lady. “He was engaged when I knew him, as a matter of fact, but I don’t think it ever came first with him, and I think it went with the rest when everything else went. Like Hamlet and Ophelia—he lost hold of love because he lost hold of life. But I knew the girl; indeed, I know her still. Between ourselves, it was Viola Grayson, daughter of the old admiral. She’s never married either.”
“It’s infamous! It’s infernal!” cried Sir John, bounding up. “It’s not only a tragedy, but a crime. I’ve got a duty to the public, and I mean to see all this nonsensical nightmare. In the twentieth century—”
He was almost choked with his own protest, and then, after a silence, the old soldier said:
“Well, I don’t profess to know much about those things, but I think these religious people need to study a text which says: ‘Let the dead bury their dead.’”
“Only, unfortunately, that’s just what it looks like,” said his wife with a sigh. “It’s just like some creepy story of a dead man burying another dead man, over and over again for ever.”
“The storm has passed over us,” said Romaine, with a rather inscrutable smile. “You will not have to visit the inhospitable house after all.”
She suddenly shuddered.
“Oh, I’ll never do that again!” she exclaimed.
Mallow was staring at her.
“Again! Have you tried it before?” he cried.
“Well, I did once,” she said, with a lightness not without a touch of pride; “but we needn’t go back on all that. It’s not raining now, but I think we’d better be moving back to the car.”
As they moved off in procession, Mallow and the general brought up the rear; and the latter said abruptly, lowering his voice:
“I don’t want that little cad Cockspur to hear but as you’ve asked you’d better know. It’s the one thing I can’t forgive Marne; but I suppose these monks have drilled him that way. My wife, who had been the best friend he ever had in America, actually came to that house when he was walking in the garden. He was looking at the ground like a monk, and hidden in a black hood that was really as ridiculous as any mas
k. She had sent her card in, and stood there in his very path. And he walked past her without a word or a glance, as if she had been a stone. He wasn’t human; he was like some horrible automaton. She may well call him a dead man.”
“It’s all very strange,” said the young man rather vaguely. “It isn’t like—like what I should have expected.”
Young Mr. Mallow, when he left that rather dismal picnic, took himself thoughtfully in search of a friend. He did not know any monks, but he knew one priest, whom he was very much concerned to confront with the curious revelations he had heard that afternoon. He felt he would very much like to know the truth about the cruel superstition that hung over the house of Marne, like the black thundercloud he had seen hovering over it.
After being referred from one place to another, he finally ran his friend Father Brown to earth in the house of another friend, a Roman Catholic friend, with a large family. He entered somewhat abruptly to find Father Brown sitting on the floor with a serious expression, and attempting to pin the somewhat florid hat belonging to a wax doll on to the head of a teddy bear.