‘That night, Nessim was already there in the hotel-room sitting with the body when I arrived, looking extraordinarily composed and calm but as if deafened by an explosion. Perhaps the impact of reality had dazed him? He was at this time going through that period of horrible dreams of which he had a transcript made, some of which you reproduce in your MS. They are strangely like echoes of Leila’s dreams of fifteen years ago — she had a bad period after her husband died and I attended her at Nessim’s request. Here again in judging him you trust too much to what your subjects say about themselves — the accounts they give of their own actions and their meaning. You would never make a good doctor. Patients have to be found out — for they always lie. Not that they can help it, it is part of the defence-mechanism of the illness — just as your MS. betrays the defence-mechanism of the dream which does not wish to be invaded by reality! Perhaps I am wrong? I do not wish to judge anyone unjustly or intrude upon your private territory. Will all these notes of mine cost me your friendship? I hope not, but I fear it.
‘What was I saying? Yes, Pursewarden’s face in death! It had the same old air of impudent contrivance. One felt he was playacting — indeed, I still do, so alive does he seem to me.
‘It was Justine first who alerted me. Nessim sent her to me with the car and a note which I did not let her read. It was clear that Nessim had either learned of the intention or the fact before any of us — I suspect a telephone call by Pursewarden himself. At any rate, my familiarity with suicide cases — I have handled any number for Nimrod’s night-patrol — made me cautious. Suspecting perhaps barbiturates or some other slow compound, I took the precaution of carrying my little stomach-pump with me among my antidotes. I confess that I thought with pleasure of my friend’s expression when he woke up in hospital. But it seems I misjudged both his pride and his thoroughness for he was thoroughly and conclusively dead when we arrived.
‘Justine raced ahead of me up the staircases of the gaunt hotel which he had loved so much (indeed, he had christened it Mount Vulture Hotel — I presume from the swarm of whores who fluttered about in the street outside it, like vultures).
‘Nessim had locked himself into the room — we had to knock and he let us in with a certain annoyance, or so it seemed to me. The place was in the greatest disorder you can imagine. Drawers turned out, clothes and manuscripts and paintings everywhere; Pursewarden was lying on the bed in the corner with his nose pointing aloofly at the ceiling. I paused to unpack my big-intestine kit — method is everything in moments of stress — while Justine went unerringly across to the bottle of gin on the corner by the bed and took a long swig. I knew that this might contain the poison but said nothing — at such times there is little to say. The minute you get hysterical you have to take this kind of chance. I simply unpacked and unwound my aged stomach-pump which has saved more useless lives (lives impossible to live, shed like ill-fitting garments) than any such other instrument in Alexandria. Slowly, as befits a third-rate doctor, I unwound it, and with method, which is all a third-rate doctor has left to face the world with.…
‘Meanwhile Justine turned to the bed and leaning down said audibly: “Pursewarden, wake up.” Then she put her palms to the top of her head and let out a long pure wail like an Arab woman — a sound abruptly shut off, confiscated by the night in that hot airless little room. Then she began to urinate in little squirts all over the carpet. I caught her and pushed her into the bathroom. It gave me the respite I needed to have a go at his heart. It was silent as the Great Pyramid. I felt angry about it, because it was clear he had resorted to some beastly cyanide preparation — favoured, by the way, by your famous Secret Service. I was so exasperated that I clipped him over the ear — a blow he had long merited!
‘All this time I had been aware that Nessim was suddenly active, but now I recovered, so to speak, and could turn my attention to him. He was turning out drawers and desks and cupboards like a maniac, examining manuscripts and papers, tossing things aside and picking things up with a complete lack of his usual phlegm. “What the hell are you doing?” I said angrily, to which he replied “There must be nothing for the Egyptian Police to find.” And then he stopped as if he had said too much. Every mirror bore a soap-inscription. Nessim had partly obliterated one. I could only make out the letters OHEN… PALESTINE.…
‘It was not long before there came the familiar knocking at the door and the faces and tumult inseparable from such scenes everywhere in the world. Men with notebooks, and journalists, and priests — Father Paul of all people turned up. At this, I half-expected the corpse to rise up and throw something … but no; Pursewarden remained with his nose cocked to the ceiling, in his amused privacy.
‘We stumbled out together, the three of us, and drove back to the studio where the great failed paintings soothed us, and where whisky gave us new courage to continue living. Justine said not a word. Not a mortal word.’
VII
I turn now to another part of the Interlinear, the passage which Balthazar marked: ‘So Narouz decided to act,’ underlining the last word twice. Shall I reconstruct it — the scene I see so clearly, and which his few crabbed words in green ink have detonated in my imagination? Yes, it will enable me to dream for a moment about an unfrequented quarter of Alexandria which I loved.
The city, inhabited by these memories of mine, moves not only backwards into our history, studded by the great names which mark every station of recorded time, but also back and forth in the living present, so to speak — among its contemporary faiths and races: the hundred little spheres which religion or lore creates and which cohere softly together like cells to form the great sprawling jellyfish which is Alexandria today. Joined in this fortuitous way by the city’s own act of will, isolated on a slate promontory over the sea, backed only by the moonstone mirror of Mareotis, the salt lake, and its further forevers of ragged desert (now dusted softly by the spring winds into satin dunes, patternless and beautiful as cloud-scapes), the communities still live and communicate — Turks with Jews, Arabs and Copts and Syrians with Armenians and Italians and Greeks. The shudders of monetary transactions ripple through them like wind in a wheatfield; ceremonies, marriages and pacts join and divide them. Even the place-names on the old tram-routes with their sandy grooves of rail echo the unforgotten names of their founders — and the names of the dead captains who first landed here, from Alexander to Amr; founders of this anarchy of flesh and fever, of money-love and mysticism. Where else on earth will you find such a mixture?
And when night falls and the white city lights up the thousand candelabra of its parks and buildings, tunes in to the soft unearthly drum-music of Morocco or Caucasus, it looks like some great crystal liner asleep there, anchored to the horn of Africa — her diamond and fire-opal reflections twisting downwards like polished bars into the oily harbour among the battleships.
At dusk it can become like a mauve jungle, anomalous, stained with colours as if from a shattered prism; and rising into the pearly sky of the sunset falter up the steeples and minarets like stalks of giant fennel in a swamp rising up over the long pale lines of the sea-shore and the barbaric cafés where the negroes dance to the pop and drub of a finger-drum or to the mincing of clarinets.
‘There are only as many realities as you care to imagine’ writes Pursewarden.
Narouz always shunned Alexandria while he loved it passionately, with an exile’s love; his hare-lip had made him timid to visit the centre, to encounter those he might know. He always hovered about its outskirts, not daring to go directly into the great lighted heart of it where his brother lived a life of devoted enterprise and mondanité. He came into it always humbly, on horseback, dressed as he was always dressed, to fulfil the transactions which concerned the property. It took a great effort to persuade him to put on a suit and visit it by car, though when absolutely necessary he had been known to do this also, but reluctantly. For the most part he preferred to do his work through Nessim; and of course the telephone guarded him from many such un
welcome journeys. Yet when his brother rang up one day and said that his agents had been unable to make the Magzub tell them what he knew about Justine’s child, Narouz felt suddenly elated — as if fired by the consciousness that this task had now devolved on him. ‘Nessim’ he said, ‘what is the month? Yes, Misra. Quite soon there will come the feast of Sitna Mariam, eh? I shall see if he is there and try to make him tell us something.’ Nessim pondered this offer for so long that Narouz thought the line had been cut and cried sharply ‘Hallo — hallo!’ Nessim answered at once. ‘Yes, yes. I am here. I am just thinking: you will be careful, won’t you?’ Narouz chuckled hoarsely and promised that he would. But he was always stirred by the thought that perhaps he might be able to help his brother. Curiously, he thought not at all about Justine herself, or what such information might mean to her; she was simply an acquisition of Nessim’s whom he liked, admired, loved deeply, indeed automatically, because of Nessim. It was his duty to do whatever was necessary to help Nessim help her. No more. No less.
So it was that with soft stride, the awkward jaunty step (rising and falling on his toes, swinging his arms), he walked across the brown dusk-beshadowed meidan outside the main railway station of Alexandria on the second day of Sitna Mariam. He had stabled his horse in the yard of a friend, a carpenter, not far from the place where the festivities of the saint were held. It was a hot rank summer night.
With the dusk that vast and threadbare expanse of empty ground always turned first gold and then brown — to brown cracked cardboard — and then lastly to violet as the lights began to prick the oncoming darkness, as the backcloth of the European city itself began to light up window by window, street by street, until the whole looked like a cobweb in which the frost has set a million glittering brilliants.
Camels somewhere snorted and gnarred, and the music and odour of human beings came across the night towards him, rich with the memories of the fairs he had visited with his parents as a child. In his red tarbush and work-stained clothes he knew he would not be singled out by the crowd as one different from themselves. It was characteristic too that, though the festival of Sitna Mariam celebrated a Christian Coptic saint, it was attended and enjoyed by all, not least the Moslem inhabitants of the town, for Alexandria is after all still Egypt: all the colours run together.
A whole encampment of booths, theatres, brothels and shops — a complete township — had sprung up in the darkness, fitfully lit by oil and paraffin stoves, by pressure lamps and braziers, by candle-light and strings of dazzling coloured electric bulbs. He walked lightly into the press of human beings, his nostrils drinking in the scent of aromatic foods and sweetmeats, of stale jasmine and sweat, and his ears the hum of voices which provided a background to those common sounds which always followed the great processions through the town, lingering on the way at every church for a recital of sacred texts, and coming gradually to the site of the festival.
To him all this scattered novelty — the riches of bear-dancers and acrobats, the fire-swallowers blowing six-foot plumes of flame from up-cast mouths: the dancers in rags and parti-coloured caps: indeed everything that to the stranger would have been a delight was so to him only because it was so utterly commonplace — so much a belonging part of his own life. Like the small child he once had been he walked in the brilliance of the light, stopping here and there with smiling eyes to stare at some familiar feature of the fair. A conjurer dressed in tinsel drew from his sleeve endless many-coloured handkerchiefs, and from his mouth twenty small live chicks, crying all the time in the voice of the seabird: ‘Galli-Galli-Galli-Galli Houp!’; Manouli the monkey in a paper hat brilliantly rode round and round his stall on the back of a goat. Towering on either side of the thoroughfare rose the great booths with their sugar figurines brilliant with tinsel, depicting the loves and adventures of the creatures inhabiting the folk-lore of the Delta — heroes like Abu Zeid and Antar, lovers like Yuna and Aziz. He walked slowly, with an unpremeditated carelessness, stopping for a while to hear the storytellers, or to buy a lucky talisman from the famous blind preacher Hussein who stood like an oak tree, magnificent in the elf-light, reciting the ninety-nine holy names.
From the outer perimeter of darkness came the crisp click of sportsmen at singlestick, dimly sounding against the hoarse rumble of the approaching procession with its sudden bursts of wild music — kettle-drums and timbrels like volleys of musketry — and the long belly-thrilling rolls of the camel-drums which drowned and refreshed the quavering deep-throated flute-music. ‘They are coming. They are coming.’ A confused shouting rose and the children darted here and there like mice among the stalls. From the throat of a narrow alley, spilled like a widening circle of fire upon the darkness, burst a long tilting gallery of human beings headed by the leaping acrobats and dwarfs of Alexandria, and followed at a dancing measure by the long grotesque cavalcade of gonfalons, rising and falling in a tide of mystical light, treading the peristaltic measures of the wild music — nibbled out everywhere by the tattling flutes and the pang of drums or the long shivering orgasm of tambourines struck by the dervishes in their habits as they moved towards the site of the festival. ‘All-ah All-ah’ burst from every throat.
Narouz took a stick of sugar-cane from a stall and nibbled it as he watched the wave moving forward to engulf him. Here came the Rifiya dervishes, who could in their trances walk upon embers or drink molten glass or eat live scorpions — or dance the turning measure of the universe out, until reality ran down like an overwound spring and they fell gasping to the earth, dazed like birds. The banners and torches, the great openwork braziers full of burning wood, the great paper lanterns inscribed with texts, they made staggering loops and patterns of light upon the darkness of the Alexandrian night, rising and falling, and now the pitches were swollen with spectators, worrying at the procession like mastiffs, screaming and pulling; and still the flood poured on with its own wild music (perhaps the very music that the dying Antony in Cavafy’s poem heard) until it engulfed the darkness of the great meidan, spreading around it the fitful contours of robes and faces and objects without context but whose colours, sprang up and darkened the edges of the sky with colour. Human beings were setting fire to each other.
Somewhere in that black hinterland of smashed and tumbled masonry, of abandoned and disembowelled houses, was a small garden with a tomb in it marking the site which was the sum and meaning of this riot. And here, before a glimmering taper would be read a Christian prayer for a Christian saint, while all around rode the dark press and flood of Alexandria. The dozen faiths and religions shared a celebration which time had sanctified, which was made common to all and dedicated to a season and a landscape, completely obliterating its canon referents in lore and code. To a religious country all religions were one and while the faithful uttered prayers for a chosen saint, the populace enjoyed the fair which had grown up around the celebration, a rocking carnival of light and music.
And through it all (sudden reminders of the city itself and the full-grown wants and powers of a great entrepôt) came the whistle of steam-engines from the dark goods-yards or a sniff of sound from the siren of a liner, negotiating the tortuous fairways of the harbour as it set off for India. The night accommodated them all — a prostitute singing in the harsh chipped accents of the land to the gulp and spank of a finger-drum, the cries of children on the swings and sweating roundabouts and goose-nests, the cock-shies and snake-charmers, the freaks (Zubeida the bearded woman and the calf with five legs), the great canvas theatre outside which the muscle-dancers stood, naked except for loin-cloths, to advertise their skill, and motionless, save for the incredible rippling of their bodies — the flickering and toiling of pectoral, abdominal and dorsal muscles, deceptive as summer lightning.
Narouz was rapt and looked about him with the air of a drunkard, revelling in it all, letting his footsteps follow the haphazard meanderings of this township of light. At the end of one long gallery, having laughingly shaken off the grasp of a dozen girls who plied their rau
cous trade in painted canvas booths among the stalls, he came to the brilliantly lighted circumcision booths of which the largest and most colourful was that of Abdul’s master, Mahmoud Enayet Allah, splendid with lurid cartoons of the ceremony, painted and framed, and from whose lintel hung a great glass jar cloying with leeches. The doyen himself was there tonight, haranguing the crowd and promising free circumcision to any of the faithful too poor to pay the ordinary fee. His great voice rolled out and boomed, while his two assistants stood at attention behind the ancient brass-bound shoe-black’s chair with their razors at the alert. Inside the booth, two elderly men in dark suits sipped coffee with the air of philologists at a congress.
Business was slack. ‘Come along, come along, be purified, ye faithful’ boomed the old man, his thumbs behind the lapels of his ancient frock-coat, the sweat pouring down his face under his red tarbush. A little to one side, rapt in the performance of his trade sat a cousin of Mahmoud, tattooing the breast of a magnificent-looking male prostitute whose oiled curls hung down his back and whose eyes and lips were heavily painted. A glass panel of great brilliance hung beside him, painted with a selection of designs from which his clients could choose — purely geometric for Moslems, or Texts, or the record of a vow, or simply beloved names. Touch by touch he filled in the pores of his subject’s skin, like a master of needlecraft, smiling from time to time as if at a private joke, building up his pointilliste picture while the old doyen roared and boomed from the step above him ‘Come along, come along, ye faithful!’
Narouz bent to the tattooist and said in a hoarse voice: ‘Is the Magzub here tonight?’ and the man raised his startled eye and paused. ‘Yes’ he said, ‘I think. By the tombs.’
The Alexandria Quartet Page 38