It was now only that I began to see how mysteriously the configuration of my own life had taken its shape from the properties of those elements which lie outside the relative life — in the kingdom which Pursewarden calls the ‘heraldic universe’. We were three writers, I now saw, confided to a mythical city from which we were to draw our nourishment, in which we were to confirm our gifts. Arnauti, Pursewarden, Darley — like Past, Present and Future tense! And in my own life (the staunchless stream flowing from the wounded side of Time!) the three women who also arranged themselves as if to represent the moods of the great verb, Love: Melissa, Justine and Clea.
And realizing this I was suddenly afflicted by a great melancholy and despair at recognizing the completely limited nature of my own powers, hedged about as they were by the limitations of an intelligence too powerful for itself, and lacking in sheer word-magic, in propulsion, in passion, to achieve this other world of artistic fulfilment.
I had just locked those unbearable letters away and was sitting in melancholy realization of this fact when the door opened and Clea walked in, radiant and smiling. ‘Why, Darley, what are you doing sitting in the middle of the floor in that rueful attitude? And my dear there are tears in your eyes.’ At once she was down beside me on her knees, all tenderness.
‘Tears of exasperation’ I said, and then, embracing her, ‘I have just realized that I am not an artist at all. There is not a shred of hope of my ever being one.’
‘What on earth have you been up to?’
‘Reading Pursewarden’s letters to Liza.’
‘Did you see her?’
‘Yes. Keats is writing some absurd book ——’
‘But I just ran into him. He’s back from the desert for the night.’
I struggled to my feet. It seemed to me imperative that I should find him and discover what I could about his project. ‘He spoke’ said Clea ‘about going round to Pombal’s for a bath. I expect you’ll find him there if you hurry.’
Keats! I thought to myself as I hurried down the street towards the flat; he was also to play his part in this shadowy representation, this tableau of the artist’s life. For it is always a Keats that is chosen to interpret, to drag his trail of slime over the pitiful muddled life of which the artist, with such pain, recaptures these strange solitary jewels of self-enlightenment. After those letters it seemed to me more than ever necessary that people like Keats if possible be kept away from interfering in matters beyond their normal concerns. As a journalist with a romantic story (suicide is the most romantic act for an artist) he doubtless felt himself to be in the presence of what he, in the old days, would have called ‘A stunner. A Story in a Million’. I thought that I knew my Keats — but of course once more I had completely forgotten to take into account the operations of Time, for Keats had changed as we all had, and my meeting with him turned out to be as unexpected as everything else about the city.
I had mislaid my key and had to ring for Hamid to open the door for me. Yes, he said, Mr. Keats was there, in the bath. I traversed the corridor and tapped at the door behind which came the sound of rushing water and a cheerful whistling. ‘By God, Darley, how splendid’ he shouted in answer to my call. ‘Come in while I dry. I heard you were back.’
Under the shower stood a Greek god! I was so surprised at the transformation that I sat down abruptly on the lavatory and studied this … apparition. Keats was burnt almost black, and his hair had bleached white. Though slimmer, he looked in first-class physical condition. The brown skin and ashen hair had made his twinkling eyes bluer than ever. He bore absolutely no resemblance to my memories of him! ‘I just sneaked off for the night’ he said, speaking in a new rapid and confident voice. ‘I’m developing one of those blasted desert sores on my elbow, so I got a chit and here I am. I don’t know what the hell causes them, nobody does; perhaps all the tinned muck we eat up there in the desert! But two days in Alex and an injection and presto! The bloody thing clears up again! I say, Darley, what fun to meet again. There’s so much to tell you. This war!’ He was bubbling over with high spirits. ‘God, this water is a treat. I’ve been revelling.’
‘You look in tremendous shape.’
‘I am. I am.’ He smacked himself exuberantly on the buttocks ‘Golly though, it is good to come into Alex. Contrasts make you appreciate things so much better. Those tanks get so hot you feel like frying whitebait. Reach my drink, there’s a good chap.’ On the floor stood a tall glass of whisky and soda with an ice cube in it. He shook the glass, holding it to his ear like a child. ‘Listen to the ice tinkling’ he cried in ecstasy. ‘Music to the soul, the tinkle of ice.’ He raised his glass, wrinkled up his nose at me and drank my health. ‘You look in quite good shape, too’ he said, and his blue eyes twinkled with a new mischievous light. ‘Now for some clothes and then… my dear chap, I’m rich. I’ll give you a slap-up dinner at the Petit Coin. No refusals, I’ll not be baulked. I particularly wanted to see you and talk to you. I have news.’
He positively skipped into the bedroom to dress and I sat on Pombal’s bed to keep him company while he did so. His high spirits were quite infectious. He seemed hardly able to keep still. A thousand thoughts and ideas bubbled up inside him which he wanted to express simultaneously. He capered down the stairs into the street like a schoolboy, taking the last flight at a single bound. I thought he would break into a dance along Rue Fuad. ‘But seriously’ he said, squeezing my elbow so hard that it hurt. ‘Seriously, life is wonderful’ and as if to illustrate his seriousness he burst into ringing laughter. ‘When I think how we used to brood and worry.’ Apparently he included me in this new euphoric outlook on life. ‘How slowly we took everything, I feel ashamed to remember it!’
At the Petit Coin we secured a corner table after an amiable altercation with a naval lieutenant, and he at once took hold of Menotti and commanded champagne to be brought. Where the devil had he got this new laughing authoritative manner which instantly commanded sympathetic respect without giving offence?
‘The desert!’ he said, as if in answer to my unspoken question. ‘The desert, Darley, old boy. That is something to be seen.’ From a capacious pocket he produced a copy of the Pickwick Papers. ‘Damn!’ he said. ‘I mustn’t forget to get this copy replaced. Or the crew will bloody well fry me.’ It was a sodden, dog-eared little book with a bullet hole in the cover, smeared with oil. ‘It’s our only library, and some bastard must have wiped himself on the middle third. I’ve sworn to replace it. Actually there’s a copy at the flat. I don’t suppose Pombal would mind my pinching it. It’s absurd. When there isn’t any action we lie about reading it aloud to one another, under the stars! Absurd, my dear chap, but then everything is more absurd. More and more absurd every day.’
‘You sound so happy’ I said, not without a certain envy.
‘Yes’ he said in a smaller voice, and suddenly, for the first time, became relatively serious. ‘I am. Darley, let me make you a confidence. Promise not to groan.’
‘I promise.’
He leaned forward and said in a whisper, his eyes twinkling, ‘I’ve become a writer at last!’ Then suddenly he gave his ringing laugh. ‘You promised not to groan’ he said.
‘I didn’t groan.’
‘Well, you looked groany and supercilious. The proper response would have been to shout “Hurrah!”’
‘Don’t shout so loud or they’ll ask us to leave.’
‘Sorry. It came over me.’
He drank a large bumper of champagne with the air of some-one toasting himself and leaned back in his chair, gazing at me quizzically with the same mischievous sparkle in his blue eyes.
‘What have you written?’ I asked.
‘Nothing’ he said, smiling. ‘Not a word as yet. It’s all up here.’ He pointed a brown finger at his temple. ‘But now at least I know it is. Somehow whether I do or don’t actually write isn’t important — it isn’t, if you like, the whole point about becoming a writer at all, as I used to think.’
In t
he street outside a barrel organ began playing with its sad hollow iteration. It was a very ancient English barrel organ which old blind Arif had found on a scrap heap and had fixed up in a somewhat approximate manner. Whole notes misfired and several chords were hopelessly out of tune.
‘Listen’ said Keats, with deep emotion, ‘just listen to old Arif.’ He was in that delicious state of inspiration which only comes when champagne supervenes upon a state of fatigue — a melancholy tipsiness which is wholly inspiriting. ‘Gosh!’ he went on in rapture, and began to sing in a very soft husky whisper, marking time with his finger, ‘Taisez-vous, petit babouin’. Then he gave a great sigh of repletion, and chose himself a cigar from Menotti’s great case of specimens, sauntering back to the table where he once more sat before me, smiling rapturously. ‘This war’ he said at last, ‘I really must tell you.… It is quite diiferent to what I imagined it must be like.’
Under his champagne-bedizened tipsiness he had become relatively grave all at once. He said: ‘Nobody seeing it for the first time could help crying out with the whole of his rational mind in protest at it: crying out “It must stop!” My dear chap, to see the ethics of man at Ms norm you must see a battlefield. The general idea may be summed up in the expressive phrase: “If you can’t eat it or **** it, then **** on it.” Two thousand years of civilization! It peels off in a flash. Scratch with your little finger and you reach the woad or the ritual war paint under the varnish! Just like that!’ He scratched the air between us languidly with his expensive cigar. ‘And yet — you know what? The most unaccountable and baffling thing. It has made a man of me, as the saying goes. More, a writer! My soul is quite clear. I suppose you could regard me as permanently disfigured! I have begun it at last, that bloody joyful book of mine. Chapter by chapter it is forming in my old journalist’s noodle — no, not a journalist’s any more, a writer’s.’ He laughed again as if at the preposterous notion. ‘Darley, when I look around that… battlefield at night, I stand in an ecstasy of shame, revelling at the coloured lights, the flares wallpapering the sky, and I say: “All this had to be brought about so that poor Johnny Keats could grow into a man.” That’s what. It is a complete enigma to me, yet I am absolutely certain of it. No other way would have helped me because I was too damned stupid, do you see?’ He was silent for a while and somewhat distrait, drawing on his cigar. It was as if he were going over this last piece of conversation in his mind to consider its validity, word by word, as one tests a piece of machinery. Then he added, but with care and caution, and a certain expression of bemused concentration, like a man handling unfamiliar terms: ‘The man of action and the man of reflection are really the same man, operating on two diiferent fields. But to the same end! Wait, this is beginning to sound silly.’ He tapped his temple reproachfully and frowned. After a moment’s thought he went on, still frowning: ‘Shall I tell you my notion about it… the war? What I have come to believe? I believe the desire for war was first lodged in the instincts as a biological shock-mechanism to precipitate a spiritual crisis which couldn’t be done any other how in limited people. The less sensitive among us can hardly visualize death, far less live joyfully with it. So the powers that arranged things for us felt they must concretize it, in order to lodge death in the actual present. Purely helpfully, if you see what I mean!’ He laughed again, but ruefully this time. ‘Of course it is rather different now that the bystander is getting hit harder than the front-line bloke. It is unfair to the men of the tribe who would like to leave the wife and kids in relative safety before stumping off to this primitive . ordination. For my part I think the instinct has somewhat atrophied, and may be on the way out altogether; but what will they put in its place — that’s what I wonder? As for me, Darley, I can only say that no half-dozen French mistresses, no travels round the globe, no adventures in the peacetime world we knew could have grown me up so thoroughly in half the time. You remember how I used to be? Look, I’m really an adult now — but of course ageing fast, altogether too fast! It will sound damn silly to you, but the presence of death out there as a normal feature of life — only in full acceleration so to speak — has given me an inkling of Life Everlasting! And there was no other way I could have grasped it, damn it. Ah! well, I’ll probably get bumped off up there in full possession of my imbecility, as you might say.’
He burst out laughing once more, and gave himself three noiseless cheers, raising his cigar-hand ceremoniously at each cheer. Then he winked carefully at me and filled his glass once more, adding with an air of vagueness the coda: ‘Life only has its full meaning to those who co-opt death!’ I could see that he was rather drunk by now, for the soothing effects of the hot shower had worn off and the desert-fatigue had begun to reassert itself.
‘And Pursewarden?’ I said, divining the very moment at which to drop his name, like a hook, into the stream of our conversation.
‘Pursewarden!’ he echoed on a different note, which combined a melancholy sadness and affection. ‘But my dear Darley, it was something like this that he was trying to tell me, in his own rather bloody way. And I? I still blush with shame when I think of the questions I asked him. And yet his answers, which seemed so bloody enigmatic then, make perfect sense to me now. Truth is double-bladed, you see. There is no way to express it in terms of language, this strange bifurcated medium with its basic duality! Language! What is the writer’s struggle except a struggle to use a medium as predsely as possible, but knowing fully its basic imprecision? A hopeless task, but none the less rewarding for being hopeless. Because the task itself, the act of wrestling with an insoluble problem, grows the writer up! This was what the old bastard realized. You should read his letters to his wife. For all their brilliance how he whined and cringed, how despicably he presented himself — like some Dostoievskian character beset by some nasty compulsion neurosis! It is really staggering what a petty and trivial soul he reveals there.’ This was an amazing insight into the tormented yet wholly complete being of the letters which I myself had just read!
‘Keats’ I said, ‘for goodness’ sake tell me. Are you writing a book about him?’
Keats drank slowly and thoughtfully and replaced his glass somewhat unsteadily before saying: ‘No.’ He stroked his chin and fell silent.
‘They say you are writing something’ I persisted. He shook his head obstinately and contemplated his glass with a blurred eye. ‘I wanted to’ he admitted at last, slowly. ‘I did a long review of the novels once for a small mag. The next thing I got a letter from his wife. She wanted a book done. A big rawboned Irish girl, very hysterical and sluttish: handsome in a big way, I suppose. Always blowing her nose in an old envelope. Always in carpet slippers. I must say I felt for him. But I tumbled straight into a hornets’ nest there. She loathed him, and there seemed to be plenty to loathe, I must say. She gave me a great deal of information, and simply masses of letters and manuscripts. Treasure trove all right. But, my dear chap, I couldn’t use this sort of stuff. If for no other reason than that I respect his memory and his work. No. No. I fobbed her off. Told her she would never get such things published. She seemed to want to be publicly martyred in print just to get back at him — old Pursewarden! I couldn’t do such a thing. Besides the material was quite hair-raising! I don’t want to talk about it. Really, I would never repeat the truth to a soul.’
We sat looking thoughtfully, even watchfully at each other, for a long moment before I spoke again.
‘Have you ever met his sister, Liza?’
Keats shook his head slowly. ‘No. What was the point? I abandoned the project right away, so there was no need to try and hear her story. I know she has a lot of manuscript stuff, because the wife told me so. But.… She is here isn’t she?’ His lip curled with the faintest suggestion of disgust. ‘Truthfully I don’t want to meet her. The bitter truth of the matter seems to me that the person old Pursewarden most loved — I mean purely spiritually — did not at all understand the state of his soul, so to speak, when he died: or even have the vaguest ide
a of the extent of his achievement. No, she was busy with a vulgar intrigue concerned with legalizing her relations with Mountolive. I suppose she feared that her marriage to a diplomat might be imperilled by a possible scandal. I may be wrong, but that is the impression I gathered. I believe she was going to try and get a whitewashing book written. But now, in a sense, I have my own Pursewarden, my own copy of him, if you like. It’s enough for me. What do the details matter, and why should I meet his sister? It is his work and not his life which is necessary to us — which offers one of the many meanings of the word with four faces!’
I had an impulse to cry out ‘Unfair’, but I restrained it. It is impossible in this world to arrange for full justice to be done to everyone. Keats’s eyelids drooped. ‘Come’ I said, calling for the bill, ‘It’s time you went home and got some sleep.’
‘I do feel rather tired’ he mumbled.
‘Avanti.’
There was an old horse-drawn gharry in a side-street which we were glad to find. Keats protested that his feet were beginning to hurt and his arm to pain him. He was in a pleasantly exhausted frame of mind, and slightly tipsy after his potations. He lay back in the smelly old cab and closed his eyes. ‘D’you know, Darley’ he said indistinctly, ‘I meant to tell you but forgot. Don’t be angry with me, old fellow-bondsman, will you. I know that you and Clea.… Yes, and I’m glad. But I have the most curious feeling that one day I am going to marry her. Really. Don’t be silly about it. Of course I would never breathe a word, and it would happen years after this silly old war. But somewhere along the line I feel I’m bound to hitch up with her.’
‘Now what do you expect me to say?’
‘Well, there are a hundred courses open. Myself I would start yelling and screaming at once if you said such a thing to me. I’d knock your block off, push you out of the cab, anything. I’d punch me in the eye.’
The Alexandria Quartet Page 96