by Ruskin Bond
Prem goes, disappears into the vast faceless cities of the plains, and a year slips by, or rather I do, and then here he is again, thinner and darker and still smiling and still looking for a job. I should have known that hill men don’t disappear altogether. The spirit-haunted rocks don’t let their people wander too far, lest they lose them forever.
I was able to get him a job in the school. The Headmaster’s wife needed a cook. I wasn’t sure if Prem could cook very well but I sent him along and they said they’d give him a trial. Three days later the Headmaster’s wife met me on the road and started gushing all over me. She was the type who gushes.
‘We’re so grateful to you! Thank you for sending me that lovely boy. He’s so polite. And he cooks very well. A little too hot for my husband, but otherwise delicious—just delicious! He’s a real treasure—a lovely boy.’ And she gave me an arch look—the famous look which she used to captivate all the good-looking young prefects who became prefects, it was said, only if she approved of them.
I wasn’t sure that she didn’t want something more than a cook, and I only hoped that Prem would give every satisfaction.
He looked cheerful enough when he came to see me on his off-day.
‘How are you getting on?’ I asked.
‘Lovely,’ he said, using his mistress’s favourite expression.
‘What do you mean—lovely? Do they like your work?’
‘The memsahib likes it. She strokes me on the cheek whenever she enters the kitchen. The sahib says nothing. He takes medicine after every meal.’
‘Did he always take medicine—or only now that you’re doing the cooking?’
‘I am not sure. I think he has always been sick.’
He was sleeping in the headmaster’s veranda and getting sixty rupees a month. A cook in Delhi got a hundred and sixty. And a cook in Paris or New York got ten times as much. I did not say as much to Prem. He might ask me to get him a job in New York. And that would be the last I saw of him! He, as a cook, might well get a job making curries off Broadway; I, as a writer, wouldn’t get to first base. And only my Uncle Ken knew the secret of how to make a living without actually doing any work. But then, of course, he had four sisters. And each of them was married to a fairly prosperous husband. So Uncle Ken divided his year among them. Three months with Aunt Ruby in Nainital. Three months with Aunt Susie in Kashmir. Three months with my mother (not quite so affluent) in Jamnagar. And three months in the Vet Hospital in Bareilly, where Aunt Mabel ran the hospital for her veterinary husband. In this way he never overstayed his welcome. A sister can look after a brother for just three months at a time and no more. Uncle K had it worked out to perfection.
But I had no sisters and I couldn’t live forever on the royalties of a single novel. So I had to write others. So I came to the hills.
The hill men go to the plains to make a living. I had to come to the hills to try and make mine.
‘Prem,’ I said, ‘why don’t you work for me?’
‘And what about my uncle?’
‘He seems ready to desert me any day. His grandfather is ill, he says, and he wants to go home.’
‘His grandfather died last year.’
‘That’s what I mean—he’s getting restless. And I don’t mind if he goes. These days he seems to be suffering from a form of sleeping sickness. I have to get up first and make his tea…’
Sitting here under the cherry tree, whose leaves are just beginning to turn yellow, I rest my chin on my knees and gaze across the valley to where Prem moves about in the garden. Looking back over the seven years he has been with me, I recall some of the nicest things about him. They come to me in no particular order—just pieces of cinema—coloured slides slipping across the screen of memory…
Prem rocking his infant son to sleep—crooning to him, passing his large hand gently over the child’s curly head— Prem following me down to the police station when I was arrested (on a warrant from Bombay, charging me with writing an allegedly obscene short story!), and waiting outside until I reappeared, his smile, when I found him in Delhi, his large, irrepressible laughter, most in evidence when he was seeing an old Laurel and Hardy movie.
Of course, there were times when he could be infuriating, stubborn, deliberately pig-headed, sending me little notes of resignation—but I never found it difficult to overlook these little acts of self-indulgence. He had brought much love and laughter into my life, and what more could a lonely man ask for?
It was his stubborn streak that limited the length of his stay in the headmaster’s household. Mr Good was tolerant enough. But Mrs Good was one of those women who, when they are pleased with you, go out of their way to help, pamper and flatter; and who, when they are displeased, become vindictive, going out of their way to harm or destroy. Mrs Good sought power—over her husband, her dog, her favourite pupils, her servant… She had absolute power over the husband and the dog, partial power over her slightly bewildered pupils; and none at all over Prem, who missed the subtleties of her designs upon his soul. He did not respond to her mothering, or to the way in which she tweaked him on the cheeks, brushed against him in the kitchen and made admiring remarks about his looks and physique. Memsahibs, he knew, were not for him. So he kept a stony face and went diligently about his duties. And she felt slighted, put in her place. Her liking turned to dislike. Instead of admiring remarks, she began making disparaging remarks about his looks, his clothes, his manners. She found fault with his cooking. No longer was it ‘lovely’. She even accused him of taking away the dog’s meat and giving it to a poor family living on the hillside: no more heinous crime could be imagined! Mr Good threatened him with dismissal. So Prem became stubborn. The following day he withheld the dog’s food altogether; threw it down the khud where it was seized upon by innumerable strays, and went off to the pictures.
It was the end of his job. ‘I’ll have to go home now,’ he told me. ‘I won’t get another job in this area. The mem will see to that.’
‘Stay a few days,’ I said.
‘I have only enough money with which to get home.’
‘Keep it for going home. You can stay with me for a few days, while you look around. Your uncle won’t mind sharing his food with you.’
His uncle did mind. He did not like the idea of working for his nephew as well; it seemed to him no part of his duties. And he was apprehensive that Prem might get his job.
So Prem stayed no longer than a week.
Here on the knoll the grass is just beginning to turn October yellow. The first clouds approaching winter cover the sky. The trees are very still. The birds are silent. Only a cricket keeps singing on the oak tree. Perhaps there will be a storm before evening. A storm like that in which Prem arrived at the cottage with his wife and child—but that’s jumping too far ahead…
After he had returned to his village, it was several months before I saw him again. His uncle told me he had taken a job in Delhi. There was an address. It did not seem complete, but I resolved that when I was next in Delhi I would try to see him.
The opportunity came in May, as the hot winds of summer blew across the plains. It was the time of year when people who can afford it, try to get away to the hills. I dislike New Delhi at the best of times, and I hate it in summer. People compete with each other in being bad-tempered and mean. But I had to go down—I don’t remember why, but it must have seemed very necessary at the time—and I took the opportunity to try and see Prem.
Nothing went right for me. Of course the address was all wrong, and I wandered about in a remote, dusty, treeless colony called Vasant Vihar (Spring Garden) for over two hours, asking all the domestic servants I came across if they could put me in touch with Prem Singh of Village Koli, Pauri Garhwal. There were innumerable Prem Singhs, but apparently none who belonged to Village Koli. I returned to my hotel and took two days to recover from heatstroke before returning to Mussoorie, thanking God for mountains!
And then the uncle gave me notice. He’d found a better paid jo
b in Dehra Dun and was anxious to be off. I didn’t try to stop him.
For the next six months I lived in the cottage without any help. I did not find this difficult. I was used to living alone. It wasn’t service that I needed but companionship. In the cottage it was very quiet. The ghosts of long dead residents were sympathetic but unobtrusive. The song of the whistling thrush was beautiful, but I knew he was not singing for me. Up the valley came the sound of a flute, but I never saw the flute player. My affinity was with the little red fox who roamed the hillside below the cottage. I met him one night and wrote these lines:
As I walked home last night
I saw a lone fox dancing
In the cold moonlight.
I stood and watched—then
Took the low road, knowing
The night was his by right.
Sometimes, when words ring true,
I’m like a lone fox dancing
In the morning dew.
During the rains, watching the dripping trees and the mist climbing the valley, I wrote a great deal of poetry. Loneliness is of value to poets. But poetry didn’t bring me much money, and funds were low. And then, just as I was wondering if I would have to give up my freedom and take a job again, a publisher bought the paperback rights of one of my children’s stories, and I was free to live and write as I pleased—for another three months!
That was in November. To celebrate, I took a long walk through the Landour Bazaar and up the Tehri road. It was a good day for walking; and it was dark by the time I returned to the outskirts of the town. Someone stood waiting for me on the road above the cottage. I hurried past him.
If I am not for myself,
Who will be for me?
And if I am not for others,
What am I?
And if not now, when?
I startled myself with the memory of these words of Hillel, the ancient Hebrew sage. I walked back to the shadows where the youth stood, and saw that it was Prem.
‘Prem!’ I said. ‘Why are you sitting out here, in the cold? Why did you not go to the house?’
‘I went, sir, but there was a lock on the door. I though you had gone away.’
‘And you were going to remain here, on the road?’
‘Only for tonight. I would have gone down to Dehra in the morning.’
‘Come, let’s go home. I have been waiting for you. I looked for you in Delhi, but could not find the place where you were working.’
‘I have left them now.’
‘And your uncle has left me. So will you work for me now?’
‘For as long as you wish.’
‘For as long as the gods wish.’
We did not go straight home, but returned to the bazaar and took our meal in the Sindhi Sweet Shop; hot puris and strong sweet tea.
We walked home together in the bright moonlight. I felt sorry for the little fox dancing alone.
That was twenty years ago, and Prem and his wife and three children are still with me. But we live in a different house now, on another hill.
The Pool
Where has it gone,
the pool on the hill?
The pool of our youth,
when Time stood still,
Where we romped in its shallows
and wrestled on sand,
Closer than brothers, a colourful band.
Gone is the pool, now filled in with rocks,
Having made way for the builders’ blocks.
But sometimes, at dawn,
you will hear us still,
And that’s why they call this
the Haunted Hill.
The Tunnel
t was almost noon, and the jungle was very still, very silent. Heat waves shimmered along the railway embankment where it cut a path through the tall evergreen trees. The railway lines were two straight black serpents disappearing into the tunnel in the hillside.
Ranji stood near the cutting, waiting for the midday train. It wasn’t a station and he wasn’t catching a train. He was waiting so he could watch the stream engine come roaring out of the tunnel.
He had cycled out of town and taken the jungle path until he had come to a small village. He had left the cycle there, and walked over a low, scrub-covered hill and down to the tunnel exit.
Now he looked up. He had heard, in the distance, the shrill whistle of the engine. He couldn’t see anything, because the train was approaching from the other side of the hill, but presently a sound like distant thunder came from the tunnel, and he knew the train was coming through.
A second or two later the steam engine shot out of the tunnel, snorting and puffing like some green, black and gold dragon, some beautiful monster out of Ranji’s dreams. Showering sparks right and left, it roared a challenge to the jungle.
Instinctively Ranji stepped back a few paces. Waves of hot steam struck him in the face. Even the trees seemed to flinch from the noise and heat. And then the train had gone, leaving only a plume of smoke to drift lazily over the tall shisham trees.
The jungle was still again. No one moved.
Ranji turned from watching the drifting smoke and began walking along the embankment towards the tunnel. It grew darker the further he walked, and when he had gone about twenty yards it became pitch black. He had to turn and look back at the opening to make sure that there was a speck of daylight in the distance.
Ahead of him, the tunnel’s other opening was also a small round circle of light.
The walls of the tunnel were damp and sticky. A bat flew past. A lizard scuttled between the lines. Coming straight from the darkness into the light, Ranji was dazzled by the sudden glare. He put a hand up to shade his eyes and looked up at the scrub-covered hillside, and he thought he saw something moving between the trees.
It was just a flash of gold and black, and a long swishing tail. It was there between the trees for a second or two, and then it was gone.
About fifty feet from the entrance to the tunnel stood the watchman’s hut. Marigolds grew in front of the hut, and at the back there was a small vegetable patch. It was the watchman’s duty to inspect the tunnel and keep it clear of obstacles.
Every day, before the train came through, he would walk the length of the tunnel. If all was well, he would return to his hut and take a nap. If something was wrong, he would walk back up the line and wave a red flag and the engine driver would slow down.
At night, the watchman lit an oil lamp and made a similar inspection. If there was any danger to the train, he’d go back up the line and wave his lamp to the approaching engine. If all was well, he’d hang his lamp at the door of his hut and go to sleep.
He was just settling down on his cot for an afternoon nap when he saw the boy come out of the tunnel. He waited until the boy was only a few feet away and then said, ‘Welcome, welcome. I don’t often get visitors. Sit down for a while and tell me why you were inspecting my tunnel.’
‘Is it your tunnel?’ asked Ranji.
‘It is,’ said the watchman. ‘It is truly my tunnel, since no one else will have anything to do with it. I have only lent it to the government.’
Ranji sat down on the edge of the cot.
‘I wanted to see the train come through,’ he said. ‘And then, when it had gone, I decided to walk through the tunnel.’
‘And what did you find in it?’
‘Nothing. It was very dark. But when I came out, I thought I saw an animal—up on the hill—but I’m not sure, it moved off very quickly.’
‘It was a leopard you saw,’ said the watchman. ‘My leopard.’
‘Do you own a leopard too?’
‘I do.’
‘And do you lend it to the government?’
‘I do not.’
‘Is it dangerous?’
‘Not if you leave it alone. It comes this way for a few days every month, because there are still deer in this jungle, and the deer is its natural prey. It keeps away from people.’
‘Have you been here a long time?’ asked Ranji.
‘Many years. My name is Kishan Singh.’
‘Mine is Ranji.’
‘There is one train during the day. And there is one train during the night. Have you seen the Night Mail come through the tunnel?’
‘No. At what time does it come?’
‘About nine o’clock, if it isn’t late. You could come and sit here with me, if you like. And, after it has gone, I will take you home.’
I’ll ask my parents,’ said Ranji. ‘Will it be safe?’
‘It is safer in the jungle than in the town. No rascals out here. Only last week, when I went into the town, I had my pocket picked! Leopards don’t pick pockets.’
Kishan Singh stretched himself out on his cot. ‘And now I am going to take a nap, my friend. It is too hot to be up and about in the afternoon.’
‘Everyone goes to sleep in the afternoon,’ complained Ranji. ‘My father lies down as soon as he’s had his lunch.’
‘Well, the animals also rest in the heat of the day. It is only the tribe of boys who cannot, or will not, rest.’
Kishan Singh placed a large banana leaf over his face to keep away the flies, and was soon snoring gently. Ranji stood up, looking up and down the railway tracks. Then he began walking back to the village.
The following evening, towards dusk, as the flying-foxes swooped silently out of the trees, Ranji made his way to the watchman’s hut.
It had been a long hot day, but now the earth was cooling and a light breeze was moving through the trees. It carried with it the scent of mango blossom, the promise of rain.
Kishan Singh was waiting for Ranji. He had watered his small garden and the flowers looked cool and fresh. A kettle was boiling on an oil stove.
‘I am making tea,’ he said. ‘There is nothing like a glass of hot sweet tea while waiting for a train.’
They drank their tea, listening to the sharp notes of the tailor-bird and the noisy chatter of the seven-sisters. As the brief twilight faded, most of the birds fell silent. Kishan lit his oil lamp and said it was time for him to inspect the tunnel. He moved off towards the dark entrance, while Ranji sat on the cot, sipping tea.