Under the Moons of Mars: A History and Anthology of the Scientific Romance in the Munsey Magazines, 1912-1920

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Under the Moons of Mars: A History and Anthology of the Scientific Romance in the Munsey Magazines, 1912-1920 Page 22

by Sam Moskowitz (ed. )


  "There has been a great subsidence. You can stand out of Metalanim harbor for three miles and look down upon the tops of similar monolithic structures and walls twenty feet below you in the water.

  "And all about, strung on their canals, are the bulwarked islets with their enigmatic giant walls peering through the dense growths of mangroves—dead, deserted for incalculable ages; shunned by those who live near.

  "You as a botanist are familiar with the evidence that a vast shadowy continent existed in the Pacific—a continent that was not rent asunder by volcanic forces as was that legendary one of Atlantis in the Eastern Ocean. My work in Java, in Papua, and in the Ladrones had set my mind upon this Pacific lost land. Just as the Azores are believed to be the last high peaks of Atlantis, so evidence came to me steadily that Ponape and Lele and their basalt bulwarked islets were the last points of the slowly sunken western land clinging still to the sunlight, and had been the last refuge and sacred places of the rulers of that race which had lost their immemorial home under the rising waters of the Pacific.

  "I believed that under these ruins I might find the evidence of what I sought. Time and again I had encountered legends of subterranean networks beneath the Nan-Matal, of passages running back into the main island itself; basalt corridors that followed the lines of the shallow canals and ran under them to islet after islet, linking them in mysterious chains.

  "My—my wife and I had talked before we were married of making this our great work. After the honeymoon we prepared for the expedition. It was to be my monument. Stanton was as enthusiastic as ourselves. We sailed, as you know, last May in fulfilment of our dreams.

  "At Ponape we selected, not without difficulty, workmen to help us— diggers. I had to make extraordinary inducements before I could get together my force. Their beliefs are gloomy, these Ponapeans. They people their swamps, their forests, their mountains and shores with malignant spirits— ani they call them. And they are afraid—bitterly afraid of the isles of ruins and what they think the ruins hide. I do not wonder—now! For their fear has come down to them, through the ages, from the people 'before their fathers,' as they call them, who, they say, made these mighty spirits their slaves and messengers.

  "When they were told where they were to go, and how long we expected to stay, they murmured. Those who, at last, were tempted made what I thought then merely a superstitious proviso that they were to be allowed to go away on the three nights of the full moon. If only I had heeded them and gone, too!"

  He stopped and again over his face the lines etched deep.

  "We passed," he went on, "into Metalanim harbor. Off to our left— a mile away arose a massive quadrangle. Its walls were all of forty feet high and hundreds of feet on each side. As we passed it our natives grew very silent; watched it furtively, fearfully. I knew it for the ruins that are called Nan-Tanach, the 'place of frowning walls.' And at the silence of my men I recalled what Christian had written of this place; of how he had come upon its 'ancient platforms and tetragonal enclosures of stonework; its wonder of tortuous alleyways and labyrinth of shallow canals; grim masses of stonework peering out from behind verdant screens; cyclopean barricades. And now, when we had turned into its ghostly shadows, straightaway the merriment of our guides was hushed and conversation died down to whispers. For we were close to Nan-Tanach—the place of lofty walls, the most remarkable of all the Metalanim ruins." He arose and stood over me.

  "Nan-Tanach, Goodwin," he said solemnly—"a place where merriment is hushed indeed and words are stifled; Nan-Tanach—where the moon pool lies hidden—lies hidden behind the moon rock, but sends its diabolic soul out—even through the prisoning stone." He raised clenched hands. "Oh, Heaven," he breathed, "grant me that I may blast it from earth!"

  He was silent for a little time.

  "Of course I wanted to pitch our camp there," he began again quietly, "but I soon gave up that idea. The natives were panic-stricken—threatened to turn back. 'No,' they said, 'too great ani there. We go to any other place—but not there.' Although, even then, I felt that the secret of the place was in Nan-Tanach, I found it necessary to give in. The laborers were essential to the success of the expedition, and I told myself that after a little time had passed and I had persuaded them that there was nothing anywhere that could molest them, we would move our tents to it. We finally picked for our base the islet called Uschen-Tau—you see it here—" He pointed to the map. "It was close to the isle of desire, but far enough away from it to satisfy our men. There was an excellent camping-place there and a spring of fresh water. It offered, besides, an excellent field for preliminary work before attacking the larger ruins. We pitched our tents, and in a couple of days the work was in full swing."

  4. THE MOON ROCK

  "I DO NOT intend to tell you now," Throckmartin continued, "the results of the next two weeks, Goodwin, nor of what we found. Later—if I am allowed I will lay all that before you. It is sufficient to say that at the end of those two weeks I had found confirmation of many of my theories, and we were well under way to solve a mystery of humanity's youth— so we thought. But enough. I must hurry on to the first stirrings of the inexplicable thing that was in store for us.

  "The place, for all its decay and desolation, had not infected us with any touch of morbidity—that is not Edith, Stanton or myself. My wife was happy—never had she been happier. Stanton and she, while engrossed in the work as much as I, were of the same age, and they frankly enjoyed the companionship that only youth can give youth. I was glad—never jealous.

  "But Thora was very unhappy. She was a Swede, as you know, and in her blood ran the beliefs and superstitions of the Northland—some of them so strangely akin to those of this far southern land; beliefs of spirits of mountain and forest and water—werewolves and beings malign. From the first she showed a curious sensitivity to what, I suppose, may be called the 'influences' of the place. She said it 'smelled' of ghosts and warlocks.

  "I laughed at her then—but now I believe that this sensitivity of what we call primitive people is perhaps only a clearer perception of the unknown which we. who deny the unknown, have lost.

  "A prey to these fears, Thora always followed my wife about like a shadow; carried with her always a little sharp hand-ax, and although we twitted her about the futility of chopping fantoms with such a weapon she would not relinquish it.

  "Two weeks slipped by, and at their end the spokesman for our natives came to us. The next night was the full of the moon, he said. He reminded me of my promise. They would go back to their village next morning; they would return after the third night, as at that time the power of the ani would begin to wane with the moon. They left us sundry charms for our 'protection,' and solemnly cautioned us to keep as far away as possible from Nan-Tanach during their absence—although their leader politely informed us that, no doubt, we were stronger than the spirits. Half-exasperated, half-amused I watched them go.

  "No work could be done without them, of course, so we decided to spend the days of their absence junketing about the southern islets of the group. Under the moon the ruins were inexpressibly weird and beautiful. We marked down several spots for subsequent exploration, and on the morning of the third day set forth along the east face of the breakwater for our camp on Uschen-Tau, planning to have everything in readiness for the return of our men the next day.

  "We landed just before dusk, tired and ready for our cots. It was only a little after ten o'clock when Edith awakened me.

  " 'Listen!' she said. 'Lean over with your ear close to the ground!' I did so, and seemed to hear, far, far below, as though coming up from great distances, a faint chanting. It gathered strength, died down, ended; began, gathered volume, faded away into silence.

  " 'It's the waves rolling on rocks somewhere,' I said. 'We're probably over some ledge of rock that carries the sound.'

  " 'It's the first time I've heard it,' replied my wife doubtfully. We listened again. Then through the dim rhythms, deep beneath us, another sound came. It
drifted across the lagoon that lay between us and Nan-Tanach in little tinkling waves. It was music—of a sort; I won't describe the strange effect it had upon me. You've felt it—"

  "You mean on the deck?" I asked. Throckmartin nodded.

  "I went to the flap of the tent," he continued, "and peered out. As I did so Stanton lifted his flap and walked out into the moonlight, looking over to the other islet and listening. I called to him.

  " 'That's the queerest sound!' he said. He listened again. 'Crystalline! Like little notes of translucent glass. Like the bells of crystal on the sistrums of Isis at Dendarah Temple,' he added half-dreamily. We gazed intently at the island. Suddenly, on the gigantic sea-wall, moving slowly, rhythmically, we saw a little group of lights. Stanton laughed.

  " 'The beggars!' he exclaimed. 'That's why they wanted to get away, is it? Don't you see, Dave, it's some sort of a festival—rites of some kind that they hold during the full moon! That's why they were so eager to have us keep away, too.'

  "I felt a curious sense of relief, although I had not been sensible of any oppression. The explanation seemed good. It explained the tinkling music and also the chanting—worshipers, no doubt, in the ruins—their voices carried along passages I now knew honeycombed the whole Nan-Matal.

  " 'Let's slip over,' suggested Stanton—but I would not.

  " 'They're a difficult lot as it is,' I said. If we break into one of their religious ceremonies they'll probably never forgive us. Let's keep out of any family party where we haven't been invited.'

  " 'That's so,' agreed Stanton.

  "The strange tinkling music, if music it can be called, rose and fell, rose and fell—now laden with sorrow, now filled with joy.

  " 'There's something—something very unsettling about it,' said Edith at last soberly. I wonder what they make those sounds with. They frighten me half to death, and, at the same time, they make me feel as though some enormous rapture was just around the corner.'

  "I had noted this effect, too, although I had said nothing of it. And at the same time there came to me a clear perception that the chanting which had preceded it had seemed to come from a vast multitude—thousands more than the place we were contemplating could possibly have held. Of course, I thought, this might be due to some acoustic property of the basalt; an amplification of sound by some gigantic sounding-board of rock; still—•

  " 'It's devilish uncanny!' broke in Stanton, answering my thought.

  "And as he spoke the flap of Thora's tent was raised and out into the moonlight strode the old Swede. She was the great Norse type—tall, deep-breasted, molded on the old Viking lines. Her sixty years had slipped from her. She looked like some ancient priestess of Odin." He hesitated. "She knew," he said slowly, "something more far-seeing than my science had given her sight. She warned me—she warned me! Fools and mad that we are to pass such things by without heed!" He brushed a hand over his eyes.

  "She stood there," he went on. "Her eyes were wide, brilliant, staring. She thrust her head forward toward Nan-Tanach, regarding the moving lights; she listened. Suddenly she raised her arms and made a curious gesture to the moon. It was—an archaic—movement; she seemed to drag it from remote antiquity—yet in it was a strange suggestion of power. Twice she repeated this gesture and—the tinkling died away! She turned to us.

  " 'Go!' she said, and her voice seemed to come from far distances. 'Go from here—and quickly! Go while you may. They have called—' She pointed to the islet. 'They know you are here. They wait.' Her eyes widened further. 'It is there,' she wailed. 'It beckons—the—the—'

  "She fell at Edith's feet, and as she fell over the lagoon came again the tinklings, now with a quicker note of jubilance—almost of triumph.

  "We ran to Thora, Stanton and I, and picked her up. Her head rolled and her face, eyes closed, turned as though drawn full into the moonlight. I felt in my heart a throb of unfamiliar fear—for her face had changed again. Stamped upon it was a look of mingled transport and horror—alien, terrifying, strangely revolting. It was"—he thrust his face close to my eyes—"what you see in mine!"

  For a dozen heart-beats I stared at him, fascinated; then he sank back again into the half-shadow of the berth.

  "I managed to hide her face from Edith," he went on. "I thought she had suffered some sort of a nervous seizure. We carried her into her tent. Once within the unholy mask dropped from her, and she was again only the kindly, rugged old woman. I watched her throughout the night. The sounds from Nan-Tanach continued until about an hour before moon-set. In the morning Thora awoke, none the worse, apparently. She had had bad dreams, she said. She could not remember what they were— except that they had warned her of danger. She was oddly sullen, and I noted that throughout the morning her gaze returned again half-fascinatedly, half-wonderingly to the neighboring isles.

  "That afternoon the natives returned. They were so exuberant in their apparent relief to find us well and intact that Stanton's suspicions of them were confirmed. He slyly told their leader that 'from the noise they had made on Nan-Tanach the night before they must have thoroughly enjoyed themselves.'

  "I think I never saw such stark terror as the Ponapean manifested at the remark! Stanton himself was so plainly startled that he tried to pass it over as a jest. He met poor success! The men seemed panic-stricken, and for a time I thought they were about to abandon us—but they did not. They pitched their camp at the western side of the island—out of sight of Nan-Tanach. I noticed that they built large fires, and whenever I awoke that night I heard their voices in slow, minor chant—one of their song 'charms,' I thought drowsily, against evil ani. I heard nothing else; the place of frowning walls was wrapped in silence—no lights showed. The next morning the men were quiet, a little depressed, but as the hours wore on they regained their spirits, and soon life at the camp was going on just as it had before.

  "You will understand, Goodwin, how the occurrences I have related would excite the scientific curiosity. We rejected immediately, of course, any explanation admitting the supernatural. Why not? Except the curiously disquieting effects of the tinkling music and Thora's behavior there was nothing to warrant any such fantastic theories—even if our minds had been the kind to harbor them.

  "We came to the conclusion that there must be a passageway between Ponape and Nan-Tanach, known to the natives—and used by them during their rites. Ceremonies were probably held in great vaults or caverns beneath the ruins.

  "We decided at last that on the next departure of our laborers we would set forth immediately to Nan-Tanach. We would investigate during the day, and at evening my wife and Thora would go back to camp, leaving Stanton and me to spend the night on the island, observing from some safe hiding-place what might occur.

  "The moon waned; appeared crescent in the west; waxed slowly toward the full. Before the men left us they literally prayed us to accompany them. Their importunities only made us more eager to see what it was that, we were now convinced, they wanted to conceal from us. At least that was true of Stanton and myself. It was not true of Edith. She was thoughtful, abstracted—reluctant. Thora, on the other hand, showed an unusual restlessness, almost an eagerness to go. Goodwin"—he paused—"Goodwin, I know now that the poison was working in Thora— and that women have perceptions that we men lack—forebodings, sensings. I wish to Heaven I had known it then—Edith!" he cried suddenly. "Edith— come back to me! Forgive me!"

  I stretched the decanter out to him. He drank deeply. Soon he had regained control of himself.

  "When the men were out of sight around the turn of the harbor," he went on, "we took our boat and made straight for Nan-Tanach. Soon its mighty sea-wall towered above us. We passed through the water-gate with its gigantic hewn prisms of basalt and landed beside a half-submerged pier. In front of us stretched a series of giant steps leading into a vast court strewn with fragments of fallen pillars. In the center of the court, beyond the shattered pillars, rose another terrace of basalt blocks, concealing, I knew, still another encl
osure.

  "And now, Goodwin, for the better understanding of what follows and to guide you, should I—not be able—to accompany you when you go there, listen carefully to my description of this place: Nan-Tanach is literally three rectangles. The first rectangle is the sea-wall, built up of monoliths. Gigantic steps lead up from the landing of the sea-gate through the entrance to the courtyard.

  "This courtyard is surrounded by another, inner basalt wall.

  "Within the courtyard is the second enclosure. Its terrace, of the same basalt as the outer walls, is about twenty feet high. Entrance is gained to it by many breaches which time has made in its stonework. This is the inner court, the heart of Nan-Tanach! There lies the great central vault with which is associated the one name of living being that has come to us out of the mists of the past. The natives say it was the treasure-house of Chau-te-leur, a mighty king who reigned long 'before their fathers.' As Chau is the ancient Ponapean word both for sun and king, the name means 'place of the sun king.'

  "And opposite this place of the sun king is the moon rock that hides the moon pool.

  "It was Stanton who first found what I call the moon rock. We had been inspecting the inner courtyard; Edith and Thora were getting together our lunch. I forgot to say that we had previously gone all over the islet and had found not a trace of living thing. I came out of the vault of Chau-te-leur to find Stanton before a part of the terrace studying it wonderingly.

  " 'What do you make of this?' he asked me as I came up. He pointed to the wall. I followed his finger and saw a slab of stone about fifteen feet high and ten wide. At first all I noticed was the exquisite nicety with which its edges joined the blocks about it. Then I realized that its color was subtly different—tinged with gray and of a smooth, peculiar—deadness.

 

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