Nessim took the lift up to his office, and sitting down at his desk wrote upon a card the following words: ‘My dearest Clea, Justine has agreed to marry me. I could never do this if I thought it would qualify or interfere in any way with either her love for you or mine.…’
Then, appalled by the thought that whatever he might write to Clea might sound mawkish, he tore the note up and folded his arms. After a long moment of thought he picked up the polished telephone and dialled Capodistria’s number. ‘Da Capo’ he said quietly. ‘You remember my plans for marrying Justine? All is well.’ He replaced the receiver slowly, as if it weighed a ton, and sat staring at his own reflection in the polished desk.
IV
It was now, having achieved the major task of persuasion, that his self-assurance fled and left him face to face with a sensation entirely new to him, namely an acute shyness, an acute unwillingness to face his mother directly, to confront her with his intentions. He himself was puzzled by it, for they had always been close together, their confidences linked by an affection too deep to need the interpretation of words. If he had ever been shy or awkward it was with his awkward brother, never with her. And now? It was not as if he even feared her disfavour — he knew she would fall in with his wishes as soon as they were spoken. What then inhibited him? He could not tell. Yet he flushed as he thought of her now, and passed the whole of that morning in restless automatic acts, picking up a novel only to lay it down, mixing a drink only to abandon it, starting to sketch and then abruptly dropping the charcoal to walk out into the garden of the great house, ill at ease. He had telephoned his office to say that he was indisposed and then, as always when he had told a lie, began to suffer in truth with an attack of indigestion.
Then he started to ask for the number of the old country house where Leila and Narouz lived, but changed his mind and asked the operator instead for the number of his garage. The car would be back, they told him, cleaned and greased by noon. He lay down and covered his face with his hands. Then he rang up Selim, his secretary, and told him to telephone to his brother and say that he was coming to Karm Abu Girg for the week-end. Heavens! what could be more normal? ‘You go on like a chambermaid who has got engaged’ he told himself hotly. Then for a moment he thought of taking someone with him to ease the strain of the meeting — Justine? Impossible. He picked up a novel of Pursewarden’s and came upon the phrase: ‘Love is like trench warfare — you cannot see the enemy, but you know he is there and that it is wiser to keep your head down.’
The doorbell rang. Selim brought him some letters to sign and then went silently upstairs to pack his bag and briefcase. There were papers he must take for Narouz to see — papers about the lift machinery needed to drain and reclaim the desert which fringed the plantations. Business matters were a welcome drug.
The Hosnani fortunes were deployed in two directions, separated into two spheres of responsibility, and each brother had his own. Nessim controlled the banking house and its ancillaries all over the Mediterranean, while Narouz lived the life of a Coptic squire, never stirring from Karm Abu Girg where the Hosnani lands marched with the fringe of the desert, gradually eating into it, expropriating it year by year, spreading their squares of cultivation — carob and melon and corn — and pumping out the salt which poisoned it.
‘The car is here’ said the hawk-faced secretary as he returned. ‘Am I to drive you, sir?’ Nessim shook his head and dismissed him quietly, before crossing the garden once more, chin in hand. He paused by the lily pond to study the fish — those expensive toys of the ancient Japanese Emperors, survivals from an age of luxury, which he had imported at such cost, only to find them gradually dying off of some unknown illness — homesickness, perhaps? Pursewarden spent hours watching them. He said that they helped him to think about art!
The great silver car stood at the door with the ignition key in the dashboard. He got in thoughtfully and drove slowly across the town, examining its parks and squares and buildings with a serene eye, but deliberately dawdling, irresolutely, emptying his mind by an act of will every time the thought of his destination came upon him. When he reached the sea he turned at last down the shining Corniche in the sunlight to watch the smooth sea and cloudless air for a moment, the car almost at a standstill. Then suddenly he changed gear and began to travel along the sea-shore at a more resolute pace. He was going home.
Soon he turned inland, leaving the town with its palms crackling in the spring wind and turning towards the barren network of faults and dried-out lake-beds where the metalled road gave place to the brown earth tracks along embankments lined with black swamps and fringed by barbed reeds and a cross-hatching of sweet-corn plantations. The dust came up between his wheels and filled the air of the saloon, coating everything in a fine-grained pollen. The windscreen became gradually snowed-up and he switched on the wipers to keep it clear.
Following little winding lanes which he knew by heart he came, after more than an hour, to the edge of a spit flanked by bluer water and left the car in the shadow of a tumbledown house, the remains perhaps of some ancient customs-shed built in the days when river traffic plied between Damietta and the Gulf: now drying up day by day, withering and cracking under the brazen Egyptian sky, forgotten by its keepers.
He locked the car carefully and followed a narrow path across a holding of poverty-stricken beanrows and dusty melons, fringed with ragged and noisy Indian corn, to come out upon a landing-stage where an aged ferryman awaited him in a ramshackle boat. At once he saw the horses waiting upon the other side, and the foreshortened figure of Narouz beside them. He threw up an excited arm in an awkward gesture of pleasure as he saw Nessim. Nessim stepped into the boat with beating heart.
‘Narouz!’ The two brothers, so unlike in physique and looks, embraced with feeling which was qualified in Nessim by the silent agony of a shyness new to him.
The younger brother, shorter and more squarely built than Nessim, wore a blue French peasant’s blouse open at the throat and with the sleeves rolled back, exposing arms and hands of great power covered by curly dark hair. An old Italian cartridge bandolier hung down upon his haunches. The ends of his baggy Turkish trousers with an old-fashioned drawstring, were stuffed into crumpled old jackboots of soft leather. He ducked, excitedly, awkwardly, into his brother’s arms and out again, like a boxer from a clinch. But when he raised his head to look at him, you saw at once what it was that had ruled Narouz’ life like a dark star. His upper lip was split literally from the spur of the nose — as if by some terrific punch: it was a hare-lip which had not been caught up and basted in time. It exposed the ends of a white tooth and ended in two little pink tongues of flesh in the centre of his upper lip which were always wet. His dark hair grew down low and curly, like a heifer’s, on to his brow. His eyes were splendid: of a blueness and innocence that made them almost like Clea’s: indeed his whole ugliness took splendour from them. He had grown a ragged and uneven moustache over his upper lip, as someone will train ivy over an ugly wall — but the scar showed through wherever the hair was thin: and his short, unsatisfactory beard too was a poor disguise: looked simply as if he had remained unshaven for a week. It had no shape of its own and confused the outlines of his taurine neck and high cheekbones. He had a curious hissing shy laugh which he always pointed downward into the ground to hide his lip. The whole sum of his movements was ungainly — arms and legs somewhat curved and hairy as a spider — but they gave off a sensation of overwhelming strength held rigidly under control. His voice was deep and thrilling and held something of the magic of a woman’s contralto.
Whenever possible they tried to have servants or friends with them when they met — to temper their shyness; and so today Narouz had brought Ali, his factor, with the horses to meet the ferry. The old servant with the cropped ears took a pinch of dust from the ground before Nessim’s feet and pressed it to his forehead before extending his hand for a handshake, and then diffidently partook of the embrace Nessim offered him — as someone he had lo
ved from his childhood onwards. Narouz was charmed by his brother’s easy, comradely but feeling gesture — and he laughed downwards into the ground with pleasure.
‘And Leila?’ said Nessim, in a low voice, raising his fingers to his temple for a moment as he did so.
‘Is well’ said Narouz in the tone that springs from a freshly rosined bow. ‘This past two months. Praise God.’
Their mother sometimes went through periods of mental instability lasting for weeks, always to recover again. It was a quiet surrender of the real world that surprised no one any longer, for she herself now knew when such an attack was coming on and would make preparations for it. At such times, she spent all day in the little hut at the end of the rose-garden, reading and writing, mostly the long letters which Mountolive read with such tenderness in Japan or Finland or Peru. With only the cobra for company, she waited until the influence of the afreet or spirit was spent. This habit had lasted for many years now, since the death of their father and her illness, and neither son took any account of these departures from the normal life of the great house. ‘Leila is well in her mind!’ said Narouz again in that thrilling voice. ‘So happy too that Mountolive is posted back. She looks years younger.’
‘I understand.’
The two brothers now mounted their horses and started slowly along the network of embankments and causeways which led them over the lake with its panels of cultivation. Nessim always loved this ride for it evoked his real childhood — so much richer in variety than those few years spent in the house at Aboukir where Leila had moved for a while after their father’s death. ‘All your new lift pumps should be here next month’ he shouted, and Narouz chuckled with pleasure; but with another part of his mind he allowed the soft black earthworks of the river with its precarious tracks separating the squares of cultivated soil to lead him steadily back to the remembered treasures of his childhood here. For this was really Egypt — a Copt’s Egypt — while the white city, as if in some dusty spectrum, was filled with the troubling and alien images of lands foreign to it — the intimations of Greece, Syria, Tunis.
It was a fine day and shallow draught boats were coursing among the beanfields towards the river tributaries, with their long curved spines of mast, lateen rigs bent like bows in the freshets. Somewhere a boatman sang and kept time on a finger-drum, his voice mixing with the sighing of sakkias and the distant village bangings of wheelwrights and carpenters manufacturing disc-wheels for wagons or the shallow-bladed ploughs which worked the alluvial riverside holdings.
Brilliant kingfishers hunted the shallows like thunderbolts, their wings slurring, while here and there the small brown owls, having forgotten the night habits of their kind, flew between the banks, or nestled together in songless couples among the trees.
The fields had begun to spread away on either side of the little cavalcade now, green and scented with their rich crops of bercim and beanrows, though the road still obstinately followed along the banks of the river so that their reflections rode with them. Here and there were hamlets whose houses of unbaked mud wore flat roofs made brilliant now by stacks of Indian corn which yellowed them. They passed an occasional line of camels moving down towards a ferry, or a herd of great black gamoose — Egyptian buffalo — dipping their shiny noses in the rich ooze and filth of some backwater, flicking the flies from their papery skins with lead tails. Their great curved horns belonged to forgotten frescoes.
It was strange now how slowly life moved here, he reflected with pleasure as he moved towards the Hosnani property — women churning butter in goatskins suspended from bamboo tripods or walking in single file down to the river with their pots. Men in robes of blue cotton at the waterwheels, singing, matrons swathed from crown to ankle in the light dusty black robes which custom demanded, blue-beaded against the evil eye. And then all the primeval courtesies of the road exchanged between passers-by to which Narouz responded in his plangent voice, sounding as if it belonged to the language as much as to the place. ‘Naharak Said!’ he cried cheerfully, or ‘Said Embarak!’ as the wayfarers smiled and greeted them. ‘May your day be blessed’ thought Nessim in remembered translation as he smiled and nodded, overcome at the splendour of these old-fashioned greetings one never heard except in the Arab quarter of the city; ‘may today be as blessed as yesterday.’
He turned and said ‘Narouz’ and his brother rode up beside him tenderly, saying ‘Have you seen my whip?’ Laughing downwards again, his tooth showing through the rent in his lip. He carried a splendid hippopotamus-hide whip, loosely coiled at his saddle-bow. ‘I found the perfect one — after three years. Sheik Bedawi sent it down from Assuan. Do you know?’ He turned those brilliant blue eyes upwards for a moment to stare into the dark eyes of his brother with intense joy. ‘It is better than a pistol, at any rate a .99’ he said, thrilled as a child. ‘I’ve been practising hard with it — do you want to see?’
Without waiting for an answer he tucked his head down and rode forward at a trot to where some dozen chickens were scratching at the bare ground near a herdsman’s cot. A frightened rooster running faster than the others took off under his horse’s hooves: Nessim reined back to watch. Narouz’ arm shot up, the long lash uncurled slowly on the air and then went rigid with a sudden dull welt of sound, a sullen thwack, and laughing, the rider dismounted to pick up the mutilated creature, still warm and palpitating, its wings half-severed from its body, its head smashed. He brought it back to Nessim in triumph, wiping his hand casually on his baggy trousers. ‘What do you think?’ Nessim gripped and admired the great whip while his brother threw the dead fowl to his factor, still laughing himself, and so slowly remounted. They rode side by side now, as if the spell upon their communication were broken, and Nessim talked of the new machinery which had been ordered and heard of Narouz’ battle against drought and sand-drift. In such neutral subjects they could lose themselves and become natural. United most closely by such topics, they were like two blind people in love who can only express themselves through touch: the subject of their hands.
The holdings became richer now, planted out with tamarisk and carob, though here and there they passed the remains of properties abandoned by owners too poor or too lazy to contend with the deserts, which encircled the fertile strip on three sides. Old houses, fallen now into desuetude, abandoned and overgrown, stared out across the water with unframed windows and shattered doors. Their gates, half-smothered in bougainvillaea, opened rustily into gardens of wild and unkempt beauty where marble fountains and rotted statuary still testified to a glory since departed. On either side of them one could glimpse the well-wooded lands which formed the edge, the outer perimeter of the family estates — palm, acacia and sycamore which still offered the precarious purchase to life which without shade and water perished, reverted to the desert. Indeed, one was conscious of the desert here although one could not see it — melodramatically tasteless as a communion wafer.
Here an old island with a ruined palace; there tortuous paths and channels of running water where the slim bird-forms of river-craft moved about their task of loading tibbin (corn); they were nearing the village now. A bridge rose high upon mudbanks, crowned by a magnificent grove of palms, with a row of coloured boats waiting for the boom to lift. Here on the rise one glimpsed for a moment the blue magnetic haze of a desert horizon lying beyond this hoarded strip of plenty, of green plantations and water.
Round a corner they came upon a knot of villagers waiting for them who set up cries of ‘What honour to the village!’ and ‘You bring blessings!’ walking beside them as they rode smiling onwards. Some advanced on them, the notables, catching a hand to kiss, and some even kissing Nessim’s stirrup-irons. So they passed through the village against its patch of emerald water and dominated by the graceful fig-shaped minaret, and the cluster of dazzling beehive domes which distinguished the Coptic church of their forefathers. From here, the road turned back again across the fields to the great house within its weather-stained outer walls, ruined and crumblin
g with damp in many places, and in others covered by such graffiti as the superstitious leave to charm the afreet — black talismanic handprints, or the legend ‘B’ism’illah ma’sha’llah’ (may God avert evil). It was for these pious villagers that its tenants had raised on the corners of the wall tiny wooden windmills in the shape of men with revolving arms, to scare the afreet away. This was the manor-house of Karm Abu Girg which belonged to them.
Emin, the chief steward, was waiting at the outer gate with the usual gruff greetings which custom demanded, surrounded by a group of shy boys to hold the horses and help their riders dismount.
The great folding doors of the courtyard with their pistol bolts and inscribed panels were set back so that they could walk directly into the courtyard against which the house itself was built, tilted upon two levels — the ceremonial first floor looking down sideways along the vaulted arches below — a courtyard with its granaries and reception-rooms, storehouses and stables. Nessim did not cross the threshold before examining once more the faded but still visible cartoons which decorated the wall at the right-hand side of it — and which depicted in a series of almost hieroglyphic signs the sacred journey he had made to bathe in the Jordan: a horse, a motorcar, a ship, an aeroplane, all crudely represented. He muttered a pious text, and the little group of servants smiled with satisfaction, understanding by this that his long residence in the city had not made him forget country ways. He never forgot to do this. It was like a man showing his passport. And Narouz too was grateful for the tact such a gesture showed — which not only endeared his brother to the dependants of the house, but also strengthened his own position with them as the ruling master of it.
The Alexandria Quartet Page 30