by Cindy Jones
Mrs. Russell was standing outside the kitchen looking tense when I returned. "Don't go in there," she said in an unfamiliar chest voice. "We have leaks. Stephen has gone for new pipe."
Stephen. I covered my nose.
"What's that smell?" I turned to find Magda bearing down on me. "We can't have this horrid smell. The next scene starts in thirty minutes."
"We have everything under control," I said calmly, glancing about to make sure all the windows were open. "Don't worry."
"Are you responsible for the water coming out of the second floor bathroom?" Magda asked me. "I don't want it raining in here."
"Not a problem," I said. When Magda was out of earshot I asked Mrs. Russell, "Do you know how to turn off the water?"
* * *
I didn't have enough information to complete the lease. Nor did I have enough ideas to start a business plan. What university would give me funding for the festival? And in spite of my compelling concern for Nigel and his festival, I kept one eye on the clock, my adrenal glands dumping on several false alarms when tall people in dark shirts walked by. By the time we got the water and gas turned off again, Mrs. Russell had recruited Stephen Jervis to join our theatre. I decided that a short attic break would send me back to my projects with renewed energy.
* * *
"What happened to you last night?" I asked. Willis sat at his desk. The laptop closed, he'd been reading Living Abroad in Belize.
"Nice to see you, too." He smiled.
I walked to the window and sat on the plank bench, feeling my bones on the hard surface. "You vanished."
Willis turned his chair to face me and I felt his eyes, studying me. "Life is too short for bad writing," he said.
He'd listened to the workshop story. While I was oblivious, thanks to him, he'd had the presence of mind to comprehend what she read. Now he focused that same level of inspection on me. I didn't want to come up lacking. I didn't want to end up ditched as bad writing or bad flirting or bad anything. Nervous, I launched into mindless chatter of the sort that would surely have me thrown out for bad conversation. My Jane Austen closed her eyes and slashed her throat as I chattered about the water and the gas leaks, Magda's takeover, and Nigel's illness, willing my pulse to settle as I described my urgency to get something signed by Lady Weston before the kitchen exploded. "Vera wants me to accompany her to the hospital and ask Lady Weston to help us get a lease extension signed," I said. "Soon."
His expression gradually changed from happy interest to mild censure as he stood to fetch a book from the stack behind his table. "I don't think that's a good idea."
I slumped against the window. "Neither does My Jane Austen." No sooner were the words out of my mouth than My Jane Austen stopped breathing and stared at me. I froze, touching my fingers to my lips. Did I feel the vibration of a kitchen explosion two floors below or was that my stricken heart? Had he heard what I said?
"What do you mean your Jane Austen?" Willis asked.
I inhaled. "Sit down," I said.
"I'm sitting." He smiled, joining me on the window seat.
"Everyone who reads The Six..." I went slowly to make sure he was with me.
"Six Jane Austen novels." He nodded.
"Yes. Believes they know Jane Austen personally. In our secret heart of hearts, each of us believes that she speaks to us personally in her writings. My Jane Austen just happens to follow me around most of the time," I said very slowly.
"I see." Willis bit his lip.
"She's here now."
"Where?" He glanced into the room.
"In the corner." I nodded toward the murky fringes of the room without looking directly. Willis looked directly. "She's like a floater you get in your eye. If you look at her she'll dart off to another periphery."
"Inconvenient," Willis said.
"She's not real." I reached for Willis's arm as if he might be the one with the mental problem.
"Okay." He looked at the hand touching his arm.
"This is all make-believe, Willis. You'll have to stretch the imagination here a bit."
"No, I'm with you. Go on."
In an expansive rush, I told Willis what I'd never told anyone—couldn't even imagine telling anyone. "She's not beautiful. In my mind, she looks like the sketch Cassandra made of her, perpetually irritated, a bit of a bully. She died young so she's eternally forty-one years old, and gray runs through her dark brown hair. Her face is pale with a hint of blue. Sometimes she reminds me of a vampire in a Romantic sense, sucking the experiences out of people to fill her pages."
Willis leaned toward me as I continued.
"But her strongest representation for me is Patron Saint of Thoughtful Women." I paused, brushing a strand of hair from my eyes. "She believes that women whose inner lives dominate their personalities, reserved women who take a backseat to the witty, charming Mary Crawfords of the world, should marry for love." I glanced at him. "Secondary types, like me and Fanny Price, are the protagonists in her stories."
Willis looked at me in a way that made me stop talking.
"What?" I said.
He didn't answer, but took my chin in his hand, raised my face to his, and kissed me.
"Sorry," he said. "I was overcome by all that."
Eleven
A tea-theatre conflicts directly with our productions and the poor quality will reflect badly on this festival." Magda stood near my desk addressing Nigel while Omar stared at the floor. "Amateur hour is not what we need at this moment when we are trying to take the festival to the next level." Magda raised her hands. "Who will seriously consider funding something so unprofessional?"
They all glanced at me walking in. Then Nigel ushered Magda and Omar into his office and shut the door. I strained to hear but could distinguish only the occasional rising of Magda's voice, no actual words. As if I needed more distractions. After my last session with Willis I could barely think; the limits of my resources became clear as I struggled to gain traction with Business Plan for Dummies. I finally gave up and stared blissfully into the space over my open book recalling the Kiss, during which Willis slowly bent his neck, touching his lips to mine, his hand gently lifting my chin, as if he were the Prince and I the Fair Maiden. I was about to relive it from the beginning, when Vera arrived. She paused in front of Nigel's closed door and glanced at me.
"Omar and Magda," I whispered.
"Oh yes." Vera frowned, remembering. Then she let herself in, not bothering to shut the door behind her.
"A cover-up?" Nigel said patiently, although I heard exasperation in his voice. "It is quite possible that the trip to Antigua is no more than a literary device to get the father out of the house and further the courtship plot. Put yourself in 1814, Magda."
"I have," she shot back. "And in 1811, the Slave Trade Felony Act was introduced. Austen knew this; her readers knew this. Fanny Price was an abolitionist."
"Really?" Vera said.
My tea-theatre was not the subject of discussion.
Nigel sounded weary. "I simply ask that you not tamper with what is explicit. Don't alter the prose."
Omar spoke for the first time. "So," he said in a careful monotone, "are you saying to cut those lines where Sir Thomas provides details of his slave ownership to Fanny?"
I still felt a little shock, thinking of Sir Thomas owning slaves.
"Yes," Nigel said. "Suggest larger political issues—for God's sake, use Mrs. Norris's green baize to imply whatever you like, but keep it implicit."
Magda interrupted to voice an objection but Claire rose from her desk to close the door, shooting me a glance.
* * *
At my first opportunity, I went to the attic.
"Hello, Willis," I called up. No response. I called again.
Everything remained as we left it, except his laptop which he had taken with him. A stack of telephone messages accumulated beneath his collection of pens and the books waited unmoved. The room felt incredibly lonely and even spooky without him. I sat at the
window while My Jane Austen read his phone messages. The loneliness grew so oppressive that I left her there, crossing the floor to the stairs in haste, tripping loudly as if she chased me down the stairs. I didn't stop until I found myself outside the second floor bathroom where John Owen continued to wrestle with our plumbing issues.
* * *
The next day Willis was still not there and I began to feel slightly desperate. After my third trip up the stairs to look for him, I decided to try the church. I sat in the back, allowing the powerful words entry, giving myself up to calm meditation and deep breathing. My Jane Austen paced an empty row behind me but I ignored her, focusing instead on summoning the necessary blend of reserve and aggression to deal with Willis. He couldn't see me and I felt like a spy, watching him listen to the homily from his seat in the sanctuary.
After the service, Willis stationed himself with the clergy in the entry, shaking hands, wishing everyone a good morning as they left. He saw me before I reached him so when we shook hands my presence was no longer a surprise. He smiled and said, "Good morning," but anyone watching could tell from our smiles that a secret joke existed between us. I struck the tiniest, nearly imperceptible flirtatious pose. Almost immediately, I felt the connection. I kept it light. "Do you have time for coffee?" I asked.
He watched me. I didn't move. If he wanted more, he would have to join me.
"Yes," he said.
* * *
Willis didn't want to sit by the window so we carried our coffee to the back of the small cafe Willis nodded to an empty table, placing his hand on the small of my back to guide me. I was what's-her-name to his Maxim de Winter, falling for each other in a quaint dining room. He rested his arms on the table and stared at me.
I whispered, "Are you aware of the slavery issues in Mansfield Park?"
He sipped his coffee. "No," he said, "tell me."
Appropriating a breathy voice, I told him about the conversation I'd overheard in the office between Nigel and Magda, the explicit references to slavery I was aware of, and Omar's forced adaptation. Willis listened, sipping coffee, his back to the room. We drew attention, people curious about the woman confessing her sins to a priest in a coffee shop, which explained why Willis chose a secluded table.
"But I thought she restricted herself to writing about a few country families," Willis said.
Two things about talking with Willis. With Martin, I could make it up as I went; no facts, no problem. Not Willis, he had a background in this stuff and he listened critically; he would be on to me in a heartbeat. The other thing: I might as well have been describing in minute detail how I planned to disrobe later that evening. He studied me as if every word were an intimate revelation, a window into my deep personal places. "Some people, Magda for instance, believe the novels are charged with political meaning," I said.
"What does your Jane Austen say?" he asked, his slow smile an invitation to deeper confidence.
But then I saw a familiar face ordering coffee at the counter. "Oh, look," I said, "there's the woman who read her story at the pub the other night." Willis didn't turn to look. I recognized others from Omar's writing workshop, and then Omar came in. I waved as he came to my table.
"This is my friend Omar who leads the writing workshop."
Willis reluctantly turned to shake Omar's hand. I could barely focus on Omar's entertaining explanation of the writing group's field trip to the coffee shop because Willis had turned his back on Omar and was crumpling his napkin in his fist. He stood, taking his coffee cup with him, and looked at his watch.
"I've got to run," he said. "Pleasure meeting you," he said to Omar as he abruptly departed.
I watched until he was gone.
"What's up with him?" Omar asked.
* * *
This would become our routine. Willis would listen carefully as I updated him on tea-theatre progress: water now flowed from the kitchen sink without flooding other parts of the house, but the stove was still dangerous. We had china, teapots, scones, and tablecloths, but no gas. Then he would express wonder as I shared the things I learned at Nigel's door every day. The term critical vocabulary opened a whole world, the mere word traduce expressed a big idea in only seven letters. I became addicted to the daily dose of attention from Willis; craved his deep and penetrating gaze. But he would not have lunch with me. Too much work.
I spoke of elegiac yearnings and whispered the terrible truth that Jane Austen's fans couldn't face—that in spite of their perpetual search for details, they would never really know Jane Austen. Willis appeared genuinely moved. But not enough to relocate to the pub for happy hour.
Collecting bits of wonder during my working hours, I saved them to tell Willis: how Jane Austen's sister, Cassandra, had censored hundreds of letters with her scissors, like shredding documents, consigning their secrets to eternity. I explained there were only two likenesses of Jane Austen, both sketches by Cassandra, from which all other images had sprung; artists adding feminine ruffles, curls, or cosmetics, depending on the time and context of the artist.
But when asked personal questions, he always steered the talk elsewhere. He declined invitations to lunch, dinner, readings, and lectures, unwilling to budge from his desk. He always seemed engaged in our conversations, but never enough to kiss me again. I couldn't figure him out and didn't know what to do.
* * *
One day when Nigel and Vera were gone to London and Claire was free to work on nonfestival matters, Claire asked me to introduce the speaker for "Sexual Repression in Mansfield Park." I forced Willis out of my head and marshaled every particle of concentration to craft a coherent introduction from the speaker's resume. If I didn't do a good job, she'd hear about it and never give me another chance. Nonetheless, as I sat listening to the lecture an idea took root. My idea grew while the speaker analyzed the scene where Edmund helps Mary Crawford dismount Fanny's horse, while Fanny watches. By the time Mary Crawford had made her apologies, I had a plan.
* * *
Willis sat at the window, staring listlessly into the darkness in a way that made me fear he might be bored. The impulse fueling my plan deflated and I considered that a sensible person might say good night and retreat to her room or attend the performance in the ballroom. Not me.
"Hello, Lily." Willis patted the plank next to him.
"We could really use some cushions up here." I joined him, removing my sweater and leaning in, pretending to look out the window where the glamorous moon lit the night stage presenting tree branches in silhouette, a quiet couple sitting in the herb garden. I wished I could open the window and smell the night air, forgetting it would be cool, not hot and dry like Texas.
"Do you know Mrs. Russell?" I asked.
"No." Willis smiled and turned to me.
I sat up very straight. "She's in charge of the volunteers," I said, "the women who pass out programs and sell tickets. And she's cochair of the tea-theatre."
"She wears a costume," he said.
"Period attire," I corrected him. "Anyway, she announced this afternoon that she wants to play Amelia in the skit. And Stephen Jervis will play Anhalt."
Willis shifted his legs. "Is that bad?"
"Well, yes. I'm sure that I am not going to play Agatha, her mother. I'm Amelia. And Omar is Anhalt." I felt his regard penetrate my face, going in through the eyes, seeking a comfortable place near my heart. "I think she's up to something with Stephen Jervis. Maybe the tea-theatre was a bad idea; we should have continued pushing for a ball. I don't understand why Nigel is so opposed to a ball," I said, talking, while I cast about for the optimal moment to activate my plan. I sensed My Jane Austen in a dark corner, working on "A List of Silly Girls." She'd gotten as far as Lydia Bennet.
"It's not the ball, really," Willis said. "Rather a preference for the way his festival addresses the study of Jane Austen." He looked into my eyes as I ran my fingers over the hem of Bets's black blouse that buttoned up the front. "Professional academics have rules for the study of lite
rature which the fans tend to ignore."
"Such as?" I asked.
"Well." Willis looked down, and I wondered if he knew where I was going with the blouse. "The fan club treats characters as if they were real people and speculate on their lives outside the text."
I sat up straight. "Go on."
"Study requires analytical skills and specialized knowledge that professional academics spend their careers acquiring."
"Well, that automatically excludes a lot of people." My heart beat faster.
"Lady Weston and Nigel chose to work together to elevate the study of Jane Austen, to provide self-taught readers access to the academic research in a manor house setting."
"You must know the Lockwood family," I said, recalling Willis with Randolph at the orientation meeting.
"Yes," Willis said, clearing his throat.
Inasmuch as he knew what he had just told me, how could he not know the fun facts I'd been sharing at our daily wonder-fests? Maybe he was pretending not to know just so he could listen to me talk. I took a deep breath, gathering courage from the scent of Bets's spicy perfume I'd sprayed on my neck and wrists, and placed my fingers on the top button of my black blouse. The top button slipped out and my fingers traveled down to the next.
"What are they like?" I asked, my voice breaking, the second button freed and my fingers on the third, the top of Bets's black bra visible. Willis exhaled, his eyes on my cleavage as I opened the fourth button and slowly pulled the blouse apart. Moonlight cast a white sheen on my curving flesh as I considered releasing the bra's front clasp. Willis didn't speak but I could hear his breath. He took my hands, pushing them down to my lap, and held them there. Maybe he wanted to look at me in the moonlight. But then he touched the blouse and, starting at the bottom, he buttoned one after the other until all were closed.
Then he held my hands again. "We don't know each other, Lily," he whispered in the darkness. I turned away, fearing this was what Martin meant by needy, feeling I'd been censured, feeling embarrassed and confused, too ashamed to look at him. I would have stood but he had my right hand and held it tight. I looked away, all the bad feelings melting the snow inside me to a grimy slush and I wanted to lie down and drown in it.