Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated)

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Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated) Page 956

by SIR ARTHUR CONAN DOYLE


  His patients all got well.

  The Member he had lost his seat,

  ’Twas carried by his horse;

  And so we chased the old gray fox,

  The same old fox,

  The game old fox;

  And so we chased the old gray fox

  That earthed in Hankley Gorse.

  So here’s to the master,

  And here’s to the man!

  &c. &c. &c.

  The Parson sadly fell away,

  And in the furze did lie;

  The words we heard that Parson say

  Made all the horses shy!

  The Sailor he was seen no more

  Upon that stormy bay;

  But still we chased the old gray fox,

  The same old fox,

  The game old fox;

  Still we chased the old gray fox

  Through all the winter day.

  So here’s to the master,

  And here’s to the man!

  &c. &c. &c.

  And when we found him gone to ground,

  They sent for spade and man;

  But Squire said ‘Shame! The beast was game!

  A gamer never ran!

  His wind and pace have gained the race,

  His life is fairly won.

  But may we meet the old gray fox,

  The same old fox,

  The game old fox;

  May we meet the old gray fox

  Before the year is done.

  So here’s to the master,

  And here’s to the man!

  And here’s to twenty couple

  Of the white and black and tan!

  Here’s a find without await!

  Here’s a hedge without a gate!

  Here’s the man who follows straight,

  Where the old fox ran.

  WARE HOLES

  [‘‘Ware Holes!’ is the expression used in the hunting-field to warn those behind against rabbit-burrows or other suck dangers.]

  A sportin’ death! My word it was!

  An’ taken in a sportin’ way.

  Mind you, I wasn’t there to see;

  I only tell you what they say.

  They found that day at Shillinglee,

  An’ ran ‘im down to Chillinghurst;

  The fox was goin’ straight an’ free

  For ninety minutes at a burst.

  They ‘ad a check at Ebernoe

  An’ made a cast across the Down,

  Until they got a view ‘ullo

  An’ chased ‘im up to Kirdford town.

  From Kirdford ‘e run Bramber way,

  An’ took ‘em over ‘alf the Weald.

  If you ‘ave tried the Sussex clay,

  You’ll guess it weeded out the field.

  Until at last I don’t suppose

  As ‘arf a dozen, at the most,

  Came safe to where the grassland goes

  Switchbackin’ southwards to the coast.

  Young Captain ‘Eadley, ‘e was there,

  And Jim the whip an’ Percy Day;

  The Purcells an’ Sir Charles Adair,

  An’ this ‘ere gent from London way.

  For ‘e ‘ad gone amazin’ fine,

  Two ‘undred pounds between ‘is knees;

  Eight stone he was, an’ rode at nine,

  As light an’ limber as you please.

  ‘E was a stranger to the ‘Unt,

  There weren’t a person as ‘e knew there;

  But ‘e could ride, that London gent -

  ’E sat ‘is mare as if ‘e grew there.

  They seed the ‘ounds upon the scent,

  But found a fence across their track,

  And ‘ad to fly it; else it meant

  A turnin’ and a ‘arkin’ back.

  ‘E was the foremost at the fence,

  And as ‘is mare just cleared the rail

  He turned to them that rode be’ind,

  For three was at ‘is very tail.

  ‘‘Ware ‘oles!’ says ‘e, an’ with the word,

  Still sittin’ easy on his mare,

  Down, down ‘e went, an’ down an’ down,

  Into the quarry yawnin’ there.

  Some say it was two ‘undred foot;

  The bottom lay as black as ink.

  I guess they ‘ad some ugly dreams,

  Who reined their ‘orses on the brink.

  ‘E’d only time for that one cry;

  ’’Ware ‘oles!’ says ‘e, an’ saves all three.

  There may be better deaths to die,

  But that one’s good enough for me.

  For mind you, ‘twas a sportin’ end,

  Upon a right good sportin’ day;

  They think a deal of ‘im down ‘ere,

  That gent what came from London way.

  THE HOME-COMING OF THE ‘EURYDICE’

  [Lost, with her crew of three hundred boys, on the last day of her voyage, March 23, 1876. She foundered off Portsmouth, from which town many of the boys came.]

  Up with the royals that top the white spread of her!

  Press her and dress her, and drive through the foam;

  The Island’s to port, and the mainland ahead of her,

  Hey for the Warner and Hayling and Home!

  Bo’sun, O Bo’sun, just look at the green of it!

  Look at the red cattle down by the hedge!

  Look at the farmsteading — all that is seen of it,

  One little gable end over the edge!’

  ‘Lord! the tongues of them clattering, clattering,

  All growing wild at a peep of the Wight;

  Aye, sir, aye, it has set them all chattering,

  Thinking of home and their mothers to-night.’

  Spread the topgallants — oh, lay them out lustily!

  What though it darken o’er Netherby Combe?

  ‘Tis but the valley wind, puffing so gustily -

  On for the Warner and Hayling and Home!

  ‘Bo’sun, O Bo’sun, just see the long slope of it!

  Culver is there, with the cliff and the light.

  Tell us, oh tell us, now is there a hope of it?

  Shall we have leave for our homes for to-night?’

  ‘Tut, the clack of them! Steadily! Steadily!

  Aye, as you say, sir, they’re little ones still;

  One long reach should open it readily,

  Round by St. Helens and under the hill.

  ‘The Spit and the Nab are the gates of the promise,

  Their mothers to them — and to us it’s our wives.

  I’ve sailed forty years, and — By God it’s upon us!

  Down royals, Down top’sles, down, down, for your lives!’

  A grey swirl of snow with the squall at the back of it,

  Heeling her, reeling her, beating her down!

  A gleam of her bends in the thick of the wrack of it,

  A flutter of white in the eddies of brown.

  It broke in one moment of blizzard and blindness;

  The next, like a foul bat, it flapped on its way.

  But our ship and our boys! Gracious Lord, in your kindness,

  Give help to the mothers who need it to-day!

  Give help to the women who wait by the water,

  Who stand on the Hard with their eyes past the Wight.

  Ah! whisper it gently, you sister or daughter,

  ’Our boys are all gathered at home for to-night.’

  THE INNER ROOM

  It is mine — the little chamber,

  Mine alone.

  I had it from my forbears

  Years agone.

  Yet within its walls I see

  A most motley company,

  And they one and all claim me

  As their own.

  There’s one who is a soldier

  Bluff and keen;

  Single-minded, heavy-fisted,

  Rude of mien.

  He would gain a purse or stake it,

  He would win a he
art or break it,

  He would give a life or take it,

  Conscience-clean.

  And near him is a priest

  Still schism-whole;

  He loves the censer-reek

  And organ-roll.

  He has leanings to the mystic,

  Sacramental, eucharistic;

  And dim yearnings altruistic

  Thrill his soul.

  There’s another who with doubts

  Is overcast;

  I think him younger brother

  To the last.

  Walking wary stride by stride,

  Peering forwards anxious-eyed,

  Since he learned to doubt his guide

  In the past.

  And ‘mid them all, alert,

  But somewhat cowed,

  There sits a stark-faced fellow,

  Beetle-browed,

  Whose black soul shrinks away

  From a lawyer-ridden day,

  And has thoughts he dare not say

  Half avowed.

  There are others who are sitting,

  Grim as doom,

  In the dim ill-boding shadow

  Of my room.

  Darkling figures, stern or quaint,

  Now a savage, now a saint,

  Showing fitfully and faint

  Through the gloom.

  And those shadows are so dense,

  There may be

  Many — very many — more

  Than I see.

  They are sitting day and night

  Soldier, rogue, and anchorite;

  And they wrangle and they fight

  Over me.

  If the stark-faced fellow win,

  All is o’er!

  If the priest should gain his will

  I doubt no more!

  But if each shall have his day,

  I shall swing and I shall sway

  In the same old weary way

  As before.

  THE IRISH COLONEL

  Said the king to the colonel,

  ‘The complaints are eternal,

  That you Irish give more trouble

  Than any other corps.’

  Said the colonel to the king,

  ‘This complaint is no new thing,

  For your foemen, sire, have made it

  A hundred times before.’

  THE BLIND ARCHER

  Little boy Love drew his bow at a chance,

  Shooting down at the ballroom floor;

  He hit an old chaperone watching the dance,

  And oh! but he wounded her sore.

  ’Hey, Love, you couldn’t mean that!

  Hi, Love, what would you be at?’

  No word would he say,

  But he flew on his way,

  For the little boy’s busy, and how could he stay?

  Little boy Love drew a shaft just for sport

  At the soberest club in Pall Mall;

  He winged an old veteran drinking his port,

  And down that old veteran fell.

  ’Hey, Love, you mustn’t do that!

  Hi, Love, what would you be at?

  This cannot be right!

  It’s ludicrous quite!’

  But it’s no use to argue, for Love’s out of sight.

  A sad-faced young clerk in a cell all apart

  Was planning a celibate vow;

  But the boy’s random arrow has sunk in his heart,

  And the cell is an empty one now.

  ’Hey, Love, you mustn’t do that!

  Hi, Love, what would you be at?

  He is not for you,

  He has duties to do.’

  ‘But I AM his duty,’ quoth Love as he flew.

  The king sought a bride, and the nation had hoped

  For a queen without rival or peer.

  But the little boy shot, and the king has eloped

  With Miss No-one on Nothing a year.

  ’Hey, Love, you couldn’t mean that!

  Hi, Love, what would you be at?

  What an impudent thing

  To make game of a king!’

  ‘But I’M a king also,’ cried Love on the wing.

  Little boy Love grew pettish one day;

  ’If you keep on complaining,’ he swore,

  ‘I’ll pack both my bow and my quiver away,

  And so I shall plague you no more.’

  ’Hey, Love, you mustn’t do that!

  Hi, Love, what would you be at?

  You may ruin our ease,

  You may do what you please,

  But we can’t do without you, you dear little tease!’

  A PARABLE

  The cheese-mites asked how the cheese got there,

  And warmly debated the matter;

  The Orthodox said that it came from the air,

  And the Heretics said from the platter.

  They argued it long and they argued it strong,

  And I hear they are arguing now;

  But of all the choice spirits who lived in the cheese,

  Not one of them thought of a cow,

  A TRAGEDY

  Who’s that walking on the moorland?

  Who’s that moving on the hill?

  They are passing ‘mid the bracken,

  But the shadows grow and blacken

  And I cannot see them clearly on the hill.

  Who’s that calling on the moorland?

  Who’s that crying on the hill?

  Was it bird or was it human,

  Was it child, or man, or woman,

  Who was calling so sadly on the hill?

  Who’s that running on the moorland?

  Who’s that flying on the hill?

  He is there — and there again,

  But you cannot see him plain,

  For the shadow lies so darkly on the hill.

  What’s that lying in the heather?

  What’s that lurking on the hill?

  My horse will go no nearer,

  And I cannot see it clearer,

  But there’s something that is lying on the hill.

  THE PASSING

  It was the hour of dawn,

  When the heart beats thin and small,

  The window glimmered grey,

  Framed in a shadow wall.

  And in the cold sad light

  Of the early morningtide,

  The dear dead girl came back

  And stood by his bedside.

  The girl he lost came back:

  He saw her flowing hair;

  It flickered and it waved

  Like a breath in frosty air.

  As in a steamy glass,

  Her face was dim and blurred;

  Her voice was sweet and thin,

  Like the calling of a bird.

  ‘You said that you would come,

  You promised not to stay;

  And I have waited here,

  To help you on the way.

  ‘I have waited on,

  But still you bide below;

  You said that you would come,

  And oh, I want you so!

  ‘For half my soul is here,

  And half my soul is there,

  When you are on the earth

  And I am in the air.

  ‘But on your dressing-stand

  There lies a triple key;

  Unlock the little gate

  Which fences you from me.

  ‘Just one little pang,

  Just one throb of pain,

  And then your weary head

  Between my breasts again.’

  In the dim unhomely light

  Of the early morningtide,

  He took the triple key

  And he laid it by his side.

  A pistol, silver chased,

  An open hunting knife,

  A phial of the drug

  Which cures the ill of life.

  He looked upon the three,

  And sharply drew his breath:

  ‘Now help me, oh my love,

  For I
fear this cold grey death.’

  She bent her face above,

  She kissed him and she smiled;

  She soothed him as a mother

  May sooth a frightened child.

  ‘Just that little pang, love,

  Just a throb of pain,

  And then your weary head

  Between my breasts again.’

  He snatched the pistol up,

  He pressed it to his ear;

  But a sudden sound broke in,

  And his skin was raw with fear.

  He took the hunting knife,

  He tried to raise the blade;

  It glimmered cold and white,

  And he was sore afraid.

  He poured the potion out,

  But it was thick and brown;

  His throat was sealed against it,

  And he could not drain it down.

  He looked to her for help,

  And when he looked — behold!

  His love was there before him

  As in the days of old.

  He saw the drooping head,

  He saw the gentle eyes;

  He saw the same shy grace of hers

  He had been wont to prize.

  She pointed and she smiled,

  And lo! he was aware

  Of a half-lit bedroom chamber

  And a silent figure there.

  A silent figure lying

  A-sprawl upon a bed,

  With a silver-mounted pistol

  Still clotted to his head.

  And as he downward gazed,

  Her voice came full and clear,

  The homely tender voice

  Which he had loved to hear:

  ‘The key is very certain,

  The door is sealed to none.

  You did it, oh, my darling!

  And you never knew it done.

  ‘When the net was broken,

  You thought you felt its mesh;

 

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