The other persons fade out into indistinct sounds and indistinct shadows in the old kerosene-powered television receiver.
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The prospects of retrieval and revival of the first and greatest of all television series, The Wonderful World of Aurelian Bentley, recorded and produced in the year 1873, is in grave danger.
The only true and complete version of the series reposes in one single television receiver, Aurelian Bentley’s own control receiver, the one that he kept in his own luxurious den where he spent so many happy hours with his ladies. The original librettos are stored in this set: they are, in fact, a part of this set and they may not, for inexplicable reasons, be removed to any great distance from it.
All the deep and ever-growing side talk, “slow talk,” is in this set. (All the other sets are mute.) All the final drama Pettifoggers of Philadelphia is recorded in this set and is in none of the others. There is a whole golden era of television recorded in this set.
I bought this old kerosene-burning treasure from its last owner (he did not know what it was: I told him that it was a chestnut roaster) for eighteen dollars. Now, by a vexing coincidence, this last owner has inherited forty acres of land with a fine stand of chestnut trees, and he wants the chestnut roaster back. And he has the law on his side.
I bought it from him, and I paid him for it, of course. But the check I gave him for it was hotter than a selenium rectifier on a shorted circuit. I have to make up the eighteen dollars or lose the receiver and its stored wealth.
I have raised thirteen dollars and fifty cents from three friends and one enemy. I still need four dollars and a half. Oh wait, wait, here is ninety-eight cents in pennies brought in by the “Children for the Wonderful World of Aurelian Bentley Preservation Fund.” I still need three dollars and fifty-two cents. Anyone wishing to contribute to this fund had best do so quickly before this golden era of television is forever lost. Due to the fussiness of the government, contributions are not tax-deductible.
It is worth preserving as a remnant of that early era when there were giants on the earth. And, if it is preserved, someday someone will gaze into the old kerosene-powered receiver and cry out in astonishment in the words of the Greatest Bard:
“—what poet-race
Shot such Cyclopean arches at the stars?”
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Universe 8 - [Anthology] Page 25