A tragic intermezzo here occurred in our Paris experience. I suddenly heard that my brother- in-law, E. W. Hornung, the author of “ Raffles “ and many another splendid story, was dying at St. Jean de Luz in the Pyrenees. I started off at once, but was only in time to be present at his funeral. Our little family group has been thinned down these last two years until we feel like a company under hot fire with half on the ground. We can but close our ranks the tighter. Hornung lies within three paces of George Gissing, an author for whom both of us had an affection. It is good to think that one of his own race and calling keeps him company in his Pyrennean grave.
Hornung, apart from his literary powers, was one of the wits of our time. I could brighten this dull chronicle if I could insert a page of his sayings. Like Charles Lamb, he could find humour in his own physical disabilities — disabilities which did not prevent him, when over fifty, from volunteering for such service as he could do in Flanders. When pressed to have a medical examination, his answer was, “ My body is like a sausage. The less I know of its interior, the easier will be my mind.” It was a characteristic mixture of wit and courage.
During our stay in Paris we went to see the Anglo-French Rugby match at Coulombes. The French have not quite got the sporting spirit, and there was some tendency to hoot whenever a decision was given for the English, but the play of their team was most excellent, and England only won by the narrow margin of 10 to 6. I can remember the time when French Rugby was the joke of the sporting world. They are certainly a most adaptive people. The tactics of the game have changed considerably since the days when I was more familiar with it, and it has become less dramatic, since ground is gained more frequently by kicking into touch than by the individual run, or even by the combined movement. But it is still the king of games. It was like the old lists, where the pick of these two knightly nations bore themselves so bravely of old, and it was an object lesson to see Clement, the French back, playing on manfully, with the blood pouring from a gash in the head. Marshal Foch was there, and I have no doubt that he noted the incident with approval.
I had a good look at the famous soldier, who was close behind me. He looks very worn, and sadly in need of a rest. His face and head are larger than his pictures indicate, but it is not a face with any marked feature or character. His eyes, however, are grey, and inexorable. His kepi was drawn down, and I could not see the upper part of the head, but just there lay the ruin of Germany. It must be a very fine brain, for in political, as well as in military matters, his judgment has always been justified.
There is an excellent clairvoyante in Paris, Madame Blifaud, and I look forward, at ^some later date, to a personal proof of her powers, though if it fails I shall not be so absurd as to imagine that that disproves them. The particular case which came immediately under my notice was that of a mother whose son had been killed from an aeroplane, in the war. She had no details of his death. On asking Madame B., the latter replied, “ Yes, he is here, and gives me a vision of his fall. As a proof that it is really he, he depicts the scene, which was amid songs, flags and music.” As this corresponded with no episode of the war, the mother was discouraged and incredulous. Within a short time, however, she received a message from a young officer who had been with her son when the accident occurred. It was on the Armistice day, at Salonica. The young fellow had flown just above the flags, one of the flags got entangled with his rudder, and the end was disaster. But bands, songs and flags all justified the clairvoyante.
Now, at last, our long journey drew to its close. Greatly guarded by the high forces which have, by the goodness of Providence, been deputed to help us, we are back in dear old London once more. When we look back at the 30,000 miles which we have traversed, at the complete absence of illness which spared any one of seven a single day in bed, the excellence of our long voyages, the freedom from all accidents, the undisturbed and entirely successful series of lectures, the financial success won for the cause, the double escape from shipping strikes, and, finally, the several inexplicable instances of supernormal, personal happenings, together with the three-fold revelation of the name of our immediate guide, we should be stocks and stones if we did not realise that we have been the direct instruments of God in a cause upon which He has set His visible seal. There let it rest. If He be with us, who is against us? To give religion a foundation of rock instead of quicksand, to remove the legitimate doubts of earnest minds, to make the invisible forces, with their moral sanctions, a real thing, instead of mere words upon our lips, and, incidentally, to reassure the human race as to the future which awaits it, and to broaden its appreciation of the possibilities of the present life, surely no more glorious message was ever heralded to mankind. And it begins visibly to hearken. The human race is on the very eve of a tremendous revolution of thought, marking a final revulsion from materialism, and it is part of our glorious and assured philosophy, that, though we may not be here to see the final triumph of our labours, we shall, none the less, be as much engaged in the struggle and the victory from the day when we join those who are our comrades in battle upon the further side.
THE END
THE COMING OF THE FAIRIES
One of the famous pictures Conan Doyle was duped into believing was a genuine photograph of fairies
THE COMING OF THE FAIRIES
CONTENTS
CHAPTER I
HOW THE MATTER AROSE
CHAPTER II
THE FIRST PUBLISHED ACCOUNT—”STRAND” CHRISTMAS NUMBER, 1920
CHAPTER III
RECEPTION OF THE FIRST PHOTOGRAPHS
CHAPTER IV
THE SECOND SERIES
CHAPTER V
OBSERVATIONS OF A CLAIRVOYANT IN THE COTTINGLEY GLEN, AUGUST 1921
CHAPTER VI
INDEPENDENT EVIDENCE FOR FAIRIES
CHAPTER VII
SOME SUBSEQUENT CASES
CHAPTER VIII
THE THEOSOPHIC VIEW OF FAIRIES
CHAPTER I
HOW THE MATTER AROSE
The series of incidents set forth in this little volume represent either the most elaborate and ingenious hoax every played upon the public, or else they constitute an event in human history which may in the future appear to have been epoch-making in its character. It is hard for the mind to grasp what the ultimate results may be if we have actually proved the existence upon the surface of this planet of a population which may be as numerous as the human race, which pursues its own strange life in its own strange way, and which is only separated from ourselves by some difference of vibrations.
We see objects within the limits which make up our colour spectrum, with infinite vibrations, unused by us, on either side of them. If we could conceive a race of beings which were constructed in material which threw out shorter or longer vibrations, they would be invisible unless we could tune ourselves up or tone them down. It is exactly that power of tuning up and adapting itself to other vibrations which constitutes a clairvoyant, and there is nothing scientifically impossible, so far as I can see, in some people seeing that which is invisible to others. If the objects are indeed there, and if the inventive power of the human brain is turned upon the problem, it is likely that some sort of psychic spectacles, inconceivable to us at the moment, will be invented, and that we shall all be able to adapt ourselves to the new conditions. If high-tension electricity can be converted by a mechanical contrivance into a lower tension, keyed to other uses, then it is hard to see why something analogous might not occur with the vibrations of ether and the waves of light.
This, however, is mere speculation and leads me to the fact that early in May 1920 I heard, in conversation with my friend Mr. Gow, the Editor of Light, that alleged photographs of fairies had been taken. He had not actually seen them, but he referred me to Miss Scatcherd, a lady for whose knowledge and judgment I had considerable respect. I got into touch with her and found that she also had not seen the photographs, but she had a friend, Miss Gardner, who had actually done so. On May 13 Miss S
catcherd wrote to me saying that she was getting on the trail, and including an extract from a letter of Miss Gardner, which ran as follows. I am quoting actual documents in this early stage, for I think there are many who would like a complete inside view of all that led up to so remarkable an episode. Alluding to her brother Mr. Gardner, she says:
“You know that Edward is a Theosophist, has been for years, and now he is mostly engaged with lecturing and other work for the Society — and although for years I have regarded him as bathed in error and almost past praying for, I now find a talk with him an inspiring privilege. I am so very thankful that I happened to be in Willesden when his bereavement took place, for it was so wonderful to watch him, and to see how marvellously his faith and beliefs upheld and comforted him. He will probably devote more and more of his time and strength to going about the country lecturing, etc.
“I wish you could see a photo he has. He believes in fairies, pixies, goblins, etc. — children, in many cases, really see them and play with them. He has got into touch with a family in Bradford where the little girl, Elsie, and her cousin, Frances, constantly go into woods and play with the fairies. The father and mother are sceptical and have no sympathy with their nonsense, as they call it, but an aunt, whom Edward has interviewed, is quite sympathetic with the girls. Some little time ago, Elsie said she wanted to photograph them, and begged her father to lend his camera. For long he refused, but at last she managed to get the loan of it and one plate. Off she and Frances went into the woods near a water-fall. Frances ‘‘ticed’ them, as they call it, and Elsie stood ready with the camera. Soon the three fairies appeared, and one pixie dancing in Frances’ aura. Elsie snapped and hoped for the best. It was a long time before the father would develop the photo, but at last he did, and to his utter amazement the four sweet little figures came out beautifully!
“Edward got the negative and took it to a specialist in photography who would know a fake at once. Sceptical as he was before he tested it, afterwards he offered £100 down for it. He pronounced it absolutely genuine and a perfectly remarkable photograph. Edward has it enlarged and hanging in his hall. He is very interested in it and as soon as possible he is going to Bradford to see the children. What do you think of this? Edward says the fairies are on the same line of evolution as the winged insects, etc., etc. I fear I cannot follow all his reasonings, but I knew you would be keenly interested. I wish you could see that photo and another one of the girls playing with the quaintest goblin imaginable!”
This letter filled me with hopes, and I renewed my pursuit of the photographs. I learned that they were two in number and that they had been sent for inspection to Miss Blomfield, a friend of the family. My chase turned, therefore, in that direction, and in reply to a letter of inquiry I received the following answer:
The Myrtles, Beckenham,
June 21, 1920.
DEAR SIR,
I am sending the two fairy pictures; they are interesting, are they not?
I am sure my cousin would be pleased for you to see them. But he said (and wrote it to me afterwards) that he did not want them to be used in any way at present. I believe he has plans in regard to them, and the pictures are being copyrighted. I don’t think the copyright will be his. He has not yet finished his investigations. I asked him if I might photograph them myself so as to have a few prints to give to friends interested, but be wrote that be would rather nothing was done at present.
I think my cousin is away from home just now. But his name is Edward L. Gardner, and be is President of one of the branches of the Theosophical Society (Blavatsky Lodge), and he lectures fairly often at their Hall (Mortimer Hall, Mortimer Square, W.). He lectured there a few weeks ago, and showed the fairies on the screen and told what he knew about them.
Yours sincerely,
E. BLOMFIELD.
This letter enclosed the two very remarkable photographs which are reproduced in this volume, that which depicted the dancing goblin, and the other of wood elves in a ring. An explanatory note setting forth the main points of each is appended to the reproductions. I was naturally delighted at the wonderful pictures, and wrote back thanking Miss Blomfield for her courtesy, and suggesting that an inquiry should be set on foot which would satisfy me as to the genuine nature of the photographs. If this were clearly established I hoped that I might be privileged to help Mr. Gardner in giving publicity to the discovery. In reply I had the following letter:
The Myrtles, Beckenham,
June 23, 1920.
DEAR SIR ARTHUR,
I am so glad you like the fairies! I should be only too glad to help in any way if I could, but there is so little I can do. Had the photographs been mine (I mean the negatives), I should have been most pleased that anything so lovely in the way of information should have been introduced to the public under such auspices. But it would, as things are, be necessary to ask my cousin. I believe he wants people to know, but, as I wrote before, I do not know his plans, and I’m not sure if he is ready.
It has occurred to me since writing to you that it would have been better had I given you his sister’s address. She is a most sensible and practical person, much engaged in social work, with which her sympathetic nature and general efficiency make her very successful. She believes the fairy photographs to be quite genuine. Edward is a clever man — and a good one. His evidence on any of the affairs of life would, I am sure, be considered most reliable by all who knew him, both for veracity and sound judgment. I hope these details will not bore you, but I thought perhaps some knowledge of the people who, so to say, “discovered” the photographs would help in taking you one step nearer the source. I do not see any opening for fraud or hoax, though at first when I saw the prints I thought there must be some other explanation than the simple one that they were what they seemed. They appeared too good to be true! But every little detail I have since heard has added to my conviction that they are genuine; though I have only what Edward tells me to go upon. He is hoping to obtain more from the same girls.
Yours sincerely,
E. BLOMFIELD.
At about the same time I received a letter from another lady who had some knowledge of the matter. It ran thus: 29 Croftdown Road, Highgate Road, N.W.,
June 24, 1920.
DEAR SIR ARTHUR,
I am glad to hear that you are interested in the fairies. If they were really taken, as there seems good reason to believe, the event is no less than the discovery of a new world. It may not be out of place to mention that when I examined them with a magnifying glass I noticed, as an artist, that the hands do not appear to be quite the same as ours. Though the little figures look otherwise so human, the hands seemed to me something like this. (There followed a sketch of a sort of fin.) The beard in the little gnome seems to me to be some sort of insect-like appendage, though it would, no doubt, be called a beard by a clairvoyant seeing him. Also it occurs to me that the whiteness of the fairies may be due to their lack of shadow, which may also explain their somewhat artificial-looking flatness.
Yours sincerely,
MAY BOWLEY.
I was now in a stronger position, since I had actually seen the photographs and learned that Mr. Gardner was a solid person with a reputation for sanity and character. I therefore wrote to him stating the links by which I had reached him, and saying how interested I was in the whole matter, and how essential it seemed that the facts should be given to the public, so that free investigation might be possible before it was too late. To this letter I had the following reply:
5 Craven Road, Harlesden, N.W. 10.
June 25, 1920.
DEAR SIR,
Your interesting letter of the 22nd has just reached me, and very willingly I will assist you in any way that may be possible.
With regard to the photographs, the story is rather a long one and I have only gathered it by going very carefully. The children who were concerned are very shy and reserved indeed. . . . They are of a mechanic’s family of Yorkshire, and the children are sa
id to have played with fairies and elves in the woods near their village since babyhood. I will not attempt to narrate the story here, however — perhaps we may meet for that — but when I at length obtained a view of the rather poor prints it so impressed me I begged for the actual negatives. These I submitted to two first-class photographic experts, one in London and one in Leeds. The first, who was unfamiliar with such matters, declared the plates to be perfectly genuine and unfaked, but inexplicable! The second, who did know something of the subject and had been instrumental in exposing several “psychic” fakes, was also entirely satisfied. Hence I proceeded.
I am hopeful of getting more photographs, but the immediate difficulty is to arrange for the two girls to be together. They are 16 or 17 years old and beginning to work and are separated by a few miles. It may be we can manage it and thus secure photographs of the other varieties besides those obtained. These nature spirits are of the non-individualised order and I should greatly like to se. cure some of the higher. But two children such as these are, are rare, and I fear now that we are late because almost certainly the inevitable will shortly happen, one of them will “fall in love” and then — hey presto!!
Delphi Complete Works of Sir Arthur Conan Doyle (Illustrated) Page 1307