by Stoker, Bram
“I agree with you with all my heart,” I answered earnestly, for I did not want him to weaken in this matter. “Mrs. Harker is better out of it. Things are quite bad enough for us, all men of the world, and who have been in many tight places in our time, but it is no place for a woman, and if she had remained in touch with the affair, it would in time infallibly have wrecked her.”
So Van Helsing has gone to confer with Mrs. Harker and Harker, Quincey and Art are all out following up the clues as to the earth boxes. I shall finish my round of work and we shall meet tonight.
MINA HARKER’S JOURNAL
1 OCTOBER.—It is strange to me to be kept in the dark as I am today, after Jonathan’s full confidence for so many years, to see him manifestly avoid certain matters, and those the most vital of all. This morning I slept late after the fatigues of yesterday, and though Jonathan was late too, he was the earlier. He spoke to me before he went out, never more sweetly or tenderly, but he never mentioned a word of what had happened in the visit to the Count’s house. And yet he must have known how terribly anxious I was. Poor dear fellow! I suppose it must have distressed him even more than it did me. They all agreed that it was best that I should not be drawn further into this awful work, and I acquiesced. But to think that he keeps anything from me! And now I am crying like a silly fool, when I know it comes from my husband’s great love and from the good, good wishes of those other strong men …
That has done me good. Well, some day Jonathan will tell me all. And lest it should ever be that he should think for a moment that I kept anything from him, I still keep my journal as usual. Then if he has feared of my trust I shall show it to him, with every thought of my heart put down for his dear eyes to read. I feel strangely sad and low-spirited today. I suppose it is the reaction from the terrible excitement.
Last night I went to bed when the men had gone, simply because they told me to. I didn’t feel sleepy, and I did feel full of devouring anxiety. I kept thinking over everything that has been ever since Jonathan came to see me in London, and it all seems like a horrible tragedy, with fate pressing on relentlessly to some destined end. Everything that one does seems, no matter how right it may be, to bring on the very thing which is most to be deplored. If I hadn’t gone to Whitby, perhaps poor dear Lucy would be with us now. She hadn’t taken to visiting the churchyard till I came, and if she hadn’t come there in the day time with me she wouldn’t have walked in her sleep. And if she hadn’t gone there at night and asleep, that monster couldn’t have destroyed her as he did. Oh, why did I ever go to Whitby? There now, crying again! I wonder what has come over me today. I must hide it from Jonathan, for if he knew that I had been crying twice in one morning … I, who never cried on my own account, and whom he has never caused to shed a tear, the dear fellow would fret his heart out. I shall put a bold face on, and if I do feel weepy, he shall never see it. I suppose it is just one of the lessons that we poor women have to learn …
I can’t quite remember how I fell asleep last night. I remember hearing the sudden barking of the dogs and a lot of queer sounds, like praying on a very tumultuous scale, from Mr. Renfield’s room, which is somewhere under this. And then there was silence over everything, silence so profound that it startled me, and I got up and looked out of the window. All was dark and silent, the black shadows thrown by the moonlight seeming full of a silent mystery of their own. Not a thing seemed to be stirring, but all to be grim and fixed as death or fate, so that a thin streak of white mist, that crept with almost imperceptible slowness across the grass towards the house, seemed to have a sentience and a vitality of its own. I think that the digression of my thoughts must have done me good, for when I got back to bed I found a lethargy creeping over me. I lay a while, but could not quite sleep, so I got out and looked out of the window again. The mist was spreading, and was now close up to the house, so that I could see it lying thick against the wall, as though it were stealing up to the windows. The poor man was more loud than ever, and though I could not distinguish a word he said, I could in some way recognize in his tones some passionate entreaty on his part. Then there was the sound of a struggle, and I knew that the attendants were dealing with him. I was so frightened that I crept into bed, and pulled the clothes over my head, putting my fingers in my ears. I was not then a bit sleepy, at least so I thought, but I must have fallen asleep, for except dreams, I do not remember anything until the morning, when Jonathan woke me. I think that it took me an effort and a little time to realize where I was, and that it was Jonathan who was bending over me. My dream was very peculiar, and was almost typical of the way that waking thoughts become merged in, or continued in, dreams.
I thought that I was asleep, and waiting for Jonathan to come back. I was very anxious about him, and I was powerless to act, my feet, and my hands, and my brain were weighted, so that nothing could proceed at the usual pace. And so I slept uneasily and thought. Then it began to dawn upon me that the air was heavy, and dank, and cold. I put back the clothes from my face, and found, to my surprise, that all was dim around. The gaslight which I had left lit for Jonathan, but turned down, came only like a tiny red spark through the fog, which had evidently grown thicker and poured into the room. Then it occurred to me that I had shut the window before I had come to bed. I would have got out to make certain on the point, but some leaden lethargy seemed to chain my limbs and even my will. I lay still and endured, that was all. I closed my eyes, but could still see through my eyelids. (It is wonderful what tricks our dreams play us, and how conveniently we can imagine.) The mist grew thicker and thicker and I could see now how it came in, for I could see it like smoke, or with the white energy of boiling water, pouring in, not through the window, but through the joinings of the door. It got thicker and thicker, till it seemed as if it became concentrated into a sort of pillar of cloud in the room, through the top of which I could see the light of the gas shining like a red eye. Things began to whirl through my brain just as the cloudy column was now whirling in the room, and through it all came the scriptural words “a pillar of cloud by day and of fire by night.” Was it indeed such spiritual guidance that was coming to me in my sleep? But the pillar was composed of both the day and the night guiding, for the fire was in the red eye, which at the thought got a new fascination for me, till, as I looked, the fire divided, and seemed to shine on me through the fog like two red eyes, such as Lucy told me of in her momentary mental wandering when, on the cliff, the dying sunlight struck the windows of St. Mary’s Church. Suddenly the horror burst upon me that it was thus that Jonathan had seen those awful women growing into reality through the whirling mist in the moonlight, and in my dream I must have fainted, for all became black darkness. The last conscious effort which imagination made was to show me a livid white face bending over me out of the mist. I must be careful of such dreams, for they would unseat one’s reason if there were too much of them. I would get Dr. Van Helsing or Dr. Seward to prescribe something for me which would make me sleep, only that I fear to alarm them. Such a dream at the present time would become woven into their fears for me. Tonight I shall strive hard to sleep naturally. If I do not, I shall tomorrow night get them to give me a dose of chloral, that cannot hurt me for once, and it will give me a good night’s sleep. Last night tired me more than if I had not slept at all.
2 OCTOBER 10 P.M.—Last night I slept, but did not dream. I must have slept soundly, for I was not waked by Jonathan coming to bed, but the sleep has not refreshed me, for today I feel terribly weak and spiritless. I spent all yesterday trying to read, or lying down dozing. In the afternoon, Mr. Renfield asked if he might see me. Poor man, he was very gentle, and when I came away he kissed my hand and bade God bless me. Some way it affected me much. I am crying when I think of him. This is a new weakness, of which I must be careful. Jonathan would be miserable if he knew I had been crying. He and the others were out till dinner time, and they all came in tired. I did what I could to brighten them up, and I suppose that the effort did me good, for I for
got how tired I was. After dinner they sent me to bed, and all went off to smoke together, as they said, but I knew that they wanted to tell each other of what had occurred to each during the day. I could see from Jonathan’s manner that he had something important to communicate. I was not so sleepy as I should have been, so before they went I asked Dr. Seward to give me a little opiate of some kind, as I had not slept well the night before. He very kindly made me up a sleeping draught, which he gave to me, telling me that it would do me no harm, as it was very mild … I have taken it, and am waiting for sleep, which still keeps aloof. I hope I have not done wrong, for as sleep begins to flirt with me, a new fear comes: that I may have been foolish in thus depriving myself of the power of waking. I might want it. Here comes sleep. Goodnight.
Sorry, I just don’t buy any reasoning behind the decision to exclude Mina here. If we might read her mind, Perhaps I’ll simply allow them to bumble and stumble along for a tad, then when they’ve made a mess of things, they will call upon my services …
“… ordinary lunatic …” Seems we haven’t talked about the oxymoron! The oxymoron is a figure of speech that is at its heart a contradiction, such as “cruel kindness,” which pretty accurately describes Dr. Seward’s treatment of Renfield! Whether used ironically, humorously, or to make a subtle point, it’s yet another tool every author should learn to employ.
It is safe to assume Seward knows he’s creating an oxymoron here and employs it to ironic effect.
Moments of reflection for these characters do not serve the story well. A slightly faster pace, sans ruminations, would keep the reader turning pages instead of possibly thinking, Yeah, Van Helsing and Seward have flubbed more than a few …
Our “crusaders against evil” are going into battle … but who is guarding their castle? We shall see that it takes some time for the heroes to get up to speed on matching wits with Dracula.
Latin for “Into Your Hands, Lord!” Van Helsing is a man of many languages, some of which he speaks in “manner quite creative.”
The dark surrounds, the lamps are lit, shadows are thrown—and we have … suspense! A lack of dialogue in the next two paragraphs maintains the suspense. We can thus hear the silences and focus our sensory receptors on the decidedly creepy images the group encounters.
“… unpleasantness …”? I should say so. Dracula is not rife with understatement, so in those moments when we do get it, it is particularly effective.
“Faugh”—from the Latin for “P U.”
Smell, that so evocative sense. This sets off a trigger in the brain, and we can fully understand the abstraction loathsomeness. We smell it.
Just a shadow—or was it? Again, Stoker allows the reader to know more, to fear more, than the characters, which builds suspense and allows us to play “Spot the Vampire!”
There are people who like white mice. Nobody likes rats. Stoker gives Dracula the perfect nasty-toothed, germ-lousy, insane minions with rats. We can see wolves as noble, and bats as mysterious, but rats are full-on yuck, and they have been used to such effect in many a vampire tale since Dracula.
Ah, yes, the traditional British sports: cricket, soccer, and rat baiting.
Mina is perfectly safe … and no need for the little lady to be upset by our manly business. Yeah, right. The irony to come is magnified by the overconfidence (might we even say hubris?) displayed by Van Helsing throughout this section. It is possible to develop one character’s importance through the actions of others, as displayed here.
Does he think she might have a cold?
And what of the “no concealment” oath Harker swore with his wife in Chapter 9? The Jonathan who seemed so confident upon his “recovery” is having his relapse.
But Stoker is allowed that because Harker, so human, is just as contradictory as, let’s face it, we are out here in RealityLand!
This is Stoker’s little “hint, hint, nudge nudge” for the reader. Is it a satisfaction for you as a reader to be so much more aware than a principal character, or is it a frustration or even a vexation? A question to ask yourself when writing your own stories …
This statement is no more, no less racist than other “typically British” attitudes we have previously encountered.
Yes, if it wasn’t obvious before, it’s clear here that you can find abundant male chauvinism within the men of Dracula: The validity of their attitudes is discounted by the actions and will of Mrs. Mina Harker.
Mina is saying this … to convince herself?
Yes, she did.
Mina is much more capable of recognizing her own errors of judgment (whether real or presumed) than any of the men. Is she meant to be an argument for the “New Woman” or is she simply true to herself as envisioned by Stoker, who stands as a fine novelist and not a propagandist? These characters are real people and not didactic sandwich board–wearing creatures disguised as humans.
Right, Jonathan was usually the one to cry in this family.
We’ll pause at this point to note a “red eye” reference and to remark Stoker’s accomplished handling of surreal dream-like moments (moments that we know are induced by none other than the nefarious Count).
Dreams as both literary device and story-starting inspiration are so important for the fiction writer that Columbia College Chicago offers a course entitled “Dreams and the Writer.” Students keep dream journals. They consider elements of reality/unreality presented by dreams. They do exercises focusing on time and chronology within the dream state.
And they study modern masters using dreams effectively, with Kafka’s “Bucket Rider” and James Lee Burke’s detective Dave Robicheaux (particularly in Creole Belle).
We readers are fully aware of what “Mina’s dream (!)” means and just as aware that we’re right back in the “everyone has a secret” mode. Mina won’t tell the guys something that would make them realize she has suffered a vampiric attack, and the guys won’t tell her anything that might upset her.
Is this Renfield apologizing for his part in Mina’s coming under Dracula’s spell?
So be sure you don’t tell him!
And what does Jonathan plan to share with the guys and to keep from her?
And as Mina fades into a drugged sleep, we bid a temporary adieu to Seward’s Insane Asylum.
Chapter 20
JONATHAN HARKER’S JOURNAL
1 OCTOBER, EVENING.—I found Thomas Snelling in his house at Bethnal Green, but unhappily he was not in a condition to remember anything. The very prospect of beer which my expected coming had opened to him had proved too much, and he had begun too early on his expected debauch. I learned, however, from his wife, who seemed a decent, poor soul, that he was only the assistant of Smollet, who of the two mates was the responsible person. So off I drove to Walworth, and found Mr. Joseph Smollet at home and in his shirtsleeves, taking a late tea out of a saucer. He is a decent, intelligent fellow, distinctly a good, reliable type of workman, and with a headpiece of his own. He remembered all about the incident of the boxes, and from a wonderful dog-eared notebook, which he produced from some mysterious receptacle about the seat of his trousers, and which had hieroglyphical entries in thick, half-obliterated pencil, he gave me the destinations of the boxes. There were, he said, six in the cartload which he took from Carfax and left at 197 Chicksand Street, Mile End New Town, and another six which he deposited at Jamaica Lane, Bermondsey. If then the Count meant to scatter these ghastly refuges of his over London, these places were chosen as the first of delivery, so that later he might distribute more fully. The systematic manner in which this was done made me think that he could not mean to confine himself to two sides of London. He was now fixed on the far east on the northern shore, on the east of the southern shore, and on the south. The north and west were surely never meant to be left out of his diabolical scheme, let alone the City itself and the very heart of fashionable London in the south-west and west. I went back to Smollet, and asked him if he could tell us if any other boxes had been taken from Carf
ax.
He replied, “Well guv’nor, you’ve treated me very ‘an’some”, I had given him half a sovereign, “an I’ll tell yer all I know. I heard a man by the name of Bloxam say four nights ago in the ‘Are an’ ‘Ounds, in Pincher’s Alley, as ‘ow he an’ his mate ‘ad ‘ad a rare dusty job in a old ‘ouse at Purfleet. There ain’t a many such jobs as this ‘ere, an’ I’m thinkin’ that maybe Sam Bloxam could tell ye summut.” I asked if he could tell me where to find him. I told him that if he could get me the address it would be worth another half sovereign to him. So he gulped down the rest of his tea and stood up, saying that he was going to begin the search then and there.
At the door he stopped, and said, “Look ‘ere, guv’nor, there ain’t no sense in me a keepin’ you ‘ere. I may find Sam soon, or I mayn’t, but anyhow he ain’t like to be in a way to tell ye much tonight. Sam is a rare one when he starts on the booze. If you can give me a envelope with a stamp on it, and put yer address on it, I’ll find out where Sam is to be found and post it ye tonight. But ye’d better be up arter ‘im soon in the mornin’, never mind the booze the night afore.”
This was all practical, so one of the children went off with a penny to buy an envelope and a sheet of paper, and to keep the change. When she came back, I addressed the envelope and stamped it, and when Smollet had again faithfully promised to post the address when found, I took my way to home. We’re on the track anyhow. I am tired tonight, and I want to sleep. Mina is fast asleep, and looks a little too pale. Her eyes look as though she had been crying. Poor dear, I’ve no doubt it frets her to be kept in the dark, and it may make her doubly anxious about me and the others. But it is best as it is. It is better to be disappointed and worried in such a way now than to have her nerve broken. The doctors were quite right to insist on her being kept out of this dreadful business. I must be firm, for on me this particular burden of silence must rest. I shall not ever enter on the subject with her under any circumstances. Indeed, It may not be a hard task, after all, for she herself has become reticent on the subject, and has not spoken of the Count or his doings ever since we told her of our decision.