Hollywood Hills (2010)

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Hollywood Hills (2010) Page 4

by Wambaugh, Joseph - Hollywood Station 04


  Raleigh was quiet for a moment and then said, "Of course that's a whole lot more than I make, but my job's permanent. I don't know about quitting Mr. Hampton for a temporary job."

  "How permanent is any job with a boss who's eighty-nine years old?" Nigel Wickland asked. "Do think about it and let me know if you're interested. I'm just doing this as a favor to my client Leona Brueger. It's nothing to me one way or the other."

  Raleigh thought there was something not quite right, and he said, "I remember that when you and Mr. Hampton talked about Leona Brueger, you wondered if she was holding up well since her husband's death. It seemed like you didn't know all that much about her."

  Then it was Nigel Wickland's turn to pause. He finally said, "Frankly, since I've been involved in the appraisal of her artwork, I've come to know her well enough that I've learned about her plans. Naturally I couldn't mention to Julius that I thought you'd be so much better off working for my client. If it weren't that you're just so perfect for this job, I wouldn't be bringing it up to you at all. So whatever you decide, mum's the word, Raleigh."

  "I've got to think about this," Raleigh said.

  "Yes, do have a think," Nigel said.

  When Raleigh left Nigel Wickland, he decided that the prospect of earning that kind of easy money was tempting, but after the job ended, what would he do? He'd successfully completed his parole, but memories of prison had kept him superstraight. He'd even been afraid to tell lies on job resumes, and it was no cinch for an ex-con to get decent employment after mentioning a prison record. Yet it was true that with an eighty-nine-year-old boss, how permanent could his current job be? And he was sick of having to plead with the shyster who managed the Hampton trust fund to give him the pay he deserved.

  Raleigh Dibble hardly slept that night. The next morning he phoned Nigel Wickland, and when he reached the art dealer, he said, "Nigel, it's Raleigh Dibble here. When can I have an interview with Mrs. Brueger?"

  Chapter Four.

  AN EXTRAORDINARY NUMBER of celebrity names turned up in crime stories during the first full year of the Great Recession. Many of them ended up on reports passing across the desks of Hollywood Division detectives. The police station in which the detectives were housed was an unusual place, perhaps the world's only police facility where framed one-sheet movie posters decorated the walls. In the geographic territory of the station the bizarre was commonplace, and if something eerie or outlandish could not be explained or even understood, more often than not, the cops would just shrug and say, "This is fucking Hollywood." After that, nothing more needed to be said.

  During that last year of the eight-year federal consent decree, which finally ended in July, only about a dozen detectives remained at Hollywood Station, when there should have been three times that many. The LAPD had labored under the oversight of federally mandated watchdogs since the Rodney King riots, as well as the so-called Rampart Division scandal, an ignominy that turned out to involve exactly two felonious cops. But it was enough for the critics who had been lying in wait to bring down the proud, some would say arrogant, police department.

  After charter amendment F stripped the LAPD chiefs of civil service protection, politicians began calling the shots, and hundreds of LAPD investigators were diverted to serve the monitors of that consent decree in "reforming" a police department that no LAPD police officer thought needed to be reformed. For years the plaintive refrain heard all around the Department was, "Charter amendment F changed our world." And what with budget shortfalls and the fact that the state of California was itself on the brink of bankruptcy, all the street cops and detectives who were still doing actual crime suppression were overwhelmed.

  There had been a rash of burglaries in Los Angeles that targeted young celebrities. Two of the main suspects among a group of seven were a young man and young woman in their late teens from Calabasas, a rather affluent suburb in the San Fernando Valley. They'd met in a remedial school, a kind of last-chance high school. Another of the young women involved in the burglary and fencing ring would boost celebrity magazines from newsstands and supermarkets, and pick out targets that would be researched on the Internet. Celebrity homesites were Googled and satellite maps of their homes were obtained, and their schedules could be followed online in celebrity blogs. Another one of the young women in the group of burglars had been part of a TV reality show that at first purported to show an ex-Playmate raising three wild kids.

  The burglary victims included actors Orlando Bloom, Lindsay Lohan, Audrina Patridge, Rachel Bilson, Megan Fox, and famous person Paris Hilton. Some of the homes had security cameras, and on one video, a youthful man and woman were photographed during the crime. On the video from another of the celebrity homes, four of the young burglars could be seen parking their car on Outpost Drive and walking about a hundred yards, arm in arm backward until they were safely past the surveillance camera, at which point they turned around and tended to business.

  They made several. stops at residences they were casing before being satisfied, and they did not wear hoodies, trying not to look like the public's conception of a typical burglar. They entered through unlocked doors, open windows, and doggie doors. Only occasionally would they have to pry open a window. There were even a few hot-prowl burglaries, committed with people at home, in the county area policed by the Los Angeles Sheriff's Department.

  The burglary ring stole clothing, jewelry, purses, some electronics, and cash. They burglarized Paris Hilton's home a few times, but she knew about only one. When the police cracked the case, they called her at 3 A. M. and she came in to identify her stolen property, seeming delighted to have the loot returned. She claimed that its value was well into seven figures, but detectives, who lived in a more mundane world, had their doubts. Orlando Bloom, whom detectives referred to as "a gentleman," was always helpful when called upon, and had there been such a thing, would have gotten the detectives' favorite victim award.

  Search warrants were served as far away as Las Vegas on one of the teenage females and on their fence, a twenty-eight-year-old who called himself a nightclub promoter. He handled the stolen goods and was charged with receiving stolen property and other related crimes. LAPD and LASD detectives believed that perhaps two dozen burglaries were committed during a two-year period.

  Defense lawyers negotiated, offering to discuss the return of missing property if new felony counts were not filed, but it all ended in what detectives said was akin to "a failed hostage negotiation" after one of the attorneys walked out, saying, "I'm not in the property business."

  Another defense attorney, whose young client claimed to be working for a Christian organization that assisted people in need of housing, seemed to believe every word that his sobbing client told him. A detective said of the lawyer, "He's the kind of guy who goes to a strip club and believes that the lap dancer really loves him."

  None of the young people were hard-core junkies but some of them smoked OxyContin, the equivalent of synthetic heroin, the drug du jour of countless young Americans and a powerhouse opioid that had even addicted America's leading conservative talk-show host, Rush Limbaugh. The news photos of the pretty, female suspects in their low-rise jeans, hiding their faces but not their firm bare bellies, provided weeks of entertainment for TV and tabloids. They were dubbed "The Burglar Bunch" and "The Hollywood Hills Burglars" and, even more provocatively, "The Bling Ring."

  Local and national media described their antics as cautionary tales of the dangers to young people posed by the Hollywood celebrity lifestyle. The rationale was that it was constantly in their faces thanks to websites that detailed the shenanigans of celebutantes, along with reality shows that portrayed people their age living the life in Hollywood nightclubs. According to celebrity commentators who never eschewed a cliche, an abundance of danger to young people was out there on those "boulevards of dreams."

  There were a number of boulevard dreamers who couldn't get enough of the Bling Ring, one of whom was twenty-two-year-old Jonas Claymore. He
was a dropout from Hollywood High School who'd smoked way too much crystal meth during his final year of school and had never gone on to community college or done much of anything that his working-class parents had expected of him. The meth eventually led to terrifying attacks of paranoia where he became convinced that he was under twenty-four-hour surveillance by LAND narks, and on one unforgettable evening, two of his former schoolmates decided to wean him off methamphetamines by introducing him to the wonders of 80 mg green tablets of OxyContin and other oxycodone drugs like Percocet, Percodan, and Tylox.

  His current housemate, Megan Burke, was a twenty-year-old high school graduate from Bend, Oregon, who had been a good student, popular, and college-bound, before she'd developed a yen to "experience Hollywood," as had so many thousands before her. She could not have specifically defined what that meant. Of course, she would have been embarrassed to admit that there were vague fantasies involving the movie business, and even then, she was too mature to think that she would be "discovered." Yet it was always there at age eighteen, the notion that where life moves at twenty-four frames per second, anything is possible.

  She had persuaded her mother to let her come to Los Angeles for the summer before college with a list of places in Southern California that she wanted to visit. She had explained to her mother that this was her "odyssey," the journey of self-discovery that she and many of her classmates believed was essential for self-fulfillment. The original plan was to stay for two months working at the Gap for a former Bend neighbor who had moved to Los Angeles and managed the store. The woman had even arranged for Megan to share an apartment with two other girls, and the money she earned selling clothing had allowed Megan to support herself. She had hoped to send part of her earnings to her mother, who had raised Megan and her younger brother, Terry, after their father had deserted the family when the children were still in elementary school.

  Experiencing Hollywood wasn't anything like Megan thought it would be, especially after she learned how expensive everything was in L. A., but things went well enough until she was persuaded by her roommates to experiment with some of their trendy pharmaceuticals, like Xanax and Percocet. Those drugs led her to Vicodin and finally to OxyContin, by far the most addictive and powerful of the prescription drugs available to her, and OxyContin led her to Jonas Claymore, whom she met through a girlfriend at work.

  Jonas was a valet parking attendant at upscale restaurants and he made good tips. He was tall, rail-thin, cute, and goofy, with a bush of cinnamon hair and a gap-toothed grin. He made her laugh easily and sold her OxyContin twice a week when he'd come by her apartment.

  When they got high together for the first time, he said, "You won't be offended if I drop trou and show you something, will ya?"

  "Show me what?" she said uneasily.

  "This," he said, turning away from her and lowering his jeans and underwear. On one buttock was tattooed what. On the other buttock was tattooed ever. When he pulled his pants up he said, "Most of the girls I know think it's kinda funny."

  After several drug experiences they became sexually involved, but it was never satisfactory for either of them because of Jonas's drug-induced ED problems. Megan liked the other oxycodone products, like Vicodin, referred to as "norcos" or "watsons," and she liked the Percocet, aka "perks," but nothing could beat the 80 mg OxyContin, called "OC" or "ox" or "80s" or "beans." Soon, Megan Burke fell passionately in love, not with Jonas Claymore, but with smoking ox. He loved it even more than she did and always seemed to have it in abundance. Then her life quickly fell apart. She lost her job at the Gap and got a part-time job at Denny's as a waitress, but she lost that, too, and came to dread the desperate phone calls from her mother when the college plans were abandoned.

  Megan finally sold her old Hyundai when money ran out, after she had been living with Jonas for nearly a year in a cheap apartment in Thai Town, but not with the knowledge of his landlord or her despairing mother in Oregon. By then, Megan had begun avoiding most of her mother's phone calls and would not reveal her address or anything about Jonas Claymore, not wanting her worried parent to know how far she had fallen and how fast had been the descent.

  After reading and seeing TV reports that members of the Bling Ring smoked ox, it had made Jonas Claymore proud that it was also his drug of choice, Ox was far more expensive than the crystal meth he'd formerly adored, and more than other pharmaceuticals that he'd use when he didn't have enough money for the OCs. He was barely hanging on to his current job of parking cars at two of the newest Melrose Avenue restaurants.

  It wasn't often that Jonas actually read the L. A. Times or anything else, but when he thought there might be something in the paper about the Bling Ring, he'd run to the supermarket and buy or steal one. He adored reading about the designer wardrobes that the Bling Ring coveted and plundered, and especially the Chanel merchandise, Louis Vuitton purses, and Rolex watches they'd looted during their crime spree. They'd even stolen underwear that they could wear themselves while they dreamed. Jonas couldn't get enough of the stories and searched for more on television and especially in the tabloids.

  One summer evening, Jonas was sitting in the front seat of a BMW 535i that he'd parked, engrossed in juicy Bling Ring coverage. At the same time, his boss, a chesty and bossy Russian lesbian who ran the valet parking concession for both restaurants, was looking for her young employee in the parking lot. The lanky lad was disappointed that there was no photo of Paris Hilton in this particular story, and he was only halfway through the article when his boss came up from behind and jerked open the door of the Beemer.

  "What the fock you do-ink, Jonas?" she demanded in that Russki accent that he had come to hate.

  "Sorry, Ludmila," he said, folding the paper and jumping out of the car. "Just taking a two-minute break."

  "That is shit!" she said. "I am look-ink everywhere for you. I am all ate up with you."

  "Fed," Jonas Claymore said.

  "What?"

  "Fed. You're all fed up."

  She stood glaring up at the gangly young man and said, "Do not laugh at me, Jonas."

  "I'm not laughing, Ludmila," he said. "How about letting me get back to work, okay?"

  "You do not know how to work. You do not know shit," she said, and gave him an impulsive shove with her open hand.

  "Hey!" Jonas yelled. "You just put your fucking hand on me. [here's a law about employers harassing employees."

  Two young women paused on their way to the nearest of the restaurants when they heard the raised voices in the parking lot. In what was left of twilight they saw a skinny, long-necked valet parking guy with a wiry thatch of cinnamon hair that was wind-tunnel wild from parking the cars with windows down. He wore a long-sleeved white shirt, black bow tie, and black pants, and was shouting at a burly woman identically clad, whose dark hair was cut as short as the guy's.

  "Do not do threats with me!" Ludmila yelled. "You no good, worth-noth-ink shit!"

  "You can shove your job up your fat ass, you lesbo freakazoid!" Jonas Claymore yelled back, his bobbing Adam's apple the size of a hen's egg. He ripped off his clip-on tie and flipped it at her, catching her right in the eye.

  She responded with a blow. Not a bitch slap. A real punch. A straight right-handed corker with a lot of hefty shoulder behind it, and Jonas Claymore's upturned nose exploded in a blood spray and he fell back against the BMW, dropping to his knee for a second.

  Then he leaped up, screaming, "I'm gonna tear your throat out, you commie cunt!"

  One of the two women watching from the sidewalk took her cell phone from her purse and dialed 9-1-1.

  By the time 6-X-32 of the midwatch showed up, both combatants were down on the pavement exhausted from having wrestled and punched and bitten and clawed for several minutes. Jonas Claymore clearly had gotten the worst of it. His face bore scratches and contusions, and his buttonless shirt was hanging out and blood-spattered. His breath came in short rasps and his hairless concave chest heaved as he pawed at his right ear w
here a tiny snippet of the lobe had been bitten off. His former boss had a purple mouse under one eye and a bruised lower lip and her left shirtsleeve was completely ripped away.

  The black-and-white squealed into the parking lot and two blue-uniformed cops got out, the shorter one carrying a side-handle baton.

  Jetsam said to his partner, "I'll take the female, bro."

  "Roger that," Flotsam said, walking toward Jonas Claymore, who was standing, hands on his knees, bent over and trying to catch his breath.

  Before the tall cop could speak, Jonas said, "That Russki douche bag started it! She pushed me and then she slugged me. I was just defending myself."

  "You didn't do too good a job of it," Flotsam noted.

  "She suckered me!" Jonas hollered, loud enough for gawking passersby to hear.

  "Keep your voice down," Flotsam said. "And tell me what happened."

  Meanwhile Ludmila was trying-to tie her white shirt together in order to cover her size 46 E cup bra, and she said to Jetsam, "He is no-good bum. I hire him. I pay him good. He never share tip with nobody. He is worth-noth-ink shit!"

  "How did the fight start?" Jetsam asked.

  "He is say-ink rude things to me. He use his dirty mouth and make me fight."

  "Are you saying that you got physical before he did?"

  "What?"

  "Did you hit him first?"

  "Well ... ," Ludmila said, as though she were contemplating an exceedingly difficult question. "Is depend-ink how you see si-tooation."

  "Uh-huh," Jetsam said. "I had to be there, right?"

  Flotsam suggested that Jonas tip his head back and press the remnants of his shirt to his nose and hold it there.

 

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