Water sodden, fungus-blotched,
All the outlines blurred and wavy,
All the colours turned to gravy,
Fluids of a dappled hue,
Blues on red and reds on blue,
A pea-green mother with her daughter,
Crazy boats on crazy water
Steering out to who knows what,
An island or a lobster-pot?
Oh, the wretched man’s despair!
Was it lost beyond repair?
Swift he bore it from below,
Hastened to the studio,
Where with anxious eyes he studied
If the ruin, blotched and muddied,
Could by any human skill
Be made a normal picture still.
Thus in most repentant mood
Unhappy Peter Wilson stood,
When, with pompous face, self-centred,
Willoughby the critic entered —
He of whom it has been said
He lives a century ahead —
And sees with his prophetic eye
The forms which Time will justify,
A fact which surely must abate
All longing to reincarnate.
“Ah, Wilson,” said the famous man,
Turning himself the walls to scan,
“The same old style of thing I trace,
Workmanlike but commonplace.
Believe me, sir, the work that lives
Must furnish more than Nature gives.
‘The light that never was,’ you know,
That is your mark — but here, hullo!
What’s this? What’s this? Magnificent!
I’ve wronged you, Wilson! I repent!
A masterpiece! A perfect thing!
What atmosphere! What colouring!
Spanish Armada, is it not?
A view of Ryde, no matter what,
I pledge my critical renown
That this will be the talk of Town.
Where did you get those daring hues,
Those blues on reds, those reds on
blues?
That pea-green face, that gamboge sky?
You’ve far outcried the latest cry —
Out Monet-ed Monet. I have said
Our Art was sleeping, but not dead.
Long have we waited for the Star,
I watched the skies for it afar,
The hour has come — and here you are.”
And that is how our artist friend
Found his struggles at an end,
And from his little Chelsea flat
Became the Park Lane plutocrat.
‘Neath his sheltered garden wall
When the rain begins to fall,
And the stormy winds do blow,
You may see them in a row,
Red effects and lake and yellow
Getting nicely blurred and mellow.
With the subtle gauzy mist
Of the great Impressionist.
Ask him how he chanced to find
How to leave the French behind,
And he answers quick and smart,
“English climate’s best for Art.”
EMPIRE BUILDERS
Captain Temple, D.S.O.,
With his banjo and retriever.
“Rough, I know, on poor old Flo,
But, by Jove! I couldn’t leave her.”
Niger ribbon on his breast,
In his blood the Niger fever,
Captain Temple, D.S.O.,
With his banjo and retriever.
Cox of the Politicals,
With his cigarette and glasses,
Skilled in Pushtoo gutturals,
Odd-job man among the Passes,
Keeper of the Zakka Khels,
Tutor of the Khaiber Ghazis,
Cox of the Politicals,
With his cigarette and glasses.
Mr. Hawkins, Junior Sub.,
Late of Woolwich and Thames Ditton,
Thinks his battery the hub
Of the whole wide orb of Britain.
Half a hero, half a cub,
Lithe and playful as a kitten,
Mr. Hawkins, Junior Sub.,
Late of Woolwich and Thames Ditton.
Eighty Tommies, big and small,
Grumbling hard as is their habit.
“Say, mate, what’s a Bunerwal?”
“Sometime like a bloomin’ rabbit.”
“Got to hoof it to Chitral!”
“Blarst ye, did ye think to cab it!”
Eighty Tommies, big and small,
Grumbling hard as is their habit.
Swarthy Goorkhas, short and stout,
Merry children, laughing, crowing,
Don’t know what it’s all about,
Don’t know any use in knowing;
Only know they mean to go
Where the Sirdar thinks of going.
Little Goorkhas, brown and stout,
Merry children, laughing, crowing.
Funjaub Rifles, fit and trim,
Curly whiskered sons of battle,
Very dignified and prim
Till they hear the Jezails rattle;
Cattle thieves of yesterday,
Now the wardens of the cattle,
Fighting Brahmins of Lahore,
Curly whiskered sons of battle.
Up the winding mountain path
See the long-drawn column go;
Himalayan aftermath
Lying rosy on the snow.
Motley ministers of wrath
Building better than they know,
In the rosy aftermath
Trailing upward to the snow.
THE GROOM’S ENCORE
(Being a Sequel to “The Groom’s Story” in “Songs of Action”)
Not tired of ‘earin’ stories! You’re a nailer,
so you are!
I thought I should ‘ave choked you off with
that ‘ere motor-car.
Well, mister, ‘ere’s another; and, mind you,
it’s a fact,
Though you’ll think perhaps I copped it
out o’ some blue ribbon tract.
It was in the days when farmer men were
jolly-faced and stout,
For all the cash was comin’ in and little
goin’ out,
But now, you see, the farmer men are
‘ungry-faced and thin,
For all the cash is goin’ out and little
comin’ in.
But in the days I’m speakin’ of, before
the drop in wheat,
The life them farmers led was such as
couldn’t well be beat;
They went the pace amazin’, they ‘unted
and they shot,
And this ‘ere Jeremiah Brown the liveliest
of the lot.
‘E was a fine young fellar; the best roun’
‘ere by far,
But just a bit full-blooded, as fine young
fellars are;
Which I know they didn’t ought to, an’ it’s
very wrong of course,
But the colt wot never capers makes a
mighty useless ‘orse.
The lad was never vicious, but ‘e made the
money go,
For ‘e was ready with ‘is “yes,” and back-
ward with ‘is “no.”
And so ‘e turned to drink which is the
avenoo to ‘ell,
An’ ‘ow ‘e came to stop ‘imself is wot’ I
‘ave to tell.
Four days on end ‘e never knew ‘ow ‘e ‘ad
got to bed,
Until one mornin’ fifty clocks was tickin’
in ‘is ‘ead,
And on the same the doctor came, “You’re
very near D.T.,
If you don’t stop yourself, young chap,
you’ll pay the price,” said ‘e.
“It takes the form of visions, as I
fear
you’ll quickly know;
Perhaps a string o’ monkeys, all a-sittin’ in
a row,
Perhaps it’s frogs or beetles, perhaps it’s
rats or mice,
There are many sorts of visions and
there’s none of ‘em is nice.”
But Brown ‘e started laughin’: “No
doctor’s muck,” says ‘e,
“A take-’em-break-’em gallop is the only
cure for me!
They ‘unt to-day down ‘Orsham way.
Bring round the sorrel mare,
If them monkeys come inquirin’ you can
send ‘em on down there.”
Well, Jeremiah rode to ‘ounds, exactly as
‘e said.
But all the time the doctor’s words were
ringin’ in ‘is ‘ead —
“If you don’t stop yourself, young chap,
you’ve got to pay the price,
There are many sorts of visions, but none
of ‘em is nice.”
They found that day at Leonards Lee and
ran to Shipley Wood,
‘Ell-for-leather all the way, with scent
and weather good.
Never a check to ‘Orton Beck and on
across the Weald,
And all the way the Sussex clay was weed-
in’ out the field.
There’s not a man among them could
remember such a run,
Straight as a rule to Bramber Pool and on
by Annington,
They followed still past Breeding ‘ill
and on by Steyning Town,
Until they’d cleared the ‘edges and were
out upon the Down.
Full thirty mile from Plimmers Style,
without a check or fault,
Full thirty mile the ‘ounds ‘ad run and
never called a ‘alt.
One by one the Field was done until at
Finden Down,
There was no one with the ‘untsman save
young Jeremiah Brown.
And then the ‘untsman ‘e was beat. ‘Is
‘orse ‘ad tripped and fell.
“By George,” said Brown, “I’ll go alone,
and follow it to — well,
The place that it belongs to.” And as ‘e
made the vow,
There broke from right in front of ‘im
the queerest kind of row.
There lay a copse of ‘azels on the border
of the track,
And into this two ‘ounds ‘ad run — them
two was all the pack —
And now from these ‘ere ‘azels there came
a fearsome ‘owl,
With a yappin’ and a snappin’ and a
wicked snarlin’ growl.
Jeremiah’s blood ran cold — a frightened
man was ‘e,
But he butted through the bushes just
to see what ‘e could see,
And there beneath their shadow, blood
drippin’ from his jaws,
Was an awful creature standin’ with a
‘ound beneath its paws.
A fox? Five foxes rolled in one — a
pony’s weight and size,
A rampin’, ragin’ devil, all fangs and
‘air and eyes;
Too scared to speak, with shriek on shriek,
Brown galloped from the sight
With just one thought within ‘is mind —
“The doctor told me right.”
That evenin’ late the minister was seated
in his study,
When in there rushed a ‘untin’ man, all
travel-stained and muddy,
“Give me the Testament!” he cried, “And
‘ear my sacred vow,
That not one drop of drink shall ever pass
my lips from now.”
‘E swore it and ‘e kept it and ‘e keeps it to
this day,
‘E ‘as turned from gin to ginger and says ‘e
finds it pay,
You can search the whole o’ Sussex from
‘ere to Brighton Town,
And you wouldn’t find a better man than
Jeremiah Brown.
And the vision — it was just a wolf, a big
Siberian,
A great, fierce, ‘ungry devil from a show-
man’s caravan,
But it saved ‘im from perdition — and I
don’t mind if I do,
I ‘aven’t seen no wolf myself — so ‘ere’s
my best to you!
THE BAY HORSE
Squire wants the bay horse,
For it is the best.
Squire holds the mortgage;
Where’s the interest?
Haven’t got the interest,
Can’t raise a sou;
Shan’t sell the bay horse,
Whatever he may do.
Did you see the bay horse?
Such a one to go!
He took a bit of ridin’,
When I showed him at the Show.
First prize the broad jump,
First prize the high;
Gold medal, Class A,
You’ll see it by-and-by.
I bred the bay horse
On the Withy Farm.
I broke the bay horse,
He broke my arm.
Don’t blame the bay horse,
Blame the brittle bone,
I bred him and I’ve fed him,
And he’s all my very own.
Just watch the bay horse
Chock full of sense!
Ain’t he just beautiful,
Risin’ to a fence!
Just hear the bay horse
Whinin’ in his stall,
Purrin’ like a pussy cat
When he hears me call.
But if Squire’s lawyer
Serves me with his writ,
I’ll take the bay horse
To Marley gravel pit.
Over the quarry edge,
I’ll sit him tight,
If he wants the brown hide,
He’s welcome to the white!
THE OUTCASTS
Three women stood by the river’s flood
In the gas-lamp’s murky light,
A devil watched them on the left,
And an angel on the right.
The clouds of lead flowed overhead;
The leaden stream below;
They marvelled much, that outcast three,
Why Fate should use them so.
Said one: “I have a mother dear,
Who lieth ill abed,
And by my sin the wage I win
From which she hath her bread.”
Said one: “I am an outcast’s child,
And such I came on earth.
If me ye blame, for this my shame,
Whom blame ye for my birth?”
The third she sank a sin-blotched face,
And prayed that she might rest,
In the weary flow of the stream below,
As on her mother’s breast.
Now past there came a godly man,
Of goodly stock and blood,
And as he passed one frown he cast
At that sad sisterhood.
Sorely it grieved that godly man,
To see so foul a sight,
He turned his face, and strode apace,
And left them to the night.
But the angel drew her sisters three,
Within her pinions’ span,
And the crouching devil slunk away
To join the godly man.
THE END
“Tell me what to get and I will get
it.”
“Then get that picture — that — the
girl in white.”
“Now tell me where you wish that I should
&nbs
p; set it.”
“Lean it where I can see it — in the
light.”
“If there is more, sir, you have but to say
it.”
“Then bring those letters — those
which lie apart.”
“Here is the packet! Tell me where to
lay it.”
“Stoop over, nurse, and lay it on
my heart.”
“Thanks for your silence, nurse! You
understand me!
And now I’ll try to manage for
myself.
But, as you go, I’ll trouble you to hand
me
The small blue bottle there upon the
shelf.
“And so farewell! I feel that I am
keeping
The sunlight from you; may your
walk be bright!
When you return I may perchance be
sleeping,
So, ere you go, one hand-clasp
and good night!”
1902-1909
They recruited William Evans
From the ploughtail and the spade;
Ten years’ service in the Devons
Left him smart as they are made.
Thirty or a trifle older,
Rather over six foot high,
Trim of waist and broad of shoulder,
Yellow-haired and blue of eye;
Short of speech and very solid,
Fixed in purpose as a rock,
Slow, deliberate, and stolid,
Of the real West-country stock.
He had never been to college,
Got his teaching in the corps,
You can pick up useful knowledge
‘Twixt Saltash and Singapore.
Old Field-Cornet Piet van Celling
Lived just northward of the Vaal,
And he called his white-washed dwelling,
Blesbock Farm, Rhenoster Kraal.
In his politics unbending,
Stern of speech and grim of face,
He pursued the never-ending
Quarrel with the English race.
Grizzled hair and face of copper,
Hard as nails from work and sport,
Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated) Page 958