Haunting Adeline (Cat and Mouse Duet Book 1)

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Haunting Adeline (Cat and Mouse Duet Book 1) Page 1

by H. D. Carlton




  Haunting Adeline Copyright © 2021 by H. D. Carlton

  All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations em- bodied in critical articles or reviews.

  This book is a work of fiction. Names, characters, businesses, organiza- tions, places, events and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  First Edition: July 2021

  To Amanda and May

  Zade and I will forever be yours.

  Contents

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  For My Readers

  More Books

  By H. D. Carlton

  Acknowledgments

  About The Author

  PLAYLIST

  Hish- Evil

  So Below- Sway

  Boy Epic- Dirty Mind

  Croosh- Lost

  Vi- Victim

  The Weeknd- Pretty

  The Weeknd- Loft Music

  Something Better- The Broken View

  Play with Fire- Sam Tinnesz (feat. Yacht Money)

  WARNING

  This book ends on a cliffhanger. The contents are very dark with triggering situations.

  This book was previously taken down.

  Let that be your warning.

  Cat got your tongue, little mouse?

  Prologue

  T he windows of my house tremble from the power of thunder rolling across the skies. Lightning strikes in the distance, illuminating the night. In that small moment, the few seconds of blinding light showcases the man standing outside my window. Watching me. Always watching me.

  I go through the motions, just like I always do. My heart skips a beat and then palpitates, my breathing turns shallow, and my hands grow clammy. It doesn’t matter how many times I see him, he always pulls the same reaction out of me.

  Fear.

  And excitement.

  I don’t know why it excites me. Something must be wrong with me. It’s not normal for liquid heat to course through my veins, leaving tingles burning in its wake. It’s not common for my mind to start wondering about things I shouldn’t.

  Can he see me now? Wearing nothing but a thin tank top, my nipples poking through the material? Or the shorts I’m wearing that barely cover my ass? Does he like the view?

  Of course he does.

  That’s why he watches me, isn’t it? That’s why he comes back every night, growing bolder with his leering while I silently challenge him. Hoping he’ll come closer, so I have a reason to put a knife to his throat.

  The truth is, I’m scared of him. Terrified, actually.

  But the man standing outside my window makes me feel like I’m sitting in a dark room, a single light shining from the television where a horror flick plays on the screen. It’s petrifying, and all I want to do is hide, but there’s a distinct part of me that keeps me still, baring myself to the horror. That finds a small thrill out of it.

  It’s dark again, and the lightning strikes in areas further away.

  My breathing continues to escalate. I can’t see him, but he can see me.

  Ripping my eyes away from the window, I turn to look behind me in the darkened house, paranoid that he’s somehow found a way inside. No matter how deep the shadows go in Parsons Manor, the black and white checkered floor always seems visible.

  I inherited this house from my grandparents. My great-grandparents had built the three-story Victorian home back in the early 1940s through blood, sweat, tears, and the lives of five construction workers.

  Legend says—or rather Nana says—that the house caught fire and killed the construction workers during the building structure phase. I haven't been able to find any news articles on the unfortunate event, but the souls that haunt the Manor reek of despair.

  Nana always told grandiose stories that wrung eye rolls from my parents. Mom never believed anything Nana said, but I think she just didn’t want to.

  Sometimes I hear footsteps at night. They could be from the ghosts of the workers who died in the tragic fire eighty years ago, or they could be from the shadow that stands outside my house.

  Watching me.

  Always watching me.

  Chapter 1

  The Manipulator

  S ometimes I have very dark thoughts about my mother—thoughts no sane daughter should ever have.

  Sometimes, I’m not always sane.

  “Addie, you’re being ridiculous,” Mom says through the speaker on my phone. I glare at it in response, refusing to argue with her. When I have nothing to say, she sighs loudly. I wrinkle my nose. It blows my mind that this woman always called Nana dramatic yet can’t see her own flair for the dramatics.

  “Just because your grandparents gave you the house doesn’t mean you have to actually live in it. It’s old and would be doing everyone in that city a favor if it were torn down.”

  I thump my head against the headrest, rolling my eyes upward and trying to find patience weaved into the stained roof of my car.

  How did I manage to get ketchup up there?

  “And just because you don’t like it, doesn’t mean I can’t live in it,” I retort dryly.

  My mother is a bitch. Plain and simple. She’s always had a chip on her shoulder, and for the life of me, I can’t figure out why.

  “You’ll be living an hour from us! That will be incredibly inconvenient for you to come visit us, won’t it?”

  Oh, how will I ever survive?

  Pretty sure my gynecologist is an hour away, too, but I still make an effort to see her once a year. And those visits are far more painful.

  “Nope,” I reply, popping the P. I’m over this conversation. My patience only lasts an entire sixty seconds talking to my mother. After that, I’m running on fumes and have no desire to put in any more effort to keep the conversation moving along.

  If it’s not one thing, it’s the other. She always manages to find something to complain about. This time, it’s my choice to live in the house my grandparents gave to me. I grew up in Parsons Manor, running alongside the ghosts in the halls and baking cookies with Nana. I have fond memories here—memories I refuse to let go of just because Mom didn’t get along with Nana.

  I never understood the tension between them, but as I got older and started to comprehend Mom’s snarkiness and underhanded insults for what they were, it made sense.

  Nana always h
ad a positive, sunny outlook on life, viewing the world through rose-colored glasses. She was always smiling and humming, while Mom is cursed with a perpetual scowl on her face and looking at life like her glasses got smashed when she was plunged out of Nana’s vagina. I don’t know why her personality never developed past that of a porcupine—she was never raised to be a prickly bitch.

  Growing up, my mom and dad had a house only a mile away from Parsons Manor. She could barely tolerate me, so I spent most of my childhood in this house. It wasn’t until I left for college that Mom moved out of town an hour away. When I quit college, I moved in with her until I got back on my feet and my writing career took off.

  And when it did, I decided to travel around the country, never really settling in one place.

  Nana died about a year ago, gifting me the house in her will, but my grief hindered me from moving into Parsons Manor. Until now.

  Mom sighs again through the phone. “I just wish you had more ambition in life, instead of staying in the town you grew up in, sweetie. Do something more with your life than waste away in that house like your grandmother did. I don’t want you to become worthless like her.”

  A snarl overtakes my face, fury tearing throughout my chest. “Hey, Mom?”

  “Yes?”

  “Fuck off.”

  I hang up the phone, angrily smashing my finger into the screen until I hear the telltale chime that the call has ended.

  How dare she speak of her own mother that way when she was nothing but loved and cherished? Nana certainly didn’t treat her the way she treats me, that’s for damn sure.

  I rip a page from Mom’s book and let loose a melodramatic sigh, turning to look out my side window. Said house stands tall, the tip of the black roof spearing through the gloomy clouds and looming over the vastly wooded area as if to say you shall fear me. Peering over my shoulder, the dense thicket of trees are no more inviting—their shadows crawling from the overgrowth with outstretched claws.

  I shiver, delighting in the ominous feeling radiating from this small portion of the cliff. It looks exactly as it did from my childhood, and it gives me no less of a thrill to peer into the infinite blackness.

  Parsons Manor is stationed on a cliffside overlooking the Bay with a mile long driveway stretching through a heavily wooded area. The congregation of trees separates this house from the rest of the world, making you feel like you’re well and truly alone.

  Sometimes, it feels like you’re on an entirely different planet, ostracized from civilization. The whole area has a menacing, sorrowful aura.

  And I fucking love it.

  The house has begun to decay, but it can be fixed up to look like new again with a bit of TLC. Hundreds of vines crawl up all sides of the structure, climbing towards the gargoyles stationed on the roof on either side of the manor. The black siding is fading to a gray and starting to peel away, and the black paint around the windows is chipping like cheap nail polish. I’ll have to hire someone to give the large front porch a facelift since it’s starting to sag on one side.

  The lawn is long overdue for a haircut, the blades of grass nearly as tall as me, and the three acres of clearing bursting with weeds. I bet plenty of snakes have settled in nicely since it’s last been mowed.

  Nana used to offset the manor’s dark shade with blooms of colorful flowers during the spring season. Hyacinths, primroses, violas, and rhododendron.

  And in autumn, sunflowers would be crawling up the sides of the house, the bright yellows and oranges in the petals a beautiful contrast against the black siding.

  I can plant a garden around the front of the house again when the season calls for it. This time, I’ll plant strawberries, lettuce, and herbs as well.

  I’m deep in my musings when my eyes snag on movement from above. Curtains flutter in the lone window at the very top of the house.

  The attic.

  Last time I checked, there’s no central air up there. Nothing should be able to move those curtains, but yet I don’t doubt what I saw.

  Coupled with the looming storm in the background, Parsons Manor looks like a scene out of a horror film. I suck my bottom lip between my teeth, unable to stop the smile from forming on my face.

  I love that.

  I can’t explain why, but I do.

  Fuck what my mother says. I’m living here. I’m a successful writer and have the freedom to live anywhere. So, what if I decide to live in a place that means a lot to me? That doesn’t make me a lowlife for staying in my hometown. I travel enough with book tours and conferences; settling down in a house won’t change that. I know what the fuck I want, and I don’t give a shit what anyone else thinks about it.

  Especially mommy dearest.

  The clouds yawn, and rain spills from their mouths. I grab my purse and step out of my car, inhaling the scent of fresh rain. It turns from a light sprinkle to a torrential downpour in a matter of seconds. I bolt up the front porch steps, flinging drops of water off my arms and shaking my body out like a wet dog.

  I love storms—I just don’t like to be in them. I’d prefer to cuddle up under the blankets with a mug of tea and a book while listening to the rain fall.

  I slide the key into the lock and turn it. But it’s stuck, refusing to give me even a millimeter. I jimmy the key, wrestling with it until the mechanism finally turns and I’m able to unlock the door.

  Guess I’m gonna have to fix that soon, too.

  A chilling draft welcomes me as I open the door. I shiver from the mixture of freezing rain still wet on my skin and the cold, stale air. The interior of the house is cast in shadows. Dim light shines through the windows, gradually fading as the sun disappears behind gray storm clouds.

  I feel as if I should start my story with “it was a dark stormy night...”

  I look up and smile when I see the black ribbed ceiling, made up of hundreds of thin, long pieces of wood. A grand chandelier is hanging over my head, golden steel warped in an intricate design with crystals dangling from the tips. It’s always been Nana’s most prized possession.

  The black and white checkered floors lead directly to the black grand staircase—large enough to fit a piano through sideways—and flow off into the living room. My boots squeak against the tiles as I venture further inside.

  This floor is primarily an open concept, making it feel like the monstrosity of the home could swallow you whole.

  The living area is to the left of the staircase. I purse my lips and look around, nostalgia hitting me straight in the gut. Dust coats every surface, and the smell of mothballs is overpowering, but it looks exactly how I last saw it, right before Nana died last year.

  A large black stone fireplace is in the center of the living room on the far left wall, with red velvet couches squared around it. An ornate wooden coffee table sits in the middle, an empty vase atop the dark wood. Nana used to fill it with lilies, but now it only collects dust and bug carcasses.

  The walls are covered in black paisley wallpaper, offset by heavy golden curtains.

  One of my favorite parts is the large bay window at the front of the house, providing a beautiful view of the forest beyond Parsons Manor. Placed right in front of it is a red velvet rocking chair with a matching stool. Nana used to sit there and watch the rain, and she said her mother would always do the same.

  The checkered tiling extends into the kitchen with beautiful black stained cabinets and marble countertops. A massive island sits in the middle with black barstools lining one side. Grandpa and I used to sit there and watch Nana cook, enjoying her humming to herself as she whipped up delicious meals.

  Shaking away the memories, I rush over to a tall lamp by the rocking chair and flick on the light. I release a sigh of relief when a buttery soft glow emits from the bulb. A few days ago, I had called to get the utilities turned on in my name, but you can never be too sure when dealing with an old house.

  Then I walk over to the thermostat, the number causing another shiver to wrack my body.

  S
ixty-two goddamn degrees.

  I press my thumb into the up arrow and don’t stop until the temperature is set to seventy-four. I don’t mind cooler temperatures, but I’d prefer it if my nipples didn’t cut through all of my clothing.

  I turn back around and face a home that’s both old and new—a home that’s housed my heart since I could remember, even if my body left for a little while.

  And then I smile, basking in the gothic glory of Parsons Manor. It’s how my great-grandparents decorated the house, and the taste has passed down through the generations. Nana used to say that she liked it best when she was the brightest thing in the room. Despite that, she still had old people’s taste.

  I mean, really, why do those white throw pillows have a border of lace around them and a weird, embroidered bouquet of flowers in the middle? That’s not cute. That’s ugly.

  I sigh.

  “Well, Nana, I came back. Just like you wanted,” I whisper to the dead air.

  “Are you ready?” my personal assistant asks from beside me. I glance over at Marietta, noting how she’s absently holding out the mic to me, her attention ensnared on the people still filtering into the small building. This local bookstore wasn’t built for a large number of people, but somehow, they’re making it work anyway.

  Hordes of people are piling into the cramped space, converging in a uniform line, and waiting for the signing to start. My eyes rove over the crowd, silently counting in my head. I lose count after thirty.

  “Yep,” I say. I grab the mic, and after catching everyone’s attention, the murmurs fade to silence. Dozens of eyeballs bore into me, creating a flush all the way to my cheeks. It makes my skin crawl, but I love my readers, so I power through it.

  “Before we start, I just wanted to take a quick second to thank you all for coming. I appreciate each and every one of you, and I’m incredibly excited to meet you all. Everyone ready?!” I ask, forcing excitement into my tone.

  It’s not that I’m not excited, I just tend to get incredibly awkward during book signings. I’m not a natural when it comes to social interactions. I’m the type to stare dead into your face with a frozen smile after being asked a question while my brain processes the fact that I didn’t even hear the question. It’s usually because my heart is thumping too loud in my ears.

 

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