Another Way to Play

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Another Way to Play Page 35

by Michael Lally


  And go to the recently

  Moved Coliseum Book

  Store, now on Forty-

  Second, to warm myself

  Cutting across Bryant

  Park on the following

  Wednesday there’s

  No benches free as the

  Fifty-eight degree sunny

  Weather finally brings

  The city-Spring I love,

  People hanging outside,

  Some with their coats

  Off, the first blossoms

  Of bare flesh—

  The gray haired black

  Lady, tall, in jeans and

  Sweater, looking cool

  And earthy and fine—

  What is it about some

  Asian women, especially

  Older ones, that reminds

  Me of my Irish aunts?

  Something in the eyes

  And round cheeks—

  [ . . . ]

  The cleaning woman

  In Penn Station—in

  Her dark blue workers

  Outfit—as lovely a face

  As any movie star’s

  I’ve seen this close—

  The once, homeless

  Man, who owns a

  Building in Harlem,

  Skin so black it’s

  Hard to see much

  Definition in his

  Face outside his eyes,

  His wife a wealthy

  White French woman,

  Their little boy and girl

  Both stunningly new and

  Promisingly beautiful—

  The “Jersey girls” so

  Unpretentious and even

  Humble in the thrill

  They’re obviously ex-

  Periencing on their

  Trip to Manhattan

  To celebrate the

  Fortieth birthday

  Of one of them—

  The Mongolian look of

  The young woman

  On the subway train—

  like she might get

  Off and mount a

  Horse and ride off

  Across the endless

  Plains Genghis Kahn

  Once roamed and

  Called his own

  [ . . . ]

  Oh the variety, es-

  Pecially on a day like

  Today that started

  Out cold and cloudy

  And is now sunny

  And bright, half

  The people I pass in

  Winter coats the

  Other half in shirt

  Sleeves and tees or

  Low riding jeans

  That show their bellies—

  The beauty I remark

  On is never conventional,

  Nothing that can be

  Bought, but character

  And gene driven, de-

  Riven, given—history

  Alive in the eyes

  And thighs and even

  Oversize pants the

  Two young men are wearing

  Looking like little boys

  With a load in their

  Drawers and obviously

  Unaware of that as

  They swear in joy

  And lechery at a

  Passing beauty who

  Totally ignores their

  Crude adolescent show—

  [ . . . ]

  On Sixth Avenue

  The black man

  With beautiful eyes,

  Perfectly groomed [ . . . ]

  The thing about the

  Handsome sharply

  Dressed black man

  Is the confidence

  And power he exudes

  Although he can’t

  Be even five feet

  Tall, as small as

  A little boy, but

  Perfectly proportioned

  And totally handsome

  And obviously comfortable

  In his skin—

  Only minutes later on

  Forty-second street an

  Equally small but

  Homely white man

  In sports regalia

  Claps his hands

  As he spies

  The store he must

  Have been looking

  For and veers across

  The sidewalk to

  Enter one of those

  Shops that specializes

  In team clothes—

  With local team

  Logos, Rangers, Jets,

  Yankees, Mets, Knicks,

  And Nets and Metro Stars—

  Later downtown on

  The Lower East Side

  The tall young black guy

  Who waits on me

  [ . . . ] keeps asking

  About me, flashing his

  Warm smile, plying me

  With not just samples

  Of men’s products but

  Full sized bottles, “gifts”

  He says continuing to

  Hold my eye and smile

  Until I can see and

  Register how handsome

  He is in his way

  And how he wants me

  To acknowledge that

  Connection and I do—

  The pulse of life is

  So strong on these

  Streets, I remember

  How just living here

  When I was in my

  Thirties made me feel

  I’d not only survived

  But somehow won—

  As summer approaches—

  The older black man

  In the tan suede

  Matching short sleeve

  Shirt and slacks—

  Not a wrinkle in either—

  The pleasant odors

  Of perfumes and

  Colognes as people

  Pass—like the African

  Man in pressed slacks

  And dress shoes and

  Lacey, patterned,

  White shirt

  That falls to his knees

  And through which

  You can see his

  White sleeveless undershirt—

  Or the perfume on the

  Asian woman in her

  Forties in jeans and

  Tight shirt—

  The ages I guess at, could

  Really be anything,

  My eye for age always

  Mediocre at best,

  Seeing everyone’s age as

  Alive—I notice the eyes

  And the mouths first,

  Like that man in

  The elevator with

  A barely hidden

  Smirk and condescending

  Sparkle in his eyes[ . . . ]

  Meet a TV writer friend at

  PJ Clarke’s on 3rd Avenue

  And 55th Street—later we bump

  Into a movie star I wrote

  Some words for once and

  When I’m introduced

  He mentions

  The movie and an old

  Girlfriend of mine who

  Married a friend of his[ . . . ]

  Six degrees, or three,

  Or two, among the

  People we know—

  Later, alone, walking down

  Second Avenue from

  55th to St. Mark’s

  Church on 10th, I

  Pass so many varieties

  Of human beauty

  I want to shout in

  Gratitude for their

  Creator’s ingenuity—

  At one point, passing

  All those high rises in

  The twenties, teenagers

  From the neighborhood

  Imitate the gangster

  Styles of the times,

  Their black and Hispanic

  Faces seeming older

  Than their suburban

  Counterparts—

  As I pass, one says to

  An older woman, maybe

  Her mother—“She
lives in

  Santa Monica, on Princeton,

  It’s just North of . . . ”—

  [ . . . ]

  At St. Mark’s for

  Poet and lyricist

  Kenward Elmslie’s

  Seventy-fifth birthday

  Celebration—a man

  Who was so generous

  To me [ . . . ] I took it for a

  Sign of my success

  Rather than his

  Largesse, for which

  I thank him,

  I hope humbly, now—

  I see old friends,

  Old men

  Like I’ve become or

  Am becoming,

  Others, my age who

  Still retain a boyish

  Spirit in aging bodies

  And faces, all so

  Fulfilling to my

  Heart, just to know

  They’re still around

  And seem happy to be—

  On the way out I run

  Into the painter Alex

  Katz and his wife and

  Favorite model Ada—who

  I always admired—

  Their son, poet and

  Translator Vincent,

  In the process of pub-

  Lishing a long poem

  I wrote on the eve

  Of our latest war—

  Alex is doing the cover

  For it and when I

  Thank him he declares

  “It’s an honor! That poem’s

  better than Howl!”!

  I look around to see

  If there’s anyone else

  On the street

  But us, there isn’t,

  My heart the only witness—

  [ . . . ]

  In Lenox Hill[ . . . ]

  To see another doctor,

  Remembering stories of

  York Avenue’s old days

  When little

  German and Irish

  Immigrant kids filled

  The streets, like Jimmy

  Cagney—now it’s mostly

  Generic looking, though Asian

  And Caribbean cooking

  Fills the gaps

  In bland architecture—

  Walking uptown from 40th

  I passed four black

  Men by a table

  Display of black

  Themed books, paper

  And hardback,

  Novels mostly, at

  43rd and 6th, arguing

  Passionately about

  Politics, one saying

  “Giuliani called my man

  A nigger, and my man

  Kicked Giuliani’s ass!”

  I wonder who his man is—

  On 47th I stop at the Gotham

  Book Mart, still there, the

  Old sign “WISE MEN

  FISH HERE” outside,

  Almost lost among

  The diamond stores—

  And throngs of diamond

  Merchants, messengers,

  Traders, and customers—

  The varieties of Jewish

  Garb, from yarmulkes

  On men in jeans and

  Sneakers to old men

  In black suits with

  Black fedoras of mid

  20th-century design, to

  Men in long black over

  Coats on what’s becoming

  A very warm day, with

  Long curly locks for side-

  Burns and hats of 19th

  Century style, tassels

  Hanging from beneath

  Their shirts, I have to

  Step into the street

  To make any progress—

  Back in Bryant Park—

  The junkie’s slouch,

  The look of bad boy

  Street sharpie gone to seed—

  [ . . . ]

  The apartment building

  On the Northwest corner

  Of 35th and 3rd with

  The big USA flag

  And three pink

  Flamingos on the

  Northern most

  First floor balcony—

  The black woman,

  On 7th Avenue in

  The “fashion district”

  Overweight, low cut jeans,

  Too tight, her love

  Handles flopping

  Out beneath her

  Neon orange tee

  Shirt calling

  Attention to them—

  The Asian woman

  In what look like

  Platform combat

  Boots, making her

  Several inches taller—

  Stepping awkwardly—

  Both of them

  Beautiful to me

  Especially considering

  Death’s domain—

  The Chinese-American

  Doctor says “I’ll

  Knock you out if

  You argue with me Mike”

  If he discovers excessive

  Blockage

  And wants to operate—

  Or do some procedure—

  The white haired

  Man emerging from

  The office building

  In suit and tie his

  Face neon bright

  Pink as though

  About to explode[ . . . ]

  The beautiful black

  Girl’s face—her

  Full lips and smooth

  Dark skin and

  Perfect dark eyes

  That make me

  Wish I was on the

  Receiving end of the cell

  Phone call she’s in the

  Midst of as she passes

  Saying—“I paid it—it

  Was twenty dollars”—not

  Even noticing me,

  This older gray haired

  White—well, pink—man—

  The young blonde

  Crossing Sixth Avenue

  At Thirty-First Street

  Heading West as I head

  East, bringing to mind

  Old descriptive clichés

  From the ’50s when

  I first began writing

  Seriously, or with the

  Intent of publishing—

  Like “peroxide blonde”

  With a “cigarette dangling

  From her lips” and

  “Porcelain skin” looking

  “Sullen” and “like trouble”

  —Troubled more like it—

  Young and more vulnerable

  Than she even knows I

  Would guess from her dis-

  Tracted, inward directed

  “Filmy” gaze—

  [ . . . ]

  The waitress where

  I eat at Chelsea

  Market so solicitous

  —The Green Table—

  Organic fresh daily

  Exotic salads and

  “Protein” combinations

  I imbibe while trying

  To write about the

  Wonder of mixes

  That make up this

  World now—the

  Older “white” woman

  Pushing the “black”

  Baby—her nanny?

  Grandmother? Mother?

  “The infinite possibilities”—

  [ . . . ]

  Saying the Saint

  Francis prayer—over

  And over—as they

  Wiggle and maneuver

  The catheter through

  The artery—my heart

  Aches—literally—and

  Not so unlike the

  Ways it always has—

  Lying on the slab

  In this freezing room—

  Heart stuck—listening

  To them discuss my

  Reaction to the new

  Blood thinner—“Have

  You ever seen this

  Before?”—“Me

  Neither”—“Let’s

  Stop a
nd resume tomorrow”

  [ . . . ]

  I’m on my back and

  Immobile for six

  More hours—or four—

  Depending on the

  Nurse—their origins

  So varied—Manhattan

  Sidewalk symphony

  Of accents in this

  Hospital room with

  A view of the East

  River and the Fifty-

  Ninth Street Bridge

  That my “room

  Mate” cannot share—

  A seventy-two-year

  Old Puerto Rican lady

  On the other side of

  The curtain dividing

  Our not so private

  Spaces here—she’s

  In for open heart

  Surgery—my doctor

  Reminds me I’m so

  Lucky to not need—

  For now—

  More pain when they

  Go back in, no

  Drugs, “it’s a ten”

  I tell them—on the

  Pain scale—they

  Say now I’ll know

  What a heart attack

  Feels like—later

  When they take

  The catheter out

  I tell the two

  Nurses working on me

  That I’m feeling nauseous

  And sweating—“I think I’m

  Going into shock”—they

  Look up from my groin

  And suddenly seem panicked—

  Start feeding syringes

  Into the two i.v.s they

  Have in both my arms—

  “If you never assume importance

  You never lose it.”

  From Witter Bynner’s

  1944 translation of

  LaoTzu’s Tao Te Ching

  Which he translates as

  “The Way of Life” a

  Pacifist interpretation

  I’ve had with me

  Since I was a teenager

  And think of often—

  Especially now as my

  Life insists on teaching

  Me a wisdom I have

  Always resisted—even

  As I sought it—

  Three days, three pro-

  Cedures, where there was

  Supposed to be one—

  The stories of others—

  In and out of the hospital

  In a day, instead of the

  Four and more I spend

  There—others knocked

  Out, not even aware of

  What was going on, me

  Awake, alert, so the doctor

  Can consult me about the

  Stent, show me as it goes

  In on the big screen over

  The gurney I lie on—

  [ . . . ]

  Summer rain—

  For days—lady

  Walking under an

  Umbrella the size

  Of the one that

  Protected our whole

  Family at the beach

  When I was a kid—

  Duck into a restaurant

  On Madison with

  “Heaven” in the

  Name though the

  Food is anything

  But celestial—

  And I can’t see

  The mini-TV that

  Hovers over the

  Table like its

  Clones dispersed

  Throughout the

  Place—the waitresses

  All in neat WASPy

  Uniforms of khaki pants

  And striped button

  Down shirts are all

  Latin American—

  The couple at the

  Next table, an over-

 

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